Tuesday, June 02, 2026

17495: Bored By Publicis Groupe Board.

 

Mediapsssst reported Publicis Groupe added two White people to its board, one of whom is the son of the current vice chair of the Publicis board, as well as the grandson of corporate founder Marcel Bleustein-Blanchet.

 

The other White holding company based in France—Havas—also features nepotism at the highest ranks.

 

Maybe it’s a cultural thang. C’est la vie.

 

Two New Members Added To Publicis Groupe Board

 

By Richard Whitman

 

At its annual meeting earlier this week Publicis Groupe shareholders voted to add two new members to the board including Microsoft Chief Scientist and Technical Fellow Jaime Teevan (as previously reported) and Benjamin Badinter. 

 

Badinter is the son of Élisabeth Badinter (current vice chair of the Publicis board) and grandson of company founder Marcel Bleustein-Blanchet. 

 

Badinter, 56, has spent most of his career at the holding company, which he joined in 1995. 

 

In 2002, he was appointed head of Mediavision and Jean Mineur, an agency specializing in advertising cinema. In 2011, he was appointed Chairman Médias et Régies Europe, a Publicis specialist in outdoor, print, radio, and cinema.  

 

In 2016 Badinter acquired the publisher of Tennis Magazine and created an agency dedicated to tennis, Tennis Team Agency. Badinter owns the publisher while Publicis owns the agency.  

 

On the board, he will serve as a member of the strategic, environmental and social committee. 

Monday, June 01, 2026

17494: Why Cannes Lions Is A Lyin’ Loser.

More About Advertising reported Cannes Lions International Festival of Creativity dumped the Holding Company of the Year/Creative Company of the Year trophy.

 

In nixing the dubious honor, Cannes Liars finally admitted it represented a scam award—a recognition exclusively reserved for White holding companies.

 

Plus, the Omnicom acquisition of IPG—along with WPP repositioning itself as a single White operating company—further complicated the exclusivity and scammy nature.

 

Given all the holding/operating companies are becoming media-first or AI-focused enterprises, it didn’t even make sense to call it the Creative Company of the Year award.

 

Expect Cannes to recoup any losses and maintain its outrageous profits by introducing new trophy categories.

 

The only true creativity with Cannes Lions involves its craftiness for maximizing and monetizing opportunities targeting an ever-award-hungry Adland.

 

Cannes cans Creative Company of the Year

 

By Stephen Foster

 

Cannes Lions has moved to update one of the dafter elements of its annual jamboree, “retiring” (a newly-popular word in adland as elsewhere) its Creative Company of the Year award. This simply seems to have rewarded the ad holding company that made the most shortlists — that is, had the most entries — last year going to WPP.

 

Which looked rather odd because just as then CEO Mark Read and the troops were celebrating this on stage it must have been evident to even the most rosé-soaked client that the wheels were coming off the British-owned holding company in all directions.

 

With Omnicom buying IPG the number of contenders has reduced anyway (Publicis, which ditched Cannes entries entirely one year to save a reported €50m) doesn’t seem to take the event as seriously as its US and UK rivals.

 

In line with this are changes to Network of the Year, presumably now a replacement for Creative Company of the Year. This too has had its issues, Omnicom’s DDB winning last year even though it had to withdraw three ads for cheating. DDB has now joined the list of retirees — folded into TBWA — suggesting the connection between supposed creative excellence and commercial performance isn’t as direct as many (including the Cannes organisers) suggest.

 

Cannes Lions says: “By introducing a cap on shortlist contribution, reinforcing the importance of quality over quantity through adjusted weighting, and ensuring consistent judging practices, our aim is to provide a refreshed benchmark that reflects today’s creative landscape — grounded in credibility, integrity and excellence.”

 

That would be nice.

Sunday, May 31, 2026

17493: Staying Abreast Of Pharmaceutical Advertising.

 

Big Pharma conference season prompts promotional pap like the animated bus stop signage depicted above.

 

Questionable media placement aside, AstraZeneca positioning itself as Pioneers in Breast sounds… odd.

 

The dubious title feels more suitable for hyping a strip club or pornography website.

 

Plus, the animated breast image is arguably NSFW—making OOH a controversial tactic choice.

 

It all underscores an Adland reality: pharmaceutical advertising sucks. Or suckles, in this case.

Saturday, May 30, 2026

17492: More On Byron Allen & CBS Breakthrough Deal.

 

Deadline reported on the deal hatched by Byron Allen and CBS, which the network views as “a new business and programming model for late night that proactively addresses a network daypart that was cost prohibitive to continue.”

 

In short, Allen orchestrated an unprecedented arrangement designed to profit all parties.

 

But don’t bet on Mickey D’s and General Motors appearing as Comics Unleashed advertisers.

 

CBS Defends Byron Allen Time Buy, Discloses Financials On ‘The Late Show With Stephen Colbert’s Annual Loss & ‘Comics Unleashed’s Profit

 

By Nellie Andreeva

 

Amid continuing speculation about political motivation behind CBS’ decision to cancel The Late Show With Stephen Colbert and a soft ratings start for its successor, Byron Allen’s Comics Unleashed, the network issued a statement Thursday. In it, CBS for the first time revealed the balance sheet for The Late Show, claiming that it lost about $40 million a year, a number that had been circulated but not officially confirmed until now.

 

The network also disclosed that Allen is paying $15 million a year as a “time buy,” meaning that he is leasing the 11:30 PM hour from CBS and selling its ad inventory himself in search of profit. That is a flat fee for the network not contingent on the show’s performance (which would impact Allen’s ad rates).

 

Comics Unleashed launched on May 22, the night after Colbert signed off from The Late Show. On a night that has been dark in late-night for a couple of years, Comics Unleashed averaged 878,000 total viewers over the two half-hours, according to Nielsen Live+Same Day Panel+Big Data, a fraction of the 6.74 million viewers the Colbert finale drew the night before. Comics Unleashed’s debut stacks better against The Late Show’s L+SD season average prior to the finale, 2.14 million.

 

“We’re proud to partner with Byron Allen on a new business and programming model for late night that proactively addresses a network daypart that was cost prohibitive to continue,” CBS said in its statement. “With this ‘time buy’ model, we have shifted an hour that was losing roughly $40 million annually to $15 million in profit — a $55 million swing.”

 

The Late Show was produced by CBS Studios, so the company shouldered 100% of the production cost amid an ad revenue declines across all entertainment programming on linear, with late-night’s drop among the steepest, said to be 65% over the past 6 years.

 

CBS and its parent Paramount Skydance have been widely criticized over the decision to cancel Colbert, who had been one of the most outspoken critics of President Donald Trump. The network’s decision to outright axe the show on the eve of Skydance’s acquisition of Paramount Global instead of looking for ways to improve its financials by cost-saving measures further fueled the backlash.

 

The person who launched The Late Show, Colbert’s predecessor David Letterman, has been particularly vocal on the issue.

 

“[Colbert] was dumped because the people selling the network to Skydance said, ‘Oh no, there’s not going to be any trouble with that guy. We’re going to take care of the show. We’re just going to throw that into the deal. When will the ink on the check dry?’ I’m just going to go on record as saying: They’re lying,” Letterman told The New York Times recently. “Let me just add one other thing. They’re lying weasels.”

Friday, May 29, 2026

17491: Former WPP CEO Mark Read Puts The Con In Conference.

Mediapsssst reported former WPP CEO Mark Read is launching a London conference to connect AI startups, business and marketing leaders, and potential investors.

 

Um, didn’t Read technically exit WPP for failing to bring together AI startups, business and marketing leaders, and potential investors?

 

Former WPP CEO Read Launches AI Start-up Conference

 

By Richard Whitman

 

Former WPP CEO Mark Read is launching a new conference in London next month designed to bring AI startups, business and marketing leaders and potential investors together, according to UK reports. It’s called Prompt. 

 

Read was quoted by online trade publication More About Advertising as saying, “I launched Prompt because I could see the opportunity to bring AI leaders together with business and marketing leaders.” In London, he added, “There’s not a venue that does that today and what I hear from CEOs and CMOs is a desire not only to embrace AI but also to know who they should be talking to.” 

 

The inaugural conference takes place June 9 at London’s Design Museum and is timed to London Tech Week.  

 

A decade ago, Maurice Lévy, the former Publicis CEO, co-founded a similar event in Paris called VivaTech, a conference and exposition.  

 

That event is still going strong. This year’s event takes place at the Paris Expo Porte de Versailles on June 17-20. It’s expected to draw 180,000 attendees, 14,000 startups, and numerous global tech leaders and investors.

Thursday, May 28, 2026

17490: US Navy RFP WTF BS.

 

MediaPost reported the US Navy issued an RFP, launching a mission to identify its next White advertising agency.

 

Given President Donald J. Trump’s administration opposes DEIBA+—and Trump declared, “We ended DEI in America!”—will non-White advertising agencies play any role in the account review?

 

At least non-White advertising agencies might be relieved of facing the indignities associated with Prime Redlining and crumbs.

 

Expect competing White advertising agencies to be MIA on DEIBA+ too.

 

Incumbent VML spent many years churning out performative PR, erecting heat shields, and even gaining certification for DEIBA+ political propaganda. Time to admit it was all White lies.

 

In this scenario, RFP stands for Racism Fortification Proposal.

 

Navy Issues RFP For New Ad Contract

 

By Steve McClellan

 

The US Navy has issued a request for proposal for a new advertising recruitment contract.   

 

The initial contract period is for one year and would start in January of 2027. If all extensions are executed, the contract would expire in July of 2032, according to the RFP.  

 

WPP’s VML is the current incumbent, having won the last contract in 2021 (when the agency was known as VMLY&R). It also won the previous contract in 2015.   

 

The total value of the current contract is estimated at $460 million.   

 

The remit includes creative, media, strategy, research, field marketing and more.   

 

The Navy RFP follows word in March that the US Army is in the early stages of picking an agency for its new recruitment contract. It has issued a request for information in advance of a formal competitive bidding process that could kick off in the spring of 2027 and take effect in 2028.   

 

The army values the current 10-year contract, won by DDB in 2018, at $4 billion. DDB was folded into TBWA as part of the reorganization related to Omnicom’s acquisition of Interpublic. 

 

The Navy RFP was reported on earlier this week by the Ratti Report, an industry newsletter focused on new business leads.

Wednesday, May 27, 2026

17489: On Late Night Television And Byron Allen.

 

NBC News revealed how Byron Allen persuaded CBS to award him the time slot formerly held by The Late Show with Stephen Colbert.

 

Allen delivered a unique pitch, as detailed via the article below.

 

The image directly below unintentionally underscores Allen brings diversity to late night television—which will likely get the critical attention of President Donald J. Trump, who recently boasted, “We ended DEI in America!

 

 

Byron Allen on how CBS handed him Stephen Colbert’s ‘Late Show’ time slot

 

The comedian-turned-media mogul spoke to NBC News this week about how “Comics Unleashed,” as well as his majority stake in Buzzfeed, will help him grow his media empire.

 

By Chloe Melas

 

As CBS sunsets “The Late Show,” media executive Byron Allen is gearing up to take over one of television’s most coveted evening time slots.

 

Starting Friday, Allen’s long-running syndicated comedy series, “Comics Unleashed,” will air at 11:35 p.m. ET.

 

Allen, who rose to fame as a stand-up comic, described the move as a “business opportunity” that he believes could help further expand his media empire. Last week, he bought a controlling stake in Buzzfeed, the digital media company co-founded by Jonah Peretti that helped define virality online.

 

His CBS pitch formed much earlier, however. Allen said that when news broke in July that the Paramount-owned CBS would be booting Stephen Colbert and the late-night staple off the air, he approached the network with a simple question.

 

“I said, ‘OK, do you like money?’” he said in an interview this week. “They said, ‘Yes!’”

Allen is friends with Colbert — the two go way back. He urged CBS to “not put on another show” if it went through with canceling the cancellation. He said he told the network, “I’ll buy the time period, and you can save over $110 million.”

 

Under the arrangement, Allen leases the hour and sells the advertising inventory himself. Although he wouldn’t reveal exactly how much he’s spending on the deal, he did say he’s “putting a lot of money in their cash register.”

 

“I am a gift from the money gods and the comedy gods,” he said.

 

Allen’s dream of appearing on late-night television dates back decades. When he was a child, his mother — an NBC employee who couldn’t afford childcare — took him to the lot in Burbank, California, where he got to watch late-night legend Johnny Carson in action.

 

“You know, my mom ended up convincing NBC to start an intern program with her, so she could work here for free,” he said. “While I was there, waiting for her to get off work, I’m watching Johnny Carson, and I’m like, wow, Johnny Carson is amazing, and he’s having the time of his life, lots of laughs, lots of fun.”

 

It all came full circle in 1979, when Allen got to do stand-up comedy on “The Tonight Show Starring Johnny Carson.”

 

“I was thinking to myself, in the next five minutes I’m going to change my life and my mother’s life forever, so I’m going to go out there and have a great time, and after I make these people laugh, we’re never going to worry about a bowl of cereal again,” he said.

 

Eventually, he jumped into the media business and founded Allen Media Group (Entertainment Studios) in 1993. He owns television channels such as Pets.TV and Cars.TV. And in 2018, Entertainment Studios bought the Weather Channel’s parent company.

 

He sees a bright future for Buzzfeed, a brand that he said has “a great following.”

 

“Everything Jonah [Peretti] has built in the last 20 years, we are not touching that,” he said. “That is the foundation we are building on that, and we’re making it additive.”

 

But the media company, which was among the first digital-media startups to be valued at over $1 billion, has struggled to maintain a sustainable business model, as Axios reported this week.

 

Allen’s plan for the site involves having user-generated content that won’t live behind a paywall and will instead be available on his ad-supported streaming platform, Local Now.

 

“‘Free’ is the world’s favorite word,” he said. “The two best words in media: ‘free’ and ‘streaming’ ... bring it together and, poof, you’ve got something magical.”

 

Allen’s ambitions stretch even further. He said he eventually wants to control the premium cable network Starz, where he is the second-largest stockholder.

 

“I want to own it. I plan to own it, and somehow one day I’m going to own it and control it,” Allen said. “What I’ve said to them is, what I would like for you to do is, I would like to keep it publicly traded, and I would like for you to let me put more capital in Starz and become the controlling shareholder.”

 

That may be difficult, however.

 

Allen previously explored deals that didn’t materialize, including deals with TV station operator Tegna and the NFL’s Washington Commanders. In 2024, he also tried to make a play for Paramount, CNBC reported.

 

Last year, Starz separated from the studio, Lionsgate, to become its own standalone public company. In March, “the Starz board unanimously voted to adopt a limited-duration shareholder protection rights agreement, also known as a ‘poison pill,’” according to Deadline, which described the move as a “defensive strategy used by companies against activist investors and hostile takeovers.”

 

A representative for Starz didn’t immediately respond to a request for comment.

That hurdle doesn’t appear to deter Allen, however. At 65, he continues to pursue his dreams, with his mother remaining one of his biggest motivations in life.

 

“It makes me feel great, because at the end of the day, all I want to do is make my mama proud, no matter how rich I get,” he said. “I’m just still a little scared little boy hanging on to my mother’s leg.”