Showing posts with label carter murray. Show all posts
Showing posts with label carter murray. Show all posts

Tuesday, November 07, 2017

13884: Playing The Percentages.

Campaign reported on the latest 3% Conference soiree with a misleading headline proclaiming, “The 3% Conference goes beyond gender in its sixth year.” The organization even declared, “This year, we go beyond gender,” on its website. Don’t believe the hype. Besides an opening stunt designed to help the privileged recognize their privileges, the rest of the Campaign article covered standard excursions on the White women’s bandwagon. Sure, the event included a pep talk from Glenn Singleton, a diversity consultant who actually specializes in helping foster and achieve racial equality in education—which is kinda funny, as Madison Avenue’s go-to strategy for diversity usually starts and ends with recruiting inner-city kindergartners and erecting advertising high schools. But the true focus of the girlfriend gala was exemplified via FCB Worldwide CEO Carter Murray’s discussion on the imperative for diversity, which segued to promoting Free the Bid. Beyond gender is code for diverted diversity. Sorry, Kat Gordon’s commitment to racial and ethnic inclusion is, well, less than 3%.

The 3% Conference goes beyond gender in its sixth year

By Zoƫ Beery

On Day One, speakers tackled race, mentorship and playground sexism.

After five successful years challenging the gender disparity in advertising, the latest edition of the 3% Conference—the name refers to the low representation of women among creative directors—faces a very different world. For one, the statistic from which it takes a name has since doubled. For another, the White House has a different view of women than its predecessors. Always seeking to push the industry, the organizers have widened the scope of the conference to include an intersectional analysis of workplace diversity.

Mainstage emcee Luvvie Ajayi opened the conference with an exercise to highlight how privilege persists in diverse spaces. With the help of ten onstage volunteers—including 4A’s CEO Marla Kaplowitz, Hill Holliday CEO Karen Kaplan and Pereira & O’Dell Co-Founder PJ Pereira—she ran through a series of questions that instructed the participants to step either forward or backward based on their answers: If you have gone by a different name because people can’t pronounce your real one, step back. If you can find bandages that match your skin tone, step forward.

Participants had their right hand on a neighbor’s shoulder, so when they drifted too far apart as the questions continued, they had to physically desert colleagues with either more or less privilege. “In real life, you never feel the break, so you forget there are people who can’t come with you.” Ajayi said. “If you’re in the front”—someone with a lot of privilege—“you have to turn around and figure out how to bring those people up with you.”

Breakout sessions followed, with one track dedicated to “manbassadors”—talks on how men should tackle the gender imbalance. First up was DDB Worldwide Chairman Emeritus Keith Reinhard, who began by noting that some of DDB’s most iconic campaigns, like Levy’s Jewish Rye and the VW Lemon, were created by women. He shared advice to male mentors he’d solicited from successful women colleagues, which he distilled to several key points: listen, engage, encourage, be present (don’t mentor if you don’t have time) and follow up. “Mentors should be givers, not takers, of energy,” he explained. “See your mentee as someone bigger than themselves, and stay in touch even after they succeed and seem not to need you as much.”

Next, Eleven Chief Growth Officer Michele Sileo and VML Director of Inclusion and Cultural Resonance God-Is Rivera talked with Swarthmore behavioral scientist Matt Wallaert (who was inexplicably wearing sunglasses for the duration of his moderating) about how men’s support, or lack thereof, has shaped their careers. Rivera’s husband has stepped into a more domestic role as her career has skyrocketed, and she implored the men in the room to understand that it may be hard for women to accept that level of support. “We beat ourselves for not being able to be both a mother and fight battles at work,” she said. “We have to know there’s no judgment, and that you won’t complain” about traditional gender roles being flipped.

Sileo emphasized that male supervisors can improve their office gender dynamics by being more open about flexible scheduling, which removes the guilt women often feel for making reasonable requests that they may think of as special treatment. “Make the conversations you’re having in private, public. Acknowledge the flexibility people have, because when you as a leader talk about it, it becomes okay.”

A ballroom over, the leadership track hosted by FCB Worldwide CEO Carter Murray discussed how diversity creates great leadership. He illustrated with a counter-example—the mostly male, almost entirely white Trump administration. “It’s a total echo chamber,” he said, “but there is one truth in America no one can run away from: the distribution of under 18-year-olds is no longer a white majority, and how can we say we’re representing the people we need to market to if our companies are not diverse?” He implored agencies to implement Free the Bid, which he said has worked well for the agency: In the last 12 months, 30 percent of FCB’s jobs went to female directors.

Back with the manbassadors, Glenn Singleton led the room in a hyper-condensed version of the training he provides at Courageous Conversations, which focuses on race in the workplace and beyond. “You can’t deal with gender disparity without dealing with race,” he said. “If you don’t, there will be a modicum of change for white women, and women of color will fall behind.” He encouraged the leaders in attendance to set an example for their firms and not shy away from difficult topics and moments. “People at the highest level have to build the highest capacity for sticking around, because when we run, so does everybody else.”

The day finished with a saccharine dose of family bonding at a panel featuring four high-powered ad women and their daughters. The senior execs shared highlights and horror stories of their multi-decade careers, while the young women reflected on years of watching their mothers’ strengths and sacrifices in a demanding industry. R/GA CCO Chloe Gottlieb said, “I’m 44 and am just coming into the inner confidence to ask for what I deserve, whereas my husband had it all the time. I want to give young girls a toolkit so they can get there faster than I did.”

But the best quote of the panel, and indeed the day, came from fourth grader Vivi McHugh, daughter of Goodby Silverstein & Partners CCO Margaret Jonhson. Asked if she’d ever been told she couldn’t do something because she was a girl, she recounted a story from first grade about a male classmate saying she wasn’t welcome on the basketball court because there was already one girl there, and “we don’t need two.”

“And how did you respond?” asked the moderator, photographer and filmmaker Lauren Greenfield.

“Well,” McHugh replied, “I punched him in the stomach.”

Friday, June 24, 2016

13234: People In Ivory Towers…

Adweek published an interview with FCB Global CEO Carter Murray where he declared, “You’ve got to have people in charge who actually care about the people, who don’t just talk it but work on it. C-suite people sitting in an ivory tower just trying to make big bonuses and not do much work … it’s pretty hard to survive in this industry being like that in this day in age.” Murray seemed oblivious to the contradictions of making such bold statements while lounging in a swanky Cannes location. Ivory tower exclusivity leads to cultural cluelessness.

FCB Global CEO Says the Age of the ‘Ivory Tower’ Agency Executives Is Over

Carter Murray predicts more tech partnerships to come

By Patrick Coffee

CANNES, France—According to FCB global CEO Carter Murray, the ad industry may well be nearing the end of an era dominated by outsized personalities with titles and pay packages to match.

“You’ve got to have people in charge who actually care about the people, who don’t just talk it but work on it,” he said. “C-suite people sitting in an ivory tower just trying to make big bonuses and not do much work … it’s pretty hard to survive in this industry being like that in this day in age.”

Murray also dismissed those who say the agency business model is dead, telling Adweek that he’s been hearing the same argument for almost 20 years.

That said, the model is changing at the speed of a swipe. As Snapchat and other platforms become ever-larger players in the paid media equation, Murray predicts more deals between agencies, clients and tech companies—many of them presumably made inside gated “secret compounds” like the one Evan Spiegel’s company set up right next to the action at the Palais in Cannes. “You have to partner every year with an exponentially larger number of people,” Murray said.

The festival itself clearly isn’t going anywhere, despite some grumbling about the event serving as more of a cash cow and a corporate showcase than a celebration of creative endeavors. “It’s more intense than it’s ever been,” Murray said, and Cannes will continue to serve as a focal point for global dealmakers, promoters and celebrity exhibitionists in the years to come.

Monday, March 10, 2014

11787: FCB Cuts Draft (From Logo).

Adweek reported Draftfcb is moving ahead with its rebranding, reintroducing a stodgy old name with a shitty new logo. FCB features a diagonal cut in the final initial, perhaps to symbolize the regular cuts in staff. Plus, the colored letters represent “the palette of flags in FCB’s 90 operating countries.” Of course, there’s not a Black to be found.

Draftfcb Is Unveiling Its Rebranding

Emphasizes its positioning as an integrated shop

By Noreen O'Leary

This may be the most public course correction in modern agency branding: Draftfcb, formed by the combination of two Interpublic shops in 2006, is unveiling its new identity as FCB (Foote, Cone & Belding). It’s an unexpected reversal from when direct marketer Draft effectively took over FCB in a shift touted as a new behavioral-driven model supplanting the influence of one of the industry’s storied ad agencies.

The change has been rumored since the September arrival of Draftfcb’s new global CEO Carter Murray, who said that after eight years the merged entity, with its single P&L, needs one brand positioning. “We had two very iconic names with different heritages, different pasts,” said Murray. “It didn’t fully reflect our integrated nature.”

Additionally, Murray said the agency has fewer global clients than its peers: “We are intrinsically local, and this celebrates local creativity and local spirit.”

Case in point: New York now becomes FCB Garfinkel, reflecting the January arrival of creative executive Lee Garfinkel as CEO. “When I say I’m putting creativity into the center of this company, I’m not messing around,” New York-based Murray added.

Which leads back to FCB’s 140 year-plus pedigree—a shop once run by Albert Lasker, known as “The Father of Modern Advertising”—that includes branding oranges as Sunkist; asking “Does she or doesn’t she?” for Clairol; and producing groundbreaking Levi’s 501 Blues work. Post-merger, most Foote Cone executives were excluded in top management ranks; “Draft” fronted the logo and “fcb” followed in lowercase type.

“The reason we put my name on the door was we wanted to make it clear this was not direct marketing being subsumed by an agency,” recalled executive chairman Howard Draft. “When I was more active in the agency, it made sense. My brand connotes more direct, digital, retail, but now we’re fully integrated.”

That was the original intent. But in the last few rocky years as Draftfcb lost big accounts like S.C. Johnson, Kraft and MillerCoors, the perception of the agency was that it had swung too far in the direction of Draft’s CRM practice and lost FCB’s creative understanding of consumers and narrative advertising.

The new identity, designed by FCB International CCO Luis Silva Dias, incorporates local elements that visually follow a diagonal cut in FCB’s “B.” Those details may include an operating city or the name of an acquired company because of its local equity or a specific expertise, like FCB Health. In New York, where the agency is predominately a health practice, that distinction differentiates those operations from the agency bearing Garfinkel’s name. While he is the first to become part of an office rebranding, other creative execs may follow. (Those names disappear when the individual exits.)

The logo’s colors represent the palette of flags in FCB’s 90 operating countries and the typeface is Code Pro Light, which Murray describes as a bar code font reflecting Draft’s digital heritage.

Tuesday, November 19, 2013

11584: Carter Murray’s Monsterpiece.

Advertising Age published a fluff piece on Draftfcb CEO Carter Murray’s hiring moves, stating the maneuvers show a desire to burnish the agency’s creative reputation. Okay, except Draftfcb’s creative reputation has been in the fucking toilet since even before the infamous 2006 merger. The former FCB was a crumbling relic, while the former Draft was never known for its creativity. Murray’s actions to date essentially reflect the Way of the White Man. That is, White admen recruit their cronies to recreate teams that were marginally effective in past lives and obsolete in the present reality. The Agency of the Future has become the Agency of the 90s.

New DraftFCB CEO’s Staff Shake-up Proves Talent Is Top Priority

Appointments Reflect Desire to Burnish Shop’s Rep for Creativity

By Maureen Morrison

Carter Murray isn’t even three months into his new job as DraftFCB’s CEO, but he’s wasting no time putting his imprint on the beleaguered shop by shaking up its executive ranks.

Just last week Mr. Murray appointed creative veteran Lee Garfinkel CEO of the New York office—an unusual move, considering agencies typically don’t hire creatives for CEO posts.

Since Mr. Murray’s appointment in September, executive changes include:

Naming former Publicis execs Chris Shumaker and Nigel Jones DraftFCB’s North American chief marketing officer and worldwide chief strategy officer, respectively.

Bringing in Morgan Shorey, also a Publicis alum, as senior VP-strategic business development in October.

Hiring Karen Spiegel from Interpublic sibling R/GA as exec VP-global chief communications officer.

Retaining Jonathan Harries, who had planned to leave the agency at the end of the year, as global chief creative officer.

Promoting Elyssa Phillips, previously exec VP-worldwide creative manager, to chief of staff. Ms. Phillips and Mr. Harries will help elevate the agency’s creative product and in managing DraftFCB’s creative community worldwide.

Blue-chip departures

Those moves, taken together with Mr. Garfinkel’s appointment to the New York CEO post, indicate Mr. Murray is keen to place more creative talent into key leadership roles and improve the agency’s creative reputation. Since its merger with Draft, blue-chip creative accounts of the former FCB, including SC Johnson and MillerCoors, have left the agency. Another creative client, Taco Bell, has greatly reduced its reliance on DraftFCB.

In the months leading up to Mr. Murray’s September start date—and since his arrival—the agency has picked up a number of smaller accounts, including food-service and uniform supplier Aramark and Raybern Foods. The New York shop picked up an assignment from the USDA, and the San Francisco office picked up the Nature Conservancy.

Prior to Mr. Murray’s arrival, DraftFCB’s Chicago office retained Kmart’s creative account after a protracted review. However, it lost its Newell Rubbermaid account, which includes the Sharpie brand, and the remainder of its U.S. Postal Service business, which included retail, promotion and point-of-sale. DraftFCB was the No. 6 largest U.S. agency, with revenue of $443 million, down from No. 3 in 2011, according to Ad Age DataCenter. It is the 13th largest global agency network, with $1.3 billion in revenue.

The New York outpost, rather than Chicago, is now the flagship for the network. Mr. Murray said he has no plans to shake up Chicago’s senior ranks.

“They are picking up new business and doing some incredible work for our clients,” he said in a statement.

Saturday, September 14, 2013

11441: Carter Murray On Hiring.

Let’s review the first week of work for new Draftfcb CEO Carter Murray—particularly his key hiring decisions.

In a bewildering act of exclusivity mixed with stupidity, Murray pulled Jonathan Harries out of the Draftfcb dumpster and re-anointed him as Global Chief Creative Officer. This is the equivalent of an NFL team suddenly signing Tim Tebow to run the offense. Or Tim Conway.

To perhaps address the alleged dearth of dames in our field, Murray named Elyssa Phillips as his Chief of Staff. Um, when did advertising firms ever require such a role? Somebody tell Murray he’s leading a White agency, not the White House.

Murray engaged in standard cronyism by tapping Nigel Jones as Global Chief Strategy Officer. Murray and Jones co-conspired at Publicis, and the move marks a second stint at Draftfcb for the GCSO. It’s British Bromance meets Old Boys’ Club.

Finally, Murray elevated Vita Harris to EVP Strategic Planning. In a memo to the troops, Murray gushed, “Vita has made significant contributions to our global network, especially in recent years. She is not just respected for her great thinking and the results she produces but also, as I have heard from many sources, because of her passion for our business and her integrity that run deep. Whilst remaining a key partner on our global leadership team, Vita and I are also exploring an exciting new initiative that would take advantage of her many talents…but we will save that news for another note!” Oh, please don’t nominate her to be Global Diversity Ambassador.

It could be argued that Murray extended generous offers to White men, while granting token merits to the women. Then again, if the new CEO continues his recruiting average of two White men for every White woman and Black woman, he’ll bring more diversity to the industry than anyone in recorded history.

Tuesday, September 10, 2013

11434: Carter Murray Exclusive.

AgencySpy posted a letter to the troops from new Draftfcb CEO Carter Murray, who started his first day of work on Monday. The lengthy message covered lots of ground and made plenty of pledges. However, there was no mention of diversity and inclusion. Then again, Murray’s predecessor Laurence Boschetto vowed the agency would no longer use the term “diversity and inclusion” by 2014. So maybe Murray is actually working towards that lofty goal.

Monday, April 08, 2013

11089: Draftfcb In Waiting Mode.

Adweek reported Young & Rubicam refuses to release Carter Murray from his contract, delaying the executive’s official appearance as new Draftfcb global CEO. Why, it only seems like a year ago when Draftfcb accused Digitas of poaching talent. Oh, wait a minute. It was a year ago. At least the move gives Draftfcb President and CEO Laurence Boschetto a few more months to execute his vision to erase “diversity and inclusion” from the company lexicon.

Young & Rubicam Refuses to Let Carter Murray Out of His Contract

New Draftfcb CEO must wait it out

By Andrew McMains

Four weeks after Carter Murray took the Draftfcb CEO job, he’s still walking the halls of Young & Rubicam, and it could be September before he joins his new agency.

Why? Because Y&R parent company WPP Group is holding him to the six-month notice period in his contract—at least for now, according to sources.

Historically, notice periods were designed to give an agency losing an executive time to find a successor. Also, a cooling-off period between jobs, in theory, keeps an outgoing exec from using client business information in his new post. In Murray’s case, however, Y&R has already filled his North American CEO role with insider Matt Anthony, and the bigger brands that Y&R and Draftfcb handle don’t compete head-to-head. In other words, there’s little Y&R client information that Murray can exploit at Draftfcb, a unit of Interpublic Group. Yet, there he sits as a lame duck at Y&R.

Whether Murray shifts to “garden leave,” or getting paid to not even show up, is beside the point. WPP is paying someone who has resigned and wants to leave. Other holding companies block such exits as well. Publicis Groupe made Tony Granger wait six months before he could exit Saatchi & Saatchi and join Y&R in 2009, even after Saatchi had filled his chief creative officer job with Gerry Graf. It could have been longer, though, given that Granger had a one-year notice period in his Saatchi contract.

Competitive wrangling aside, some say the practice seems like a waste of time and money.

“If the employee gives notice, the company has the option to cut them loose and stop paying them or to keep them from taking the new job but have to pay them,” said attorney Rick Kurnit, a partner at Frankfurt Kurnit Klein & Selz who represents both ad execs and agencies. “The question is, is it really in the shareholders’ interest to pay somebody just to obstruct them from moving on, or is that done out of pique?”

While he declined to talk specifically about Murray, Y&R global CEO David Sable framed the broader issue of notice periods in simple, legal terms: “People sign contracts. They have no right to sign a contract that they don’t intend to keep.”

The stakes are high in the latest episode of sabre rattling. Draftfcb, set back by major client erosion in the past two years (SC Johnson, MillerCoors, Kraft, etc.), spent six months looking for a new global leader and sees in Murray, a seasoned account handler, an opportunity to reverse the slide. For now, existing leaders like outgoing CEO Laurence Boschetto will run the 8,800-person shop. Murray, Draftfcb and WPP declined to comment, and IPG could not be reached.

Other industry leaders appreciate concerns about ex-employees exploiting marketer information, but nonetheless question the wisdom of paying money for nothing. “I’m not sure what the point is,” said TBWA worldwide CEO Tom Carroll. “You have to try to protect your clients. On the other hand, if that’s not the case, I think it’s a little overreaching” to keep someone who wants to leave.

Blocking an exit may also create ill will with the departing exec, making the person unlikely to ever return, added Mark O’Brien, North American president of DDB. And, in an industry that places a premium on talent, that’s a competitive disadvantage. As O’Brien put it, “It doesn’t pay in the long run to pay someone to do nothing for spite.”