Thursday, September 21, 2023

16389: In Adland, Anti-Pollution Trumps Anti-Racism.

 

Advertising Age reported on Clean Creatives—another do-gooder group promoting themselves as “a movement of advertisers, PR professionals, and their clients cutting ties with fossil fuels”—whose latest campaign publicly calls out Edelman, McCann, Ogilvy, and Publicis for working with fossil fuels.

 

Not quite sure why anyone’s surprised to uncover fossil fuels being hyped via firms run by fossil fools.

 

Regardless, it’s more outrageous to realize the list of Adland enterprises into fossil fuels would be totally eclipsed by the directory of White advertising agencies fueled by systemic racism. Yet no one seems inspired to clean up that mess.

Wednesday, September 20, 2023

16388: Legend Of Lily = LOL.

Why does this clickbait present Lily the AT&T saleswoman as a former legendary TV icon, now working 9 to 5? Technology company shill hardly deserves iconic status.

Tuesday, September 19, 2023

16387: Doctors Without Financial Limits…?

Doctors Without Borders is asking for gifts, offering to match your donation up to $200,000. Is online advertising really the best way to handle wealthy donors and corporate fundraising? Maybe the promotion should have depicted a luxury yacht.

Monday, September 18, 2023

16386: Byron Allen Bids—And Bets On—Big Bucks…?

 

MediaPost reported Media Mogul Byron Allen made a $10-billion bid to acquire Walt Disney properties including the ABC TV network, the FX and National Geographic channels, and local TV stations. Hmmm, is Allen banking on acquiring an extra $10 billion soon?

 

Byron Allen Bids $10B For ABC, Other Disney Nets

 

By Karlene Lukovitz

 

Media entrepreneur Byron Allen has made a $10-billion bid to acquire the ABC TV network, the FX and National Geographic channels and local TV stations from Walt Disney, a spokesperson for Allen confirmed.

 

Allen’s Entertainment Studios owns 10 HD television networks, including The Weather Channel, Comedy.TV and several other verticals, and also produces and distributes shows, and sells advertising for 43 broadcast and cable TV programs.

 

Allen’s bid for the Disney assets is reportedly based on an eight-times multiple of estimated earnings before interest, taxes, depreciation and amortization for the Disney linear businesses.

 

Disney has also held exploratory discussions with regional TV power Nexstar Media Group, according to multiple reports.

 

Nexstar has not commented on those reports. However, on Wednesday, during a Bank of America Securities conference, Tom Carter, a former Nexstar president who now advises its CEO and board, confirmed that Nexstar is interested in acquisitions, and mentioned Disney as a potential seller. But he added that Nexstar doesn’t know “what Disney wants to do.”

 

Disney, which has reportedly also considered selling a stake in ESPN, did not comment on the reports about Allen or Nexstar specifically, stating instead that while it is “open to considering strategic options for its linear business,” it has not yet made a decision about selling any of those assets.

 

Disney CEO Bob Iger raised the possibility of Disney selling off some networks in a CNBC interview in July.

 

“There clearly is content that they create that is core to Disney, but the distribution model, the business model that forms the underpinning of that business — and that is delivering great profits over the years — is definitely broken, and we have to call it like it is,” he said.

 

“Given the low valuations attached to standalone linear networks, it isn’t clear that there is an accretive move to be made here,” senior research analyst and MoffettNathanson co-founder Michael Nathanson wrote in a note at the time. “Simply exiting bad businesses at any cost might be the price you pay to limit management and investor distractions in the long run.”

 

The stock prices of Nexstar, Tegna and E.W. Scripps, which had all declined since Iger’s remarks, rose on Thursday after the reports of sale discussions.

 

Disney acquired Capital Cities/ABC for $19 billion in 1995, when Michael Eisner was CEO.

 

In addition to its national network, ABC has eight owned and operated regional TV stations and 240 affiliate stations.

 

Nexstar owns 200 stations in 116 markets and the 24-hour cable news channel NewsNation, and would likely have to divest at least some properties in order to stay within federal TV ownership limits if it struck a deal to buy the Disney linear networks. Such a deal might also face opposition from Disney rivals that have affiliate station deals with Nexstar, including Comcast and Paramount.

Sunday, September 17, 2023

16385: What’s Hot And What’s Not In Global Adland.

 

Campaign reported White advertising agencies are uniting via the Ethical Agency Alliance—fabricated by nonprofit global network Creatives for Climate—to tackle environmental issues.

 

The Ethical Agency Alliance—whose exclusive membership is depicted throughout the Creatives for Climate website—has clearly prioritized its ethical imperatives, putting the planet ahead of people. After all, Adland’s performative commitment to racial and ethnic diversity—in contrast to concerns over global warming—has considerably cooled off.

Saturday, September 16, 2023

16384: Bananas Ballyhoo—A Bunch Of BS.

 

This Chiquita campaign from Italy is mediocre at best—but its creators went bananas in explaining the contrived concept:

 

Chiquita and Bitmama Reply make bananas come to life in the new global brand experience.

 

The new campaign reaffirms leadership and places the brand mission front and center.

One banana relaxes, leaning comfortably on its side, another reclines with hands behind its head, and one shows off its muscles in a captivating flex. These are the three key visuals driving the new global brand experience, spanning on 3D video walls, billboards, and digital media. But let’s start from the beginning.

 

Chiquita, in addition to reinforcing its leadership, underscores its mission with this new global brand experience—aiming to make us feel and live our best lives. The invitation to seek one’s well-being is encapsulated in the campaign’s global tagline, “It peels so good,” which aligns perfectly with the product and opens up to a fertile and iconic treatment.

 

To expedite the production, quality, and personalization of omnichannel content, Bitmama Reply, with its end-to-end approach, has transformed the world's most famous banana into a hyper-realistic 3D model, creating a crucial asset for producing large volumes of brand content, including images, videos, and more personalized and engaging experiences.

 

After being peeled, the banana reveals three anthropomorphic poses (static and animated) that go far beyond the OOH and digital circuits, creating spectacular 3D video experiences set in some of the world’s most prestigious locations, such as New York, Milan, and the heart of Florence. In Times Square and on Via Dante in Milan, the Chiquita Banana literally emerges from the screens to strike a pose. Inside The Gallery, a 30-meter-long gallery in the center of Florence, the Chiquita banana accompany passersby along their entire walk in an immersive experience where animations on the three walls move to the rhythm of the famous jingle.

 

“What makes us most proud, in addition to our increasingly strong global partnership with Chiquita, is the synthesis and simplicity we achieved with the ‘It peels so good’ campaign. We have successfully conveyed Chiquita’s mission while keeping the product’s premium quality at the center, evolving an asset that will help us be even more effective and iconic in content production.” says Nicola Gotti, Chief Creative Officer, and Partner at Bitmama Reply, commenting on the campaign’s launch.

 

The campaign is planned in the United States, Italy, Belgium, Germany, Greece, and the Netherlands. It will be on the air until the end of September.

Friday, September 15, 2023

16383: Ask Not What Your White Advertising Agency Can Do For You…

 

This JFK Presidential Library and Museum campaign is described as follows:

 

Service and Sacrifice offers personal glimpses of a few of the Americans who served in World War II, including members of the Kennedy family and the untold stories of historically marginalized communities, including people of color and women, and how they relate to today.

 

Can’t help but wonder how the historically marginalized fare at the White advertising agency behind the campaign.

 






Thursday, September 14, 2023

16382: Make The Logo Different.

 

With Canva, you can quickly replace logos minutes before the client presentation. Perfect for hackneyed, lazy advertising agencies and consultants repurposing contrived pitch decks.

Wednesday, September 13, 2023

16381: Fight For The Right To Receive Better Campaign Executions…?

 

The White advertising agency behind this TurnSignl concept claimed that the initiative is “part of a commitment to providing pro bono campaign work to organizations that combat racial inequality…” Okay, but the shop is Periscope—which is hardly a defender of equality. Is the commitment truly authentic or part of a legal settlement? Or is it just performative PR for Periscope?

 

The typos in the print ads bring a scammy feel to it all. There’s something not quite right about “I Have the Right.”

 

That said, TurnSignl is clearly an enterprise with professionalism, honor, and integrity—deserving much better than anything Periscope has to offer.

 

 

As part of a commitment to providing pro bono campaign work to organizations that combat racial inequality, Periscope has partnered with TurnSignl, a Minneapolis-based organization helping protect people’s rights on the road by providing subscribers with 24/7/365 access to live legal guidance in the event of a traffic stop by the police.

 

Also part of Periscope’s commitment to impact communities in inventive ways, the partnership with TurnSignl began based on shared values and a determination to make a real difference for people in the agency’s own backyard. The app development for TurnSignl began in October 2020, and the partnership with Periscope was forged the same year. The founders began the development partly in response to the killing of George Floyd in Minneapolis and reports examining racial disparities in traffic stops. The app launched in Minnesota and Georgia in 2021, and is currently expanded to nearly all 50 states with nationwide availability right around the corner.

 

TurnSignl’s newest campaign, “I Have the Right,” created in partnership with Periscope, aims to help people reclaim the confidence that everyone should be able to feel behind the wheel, because no one should have to skip going out with friends, attending events and enjoying other enriching aspects of their lives due to fear about getting home safe. The video spot lets users know that TurnSignl can help ensure and protect their rights, allowing them to feel more secure while driving with on-demand legal advice available at their fingertips.

 

The campaign launched across social media in August 2023, and will appear in TurnSignl’s owned channels and marketing materials as they launch nationally and continue pursuing partnerships with educational institutions and businesses to make the app available to more audiences.

 


Tuesday, September 12, 2023

16380: Stable Growth In Adland Smells Like Cow Manure.

Ad Exchanger reported that a former adman turned strategic analyst predicted stable growth for the US advertising market. Is “stable growth” really a term to use for Adland today? Given the constant shifting of accounts, revolving door management, evolving technologies, veering priorities, and re-allocating investments, the only thing stable is instability.

 

Hell, most White advertising agencies are stables—nouns, not adjectives—where staffers are treated like cattle.

 

Brian Wieser Predicts Stable Growth For The US Ad Market (With A Few Death Spirals Thrown In)

 

By Allison Schiff

 

The US ad market will be boring next year. In a good way.

 

After the pandemic weirdness of 2020, record ad spending in 2021, ugly comps in 2022 and relatively easy comps this year, US ad revenue will stabilize as we head into 2024 at a low single-digit growth rate, Brian Wieser predicts.

 

“The factors that supported unusual growth during the pandemic are not present anymore,” said Wieser, principal of Madison and Wall, the strategic advisory firm he launched earlier this year after leaving his role as GroupM’s lead analyst.

 

According to Wieser, the ad market will grow 6% in the third quarter, 8% in the fourth, then even out between 4% to 5% growth (excluding political advertising) next year to hit roughly $392 billion.

 

These numbers are in line with what GroupM and Magna are forecasting for the year ahead.

 

But if you double-click on Wieser’s numbers, there are several interesting — and somewhat disturbing — trends to note.

 

Linear’s slow decline

 

Consider the plight of national TV advertising.

 

Wieser believes national TV ad spending will decrease by 9% this year, by just 2.3% next year (thanks to the US presidential election) and by 4.8% in 2025.

 

The reasons? Cord-cutting is on the rise, traditional TV networks are cannibalizing cable in favor of generating streaming subscriptions for services that often have no or very few ads and tense carriage disputes are putting even more pressure on pay TV bundles, as well as quashing the long-held belief that live sports is the glue (and the crown jewel) of cable TV.

 

Case in point: Disney-owned channels, including ESPN and ABC, are currently unavailable to Spectrum cable viewers (and have been since last week) due to a financial disagreement between the companies over contract fees.

 

But there are long-term consequences of these disputes beyond pay TV households missing out on college football or the US Open.

 

If a deal isn’t reached (and in the interim, even if one is), anyone who wants to watch Disney TV network content will have to go the MVPD route. Disney is already using the conflict as an excuse to urge Spectrum subscribers to sign up for its Hulu + Live TV plan.

 

Overall viewing levels probably won’t change that much as a result. People who cut the cord aren’t moving to a cabin in the woods; they’re just not watching cable. But those audiences won’t be reachable at scale through television anymore.

 

Meanwhile, broadcasters are desperately wooing subscribers to their streaming services despite losing money on nearly every sub.

 

“Unfortunately, because of the way that TV network owners are positioning themselves,” Wieser said, “they’re doing their best to make sure they get a larger share of a shrinking pie.”

 

The publisher’s burden

 

Speaking of shrinking pies, the open internet’s share of ad revenue will remain relatively flat.

 

Wieser defines the open internet as any digital ad sales outside the walled gardens.

 

“The issue here is that when publishers don’t invest in their businesses anymore, it constrains the opportunity,” he said, “and we end up with a negligible growth rate rather than something that’s closer to the overall average for digital advertising.”

 

Take local journalism. Its death spiral greatly accelerated when publishers decided not to invest in local news, he said. Fewer stories means less ad inventory means fewer journalists means even fewer stories.

 

It’s the reverse flywheel from hell, and not unlike what’s been happening as broadcasters disinvest in linear TV on a relative basis, Wieser said.

 

“If networks put all of their expensive programming on streaming services,” he said, “nobody should be surprised if linear TV dies.”

 

But publishers that invest in growth, including legacy magazines and newspaper publishers, can stop the spiral.

 

“The open internet is never going to be as scalable as the ‘content-less’ platforms; search is still the greatest business ever,” Wieser said. “But the upside to a journalistic property is that they can still build durable brands.”

 

Retail media to the rescue

 

Considering these shrinking pies and death spirals, what is driving that 4% to 5% growth Wieser foresees for next year?

 

Digital, of course — including search, social, YouTube, Apple and retail/commerce media, which will together make up a 64% share of all advertising.

 

Retail media, in particular, is set to go bananas, accounting for $42 billion in ad revenue this year.

 

To be fair, Amazon dominates the category, but this pie is large enough for others — including Instacart, Walmart, Criteo, et al. — to take decent-sized slices.

 

Also, retail media is only a slice of the larger pie that is commerce media, which houses everything from eBay and Uber to Expedia.com.

 

“Amazon is in the best position to capture retail media demand, but there’s a lot of room for other players,” Wieser said. “A lot of inventory is getting created in this space, and that makes it more of a growth area than any other category I can point to right now.”

Monday, September 11, 2023

16379: Look, Up In The Sky—It’s Howard Draft!

 

Although Draft was officially erased from the FCB masthead back in 2014, Chicago still has an Honorary Howard Draft Way—which is in front of the old Draft headquarters (pre-DraftFCB) and blocks away from the current FCB Chicago office.

 

Meanwhile, the former DraftFCB CEO retired in 2014—yet is currently listed as the Co-Founder & CEO of Vysical, an enterprise whose mission and vision are as bizarre as the website team portraits, which look like comic book illustrations. Delusions of super-heroic grandeur?

 

Sunday, September 10, 2023

16378: Emailing It In.

MediaPost’s EIS Awards for Email Marketing Excellence…? Email Marketing Excellence sounds like an oxymoron.

 

However, Ads of the World will sooner create a collection for email marketing than multicultural marketing.

Saturday, September 09, 2023

16377: DE&I Not Clicking At Digiday…?

 

Digiday Media’s Worklife quietly removed DE&I from its display content categories. While it still appears in the internal navigation, the last DE&I article entry is dated July 05, 2023. Digiday has always shown disinterest and even disdain for advertising agencies—yet this particular move perfectly mirrors Adland.

Friday, September 08, 2023

16376: Definitive Guide To Exclusivity…?

 

Digiday Media’s Worklife published a “definitive guide to what’s in and out in the workplace.” The definitive guide does not include diversity, equity, and/or inclusion in either category—which accurately reflects and directly applies to Adland.