Showing posts with label anti-racist. Show all posts
Showing posts with label anti-racist. Show all posts

Wednesday, August 27, 2025

17166: On Loud & Booming Double-Barreled Shitguns.

 

Adweek reported the revamped Cracker Barrel logo experienced backlash from Internet mobs—including President Donald J. Trump and Donald Trump Jr.—who could all be called Cracker Critics.

 

Particularly dumb commentary came from the Chief Design Officer at TBWA\Worldwide, whose mutterings Adweek presented as follows:

 

[While] “the effort to modernize the brand by simplifying its identity and making it more legible and adaptable to a digital ecosystem” works, it risks “alienating loyal audiences. … Heritage brands must remember their identity is not just aesthetic, it’s cultural. … When updating visual codes, they’re not simply adjusting pixels or type curves, but symbols embedded in people’s everyday lives.”

 

On this topic, viewpoints from Adland should be summarily dismissed—and dissed.

 

After all, the industry never hesitates to quickly abandon heritage brands as White holding companies execute corporate colonization. TBWA routinely disrupts White advertising agencies by tagging its signature logo across iconic nameplates.

 

When White advertising agencies win accounts, the first order of business involves rejecting, razing, and rebuilding the acquired brand.

 

And now comes news that Cracker Barrel caved in to the pressure, announcing the Old Timer will be resurrected.

 

Where was the outrage when erasing Aunt Jemima, Uncle Ben, Rastus, and Mia? Will professionals and political leaders demand the restoration of those icons too?

 

In the end, the anti-woke wield more power than the anti-racist. White power trumps—clever wordplay intended—all advocacy for progress.

 

Cracker Barrel CMO Defends Rebrand After Stock Tumbles 

 

The restaurant chain’s shares fell 7.2% on Thursday morning, two days after it unveiled its new logo

 

By Cydney Lee

 

On Tuesday (Aug. 19), Cracker Barrel unveiled a new logo, much to the chagrin of the internet.

 

Since its release, left and right-wing politicians, marketers, and consumers alike have criticized the switch, with some declaring it’s too “woke” and steers away from “American tradition.” Others have knocked the simplicity of the design.

 

“WTF is wrong with @CrackerBarrel??!,” Donald Trump Jr., the president’s eldest son, posted to X. The official X account for the Democratic Party echoed the statement, posting, “We think the Cracker Barrel rebrand sucks too.”

 

Following the backlash, the brand’s shares fell 7.2% on Thursday morning (Aug. 21), erasing $100 million in market value. Its shares rose slightly on Friday (Aug. 22) in pre-market trading.

 

However, Cracker Barrel is doubling down on its new look.

 

In a statement shared with ADWEEK, Sarah Moore, the brand’s chief marketing officer (CMO), said its “values haven’t changed, and the heart and soul of Cracker Barrel haven’t changed.”

 

“Cracker Barrel has been a destination for comfort and community for more than half a century, and this fifth evolution of the brand’s logo, which works across digital platforms as well as billboards and roadside signs, is a call-back to the original and rooted even more in the iconic barrel shape and word mark that started it all back in 1969,” she said.

 

‘All the More’

 

Cracker Barrel released the updated visual identity as part of its new “All the More” campaign, which also includes a 15-second spot starring country singer Jordan Davis, new menu items, and an interior design revamp of its restaurants.

 

The logo removed its longstanding old man and the barrel motif, replacing the image with a simple wordmark in the brand’s signature gold and brown.

 

Along with consumers, the ad industry is divided on the rebrand, too.

 

Bruno Regalo, chief design officer at TBWA\Worldwide, observed that while “the effort to modernize the brand by simplifying its identity and making it more legible and adaptable to a digital ecosystem” works, it risks “alienating loyal audiences.”

 

“Heritage brands must remember their identity is not just aesthetic, it’s cultural,” he told ADWEEK. “When updating visual codes, they’re not simply adjusting pixels or type curves, but symbols embedded in people’s everyday lives.”

 

He continued: “More than following design trends, it’s about keeping that soul alive—the distinctive elements that touch consumers emotionally—and reinterpreting them to feel current and relevant without losing what makes them unique.”

 

Kevin Green, executive creative director (ECD) at Moroch Agency, said the brand was the latest in a run to have stripped its brand of “any unique or ownable personality,” while plumping for a more modern aesthetic.

 

“There has to be a better balance between modernity and the magic that has built brands like Cracker Barrel for decades,” he said.

 

Indeed, other advertisers, including fashion label Burberry, have been critiqued for jumping on this so-called “blanding” trend, where a typeface replaces an image.

 

A Run of Controversial Brand Moments

 

While the move was intended to celebrate its 55+ year heritage, Cracker Barrel has faced previous boycotts over claims of discrimination due to its American South aesthetic and corporate policies.

 

It now joins a running list of brands that have stoked controversy and become a flashpoint in the U.S. culture wars over the last month, including American Eagle, Dunkin’, and e.l.f. Cosmetics.

Friday, April 25, 2025

17044: Racing With RaceMan.

 

Via Bronzecomm, Lowell Thompson—aka RaceMan—announces his latest venture…

 

An Ad Agency for the Human Race

 

After a career of creating ads and commercials that sell products and services, I want to sell something much more important. I call it “humaneness”. 

 

I’ve been talking about my idea for years, but the recent turn of political events force me to put up or shut up. I think the pure, unadulterated embrace of hate, cruelty, bullying and greed is the culmination of the gradual, almost imperceptible dehumanization of humans in America. And I think my lifelong profession — advertising — has had a huge hand in this. So I want to use my hand, mind and heart to undo some of the damage. I’m inviting other advets to join me. 

 

My answer is to create communications in all media that promote human kindness, decency and respect for all living things, especially our fellow humans. My first product will be my “The Humane Race” T-shirt. By buying and wearing it, you say to the world that you are humane. You prove it by your actions. 

 

Right now, my Humane Initiative is still in its embryonic stage. I’m still working out the details. I’m asking others to join me. I’m looking for partners who can help me plan its structure, build a website and other marketing materials, contact potential private and public members and basically build a brand-new type of communications company that’s “like an ad agency…for the human race”. 

 

Interested? Contact Lowell Thompson at lowelltho@gmail.com. If you’re on Facebook, search for my HUMANE group and join it.

Friday, November 08, 2024

16833: On The White House & White Advertising Agencies.


Former and Soon-To-Be-Current President Donald Trump defied Offensive Karma to beat Kamala Harris and win the US presidential election.

 

Trump’s victory mirrors Adland in a variety of ways, including:

 

• Culturally clueless Old White Guys regularly elevate to positions of power, even after demonstrating questionable abilities to lead. Displaying blatant racism, predatory sexism, wanton lawlessness, clinical narcissism, cruel bullying, and intentional indifference will not adversely affect Old White Guys’ advancement either.

 

• When Old White Guys assume top positions, their first move is to clean house, replacing able and proven people with suspect cronies, and swapping established processes with dysfunctional disruption.

 

• Iconic management expert Peter F. Drucker stated: “[A]lthough followers will forgive a leader much, they will never forgive a lack of integrity.” Like Old White Guys in Adland, Trump did not let an abysmal lack of integrity impede his ascent.

 

• Author and Anti-Racist Activist Ibram X. Kendi wrote: “From the Junior Black Americans of Achievement series onward, I had been taught that racist ideas cause racist policies. That ignorance and hate cause racist ideas. That the root problem of racism is ignorance and hate.

 

But that gets the chain of events exactly wrong. The root problem—from Prince Henry to President Trump—has always been the self-interest of racist power. Powerful economic, political, and cultural self-interest—the primitive accumulation of capital in the case of royal Portugal and subsequent slave traders—has been behind racist policies.”

 

Systemic racism is a powerful thang. ‘Nuff said.

 

• Women are underrepresented in leadership roles. Yet women of color are woefully underrepresented, despite holding qualifications far exceeding those of White male leaders. Indeed, women of color must satisfy unreasonable expectations and impossible standards—far above the expectations and standards applied to White male and White female peers—just to be considered for leadership. In short, if Harris had been a White man, or even a White woman, Trump would be preparing for scheduled sentencing associated with his criminal convictions—which he will now disintegrate via his president-elect privileges.

Thursday, October 10, 2024

16800: Belated Overreaction Of The Week.

 

Yesterday—October 9, 2024—was Ageism Awareness Day.

 

The United Nations commemorates International Day for the Elimination of Racial Discrimination; National Association of Chronic Disease Directors marks National Day of Racial Healing; St. John’s University–School of Law acknowledges Anti-Racism Day; British Columbia salutes Anti-Racism Awareness Week.

 

Maybe Adland should launch Systemic Racism Awareness Day. Or Cultural Cluelessness Awareness Day—which sounds like an oxymoron.

Saturday, June 29, 2024

16689: It Is Racism, It Is WTF BS.

 

Estimado in Spain is responsible for this anti-racist campaign for the Ministry of Equality that is explained as follows:

 

It Is Racism, is a campaign that aims to give voice to people who suffer racial discrimination more assiduously, showing situations of racism and seeking identification and solidarity with the victims.

 

01. The Challenge

 

Creation of a Social Awareness campaign against racism and racial discrimination.

 

With this action we seek to raise awareness towards a message that highlights the fact that many racist excuses are racism.

 

02. Strategy and idea

 

Creation of a campaign to disseminate and raise awareness about explicit and more normalized racism to society as a whole.

 

“I’m not racist, BUUUUUUUT....”, formed by different creative pieces, seeks to highlight what is really hidden behind every “but” and that in many occasions, it is nothing more than a racist attitude. A campaign that allows to label and make visible some attitudes that not all society has established as racism, but that can lead to a real racial discrimination based on the contempt of a person or group of people and that, consequently, means a real difference in treatment towards those who suffer it.
The campaign aims to make visible both situations of the act, empathizing with the victim and the aggressor’s excuse, through 5 different situations in the field of housing, education, health, commerce and employment.

 

In the process of creating the campaign, neurocommunication techniques have been applied in the agency’s own laboratory in conjunction with the Polytechnic University of Valencia. Applying this technique as a pre-test in the creation process, the campaign has been optimized to generate high attention and high interest and focused on provoking the emotions of contempt and anger, emotional activation necessary to get involved in the social cause. The result, measured with neurocommunication biometrics, corrected possible deviations from the objective, not detected in the usual pre-test, improving objectivity and creative effectiveness.

 

03. Execution

 

A real narrative that reflects everyday scenes, the campaign is an appeal to people who suffer from racism, as well as to society in general, to identify and report these situations to the existing service of assistance to victims of racial discrimination.

 

Don’t mean to be critical, BUUUUUUUT… the concept description demonstrates overthinking can lead to underwhelming nonsense.

Monday, December 11, 2023

16467: Billions Of Reasons Why Havas Is Not Diverse.

 

Advertising Age recently interviewed Havas CEO Yannick Bolloré—poster child for nepotism in Adland—who offered uninspired perspectives on the White holding company that he was anointed appointed to lead.

 

Meanwhile, Maxim recently spotlighted Vincent Bolloré, veritable Daddy Warbucks of the Vivendi Group, the global media monster wherein Havas resides.

 

The Bolloré clan has an estimated net worth of $10 billion, which is roughly $10 billion more than the average Havas employee’s annual salary.

 

So, what’s the point? Consider the following excerpt from “How To Be An Antiracist” by Ibram X. Kendi:

 

“From the Junior Black Americans of Achievement series onward, I had been taught that racist ideas cause racist policies. That ignorance and hate cause racist ideas. That the root problem of racism is ignorance and hate.

 

But that gets the chain of events exactly wrong. The root problem—from Prince Henry to President Trump—has always been the self-interest of racist power.

 

The source of racist ideas was not ignorance and hate, but self-interest.”

 

Don’t mean to sound discriminatory and judgmental, but can French billionaires really grasp the intricacies of diversity, inclusion, and equity to authentically embrace antiracism?

 

More specifically, can a French billionaire integrate DEI principles to recreate a White holding company?

 

Non.

 

BTW, while relating the global state of affairs at Havas via the Ad Age interview, the prodigal son made zero mention of diversity, except to discuss diversification of offerings. Hell, he didn’t even include DEI while pontificating on the corporate mission to make a meaningful difference to the world. Case closed.

 

Havas CEO On AI, Whether Agency Brands Still Matter And Why It Works With Shell

 

Yannick Bolloré discusses issues at Havas, which posted 4.5% third-quarter organic revenue growth

 

By Brian Bonilla

 

Ad Age recently caught up with Yannick Bolloré, chairman and CEO of Havas, to discuss its positioning versus its competitors, its Shell account, the state of agency brands and more.

 

Havas last week posted 4.5% organic revenue growth for the third quarter, putting the Vivendi-owned agency company in good stead among holding company rivals that have reported quarterly organic revenue results so far: IPG reported a 0.4% decrease, Omnicom posted 3.3% growth and Publicis leads the pack with a 5.3% increase.

 

Havas has made significant moves, such as acquiring Uncommon Creative Studio and promoting two co-CEOs to head Havas New York. Havas has also faced criticism over its Shell account win, which has garnered some pushback from members of the advertising community. Last week, B Corp-certified agencies signed a letter, supported by activist group Clean Creatives, calling for shops that work with fossil fuel companies to be stripped of their B Corp status. This included companies such as Havas, MSQ and TBWA.

 

Bolloré has been chairman of Havas since 2013 and its CEO since 2014. The following conversation has been lightly edited for length and clarity.

 

How do you think you’re stacking up against your competitors?

 

When you look at Havas’ client portfolio, it’s quite well-diversified, quite well balanced. Maybe we are slightly overweighted in health compared to our peers. We have one-third of our revenue coming from health clients, but otherwise, it’s quite well balanced. I looked at the earnings for our top 50 clients and they were all great. Maybe we are suffering less than our peers [because of] better diversification. I don’t like to say bad things about our peers, I just like to focus on ourselves and our clients. And obviously, it’s a very strong year.

 

Have you seen macroeconomic concerns from clients leading to a slowdown in projects that other holding companies have cited in their financial reports?

 

To be totally transparent with you, we don’t really see any kind of slowdown. When I talk to my teams, maybe it would be fair to say that we might expect slower growth next year. But still, I’m a huge believer that our clients’ investment is having a good effect on their business. They’re not spending money just to please their communication partners. They invest money in communication and media because it’ll have a positive effect on their business.

 

Of course, there are things we need to deal with–inflation, the rise of interest rates, which is not easy to cope [with] for everyone, depending on the industry. We also have some geopolitical crises, to say the least. So of course the environment is pretty scary, but when we talk to our clients, maybe we’ll see a softening in the investments, but nothing seems to make me think that next year won’t be a year of growth. When we start budgeting for next year, as I tell my team, I like to quote the Navy SEALs: “Expect the worst and hope for the best.”

 

Last month you entered into a partnership with retail media network Mirakl. How that partnership will benefit your organization?

 

Mirakl is one of the leaders in the e-commerce website space. We have seen a rise in investments in retail media. Obviously, Amazon is by far leading the category. I think Amazon owns between 60% and 70% of brands’ investments in e-commerce websites. But we see a trend from all retailers to go and invest in that space.

 

My belief is that retail media will become the second-most invested space in advertising after digital, but before TV. So it’s very important that we continue to offer the best of the best to our clients. Those kinds of partnerships are really important to us because they can help Mirakl develop their solution of advertising on e-commerce websites, and they can help us to access the best websites in the world and offer website solutions to some of our clients.

 

You expanded your partnership with Adobe. How is that significant?

 

One hundred percent of our creative agencies are using AI today, mostly Dall-E and Midjourney. The only problem I see with AI is around intellectual properties and copyrights because our clients want to have the guarantee that every work we produce for them, they can use it free of rights. Havas belongs to Vivendi, which is a world leader in content and entertainment. And when I talk to Universal Music Group, Canal+ [a French channel owned by Vivendi], or people in the book publishing sectors, they all fear that AI has not been trained on free-of-rights content, and it might create a problem in the near future. So it was very important for me to partner with Adobe, because their tools GenStudio and Adobe [Firefly] have been trained on only content that is free of rights, whether it's free of rights or they have cleared the rights.

 

I’m always amazed when I discuss with clients the amount of their content that is not used. They tell me that between 50% and 80% of their content is wasted. They produce the content, but they don’t really use it. So the journey is how can we avoid waste? How can we be more effective in producing content and using it and also more efficient? And this is why we’re developing this strategy around responsible and meaningful AI together with Adobe.

 

Recently Clean Creatives supported a petition to have agencies, including Havas, to get stripped of their B Corp status if they work with fossil fuel companies. You work with Shell. Can you comment?

 

I read the petition, it’s about other groups, it’s not just Havas.

 

I told the team that I don’t agree with the Clean Creatives and their position, but I’m a huge admirer of freedom. And I like to quote a French philosopher called Voltaire who said, “I strongly disagree with you, but I will fight until the death to make sure you can continue to express your point of view.” I have nothing but huge respect for anyone with different opinions than mine. We discussed with the executive committee about Shell when we were invited to pitch because we were aware of the sensitivity.

 

First, I want to reiterate our mission, which is to make a meaningful difference to the world. We continue to stick to our commitment in terms of greenhouse gas emissions. We continue to say that we won’t be participating in any greenwashing, but once we have said that, the question becomes where do you draw the line? My belief is that we will have a stronger impact and a more meaningful impact partnering with every company as long as they’re engaged in the meaningful transition journey themselves.

 

Put the emotion aside and look at what is in the Shell assignment for Havas Media. A huge majority of the assignment is about promoting EV charging stations, which is good for the world. So I’m a huge believer that the most effective change comes from within. That’s why we decided to participate in the pitch. I really want to express my congratulations to the team that has been pitching and winning because it was a fierce competition. We were not the only ones in the pitch, as you can imagine, everyone was pitching. The only ones who were not pitching are the ones who had a conflict in the fuel [industry] already. So I’m super happy that we won and we continue our commitment.

 

I discussed [our clients] with the B Corp certification inspector a few years back, and we had the discussion because we work for those kind of controversial industries in some other parts of the world, and they agreed that as long as we are committed to making things better [we qualify]. I’m still open to dialogue and whatever happens, we will continue to commit to our commitments and our objectives in terms of CO2 reduction.

 

Do you feel like the reaction to the account win has been warranted?

 

I think it’s good to have these kinds of dialogues with everyone, but if I don’t agree, I think I will continue to have this dialogue with the team.

 

Do you have any thoughts on the Wunderman Thompson and VMLY&R merger at WPP?

 

It’s very hard for me to comment. I don’t have all the elements. So I don’t know exactly if it was working or not working. What is sure is that I’m a huge believer in integration and making things simple for clients. Clients want to avoid the complexity of our own internal organization at holding companies. So I believe the more we make it simple for people, the better it is for the clients.

 

Do agency brands still matter?

 

More and more clients are consolidating their businesses because they want to avoid having multiple contracts in different countries. I remember participating in a consolidation pitch for a big pharma company eight years ago in Switzerland. For the first time, they were not inviting agencies, but they were inviting the five or the six holding companies, and they wanted to move to just two holding companies.

 

I asked the CEO, “Why are you doing this big consolidation pitch?” It was one of the first holding consolidation pitches. And he told me, “I looked at it with the team and the procurement department, and we have 3,600 different contracts with agencies around the world. So we wanted to structure and make it more simple and save money,” and it made sense.

 

[The industry] has changed a lot. And that’s true [especially] when [clients] pitch for media consolidation they talk about Havas, Publicis, WPP, Omnicom, IPG and Dentsu. They don’t talk about GroupM or Havas Media.

 

So I would say it’s important to keep the brands and the different agencies to manage conflict, but in the end, the holding company matters much more than in the past, for sure. Havas led the way with our village strategy. I don’t want to say that brands do not necessarily matter, because it’s not really true—especially on the creative business for some very boutique, very creative [agencies] with a strong personality. But at the end of the day, it’s fair to say that holding companies matter much more than in the past.

 

I’ve heard predictions that next year we’re going to see more consolidation of agency rosters. Is that something you’re seeing?

 

I think the trend is here to last in the media sector for sure. We still have some clients that like to pick and choose by country. But still, I think the trend is we will move toward more consolidation. It’s slightly different on the creative side because it’s not true that the same campaign can work in every country. Locality still matters. For example, the cultural specificities in France are not the same as in the U.K. or in the U.S.

Thursday, September 21, 2023

16389: In Adland, Anti-Pollution Trumps Anti-Racism.

 

Advertising Age reported on Clean Creatives—another do-gooder group promoting themselves as “a movement of advertisers, PR professionals, and their clients cutting ties with fossil fuels”—whose latest campaign publicly calls out Edelman, McCann, Ogilvy, and Publicis for working with fossil fuels.

 

Not quite sure why anyone’s surprised to uncover fossil fuels being hyped via firms run by fossil fools.

 

Regardless, it’s more outrageous to realize the list of Adland enterprises into fossil fuels would be totally eclipsed by the directory of White advertising agencies fueled by systemic racism. Yet no one seems inspired to clean up that mess.

Saturday, May 13, 2023

16252: Receipt Or Deceit…?

 

This anti-racist campaign from Grey Brazil has scam written all over it. Hopefully, the client kept the receipt—because they should return the shit for a full refund.

 


 

Scampaign Explanation

 

Black people always suffer racism inside consumption spaces in Brazil. From harassment by security guards to cases of death. It’s common to see black customers being asked to show their receipts to prove that they own something they have bought. And this is one example of the many racist aggressions practiced in commerce in the country.

 

Based on this scenario, Grey Brazil created a campaign for Racismo Zero, a program developed by University Zumbi dos Palmares to fight racism inside commerce spaces, named “Receipts of Respect”. The objective is to raise awareness to the numerous types of racist aggression practiced in retail stores and then invite companies to join the program, which offers racial education to the employees of these companies, granting an “anti-racist company” seal to those that bring the cases in their establishments to zero.

 

The campaign is divided into two parts. In the first part, billboards will display actual receipts collected among people who already suffered this type of violence and had to show them to prove they haven’t stolen anything. The pieces explain how black people are forced to carry their receipts and invite companies to take part on Racismo Zero program.

 

The second part of the campaign is a platform for action: a free software for receipt printers that turns the receipt, a symbol of this type of racism, into a channel for protest and denouncement.

 

This software can be downloaded at notasdorespeito.com.br and works like any other app for receipt printers, but it brings a QR Code on the receipt, in the shape of a clenched fist, a symbol of black resistance, which directs consumers to a site where they can make complaints and find legal and emotional counseling, in the moment the racist act happens. In addition, the receipts printed by the software will bring real stories of black citizens who have faced situations of racism in their daily lives and had to prove that they did not steal or rob something that was theirs.

 

The software will be amplified by a film, billboards and on social media.