Tuesday, March 10, 2026

17398: Mo Money No Money Mo Problems.

Adweek reported on a study revealing the obvious: women in Adland continue to make less money than male counterparts.

 

While Adweek did not indicate if the study broke down racial and ethnic data, here’s another obvious revelation: underpaid White women in Adland continue to make waaaaay more money than underpaid—and underrepresentedwomen of color peers.

 

Bet cash money on it.

 

Women in Advertising Are Closing Every Gap They Can. The Pay Gap Persists Anyway 

 

A new study finds a stubborn 5% pay gap and points to managerial gatekeeping and workplace social dynamics as key culprits

 

By Audrey Kemp

 

A new study examining pay in the U.S. advertising industry finds that women are still earning less than their male peers, even after accounting for nearly every variable commonly cited to explain the disparity.

 

The research, conducted by strategist Jess Watts in partnership with Dr. Nancy Wayne of UCLA and data scientist Ryan Crone, analyzed survey responses from more than 900 advertising professionals across agency types, roles, and seniority levels.

 

DNA&Stone, the independent agency where Watts joined as chief strategy officer in December (and an ADWEEK Small Agency of the Year 2025 finalist), is publishing the study.

 

After controlling for factors such as education, experience, hours worked, geography, and agency type, the researchers found that women earn about 5% less than men in advertising on average. For mothers, that figure climbs to 8%.

 

Both numbers are smaller than the broader U.S. gender wage gap but still statistically significant and, according to Watts, impossible to explain away through the usual structural arguments.

 

“We wanted to test the arguments that are often made about why the pay gap exists,” she said. “Things like education level, job choice, performance, negotiation, or hours worked. What we found is that women are aggressively mitigating all of those factors, and the gap still exists.”

 

The study began as a personal project for Watts, a notable hire for DNA&Stone who previously served as director of integrated marketing strategy and brand planning at Expedia Group since 2022. She spent roughly two and a half years researching pay disparities independently, motivated by years of anecdotal accounts from colleagues across the industry.

 

“As soon as you start working in advertising, you hear stories,” Watts said. “Women comparing salaries with co-workers or realizing a male hire at the same level is earning more. It’s something many people felt in their bones, but there wasn’t enough rigorous data validating it.”

 

Watts developed the survey in partnership with academic researchers and distributed it across professional networks including the American Advertising Federation, alumni groups, and industry communities. She ultimately collected more than 1,000 responses, with 926 included in the final analysis.

 

The perception problem

 

Beyond measuring the pay gap itself, the research also examined how industry professionals perceive pay equity, and how those perceptions compare to reality.

 

Nearly all women surveyed (96%) said they believe a gender pay gap exists in advertising. Yet only about one-third believed they personally were being underpaid because of their gender.

 

Watts said that disconnect may reflect a psychological tension between acknowledging systemic inequity and wanting to believe one’s own workplace is fair.

 

“So much of our identity is tied to our work and our salary,” she said. “It can be easier to believe the industry has a problem in general than to accept that your own company might be treating you unfairly.”

 

The study also found that pay transparency remains limited across agencies. Nearly half of women surveyed said they do not understand how salary decisions are made at their organization, and more than two-thirds said they had worked at a company where employees were discouraged from discussing pay with colleagues, a practice that is illegal under federal labor law.

 

Where the gap gets made

 

Structural opacity, however, is only part of the picture.

 

One of the clearest patterns emerged when women attempted to address perceived pay inequities with their managers. Women who raised pay concerns with supervisors, who were predominantly male in the sample, were significantly more likely to encounter indifference or stalled conversations than male employees making similar requests.

 

“Women were going to their managers and asking about pay disparities, but the conversation often stopped there,” Watts said. “Managers would say they’d look into it or push it off, and nothing would happen.”

 

By contrast, male employees were more likely to receive direct answers about promotions or pay decisions, even when the outcome was negative.

 

“That gatekeeping point, where the conversation stops at the manager level, is one of the biggest places agencies could intervene,” Watts said.

 

Another striking finding involved workplace dynamics between male and female colleagues. The study found that men who reported being uncomfortable working closely with women tended to earn more than women overall, a pattern Watts attributes to homosocial reproduction: the tendency for leaders to reward and promote people who resemble themselves.

 

“If decision-makers feel more comfortable with people who remind them of themselves, those employees may get more opportunities, bigger projects, and promotions,” Watts said. “Over time, those advantages compound financially.”

 

UCLA’s Wayne said the insights into social dynamics were among the most significant to emerge from the study. “Too often, men default to comfort and familiarity, even when it quietly reinforces inequity,” she said. “Closing the gender pay gap means encouraging men to choose fairness over comfort, and there is still a ton of work to be done to get men on board and fix this continuing problem.”

 

For Watts, the findings underscore how seemingly modest pay gaps produce substantial long-term consequences. Over a 25-year career, the study estimates the gap could translate into more than $167,000 in lost earnings for women who have never been pregnant, and more than $271,000 for mothers.

 

“That’s not small potatoes,” Watts said. “That’s student loan debt, that’s buying a home, that’s building generational wealth.”

 

Samantha Choi Cadley, founder and CEO/CCO of independent agency Manual Labor, said the dynamic is familiar. A friend of hers at a larger agency discovered she had been underpaid only when an acquisition forced the agency’s books open.

 

“She found out she was absolutely getting paid less, even as she was doing more work,” Choi Cadley said. “Not even peer-to-peer.”

 

Now running her own shop, Choi Cadley said the solution starts with who is making compensation decisions. “It’s about who you’re putting at the table,” she said. “If you have the same group of people that have come up through the same organization or model, you’re still playing the same habits, the same structure, whether intentionally or not.”

 

Watts hopes the research will prompt agencies to take concrete action, recommending pay band transparency, regular compensation audits and escalation processes so pay equity concerns do not stop at the direct manager level. Though the research predates her appointment, DNA&Stone has already begun implementing those measures internally, revising promotion guidelines to clarify how employees advance.

 

“Transparency is important,” Watts said. “But accountability is what ultimately closes the gap.”

 

Without those changes, she warns, the industry risks losing the very talent it depends on: “When nearly half of women say gender discrimination is affecting their career, eventually some of them are going to leave. And that’s not the kind of industry any of us want to be building.”

Monday, March 09, 2026

17397: Will Cindy Rose Consider Moving From CEO To Intern?

 

More About Advertising reported independent advertising agency UltraSuperNew offered an internship to WPP CEO Cindy Rose, thinking she could benefit from the experience since she’s never worked at a White advertising agency.

 

Okay, except Rose’s predecessors hardly qualify as bona fide admen.

 

Prior to launching WPP, Sir Martin Sorrell served as Group Finance Director for Saatchi & Saatchi.

 

Prior to succeeding Sorrell, Mark Read served as Global CEO of Wunderman, a dull direct marketing agency that transitioned into a dull digital agency—before being merged with J. Walter Thompson and finally swallowed by VML.

 

Sorrell abandoned WPP as the global enterprise was financially tanking. Ditto Read.

 

So, the White men preceding Rose arguably leveraged their shaky Adland expertise to orchestrate the White holding company’s downfall.

 

Other holding company CEOs have questionable backgrounds.

 

Stagwell Chairman and CEO Mark Penn’s resume includes pollster and political strategist. Penn served as CEO for Burson-Marsteller, a PR firm that WPP is reportedly seeking to dump. Like Rose, he also served as an executive at Microsoft.

 

Havas Chairman and CEO Yannick Bolloré advanced via nepotism.

 

In short, Rose is not more unqualified than any man running a holding company.

 

UltraSuperNew tweaking Rose feels misguided and misogynistic—even though she’ll probably fare worse than the White men who blundered before her.

 

Although Rose’s ultimate failure won’t be a result of her Adland inexperience; but rather, because it’s futile to resuscitate a dead dinosaur.

 

Rose might eventually need a returnship, not an internship.

 

PS: UltraSuperNew has questionable leadership too. An agency born and raised in Harajuku appears to be run by White men and a handful of Japanese executives. In Adland, there’s nothing ultra, super, or new about corporate colonization.

 

Indy agency offers ad newcomer Cindy Rose a helping hand

 

By MAA Staff

 

Independent agency UltraSuperNew has noticed that new WPP CEO Cindy Rose has never actually worked in an ad agency and has offered to help out. (Don’t know why they’re so surprised, these days a working knowledge of — or even fleeting acquaintance with — AI is much more desirable.)

 

Anyway, agency co-founder Marc Wesseling is offering Rose (who spent her career at Disney, Vodafone and, latterly, Microsoft) an internship.

 

He says: “We read about Cindy’s new strategy for WPP with great interest and great sympathy. (She) has had a remarkable career in tech, media and telecommunications. She is clearly a brilliant executive. But we noticed that she has never actually worked inside an advertising agency. Not a big one. Not a small one. Not any one. And we think that might be a problem when you’re running one of the biggest collections of advertising agencies in the world.”

 

Interns at UltraSuperNew are expected to contribute from day one, from making coffee to sitting in on client calls. Sadly, they’re unpaid but with offices in Tokyo, Singapore and Amsterdam there are compensations.

Sunday, March 08, 2026

17396: No Flowers For International Women’s Day…?

 

International Women’s Day 2026 campaign theme reads: Give To Gain

 

Here’s the hype from the official IWD website:

 

When we give, we gain.

 

Together, let’s help forge gender equality through abundant giving.

 

The IWD 2026 Give To Gain Campaign encourages a mindset of generosity and collaboration.

 

Give To Gain emphasizes the power of reciprocity and support. When people, organizations, and communities give generously, opportunities and support for women increase. Giving is not a subtraction, it's intentional multiplication. When women thrive, we all rise.

 

Whether through donations, knowledge, resources, infrastructure, visibility, advocacy, education, training, mentoring, or time, contributing to women's advancement helps create a more supportive and interconnected world.

 

What will you Give to Gain gender equality?

 

Okay, but the campaign imagery looks like women are begging for handouts.

 

Since celebrating International Women’s Day could be considered a DEIBA+ stunt, it appears Adland diminished performative propaganda for IWD this year.

 

For White women, Adland continues to present a diversity of disrespect—including gender pay gaps, sexual harassment, unequal opportunities, indifference for maternity and menopause, and much more.

 

For women of color, things get even worse.

 

The global industry presents unfair challenges to women on International Women’s Day—and all year long.

Saturday, March 07, 2026

17395: Disempowerment Disembowelment.

 

Advertising Age published a perspective from a White woman advocating for fighting in Adland’s “new era of disempowerment.”

 

Technically, it should be labeled renewed era of disempowerment—as it’s really the revivals of gender inequality and systemic racism.

 

Hey, you know the DEIBA+ dream is being deferred, disrespected, and denied when even White women are feeling the abandonment of faux commitment to the cause.

 

How to keep fighting in advertising’s new era of disempowerment

 

By Mindy Goldberg

 

Let’s just say it: advertising is in a new era of disempowerment, and if you’re a woman, a person of color or someone who actually cares about the creative work, you’re feeling it.

 

This isn’t subtle anymore. It’s about wielding financial power, and nobody’s pretending otherwise. Business ethics and respect have left the building at the corporate level, and the rest of us are in survival mode—watching a political climate shift in ways that will cost people jobs, benefits and ground that took decades to gain. And yes, it will land hardest on the people who can least afford it. It always does.

 

I started a production company in 1989. I’ve been a woman in this industry for over 30 years, and I want to be clear: it was never easy. There was always some version of the same deal on the table: stroke the right egos, do the work, learn the craft, be capable and warm and non-threatening all at once—and maybe, maybe you’d advance. The business was 99% white, and women were largely expected to support the men in charge.

 

In the last decade, you could feel momentum building toward change. Initiatives like Free the Bid opened doors and created real opportunity for women and other underrepresented voices. For a moment, it felt like history was bending in a new direction. But the progress didn’t stick.

 

We knew the prejudice was there. It knew we knew. There was an unspoken arrangement: keep your head down, and it would keep its voice down.

 

That arrangement is over.

 

What’s shifted isn’t just policy. It’s permission. The disrespect that once operated in whispers no longer bothers to whisper. Look at who is still at the top. It’s familiar. A lot of what passed for progress didn’t run very deep.

 

For those of us on the creative production side, there’s another layer.

 

The actual craft, the whole thing this industry claims to value, is being financially and ethically gutted by people who see it as a line item. As budgets tighten and timelines compress, risk is pushed downstream. “Efficiency” at the top is made possible by uncompensated labor further down the chain. We’re not talking about a few extra hours. It’s weeks of unbillable work—bidding cities, holding vendors, calling crews, building schedules—before a job is awarded, before a director is recommended, sometimes before it’s killed altogether.

 

Business practices have never been less efficient.

 

Efficiency is easy when someone else absorbs the cost.

 

Production companies like mine—built over decades on talent, relationships and creative commitment—are watching decision-making shift away from creative leadership and toward the bottom line. Ethical business practices are seen as old-fashioned. The soul of the work is an inconvenience.

 

So. What do we do with that?

 

Here’s what I know after 30-plus years of building something on my own terms: you cannot outsource your values. Not to a company. Not to a movement. Not to a political moment that may look completely different in 18 months. What holds is what you actually do.

 

The hiring decision.

 

The pushback against unfair business practices.

 

The moment in the room where you could stay quiet—and don’t.

 

That’s the work.

 

Toni Morrison said it simply: “If you have some power, then your job is to empower somebody else.”

 

That’s still the job.

 

Mindy Goldberg founded Epoch Films in 1989 with a mission to introduce filmmakers with a unique perspective to the advertising world.

Friday, March 06, 2026

17394: TGIFired Day.

MediaPost reported President Donald J. Trump fired Homeland Security Secretary Kristi Noem, declaring she lied to Congress about receiving his approval for a $220 million advertising campaign.

 

In short, the Gaslighter-in-Chief axed a White woman for producing advertisements without permission and replaced her with a White man—plus, he announced the moves on social media.

 

Now Trump can boast, “We ended DEI in America—and Adland too!”

 

Yep, President Donald J. Trump is angling to repeat as White Man Of The Year in 2026.

 

Trump Said Noem Lied About $220M Ad Campaign

 

By Tanya Gazdik

 

President Donald Trump has fired Homeland Security Secretary Kristi Noem after stating that she lied to Congress about getting his approval for a $220 million ad campaign.

 

“I never knew anything about it,” Trump told Reuters in a phone interview.

 

Two sources close to the White House told the New York Post that Trump is furious that Noem testified that he approved of the ads — and set in motion his later move to fire her, the first cabinet shakeup of his second term. 

 

Trump fired Noem on Truth Social and announced Sen. Markwayne Mullen (R-Okla.) as her replacement.

 

Noem faced bipartisan criticism over the commercials during U.S. congressional hearings this week.

 

“The ad features Noem, donning a cowboy hat on horseback, moving out of a wooded clearing in the Black Hills of South Dakota, the state where she was formerly the governor,” according to The Hill. 

 

“Why do I love these wide open spaces?” Noem asks. “They remind me of why our forefathers came here. Not just for its beauty, but for the freedom only America provides.”

 

Lauren Bis, Department of Homeland Security deputy assistant secretary, said the international ad campaign prompted more than 2.2 million illegal immigrants to self-deport and saved taxpayers more than $39 billion, according to Fox News. 

 

Democratic Rep. Jamie Raskin tore into Noem with a blistering series of criticisms to her face on Wednesday.

 

The top Democrat on the House Judiciary Committee accused Noem of using billions of dollars given to DHS as a “personal slush fund” for her glitzy ad campaign and luxury jet travel, according to The Daily Beast.

 

“You budgeted an astonishing $220 million for media consultant contracts so you can star in self-promoting photo shoots and lavish ad campaigns featuring the Lifestyles of Rich and Famous Cabinet Secretaries, like this one of you on horseback at Mount Rushmore, which was shot during last year’s government shutdown,” Raskin said.

Thursday, March 05, 2026

17393: Whitewashing Mr. Clean Retirement…?

Adweek reported the retirement of Mr. Clean was a campaign stunt after all.

 

Just goes to show that despite accusations of ageism in Adland, Old White Guys rule—and the Whiter, the better.

 

Mr. Clean Returns From Retirement After Just 2 Weeks With a Product Glow-Up 

 

The P&G brand is the latest to ‘kill off’ and resurrect a mascot.

 

By Brittaney Kiefer

 

Mr. Clean recently sent the internet into meltdown when he announced his retirement as the eponymous mascot of Procter & Gamble’s cleaning supplies brand after 68 years. 

 

But the bald, buff character couldn’t stay idle for long. Today (March 4), after just two weeks in retirement, Mr. Clean is back to usher in a new era for the brand.

 

Mr. Clean’s return introduces a major product overhaul, including the biggest upgrade to the Magic Eraser in 20 years, a new shower and tub scrubber, and new scents for the multi-purpose cleaner lineup. 

 

A film revealing the mascot’s comeback rolled out on Mr. Clean’s social channels. The brand is also hosting an “unretirement” event in New York City, where media and creators can see product demos.

 

“I’m proud to share that I’m back,” Mr. Clean said in a statement. “I tried to stay retired, but the ideas got too big. The magic of cleaning called me back.” 

 

The departure and subsequent return of the larger-than-life cleaning icon, who made his TV debut in 1958, came to life through a social campaign created by PGOne, Publicis Groupe’s bespoke unit for P&G, and led by PR and communications agency MSL.

 

Mr. Clean announced his retirement on Instagram and TikTok on Feb. 18, with a video in which he wears a Hawaiian shirt and stands behind a lectern at a faux press conference. He later shared a screenshot from his iPhone’s Notes app, confirming that “the rumors are true” about him stepping out of the limelight.

 

“I’m saying goodbye to the world of cleaning in pursuit of new hobbies,” he wrote, signing the note “Veritably,” his first name.

 

Mr. Clean’s retirement garnered headlines in outlets including The New York Times, Forbes, USA Today, and E! News. A P&G spokesperson said at the time that the brand wouldn’t be changing its packaging, hinting that the figure’s exit might only be temporary. 

 

In his two weeks out of work, Mr. Clean posted about how he was keeping busy, like training for a marathon and doing crossword puzzles. His new hobbies sparked inspiration for the brand’s latest product innovation.

 

In a partnership with Zillow, the brand created a listing for Mr. Clean’s four-bedroom Maui retirement pad, now that he’ll no longer need it.

 

Brand mascots keep ‘dying’ and coming back

 

Mr. Clean is just the latest brand to temporarily retire their mascot.

 

Last year, language learning app Duolingo killed off its green owl Duo via a collision with a Tesla Cybertruck. Just a week later, Duo was resurrected. 

 

And in 2020, Planters’ Mr. Peanut supposedly met his end in an explosion of his vehicle, the NutMobile. He was later reborn in a Super Bowl commercial as Baby Nut, proving that reincarnation is real, at least in the world of brand mascots.

 

These mascot antics are part of a trend of brands developing their characters as social media personalities who can appeal to younger audiences.

Wednesday, March 04, 2026

17392: Regarding Repositioning, Reframing, And Rejiggering At BBDO.

 

Digiday interviewed the BBDO Global Chief Client Experience Officer, a newly created role at the White advertising agency.

 

According to Digiday, “BBDO is repositioning itself to court clients more proactively.”

 

Is the repositioning intentional—or is it the result of radical restructuring, revamping, redundancies, and RIFs at Omnicom?

 

As hold cos restructure, BBDO reframes client relationships

 

By Kimeko McCoy

 

Holding companies are having an identity crisis. Between mergers and acquisitions, whistleblowers and generative AI, clients are largely overwhelmed and confidence is shaken. 

 

In the midst of scale and promises of AI-enabled tech efficiencies, BBDO is repositioning itself to court clients more proactively. The Omnicom-backed creative agency this month revamped what traditional account leadership looks like, hiring Daale Carter, formerly president of Energy BBDO, into the newly created global chief client experience officer role at BBDO.

 

“There are a lot of capability stories out there. There aren’t a lot of stories or pictures about the client’s experience,” Carter told Digiday. “We’re really trying to look at how we use client experiences as a true differentiator that we showcase.”

 

As the hold co model changes, and competition gets stiffer, clients are reassessing how they want to work with agency partners. It’s not that the client experience has been forgotten, Carter said, but in the push to scale, clients are getting lost in the shuffle. 

 

Digiday caught up with Carter about her new role, AI expectations and post-merger plans.

 

This interview has been lightly edited for clarity.

 

What’s the purpose of your role — the newly created role of global chief experience officer? 

 

I’m sure there’s no surprise, there has been a lot of change and transition across the ad world — and more specifically, within Omnicom. Part of that change comes a lot of scale, a lot of access to really great tools and technology. But for BBDO specifically — and actually, Omnicom has introduced this role at the holding company level as well — was just a realization that, as you’re scaling, there’s sometimes such a strong focus on that scale and the tools and tech that the client and their experience maybe gets lost in the narrative. 

 

What exactly does that look like in practice?

 

One of the things that we did as an example is account management is seen as the gateway or the owner of the client relationship when actually it’s the responsibility of every single person that touches client business. We also got rid of the term account management, and shifted it to business leadership, and I think the crux of what was missing lies there, because clients want to be led. Clients don’t want to reach out to their agencies and have agencies just be responsive. They want agencies to truly lead them.

 

The other thing that has been a real shift for BBDO is a real relentless focus on clients’ business challenges. Because when you’re a creative agency, sometimes the expectation is superficial. It doesn’t matter how you get there, you get a brief. If you land on a really amazing, creative exercise, all the work is done. But if you think about the scale of issues that clients are facing today, they can’t all just be solved in a really beautiful creative campaign. They’ve got real numerical, socioeconomic pressure. 

 

How does the agency shift from “traditional agency” to “enterprise partner” (especially with AI) change BBDO’s client pitch?

 

Relationships become ever more critical because in our conversations, clients are looking for us to guide them. They’ve got AI overload. They’ve got tech overload, and they’re looking for guidance from a real human being that says, “This makes sense for my business, and this is how we should utilize it or we shouldn’t.” I had a client who had come to us and essentially had said, “I’ve written scripts. I’ve put some stuff into AI and it’s come out with scripts.” And then they admitted that the scripts were devoid of any level of humanity or relativity and what they really were saying was, “I want you to show me how you’re using AI to be forward-facing or to be future fit as you think about the creative process.” They didn’t necessarily want to write their own scripts using AI.They were looking to see us guide them in terms of how they should be thinking about AI.

 

Post-IPG Omnicom merger, what’s been the sentiment from clients?

 

They just wanted to be kept abreast of what the changes are and how we’re building. That’s what they’ve cared the most about, and that’s what we have been committed to. We use the term the Year of Distraction. It’s been a distraction for the industry, for the agency, for our clients, and the way that we’ve been able to manage that is not to be distracted in how we work with our clients and just to focus. That being said, the media tells me that there are lots of clients who have concerns. That’s just not our real experience on the ground. In general, if you have strong relationships with your clients, to the point why relationships are so important, it’s not impacted by that.

 

Considering the headlines around conflict of interest, mergers, layoffs, principal media buying, etc. what’s BBDO’s pitch to win new business?

 

Despite all of this, you cannot get lost because we are committed to the plan experience at the core.