Showing posts with label heart disease. Show all posts
Showing posts with label heart disease. Show all posts

Tuesday, September 29, 2026

17615: On Escalating The Exclusivity Of Account Reviews In Adland.

 

Advertising Age spotlighted a twist on account assignments, whereby a brand charged its White media agency to conduct a creative review for its first White advertising agency.

Or was it really a twist? It’s not the first time a pitch turned into an exclusive, closed, and clandestine affair—although the scenario offered an uncommon maneuver to maintain the status quo in Adland.

The brand is Humann. Yet the new partnerships appear to favor White humans.

P.S. to Humann: Your self-hype boasts being “The trusted name in cardiovascular health.” Research shows people of color in the US are at increased risk of cardiovascular disease and poor disease outcomes. Did you choose the best media and advertising partners to reach such critical audiences?

How media agency Eden Collective conducted a creative review for one of its clients

By Brian Bonilla

When cardiovascular-health supplement company Humann went looking for its first creative agency of record late last year, it did not hire a consultant or issue a request for proposal. Instead, it took the unusual step of asking its media agency, Eden Collective, to conduct the search.

Launched in 2009, Humann built its business around a supplement called SuperBeets that supports healthy blood pressure. The company has seen strong growth lately, expanding from a limited retail presence to more than 180,000 points of distribution in the past 20 or so months, said CEO and co-founder Joel Kocher. Humann is also diversifying into cardiovascular health more broadly, with cholesterol, blood sugar, omega and CoQ10 products.

“Our aspirations changed. Our ambitions changed. So naturally, the way you run your business has to change along with that,” Kocher said.

Eden was managing Humann’s media when Kocher began reconsidering the company’s in-house creative model. When he laid out his ambitions to Eden CEO and founder Alison Monk over coffee in New York, she was frank: “I don’t think you’re going to get there without an ad agency; a creative agency that can deliver the goods,” she recalled telling Kocher.

Monk initially suggested hiring a search expert. But Kocher persuaded Eden, which it had already entrusted with its strategy and business data, to lead the assignment. (Eden was hired as Humann’s media AOR in February after previously working on a project basis.)

How the process worked

That coffee meeting led to a four-week process that replaced lengthy questionnaires and rounds of pitching with a detailed video briefing and two primary interactions: an initial chemistry meeting designed to become a working session, followed by an in-person presentation by the finalists.

Six independent agencies were initially invited before the field was narrowed to three, with Humann ultimately selecting independent agency WorkInProgress as its creative AOR. Kocher declined to identify the other contenders.

Monk, who felt up to the task because she also spent much of her career on the creative agency side at shops including Grey and Digitas, said the review’s scope was intentionally broad because Humann hadn’t yet determined if it was looking for a long-term creative agency or a shorter-term solution.

“It was an amorphous ask: What do we need?” Monk said. “So we went through a range, and Joel and I sat down and said, ‘OK, let’s look at a couple of folks that skew more project-based, and let’s also look at deeper, more AOR-like partners.’”

The review began in mid-December with a mandate to reach a decision by February, ahead of Humann’s planned retail launch of a broader cardiovascular product suite in April. Monk said Humann’s executives spent “dozens, if not 100 hours” preparing for the process.

Rather than ask agencies to complete what Monk called a “27,000-page RFI,” Eden sent agencies a video featuring Kocher and his executive team, along with supporting materials.

The extensive briefing covered Humann’s history, its origins from research conducted at the University of Texas, its Nobel Prize-winning scientific roots, and information on how nitric oxide—a key ingredient in its products—works. It also detailed the brand’s past creative, evolution from direct-to-consumer to Amazon and retail, recent packaging redesign, consumer research and customer profiles, product expansion, media strategy and competitive landscape.

Agencies had one week to review the material before a two-hour meeting with the company.

“It was a chemistry meeting, but it became a work session because of the information we were given,” said Evan Russack, co-founder and partner at WorkInProgress. “As an agency, we value those moments deeply because they allow us to ask a variety of questions—important backgrounders—but also to determine if this is right for the agency.”

Russack said the video conveyed the leadership team’s personality, passion and communication style while giving agencies unusual access to Humann’s founder and CEO from the outset.

“It was really helpful that a media agency was running the pitch, because we typically have a ton of questions related to media, and we were able to get them all answered,” Russack said.

Each of the three finalists received a $15,000 stipend. WorkInProgress used the money to research consumers’ relationship with the supplement category, then incorporated the findings into its communications strategy and creative, Russack said.

Why WorkInProgress won the pitch

To Monk, WorkInProgress stood out for its “funnel fluency” across different marketing needs. Specifically, she was looking for shops that understood the difference between what she called “salesmanship” versus “showmanship.”

“Brands with high awareness can do more showmanship and only focus on entertainment, because they don’t have to explain who they are and what they do,” Monk said. “We’re talking about a complex product in a quickly commoditized category, with lower-quality value players nipping at their heels.”

The strategic challenge was to make cardiovascular health relevant beyond older consumers or people already managing a medical condition. Humann also sought to differentiate itself in a supplement category where Kocher said few companies have meaningful clinical science. That said, he acknowledged that the company had “over-rotated on science” with previous creative focused on testimonials, especially from doctors and researchers.

All participating agencies argued Humann needed a stronger emotional connection with consumers, Kocher said.

“Our formula was: give me a point of relevancy, give me a benefit—a reason to care. Then give me the science. Then make it credible,” Russack said.

For Kocher, the defining moment came about 10 minutes into the first meeting, when he asked how the agency views the brand. WorkInProgress Creative Director Josh Shelton responded by characterizing Humann’s existing brand personality as “cool Cheerios.” Kocher embraced the comment, which he recognized as “ostensibly an insult,” because it defined the brand as a management tool for an existing condition rather than one relevant to consumers who think proactively about wellness, longevity and performance.

“I thought, ‘Finally, someone had the guts to call it for what it was,’” Kocher said. “For me, that was the defining moment. I’d made up my mind right then. Ten minutes in, it was game over.”

Kocher actually bought a box of Cheerios that he planned to send the agency—but WorkInProgress beat him to it. Two days after the meeting, a package arrived at Humann via FedEx, with Cheerios boxes decorated with what Kocher described as “cool Ray-Ban shades” stickers.

The process also convinced Kocher that Humann needed an AOR rather than a project shop.

The first campaign, backed by an investment “approaching $50 million,” according to Kocher, will break in early October.

Monk said Eden does not intend to turn agency reviews into a business line. Its role grew from its knowledge of Humann and its position as a strategic marketing partner, she said.

Russack had not previously encountered a creative review run by a media agency, but said he wouldn’t be surprised if this becomes more common.

“We’re all looking for really good partners who have subject-matter expertise we don’t possess, and have a working style that matches ours so we can deliver results for brands,” he said.

Saturday, September 10, 2022

15952: Promoting Gender Equality In Heart Disease…?

This Heart Research UK campaign is serious as, well, a heart attack.

Sunday, May 19, 2013

11143: Advertisers Won’t Heart This Ad.

The agency that produced this ad—RAF Communicação in Brazil—can probably look forward to never landing a fast food, snack food, soft drink, cigarette or liquor account.

From Ads of the World.

Tuesday, August 07, 2012

10396: CDC Goes For The Throat And More.

From USA TODAY…

CDC says graphic anti-smoking ads work, more on way

By Wendy Koch, USA TODAY

The federal government says its graphic ad campaign showing diseased smokers has been such a success that it is planning another round next year to nudge more Americans to kick the habit.

The ads, which ran for 12 weeks in spring and early summer, aimed to get 500,000 people to try to quit and 50,000 to kick the habit long-term.

“The initial results suggest the impact will be even greater than that,” says Thomas Frieden, director of the Centers for Disease Control and Prevention, which spearheaded the $54 million campaign. The ads showed real Americans talking about how smoking caused their paralysis, lung removal and amputations.

He says it’s the first time the U.S. government has paid for anti-smoking ads, although some media ran them free.

The CDC doesn’t have a tally yet on how many people actually tried to quit, but it says the ads generated 192,000 extra calls — more than double the usual volume — to its national toll-free quit line, 800-QUIT-NOW, and 417,000 new visitors to smokefree.gov, its website offering cessation tips. That’s triple the site’s previous traffic.

“We do plan to do another (campaign) next year,” Frieden says, adding that he has no details yet on the ads or their timing. He says the amount the CDC spent this year is a pittance compared with the $10 billion the tobacco industry spends annually to market its products.

The nation’s two largest tobacco companies, Philip Morris USA and R.J. Reynolds Tobacco Company, declined to comment on the ads. Both reported solid second-quarter 2012 earnings.

Frieden says the print, broadcast and online ads struck a chord. “What we heard from people is they wished they’d seen them years ago.”

Christi Leigh Sims, 42, says she was shocked into action by the ad showing a woman whose throat cancer caused her to lose her teeth, hair and larynx, and resulted in a hole in her throat. So in late March, Sims quit — cold turkey — after about 20 years of smoking.

“I wanted to change my life now before it was too late,” says Sims, a mother of two from Arlington, Texas. “I didn’t want to look or live like that.” The ad shows a woman getting dressed with a wig and false teeth.

“We made the danger accessible and realistic,” says Eric Asche, who works for the anti-smoking group Legacy and who consulted with the CDC on the ads. “When you personalize a story, it’s powerful.”

Too powerful for some. The ads “are shocking, disgusting and too provocative — and they’ve crossed the line,” wrote stay-at-home dad Joel Mathis in a Scripps Howard News Service column. “The non-smoking majority is being subjected to an assault on our senses.”

Glenn Leshner, a University of Missouri researcher who has studied the effectiveness of anti-smoking ads in a lab setting, says they draw more attention when they feature either a health threat or disgusting images. Yet when they have both, he’s found viewers start to withdraw.

Frieden, a physician who has treated many smokers, defends the ads.

“It’s important that everyone understands the impact of smoking,” he says.

He adds that most people don’t realize that smoking causes more than lung cancer and heart disease.

Health care costs are $2,000 more each year for smokers — about 20% of U.S. adults — than for non-smokers, Frieden says, and smoking remains the leading cause of preventable deaths.

“This campaign pulled back the curtain,” he says.

Tuesday, September 14, 2010

7972: I Heart Mickey D’s.


From The Chicago Tribune…

TV ad blames McDonald’s for heart disease

By Dow Jones Newswires-Wall Street Journal

McDonald’s Corp. is the target of a new television commercial set to air in Washington, D.C., Thursday that blames the burger giant for heart disease.

In the commercial, produced by the nonprofit Physicians Committee for Responsible Medicine, a woman weeps over a dead man lying in a morgue. In his hand is a hamburger. At the end, the golden arches appear over his feet, followed by the words, “I was lovin’ it,” a play on McDonald’s longtime ad slogan, “I’m lovin’ it.” A voiceover says, “High cholesterol, high blood pressure, heart attacks. Tonight, make it vegetarian.”

PCRM’s president, Neal Barnard, was once on the board of the Foundation to Support Animal Protection, now known as the PETA Foundation, which provides accounting, legal and other services to People for the Ethical Treatment of Animals and other animal-protection groups. A PCRM spokeswoman says the organization has no link to PETA.

“McDonald’s is committed to providing balanced menu choices and a variety of options to meet our customers’ needs and preferences,” said Cindy Goody, director of nutrition for McDonald’s.

Scott DeFife, an executive vice president at industry group the National Restaurant Association, called the ad “irresponsible” and said it “attempts to scare consumers into making choices and promotes a limited view of good nutrition.”

PCRM is airing the commercial to draw attention to heart-disease-related deaths in Washington. It says that the city has the second-highest rate of such deaths in the country, behind Mississippi, after adjusting for age, and that heart disease kills more than 1,500 Washingtonians each year. It also says the district has more McDonald’s, Burger King and KFC restaurants per square mile than eight other similar-sized cities.

The spot will be broadcast on local news stations and on “The Daily Show with Jon Stewart” in the Washington area. PCRM says it is also considering running it in Chicago, Detroit, Houston, Los Angeles, Miami and Memphis in coming months.

Susan Levin, PCRM’s director of nutrition education, says the group is singling out McDonald’s because “they epitomize fast food and the permeation of fast food in the country.”

The group also plans to write to Washington Mayor Adrian Fenty to seek a moratorium on the construction of new fast-food restaurants in the city. In 2008, the Los Angeles City Council passed an ordinance imposing a moratorium that wound up lasting two years on the opening of new fast-food chains in a 32-square-mile area that includes some of the city’s lowest-income neighborhoods.

A city council member there is now proposing to prohibit fast-food outlets from opening within a quarter mile of each other. Community leaders in Prince George’s County, Md., near Washington, tried to ban fast-food chains from opening there this year, but the effort failed. Levin said the group hasn’t yet decided whether to ask the other potential target cities to pass fast-food moratoriums.

“It’s not that you have to be from one of the sickest geographical areas in the country to be a potential victim of what fast-food restaurants are pumping out. It’s unhealthy no matter where you live,” Levin said. “Our point in this is that, on the heels of what happened in Los Angeles, there is this recognition that something more drastic than a finger-wagging has to be done.”

PCRM has spent $7,000 on the spots airing this week. The group plans to air the commercial again later this month and in October.

– By Julie Jargon, The Wall Street Journal