Sunday, February 26, 2017

13571: BHM 2017—Coca-Cola.

Coca-Cola saluted Black History Month by spotlighting Shirley Hasley, a social and advertising pioneer.

Meet Shirley Hasley: The Accidental Coke Model Who Helped Make History

By Elliott Smith

By the time Shirley Hasley became an advertising pioneer, she’d already made history in her day job.

In 1965, Hasley was hired as the first African-American teacher in Mill Valley, Calif., a predominately white and affluent suburb of San Francisco. A recent graduate of San Francisco State, what should have been an exciting time for a young professional was instead fraught with the regressive racial politics of the day.

“It was not a welcome time for me,” Hasley recalled. “The parents really didn’t want me, and they were going to protest. That wasn’t the kind of welcome I wanted.”

But with the support of the superintendent and a strong reliance on her faith, Hasley stayed in her teaching position.

Then, in early-1966, a random encounter brought Coca-Cola into her life in an unexpected way.

“I was crossing the street going to my car, and a PR person for Coke said to me, ‘We are embarking on a new ad campaign that I thought you might be interested in,’” Hasley recalled. “He took a Polaroid and said he was sending it to headquarters, and if they liked me they would pursue the next step.”

Indeed, Coke was working on a new campaign that featured African-American professionals, including doctors, lawyers and, yes, teachers for a series of ads that asked readers “Do Things Go Better With Coke?”

Many of Coke’s early ads featuring African-Americans were centered around sports heroes and entertainment figures before shifting to people in “everyday life”. Mary Alexander made history when she was selected as the first female African-American Coke model in 1955.

“The intent was pretty obvious,” said Coca-Cola Archivist Ted Ryan. “Coke had been doing African-American focused ads since 1950, and this series was Coke’s way of normalizing race in America.”

Much to her surprise, Hasley got the call to be in an ad the following Monday, and initially deferred due to her impending wedding. But Coke persuaded the young teacher to fly to New York in December 1966 as part of a “honeymoon” trip for the photo shoot.

“I was really excited because I got to stay at the Plaza Hotel, which was quite ritzy,” Hasley remembers. “It’s exciting just to think back on it. It was quite an eye-opener for me. I was interested in horses, and we got to do part of the shoot in Central Park with horses. There were takes and takes and takes. It’s hard work!”

Another aspect Hasley said made the shoot special was that noted photographer Richard Avedon was taking the pictures. She shot at a local school, the Plaza and Central Park as part of the triptych in the advertisement. When the ads appeared in magazines like Ebony and Jet in the fall of 1967, it sent shockwaves through Halsey’s community.

“When I came back from the shoot, everyone was very excited,” she said. “That’s how I kind of became accepted in the community. It didn’t solve all the problems, but it was a way to be a part of the community.”

After the Coca-Cola ad, Hasley modeled in a few other pieces, but came to realize that her true calling was in the classroom.

“It challenged me to really look at what was important. If I had continued doing commercials, I would not have had my teaching career,” she said. “I’m glad I decided to continue with teaching.”

Hasley taught elementary school for 38 years before retiring to work on charitable causes in her community. She recently remarried, and as part of her honeymoon, took a trip to Atlanta, where she visited the World of Coca-Cola. To her surprise, she was recognized by employees and given a tour of the attraction.

Hasley took it as a sign that, after all these years, she and Coke are still connected.

“Back then, I didn’t really think about what the ad meant,” Hasley said. “I wasn’t thinking about making inroads. But now that it’s a proud memory, I’m pleased to be a part of the early (African-American) models. I’m glad that it is a part of my memory and has been a focal point of my life for all these years.”

13570: More FCBullshit.

AgencySpy posted an announcement that FCB Chicago recruited 8 new creatives, and the accompanying photo (depicted above) indicates the hires were predominately diverted diversity additions. When FCB Global CCO Susan Credle was running the creative department at Leo Burnett, her team estimated that true equality won’t happen in the advertising industry until 2079, given the current snail-like pace of progress. Yet the recent hiring moves at FCB will push the ETA to the Promised Land well beyond 3000, ultimately updating No.2.66 to No.2.Triple-Digits. Oh, and IPG ought to revise its diversity PR BS too.

Saturday, February 25, 2017

13569: BHM 2017—SNL.

From Saturday Night Live, it’s the Russell Stover Black History Heart Shaped Box commercial.

13568: Switch Bitch.

Campaign allowed Y&R Global Strategic Planning Director Sandy Thompson to bitch about being a bitch. Why is it okay for White women to use that term, but it’s not okay for men to use it?

How I turned bitch into badass

By Sandy Thompson

In an attempt to be strong, forceful and competitive, I became a stereotype, writes the global strategic planning director at Y&R.

Recently, I lunched in a cafe with an inspiring young woman who was about to launch a great new roommate app. She shared her experience of being an ambitious woman in a predominantly male environment. Her business partners are men, and her board of advisors is comprised mostly of men. She told me how they show up for meetings in suits, while she prefers casual Converse. They have grey hair, she has braids.

I told her that when I was her age that would have scared the you-know-what out of me. I would have been intimidated and on guard. But she didn’t seem too fussed about it. If anything, I felt it empowered her. It made her a badass, who knows how to create and build in a “smarts and structure” world.

I was about her age when I found myself in a similar environment. Mine was the corporate world of advertising, not a tech startup, but back in those days ad agencies were the fun, fast moving industry. I worked for men, surrounded by men, learning from men and competing with them for my next promotion.

Unfortunately, at the time, the only way I knew how to compete was to become more like them. I began dressing like them, in corporate suits with padded “power shoulders” to give me the appearance of strength. I began addressing them with a broader stance and a more forceful voice. I learned the same war tactics they applied to “winning” and made sure not to talk about my family in an overtly “feminine” way.

What I became was the stereotypical “bitch” that you hear about so often. I was strong. Forceful. Competitive. Intimidating. But underneath it all, I was miserable. I cried my way home everyday and became angry with my lack of career progress. I worried that the tactics my male colleagues applied to their careers were making me into someone I didn’t want to be: The Bitch who is good at her job, but not someone you want fronting your business.

Thankfully, I met a wonderful and successful woman who, with one question, changed my outlook on work and set my professional life on a whole new trajectory. She asked, “Why do you want to be a man, when you are such a fabulous woman?”

The advice shocked me. I didn’t think of myself as a man, but I see now that I did assume I was doing what needed to be done to succeed: imitate and emulate my male counterparts.

Not that long ago, there seemed only two female leadership styles. You were either the nurturing and caring person who, while valuable, was not seen to be “driven” enough to lead the company. Or you were the bitch who could get the job done but was not liked by the broader team.

Fast-forward to today. The topic of gender diversity is at the forefront of our industry. And while there’s certainly no lack of finger-pointing, data sharing, and the rare feature profile of female leaders in business, I worry whether we’ve lost sight of the larger, more important goal: finding and supporting the best talent available.

I wonder whether this focus on “bitchiness in business” signals a passive acceptance of another kind of stereotype, rather than a call for professional excellence.

I question whether rewriting job descriptions to include code words like “collaborative,” “team builder,” “genuine” and “flexible” will attract truly, fiercely effective female leaders to our industry.

Charlotte Beers, one of our industry’s most successful and inspirational CEOs, posed the question beautifully. “Of course you are a collaborator. Of course you are a team builder,” she told me. “You are a woman. How does that make you any different than any other woman out there who wants the same job you want?”

I did not like being a business bitch. I wasn’t my best when I was. And while some women are good at it, and may even enjoy it, I believe that I believe that bitchiness shouldn’t be our objective. It’s not fun. It’s not inspirational. And it makes getting the job done a whole lot harder.

I am a badass that has chosen my career success. I have done it my way. I have never wavered from my beliefs since the day I took off the weight of those shoulder pads. My clients and colleagues know I will always tell the truth whether they like it or not. It means I know how to build a team, but just importantly have their back when they need it most. It means I can be beautiful and still have the undeniable power to command a room. Being a badass means I can put my family first and still get the job done better than anyone else. But it also means I can smile more often, which at the end of the day, makes me exponentially more powerful.

—Sandy Thompson is global strategic planning director at Young & Rubicam.

Friday, February 24, 2017

13567: BHM 2017—Truth Initiative.

Okay, it’s technically not a Black History Month moment, but Campaign reported the Truth Initiative is turning smoking into a social justice issue by comparing Big Tobacco’s targeting of Blacks to racial profiling. The concept was hatched by 72andSunny, which adds layers of hypocrisy and deceit to the propaganda. Plus, it’s not even an original notion—simply type “Newport” into this blog’s search field to see. “We hope young people will help us spread the word,” said Truth Initiative CEO and President Robin Koval. “When you see a social injustice, when you see tobacco being advertised up to 10 times more in black neighborhoods, call it out. We’re always looking to get young people to engage with us whether sharing our hashtag or coming to to enroll. The way we’ll stop this is by getting young people engaged.” Hey, wait until the young people gain awareness of the discriminatory exclusivity happening at White advertising agencies like 72andSunny. It’s bona fide social injustice—and that’s the truth.

Truth turns tobacco advertising into a social justice issue

By Alison Kanski

In the new #StopProfiling campaign, Truth Initiative accuses the tobacco industry of profiling African-Americans and people in low-income communities.

The Truth Initiative has made smoking not just a health issue, but a social justice issue in its new campaign #StopProfiling.

One thing the campaign is capitalizing on is the recent surge in protests and renewed focus on social justice issues since Donald Trump’s inauguration. In the past, many of its campaigns have been more lighthearted, like a campaign showing smokers are less likely to get dates on Tinder, said Robin Koval, CEO and president of Truth Initiative.

“We felt that there is a shift in the cultural mood right now,” Koval explained. “Young people are feeling that they want to make a statement about this country and that they care about all the things going on. We know young people care a lot about social justice issues. It felt like a good time to pivot a little bit and take a more serious tone in our advertising.”

The campaign, which began Sunday, takes aim at tobacco’s advertising tactics. The campaign focuses on tobacco’s targeting of African-Americans and people with lower incomes. In two videos featuring comedian Amanda Seales, the campaign points out that black neighborhoods have up to 10 times more tobacco advertisements and low-income neighborhoods are more likely to have tobacco retailers near schools.

“Some people might say, ‘Isn’t the tobacco industry just targeting their best customers? Isn’t that what all brands do?’” said Koval. “It’s not as innocent as that. That’s not just marketing, that’s singling people out and that’s called profiling.”

Along with the videos, which premiered during the Grammys on Sunday night, the Truth Initiative is running a robust digital campaign for #StopProfiling aimed at young people from 15 to 24 years old. The initiative used the MTV Video Music Awards last August to kick off another campaign called #Squadless.

“We like to use these tentpole events where you can aggregate lots of young viewers in a single moment and start to generate awareness,” Koval said. “We’re igniting the spark on a major event like the Grammys, but the real power is in all of our finishers, the people who follow and engage with us afterward.”

The initiative took over YouTube on Sunday with the campaign and promoted the hashtag on Twitter Monday, Koval said. The campaign will also include work with influencers on Snapchat and Twitter.

Truth worked with several agencies to help create the campaign: Ketchum for PR, 72andsunny for advertising, and Assembly for media planning. This campaign is an extension of Truth’s Finish It campaign, which began in 2014 and aims to make this generation of young people the generation that ends smoking.

“We hope young people will help us spread the word,” Koval said. “When you see a social injustice, when you see tobacco being advertised up to 10 times more in black neighborhoods, call it out. We’re always looking to get young people to engage with us whether sharing our hashtag or coming to to enroll. The way we’ll stop this is by getting young people engaged.”

Thursday, February 23, 2017

13566: By The Color Of Their Cola…

This campaign was hatched by loved in Germany, with an explanation that read:

They look different on the outside but are all the same on the inside. That’s true of people all over the world — and now of cola, too. Or at least ALI COLA, the first cola that comes in six different skin colors. In 2017, politics is lurching to the right — in Germany, Europe and the USA. So the German agency loved relaunched the pro-tolerance cola brand ALI COLA and invented their own cola. Instead of coming just in the usual black, ALI COLA is available in six different skin colors. But though they look different, all six colors taste exactly the same. They’re all the same; they just look different on the outside. Like people. ALI COLA responds to prejudice and with humor. [sic] The slogan: Cheers to tolerance. The brand also supports Kiron, an NGO that has found a way to cut red tape and help refugees earn university qualifications thanks to online courses and partner universities.

Um, German pro-tolerance is as oxymoronic as, well, Madison Avenue pro-tolerance. And it’s odd to deliver such a concept via a cola brand, especially given the history of intolerance connected to Coca-Cola.

13565: BHM 2017—Havas.

Adweek reported Havas in Chicago pooped out a pathetic promotion to pay tribute to Black History Month. The agency created a “jobstacle course” designed to help non-Black employees get a sense of what it’s like for Black people to work in the predominately White advertising industry. Ironically, the wannabe breakthrough concept features all the standard clichés involved with being Black on Madison Avenue and beyond. “I love reading these articles about how white and old the industry is, and the industry itself acknowledges and talks about the problem versus actually changing and activating on the kind of issues we have,” said Havas Chicago CCO Jason Peterson. “We are by no means perfect, but acknowledging the issue and talking about it is something we take really seriously. I think everyone needs to look at it and think about how we are going to change and act differently if we want this industry to evolve and be better.” Well, for starters, Peterson might consider the simplicity of substance over style, sharing the hiring figures at his own office and within the nepotistic Havas network. Of course, such an act doesn’t allow for self-absorbed hype in trade publications. But it would clearly underscore the true obstacles Blacks face from idiots like Peterson—the results of which can be fully experienced by peeking at the Havas careers section on the company website.

This Agency Created an Obstacle Course to Show People What It’s Like to Be ‘Black at Work’

Havas Chicago’s plan for Black History Month

By Katie Richards

In honor of Black History Month, Havas Chicago wanted to do something that would get its employees and the people of Chicago to not only reflect, but also learn a little something about what it’s like to be black in an ad agency today.

A team of employees decided to create an obstacle course in the lobby of the building. Each obstacle was designed to teach the rest of the agency about what a black man or woman might experience in the workplace while also starting a much needed conversation about the lack of diversity in the advertising industry.

“I love reading these articles about how white and old the industry is, and the industry itself acknowledges and talks about the problem versus actually changing and activating on the kind of issues we have,” Jason Peterson, the agency’s chief creative officer, said. “In my point of view, America is multicultural, so if you’re an agency that doesn’t have or isn’t made up of a multicultural point of view, there’s no way you can do your job properly.”

Peterson went to Jason LaFlore, an art director at Havas Chicago, and a few other creative and strategy people at the agency and asked them to come up with “something that’s going to show our point of view and not be passive and have a real active positioning,” Peterson said, in honor of Black History Month.

LaFlore and his team got to work and came up with the idea of the #BlackAtWork campaign. Each obstacle in the “jobstacle course” came from real experiences or conversations members of the team previously had in their careers.

The first obstacle, the beam of perception, is a balance beam that participants have to cross. On one side of the beam, the agency printed the word “angry.” On the other side, it printed “lazy.” The purpose of the beam is to illustrate some common stereotypes that present themselves in the workplace.

“If you’re too nonchalant about your job, you’re automatically seen as lazy,” LaFlore explained. “If you’re too passionate about your job, you might be seen as the angry black man or the angry black woman.” The beam is meant to illustrate the fine line between falling into one or the other stereotype.

A second obstacle, the speech bubbles, is about why certain questions and comments are inappropriate. Examples include “Can you teach me how to Dougie?” and “That’s so ghetto.” The team hung the comments and questions from the ceiling, teaching people to dodge the culturally insensitive words.

A similar obstacle, the Hollywood shuffle, tackles the weight many black people feel when co-workers ask them about black culture, the assumption being that one person knows everything from the latest dance moves to slang or cultural trends.

“It spoke to the idea that a lot of times, whether it’s a company party or something, people expect that the black guys are going to dance,” LaFlore said. “I don’t always know all the dance moves and all the trends that are happening just because I’m a minority in the office.”

The obstacle course will be up in Havas Chicago’s office for the rest of February. As with past activations the agency has set up in its lobby, the hope is that people will see the sign on the lobby window (it currently reads “Black At Work”) and pop in to see what’s going on. Anyone can take the challenge, even other agencies in the Chicago area.

“We are by no means perfect, but acknowledging the issue and talking about it is something we take really seriously,” Peterson said. “I think everyone needs to look at it and think about how we are going to change and act differently if we want this industry to evolve and be better.”

Wednesday, February 22, 2017

13564: 72andShitty.

Wow, 72andSunny has no shame, promoting diversity via a Smirnoff campaign starring a Congolese-French-DJ-albino and a Swedish-Iranian-deaf-hip-hop-artist—along with a tagline proclaiming, “We’re Open.” Not sure such openness is actually present at the White advertising agency. “We’re all the same on the dancefloor” is debatable; but we’re definitely not all the same on the floors of a typical shop like 72andSunny.

13563: Tinny Titanium.

Campaign reported Titanium Worldwide (a minority-owned collective headquartered in New York City) tapped member Ten35 (a shop with offices in Chicago and Houston that focuses on multicultural and generational audiences) to help Mercedes-Benz woo Blacks in Atlanta. The scenario underscores the advertising industry’s diversity zaniness on multiple levels. That is, a minority-owned collective headquartered in New York City—which has a Black population of about 25%—must recruit a shop with offices in Chicago and Houston—which have respective Black populations of about 36% and 25%—to service a client in Atlanta—which has a Black population of about 54%. Mercedes-Benz couldn’t find a qualified agency in Atlanta, where Blacks essentially dominate? To top it all off, the photo illustrating this news story featured a White woman. Perfect.

Meet the minority-owned collective fueling Mercedes-Benz’s African-American outreach

By Kathryn Luttner

Titanium Worldwide catered to the LGBT community first; now, it’s after Atlanta residents for the automaker.

It’s not often that a football team gets to play their first game in a new stadium as reigning world champions. But with their appearance in the Super Bowl this Sunday, the Atlanta Falcons could be exactly that when they christen Mercedes-Benz Stadium next season. This stroke of luck wasn’t part of Mercedes-Benz USA’s original plan to win over Atlanta residents, but for VP of Marketing Drew Slaven, it doesn’t hurt the brand’s chances in a town where the automaker is planting some serious roots.

The initiative, titled “Take Back Atlanta,” began two years ago when Mercedes-Benz moved its American headquarters from Montvale, N.J., to an Atlanta suburb. That same year, the brand bought the naming rights to the Falcons’ new stadium, making it the second to bear the Mercedes-Benz name (the other is the Mercedes-Benz Superdome in New Orleans). Now, the automaker has tapped Chicago and Houston-based marketing agency Ten35 (part of minority-owned collective Titanium Worldwide) to connect with African Americans in its new hometown.

To be clear, Slaven doesn’t like the term “Take Back Atlanta”—even though the phrase originated from the automaker—because he said, Mercedes-Benz is the best-selling luxury automotive brand in town, so “there’s nothing to take back.” Although it isn’t entirely focused on the African American community, that is a big factor. “In our new home, we want to not simply be No. 1, we really want Atlanta and Mercedes-Benz to go hand-in-hand,” Slaven said.

If you haven’t heard of Titanium Worldwide or read about Mercedes-Benz’s big push into the African American community, it’s all part of Titanium CEO Robyn Streisand’s plan. She takes a “walk, crawl, run” strategy to business—and her own collective of minority-owned agencies is a testament. Titanium Worldwide soft launched in 2013, but Streisand, an LGBT entrepreneur (and Barbara’s second cousin), didn’t announce it until last year, because she wanted to “prove the model. Holding companies are watching us.”

That model, she said, bloomed from a frustration she encountered after 20 years at her own marketing agency The Mixx. Fortune 500 companies regularly approached for small jobs, she said, but when it came to the big campaigns, the argument was always the same: minority-owned businesses simply didn’t have the depth—in talent, money and resources—to do the job. So Streisand interviewed more than 150 agencies across the United States and landed on 17 to form Titanium. “There’s no overlap in skill sets,” Streisand said proudly. “Everyone has their own lane.”

And yet, there’s one point of contact and one P&L (while maintaining 17 individual agencies), which was one of the attractions for Mercedes-Benz who had been a client of The Mixx for 10 years. (The other, Slaven said, was authenticity. “When you want to talk to a community, to work with a provider that understands that [community]—that lives that [community]—is really important,” he said.) That single point of contact is something agencies are increasingly looking to provide, as witnessed by recent client-centric restructurings from Publicis and Ogilvy.

In 2015, the community that Mercedes-Benz zeroed in on was LGBT. That same year, the U.S. Supreme Court ruled to legalize same-sex marriages, so the timing was no coincidence. Titanium developed a year-long strategy of print and digital advertising, in addition to paid social media and an event at the New York International Auto Show, to deliver 2.2 million digital impressions and 135 percent increase in brand mentions on gay news websites.

Plus, the National Gay Media Association awarded Mercedes-Benz the top honor in its automotive category at its first Ad POP Awards (POP stands for Pride in Online and Print). In the end, Streisand said marketers have thanked her for “getting corporate to wake up and smell the coffee.”

“It can’t be that you’re just advertising at Gay Pride,” she said. “You want 100 percent on the HRC Equality Index. One and done at Pride is not enough anymore.”

Fast forward to 2017, and Ten35 is implementing Streisand’s “walk, crawl, run” strategy to its Take Atlanta Back initiative. Sherman Wright, managing partner and COO of the agency, said the campaign won’t be a one-off effort. While it’s still in development, Wright said to expect “heavy digital components and an experiential element” that connects personally with the communities of Atlanta.

“What’s important to understand is the African American community is not this monolithic community,” Wright said, adding that it’s important for marketers to understand the nuances. “You look at things such as accomplishments and that values are placed in achievement. Making sure the idea of luxury comes through this idea of achievement” is extremely important to African Americans, so look for Mercedes-Benz and Ten35’s work to pay “homage to that journey and the hard work and commitment that goes into it.”

If successful, Wright said the carmaker will expand this African American initiative nationwide, taking the minority-owned collective along with them—proving that together, minority-owned agencies can tackle the big jobs.

13562: BHM 2017—Regions.

Regions flies through Black History Month by saluting Tuskegee Airmen and launching scholarships.

Tuesday, February 21, 2017

13561: Persistent Sister.

How many of the 79 Likes for this Erin Johnson LinkedIn post are from JWT and/or WPP executives? Maybe she’ll post a follow-up that reads, “Nevertheless, He Persisted”—which would be a thinly veiled reference to how Gustavo Martinez was persistent in his alleged cultural cluelessness and discriminatory shenanigans.

13560: BHM 2017—AT&T Again.

Technically, this is also not a BHM advertisement; rather, it’s yet another example of self-promotional pap tied to the EBONY Power 100, this time from AT&T. Saluting its SVP of Human Resources and Chief Diversity Officer, the communications company bragged, “It’s not just what she brings to the table, it’s who she brings with her.” Really? Who does she bring with her? Milana Vayntrub? Unfortunately, like most Chief Diversity Officers, she has no power to influence inclusiveness at advertising agencies.

13559: Fantastic 40s.

Campaign declared, “Fight the youth: Campaign US’ Digital 40 Over 40 opens for nominations”—puffing up the anti-ageism smokescreen to further deny true diversity. Can’t wait to glorify the graying White geezers doing digital. Heaven forbid Campaign might honor 40 over 40 minorities in the advertising industry. Could 40 minorities even be identified? And would they be awarded 40s for their achievements?

Monday, February 20, 2017

13558: BHM 2017—NBA Logos.

To celebrate Black History Month, Artist Hebru Brantley redesigned and reimagined all 30 NBA logos.

13557: Rauxa Regresses…?

Remember Rauxa, the White woman-owned White advertising agency that hired a White woman as its first Chief Creative Officer last year? No? Doesn’t matter. AgencySpy posted that the CCO bailed out for a role with Facebook, and she’ll be replaced by three ECDs—two of which are White men. Such a blow to diverted diversity in the advertising industry. Oh, and the image above is from the Rauxa Restaurant & Show in Mexico, which looks a lot more interesting—and more diverse—than the advertising agency.

Rauxa’s First CCO Leaving for Creative Role at Facebook

By Patrick Coffee

Kate Daggett, who became the first-ever chief creative officer at indie agency Rauxa last summer, will be leaving after this week to accept a job on Facebook’s team.

A spokesperson told us that Daggett had been offered a great opportunity at Facebook and that she leaves on good terms, though the agency had initially planned to have her run its creative efforts for far longer than six months. The precise nature of the new role is not clear, but we do hear that it’s an internal creative leadership position.

Moving forward, the agency plans to work via a model in which three ECDs simultaneously lead its creative department as part of a larger move to flatten its structure. John Avery, longtime veteran of Deutsch’s VW team, holds that position in L.A. while George Singer, who has been with Rauxa since 2009 and works on its Verizon business, serves as ECD in New York. The re-organization had already begun at the time Daggett got the call from Facebook, and Rauxa also plans to announce the hire of a third creative lead in coming weeks.

Early last year, Verizon consolidated the portion of its FiOS direct marketing business that had been at MRM//McCann with Rauxa. The former agency then went through a series of executive-level departures including that of CEO Michael McLaren, who is now with Merkle.

Just over a week ago, Rauxa also officially launched its Culver City-based content marketing arm, Cats on the Roof, under the tagline “Tell better stories.” This unit has been in operation for several months and already completed projects for brands including Verizon, Best Buy, Swarovski and 20th Century Fox.

Sunday, February 19, 2017

13556: BHM 2017—President Trump.

Black History Month would not be complete without replaying President Donald Trump honoring the tremendous history of African Americans throughout the world.

13555: Give A Hand For Diversity.

A Canadian Saatchi & Saatchi campaign advocating for Gender + Sexual Diversity only features White hands. Perfect.

Saturday, February 18, 2017

13554: BHM 2017—Comcast NBCUniversal.

Technically, this is not a BHM advertisement; rather, it’s another example of self-promotional pap tied to the EBONY Power 100, this time from Comcast NBCUniversal. Congratulating its VP of Inclusion & Multicultural Marketing, the company proclaimed, “Leaders Drive Innovation.” Okay, but the advertisement is anything but innovative.

13553: Twitter Twits.

Business Insider listed “The 30 best people in advertising to follow on Twitter”—which reflected the advertising industry pretty perfectly, in that the list featured mostly White men and White women, including a fair amount of diverted diversity defenders. Sorry, but the Twitter talents of Cindy Gallop, Kat Gordon, Lindsay Pattison and Wendy Clark rival the tweeting prowess of President Donald Trump.

Friday, February 17, 2017

13552: BHM 2017—Verizon.

Black History Month is child’s play for Verizon.

13551: WPPecksniffery.

Advertising Age reported WPP’s Mindshare drafted a “gender equality brief” that 87 offices will execute against, designing diverted diversity “ideas that really help advance gender equality through the lens of a brand.” Gee, what a novel endeavor. Leave it to a media agency to jump on the White women bandwagon and think it’s an original and breakthrough concept. What’s truly baffling is no one seems to see the outrageousness of promoting White women in a company currently dealing with a gender-based discrimination lawsuit and run by a fucking hypocrite whose annual compensation package makes the gender pay gap an infinite chasm. Oh, and the Mindshare team hardly reflects a female-friendly enterprise.

WPP’s Mindshare Works on Gender Equality Brief Across 87 Offices

By Lindsay Stein

WPP media agency Mindshare is using its annual Mindshare Day celebration to fight for gender equality across all 87 offices on Wednesday.

Every year, the shop selects an important cause to shape into a brief that staffers can work against on behalf of select clients. This time, the brief, which Mindshare North America Chief Strategy Officer Cindy Gustafson said “is one of the most spirited ones we’ve had,” is focused on gender equality. The topic was selected based on Mindshare employee feedback about what they’re passionate about and what’s going on in the world.

All 87 offices will “design ideas that really help advance gender equality through the lens of a brand,” said Ms. Gustafson, who added that some of the clients in North America include Unilever, General Mills and Nordstrom. In fact, Gail Tifford, VP of media and digital engagement for Unilever in North America, was a keynote speaker at Mindshare’s New York office today to kick off the celebration, as well as Rosie Rios, former U.S. treasurer under President Barack Obama.

Clients are “proactively” approached for the initiative based on what the agency knows about the brand and its business,” said Ms. Gustafson.

At the end of the day, each office will present its gender equality brand idea to a team of judges. In North America, the judges include the executive group and an amalgamation of discipline leads. Forty-eight hours later, one winner will be chosen per country or region, and then a global judging panel of executives will discuss which idea, if any, “has the ability to go on and become something bigger.”

Last year was a little different for Mindshare Day because the theme was around one organization, which was ideas to help Amnesty International. The winning global idea that went to market, which came out of Europe, was an adaptive print campaign based on Mindshare’s Planning for Agility process, which helps brands move at the speed of culture in their media plans.

Some other fun aspects of Mindshare Day include that office team and conference rooms are all renamed for the day after famous and culturally important women, such as Simone De Beauvoir, Susan B. Anthony, Malala Yousafzai, and even fictional characters like Mulan. Additionally, each office’s staff is broken up into “sub-teams” so that people have the chance to work with colleagues across different disciplines and accounts.

“We look at this as a kickoff to how we want to think about our efforts moving forward,” said Ms. Gustafson, who added that this “is not just a one-and-done thing” for Mindshare. She said gender equality has always been important to the agency, which hired 63% women last year. Mindshare’s marketing sciences team is also made up of half women and 55% of its managing directors in North America are women.

The gender brief was also important to WPP, she said, because the holding company struck a partnership with the U.N. last summer to “truly advance the cause with gender equality.”

Thursday, February 16, 2017

13550: BHM 2017—Nationwide.

Technically, this is not a BHM advertisement; rather, it’s self-promotional pap from Nationwide, touting the insurance company’s sponsorship of the EBONY Power 100. The headline declares, “You Are Inspiring.” The advertisement, ironically, is uninspiring.

13549: Mostly White Village People.

Adweek published a story titled, “At Havas, It Takes a Village to Win So Many Accounts in So Little Time.” It’s a little sad that “It takes a village…” is an African proverb once hijacked by Hillary Clinton and now being used to spotlight an exclusively White media agency.

Tuesday, February 14, 2017

13547: Monumental Bullshit From BBDO.

Adweek reported on more diverted diversity dedication from BBDO, with the White advertising agency pooping out patronizing propaganda to name more American landmarks after women. Such an opportunity to kiss the collective asses of clients, Cannes, conferences and commercial directors. BBDO showers White women with multimedia campaigns, while racial and ethnic minorities get a comic book. How thoughtful.

BBDO Launches an Eye-Opening Campaign to Name More American Landmarks After Women

92% of outdoor monuments are dedicated to men

By Patrick Coffee

Half of the 320 million-plus people living in the U.S. today are female, yet only 8 percent of outdoor public statues in this country are dedicated to women.

The same imbalance applies to street and building names, and other monuments. But if you weren’t aware of the gender disparity, you’re not the only one. BBDO New York president Kirsten Flanik tells AdFreak, “My mom, who is in her mid-70s, said, ‘This never even occurred to me.’”

In response, her agency decided to do something about it.

The newly launched “Put Her on the Map” project aims to bring more attention to famous females by naming more public properties after them, and highlighting the few that already pay tribute to historic American women.

This week, Andrew Robertson, BBDO Worldwide’s president and CEO, and Amy Elaine Wakeland, the First Lady of Los Angeles, debuted the film below at the Makers Conference, an annual AOL-sponsored event celebrating “the trailblazing women of today and tomorrow.”

The girls featured in the short illustrate the problem in the simplest, most compelling way—by trying to think of things named after women.

“We were really inspired by this year’s #BEBOLD theme, and we wanted to announce a bold idea that could leverage the power and influence of the people in the room to help create change. There’s never been a more important time to press the issue of gender equality,” Flanik says, adding that this year’s Makers event felt, in some ways, like an extension of last month’s Women’s March on Washington. Speaker Gloria Steinem, for example, opened her appearance with the following quote: “Women have always been an equal part of the past. We just haven’t been a part of history.”

“We thought it was a story that needed to be told more broadly,” Flanik says. “If girls can’t see it, they can’t be it.”

“Who better to help magnify this point than young girls?” adds BBDO executive creative director Lauren Connolly, who worked on the project. “Once you hear it directly from their mouths, you can understand the immediate reason why we need to honor women around our cities.”

“When successful women are not visible in our world, there is no precedent for female potential,” says Robertson. Makers founder, producer and documentary filmmaker Dyllan McGee adds, “We’re so thrilled to have BBDO join us at the 2017 Makers Conference, making such a bold statement with their initiative to ‘Put Her on the Map.’ By honoring leading females across the U.S., we help to inspire the next generation of trailblazing Makers.”

BBDO has been a sponsor of the Makers event for the past three years, and Flanik became a member of its board of directors last year. The Omnicom agency created and financed the “Put Her on the Map” project internally, choosing to debut the work at Makers in order to reach more influencers across industries.

Flanik notes that Megan Smith, who served as U.S. chief technology officer under President Obama, immediately expressed interest—as did Niantic, Inc., the company behind Pokemon Go. A corporate statement reads, “We will work with the Makers and BBDO teams to help put on a walk that highlights the history, art and culture behind impactful women, using our apps to guide people to unique, real-life locations.”

Several unnamed BBDO clients are in the early stages of conversations regarding potential “Put Her on the Map” collaborations, and Flanik says the Office of Los Angeles Mayor Eric Garcetti is actively working on the project.

“They want to do their part to start bringing greater recognition to those things in L.A. already named after women,” Flanik tells AdFreak, adding that BBDO will continue producing content beyond the film above. “Hopefully it will be a story that continues.”

13546: BHM 2017—Nike.

Nike salutes Black History Month in two ways:

1. Its annual BHM collection.

2. Its Equality campaign that declares, “This field of play. … If we can be equals here, we can be equals everywhere.” Um, except when you’re talking about the advertising field. Now that’s fucked up!

13545: Return To Exclusivity.

Advertising Age reported on “Returnships”—the latest diverted diversity device designed to help White women advance in the advertising industry. The story was actually titled, “How ‘Returnships’ Are Helping Agencies Bridge Diversity Gap.” However, the “diversity gap” is really the alleged gender gap in a field where women already comprise roughly 47 percent of the workforce. Thank goodness there’s now a deliberate effort to help women return to the job after taking time off to raise families or pursue other activities. For racial and ethnic minorities, however, there’s no chance to return when you’ve never been allowed in the game to begin with.

How ‘Returnships’ Are Helping Agencies Bridge Diversity Gap

By Adrianne Pasquarelli

Darcie Lamond left an executive-level business and consulting position at a major financial services company to raise her family. A decade later, when she was ready to rejoin the workforce in 2014, she had trouble finding a job.

“It was tough, it was very tough to get people to look at you seriously because there was this sense of, ‘Your skills are dated, you don’t know how the world works anymore,’ ” she said. “That was frustrating.”

Then she found Linda Wells, an executive recruiter with 11 years at Stanford University’s Center for Entrepreneurial Studies, who was successfully reintegrating women into the workforce with “returnships” via her new company, Talent Reconnect. She introduced Ms. Lamond to Matt Bijarchi, who was trying to grow his Los Angeles-based ad agency, Blend, after founding the shop in 2013. Mr. Bijarchi brought Ms. Lamond on for a short-term returnship—and the rest is history. Within two years, she rose through the ranks at the 15-person agency to become partner last year.

Returnship programs offer caregivers, usually women, a means to re¬enter the workforce after taking time off to raise children. The paid program usually lasts three or four months.

The concept can represent a win-win: Women get more current experience in rejoining industry, and employers get experienced executives they couldn’t otherwise afford.

In the ad world specifically, it’s one possible solution to one of the industry’s vexing problems—lack of diversity—as marketers and agencies grapple with how to make their workforces less homogeneous and more authentic representations of modern consumers.

Much of the demand can be attributed to marketers pressuring their agency partners for more equal representation between women, minorities and white men. Last year, for example, General Mills, Verizon and HP demanded that their agencies meet diversity requirements—or face loss of business. More brands are expected to follow their lead in the coming months.

New recruiting companies like Path Forward, a nonprofit founded a year ago that helps midcareer women find jobs across a variety of industries, are taking a page from similar staffing programs at banks such as Goldman Sachs, which began offering returnships in finance nearly a decade ago.

But advertising in particular has been a tough industry for women to crack.

“It’s hard for women who have taken a few years off from marketing careers to get back in,” said Tami Forman, founder and executive director of Path Forward, which employs four staffers and also provides transitional career support to women enlisting in a returnship program.

“Many ad agencies have great parity in their [employees’] first five years, where all account execs, juniors and creative folks are women,” Ms. Forman said. “But then as you move up, you see that job becomes untenable for someone who is trying to raise a family—they drop out and can’t get back in.”

Some returnship hosts have initially been skeptical.

“It sounded too good to be true. We’re always trained to think, if [workers] haven’t been in the job market, that’s not good, there’s something wrong,” said Mr. Bijarchi. “It’s been the best decision I’ve made.”

Clients have been requesting more feedback from women, he added, citing in particular emerging tech brands that are eager to know how older demographics interact with their products. Blend is now comprised of 11 men and four women.

“Marketers want to hear from non-technically phobic senior female executives about what they should be doing with their brands in 2017,” said Mr. Bijarchi.

Of the 20 returnships Ms. Wells has placed with her company over the past three years, eight have been in marketing roles.

The bigger issue for women, Ms. Wells noted, is getting more flexibility from employers in the first place when they become parents, so that taking time off and then reentering the workforce is not necessary. But that would require a bigger cultural shift, one explicitly aimed at giving more women a chance to simultaneously advance in their careers and raise families.

Unless and until that happens, returnships also give agencies a chance to prove that they are serious about diversity by bringing in more senior-level talent.

HP, for one, wants to see women in manager positions at its agencies.

“Top brand CMOs are not idiots—you’re not going to be able to snow these guys by bringing in a bunch of 24-year-olds,” said Ms. Forman of Path Forward.

“They find they get people that have different perspectives, not just because they’re women, but because they have taken time away and have more life experience,” she said.

Monday, February 13, 2017

13544: BHM 2017—Macy’s.

Macy’s salutes Black History Month—and damn near every other minority celebration.

13543: Adland ‘17 Is Whiter Than Ever.

Campaign published a report titled, “This is adland ‘17: Part two: Ethnicity”—the colored companion to its examination of the White women bandwagon cruising through the industry. The data is dodgy, in that adland is segregated into two silos: White and BAME—an acronym for Black, Asian and Minority Ethnic, which makes it difficult to determine specific percentages for non-White segments.

Key takeaways from the report include:

• BAME representation has decreased in the past two years.

• Campaign stated, “BAME individuals make up about 14% of the UK population, but most of the larger agencies are based in London, where this percentage is higher.” In other words, the reduction of BAMEs at White advertising agencies in London is fucked up.

• Campaign stated, “This research only captures data on gender and ethnicity. Of course, diversity is far broader than this. It is not even limited to sexual orientation, age, disability or socioeconomic background—all topics Campaign has covered extensively—but about respecting individuals and the different qualities they bring to work.” In other words, expect old White people, disabled people, LGBT and diverse thinkers to ultimately leapfrog over racial and ethnic minorities in the years ahead.

• IPA President Tom Knox stated, “The good news is that, at the most junior level, the representation of individuals coming from a BAME background is at the national level of 15%. However, the big issue is that this figure is only 4.7% in the most senior roles and 5.5% in other executive management.” In other words, look for a spike in outreach programs targeting inner-city toddlers.

Finally, the Campaign report was illustrated with a clichéd image of colorful hands (enhanced and depicted above), underscoring the dismal dearth of dark-skinned people in adland. Rainbow-colored people are more likely to land advertising jobs than Blacks.