Saturday, October 03, 2026

17619: WFA, WPP, WTF.

 

More About Advertising spotlighted a World Federation of Advertisers report showing the use of labor-based models has significantly declined over the past 15 years, while outcome-based remuneration continues to dramatically rise.

In short, WPP is not doing anything innovative with payment schemes; rather, the single White operating company has been slow in adapting to industry reality.

The global flaming dumpster is an outdated outhouse.

More clients move to payment by results – WFA

A new report by the World Federation of Advertisers and Agency Mania Solutions reveals that the use of labour-based models has fallen dramatically over the last 15 years dropping from 54% in 2011 to 17% today, with a significant drop from 33% in 2022 when the research was last carried out. Over the last decade and a half, fixed-fee/output models have risen from 20% to 35% and labour-plus-performance models have more than doubled, from 9% to 23%.

Performance-based fees show the strongest momentum, with 58% expecting increased use, followed by value-based models at 43% and fixed-fee or output-based approaches at 36%. By contrast, 42% anticipate further reducing labour-plus-performance arrangements, while commission models also face more contraction than growth.

How Brands Define, Scope and Reward Agency Work also predicts that AI will accelerate this process, given that the technology allows agencies to do more, faster. Brands, however, are still catching up, with only 20% already evolving their commercial models in response to AI, although 61% intend to.

The findings are based on responses of 69 different multinational companies, representing 6 different industry sectors and a collective global marketing spend of $147 billion. Most (71%) respondents were in a global marketing procurement role.

“Clients ultimately care about the quality, impact and performance of the work – not how many people or hours were required to produce it. AI is accelerating this transition by enabling agencies to complete many activities faster, making time an increasingly weak proxy for value,” says Laura Forcetti, Director of Global Marketing, Sourcing and Director Marketing Services, Asia Pacific at WFA. “The growth of hybrid approaches also shows that no single model suits every discipline or assignment. The future of agency compensation is not paying for effort, it is rewarding valuable work, delivered effectively.”

Friday, October 02, 2026

17618: On WPP Leadership—An Oxymoron.

 

MediaPost reported VML Global CEO-WPP Creative CEO Jon Cook is taking a walk toward an undisclosed destination, handing the baton to another VML veteran White man.

So, after orchestrating the epic erasure of iconic White advertising agency brands—and eliminating thousands of jobs—Cook is bailing out of the global flaming dumpster, undoubtedly with a golden parachute.

Cook is scheduled to remain in his leadership roles until March 2027.

In contrast, WPP drones don’t enjoy the privileged luxury of such advance notice—and their exits only include golden showers.

VML Global CEO Jon Cook Set To Depart As Campbell Prepares To Succeed Him

By Steve McClellan

Jon Cook, Global CEO of VML and CEO of WPP Creative, is leaving WPP to pursue the next chapter of his career, the holding company announced this morning. Cook will remain in his leadership roles through March 2027. He was a co-founder of VML in the 1990’s.  

Another VML veteran, Eric Campbell, currently CEO of VML and WPP Creative in North America, has been named to succeed Cook as Global CEO of the agency, while continuing as CEO of WPP Creative North America.

Cook has spent three decades helping guide and shape VML from an emerging digital agency in Kansas City into one of WPP’s largest creative networks. In 2024, he led the effort to combine what was then VMLY&R and Wunderman Thompson, bringing together brand experience, customer experience, commerce, data and enterprise technology across more than 55 markets.  

In February 2026, Cook took on the additional responsibility of CEO of WPP Creative when that unit was created as part of WPP CEO Cindy Rose’s efforts to return the company to growth. WPP Creative includes VML, Ogilvy, Grey, Burson, AKQA, Landor and Design Bridge & Partners.    

Rose stated: “Jon’s contribution to VML, WPP and our entire industry has been extraordinary. He is an exceptional builder – of enduring client partnerships, world-class agencies and a culture built on generosity, optimism and genuine care for people.”    

Added Cook: “This has been one of the hardest decisions I have ever made in my life. But after three decades of pouring everything I have into this agency and all of WPP, it is time to build something new.”    

Campbell has been with VML for more than 25 years and has held central leadership roles, including President of VML, Global President of VMLY&R, Global Chief Client Officer and CEO of VML North America.   

WPP said that further details on the leadership structure at WPP Creative would be announced soon. 

Thursday, October 01, 2026

17617: On The White House & White Advertising Agencies, Part 11.

 

More About Advertising reported President Donald J. Trump aired a self-promotional video, prompting accusations that government funds were used to pay for a campaign advertisement.

The White House defended the video with a variety of legal and arguably looney responses.

It appears Trump is like the client—or White advertising agency—who greenlights executions without running concepts through the legal department.

Then again, maybe Trump is campaigning for a White Man Of The Year repeat.

Trump accused of using government funds for campaign advert

By Emma Hall

Only six weeks before the US midterm elections, President Trump has aired an ad providing a highlight reel of his second term and a promise that America will never be a communist country. The soundtrack repeats the words “Love me” over and over.

The controversial bit comes with the text overlay, “Paid for by the US government,” coupled with the timing – six weeks ahead of the critical mid-term elections. The White House denies using government funds to pay for a campaign ad, claiming that the work is a celebration of Trump and acts “as a reminder for Americans to love their country and know why it’s worth defending – at home, at the border, and abroad.”

The sped-up clips apparently include some of Trump’s signature moments like the US military raid on Venezuela, hosting a state dinner for Saudi crown prince Mohammed bin Salman, and accepting the FIFA peace prize, and pardoning a turkey.

The White House claims the ad is not campaigning and that “patriotism isn’t partisan,” but here he is boasting about his second-term achievements including tax cuts, manufacturing growth, and improved law and order. The broadcast version also features Dana White, CEO of the Ultimate Fighting Championship, saying “he is the toughest, most resilient human being I have ever met in my life.”

Albanian-American singer JMSN, who wrote and performed the song “Love me,” says he is “looking at lawyers” due to the unauthorised use of his work.

Further defence from the White House references Obama’s ads to promote Obamacare and Biden’s “We can do this” public health campaign. As Trump’s second term unfolds, it looks increasingly like he’s taking an ongoing trajectory to its logical extreme – and no one can stop him.

Wednesday, September 30, 2026

17616: NFL Questions DHS X’s & O’s…?

ESPN reported the NFL requested the Department of Homeland Security take down a social media post likening former Philadelphia Eagles star Brian Dawkins’ punishing hits to ICE’s treatment of migrants.

Political organizations skirt around copyright and usage restrictions, leaving cease-and-desist requests and no-affiliation statements among the few viable responses.

Yet the scenario appears as if DHS and ICE are being positioned as proud partners of the NFL—or the NFL is a proud partner of DHS and ICE.

So, a penalty flag is arguably in order—although President Donald J. Trump would undoubtedly challenge the call.

NFL asks DHS to take down Brian Dawkins social media video

By Robert Klemko

The NFL asked the Department of Homeland Security to remove a social media post likening former Philadelphia Eagles star Brian Dawkins’ greatest hits to immigration agents’ treatment of migrants.

DHS published the X post in question Sunday evening in response to another account’s report that a “huge migrant caravan” was approaching the United States’ southern border.

“Our time has come,” the agency wrote, adding a video of Dawkins’ most violent on-field collisions.

Dawkins, in a text, told ESPN he had not given the agency his blessing to post the video but declined to comment further.

“I have very respectfully not given permission,” the Hall of Fame safety wrote.

The NFL said it requested the video’s removal, though it remained up as of noon ET Monday.

In March, the White House posted video interspersing NFL and NCAA football highlight hits with video of airstrikes on Iranian targets, days after U.S. forces destroyed an elementary school in southern Iran, killing more than 100 children, according to Amnesty International. The NFL declined to say whether it had requested the removal of that video.

That video also remains on the social media site.

Dawkins, one of the most physical defensive backs of his era, retired in 2012 and was inducted into the Pro Football Hall of Fame in 2018.

Tuesday, September 29, 2026

17615: On Escalating The Exclusivity Of Account Reviews In Adland.

 

Advertising Age spotlighted a twist on account assignments, whereby a brand charged its White media agency to conduct a creative review for its first White advertising agency.

Or was it really a twist? It’s not the first time a pitch turned into an exclusive, closed, and clandestine affair—although the scenario offered an uncommon maneuver to maintain the status quo in Adland.

The brand is Humann. Yet the new partnerships appear to favor White humans.

P.S. to Humann: Your self-hype boasts being “The trusted name in cardiovascular health.” Research shows people of color in the US are at increased risk of cardiovascular disease and poor disease outcomes. Did you choose the best media and advertising partners to reach such critical audiences?

How media agency Eden Collective conducted a creative review for one of its clients

By Brian Bonilla

When cardiovascular-health supplement company Humann went looking for its first creative agency of record late last year, it did not hire a consultant or issue a request for proposal. Instead, it took the unusual step of asking its media agency, Eden Collective, to conduct the search.

Launched in 2009, Humann built its business around a supplement called SuperBeets that supports healthy blood pressure. The company has seen strong growth lately, expanding from a limited retail presence to more than 180,000 points of distribution in the past 20 or so months, said CEO and co-founder Joel Kocher. Humann is also diversifying into cardiovascular health more broadly, with cholesterol, blood sugar, omega and CoQ10 products.

“Our aspirations changed. Our ambitions changed. So naturally, the way you run your business has to change along with that,” Kocher said.

Eden was managing Humann’s media when Kocher began reconsidering the company’s in-house creative model. When he laid out his ambitions to Eden CEO and founder Alison Monk over coffee in New York, she was frank: “I don’t think you’re going to get there without an ad agency; a creative agency that can deliver the goods,” she recalled telling Kocher.

Monk initially suggested hiring a search expert. But Kocher persuaded Eden, which it had already entrusted with its strategy and business data, to lead the assignment. (Eden was hired as Humann’s media AOR in February after previously working on a project basis.)

How the process worked

That coffee meeting led to a four-week process that replaced lengthy questionnaires and rounds of pitching with a detailed video briefing and two primary interactions: an initial chemistry meeting designed to become a working session, followed by an in-person presentation by the finalists.

Six independent agencies were initially invited before the field was narrowed to three, with Humann ultimately selecting independent agency WorkInProgress as its creative AOR. Kocher declined to identify the other contenders.

Monk, who felt up to the task because she also spent much of her career on the creative agency side at shops including Grey and Digitas, said the review’s scope was intentionally broad because Humann hadn’t yet determined if it was looking for a long-term creative agency or a shorter-term solution.

“It was an amorphous ask: What do we need?” Monk said. “So we went through a range, and Joel and I sat down and said, ‘OK, let’s look at a couple of folks that skew more project-based, and let’s also look at deeper, more AOR-like partners.’”

The review began in mid-December with a mandate to reach a decision by February, ahead of Humann’s planned retail launch of a broader cardiovascular product suite in April. Monk said Humann’s executives spent “dozens, if not 100 hours” preparing for the process.

Rather than ask agencies to complete what Monk called a “27,000-page RFI,” Eden sent agencies a video featuring Kocher and his executive team, along with supporting materials.

The extensive briefing covered Humann’s history, its origins from research conducted at the University of Texas, its Nobel Prize-winning scientific roots, and information on how nitric oxide—a key ingredient in its products—works. It also detailed the brand’s past creative, evolution from direct-to-consumer to Amazon and retail, recent packaging redesign, consumer research and customer profiles, product expansion, media strategy and competitive landscape.

Agencies had one week to review the material before a two-hour meeting with the company.

“It was a chemistry meeting, but it became a work session because of the information we were given,” said Evan Russack, co-founder and partner at WorkInProgress. “As an agency, we value those moments deeply because they allow us to ask a variety of questions—important backgrounders—but also to determine if this is right for the agency.”

Russack said the video conveyed the leadership team’s personality, passion and communication style while giving agencies unusual access to Humann’s founder and CEO from the outset.

“It was really helpful that a media agency was running the pitch, because we typically have a ton of questions related to media, and we were able to get them all answered,” Russack said.

Each of the three finalists received a $15,000 stipend. WorkInProgress used the money to research consumers’ relationship with the supplement category, then incorporated the findings into its communications strategy and creative, Russack said.

Why WorkInProgress won the pitch

To Monk, WorkInProgress stood out for its “funnel fluency” across different marketing needs. Specifically, she was looking for shops that understood the difference between what she called “salesmanship” versus “showmanship.”

“Brands with high awareness can do more showmanship and only focus on entertainment, because they don’t have to explain who they are and what they do,” Monk said. “We’re talking about a complex product in a quickly commoditized category, with lower-quality value players nipping at their heels.”

The strategic challenge was to make cardiovascular health relevant beyond older consumers or people already managing a medical condition. Humann also sought to differentiate itself in a supplement category where Kocher said few companies have meaningful clinical science. That said, he acknowledged that the company had “over-rotated on science” with previous creative focused on testimonials, especially from doctors and researchers.

All participating agencies argued Humann needed a stronger emotional connection with consumers, Kocher said.

“Our formula was: give me a point of relevancy, give me a benefit—a reason to care. Then give me the science. Then make it credible,” Russack said.

For Kocher, the defining moment came about 10 minutes into the first meeting, when he asked how the agency views the brand. WorkInProgress Creative Director Josh Shelton responded by characterizing Humann’s existing brand personality as “cool Cheerios.” Kocher embraced the comment, which he recognized as “ostensibly an insult,” because it defined the brand as a management tool for an existing condition rather than one relevant to consumers who think proactively about wellness, longevity and performance.

“I thought, ‘Finally, someone had the guts to call it for what it was,’” Kocher said. “For me, that was the defining moment. I’d made up my mind right then. Ten minutes in, it was game over.”

Kocher actually bought a box of Cheerios that he planned to send the agency—but WorkInProgress beat him to it. Two days after the meeting, a package arrived at Humann via FedEx, with Cheerios boxes decorated with what Kocher described as “cool Ray-Ban shades” stickers.

The process also convinced Kocher that Humann needed an AOR rather than a project shop.

The first campaign, backed by an investment “approaching $50 million,” according to Kocher, will break in early October.

Monk said Eden does not intend to turn agency reviews into a business line. Its role grew from its knowledge of Humann and its position as a strategic marketing partner, she said.

Russack had not previously encountered a creative review run by a media agency, but said he wouldn’t be surprised if this becomes more common.

“We’re all looking for really good partners who have subject-matter expertise we don’t possess, and have a working style that matches ours so we can deliver results for brands,” he said.

Monday, September 28, 2026

17614: On Mark Read Exploring AI Possibilities.

 

Advertising Age interviewed ex-WPP CEO Mark Read, who hyped his AI conference.

Looks like Read is transitioning from failing to extinguish a global flaming dumpster to organizing an obscure conference. The probable next steps include pseudo-consultant and honorary university professor.

Read may inevitably assume a series of roles, and through his performance, demonstrate that each position could be replaced by AI.

Mark Read’s next act—running an AI conference for marketers, agencies and startups

By Brian Bonilla

After seven years at the helm of one of the world’s largest agency holding companies, former WPP CEO Mark Read is running an AI conference called Prompt. The aim is to bring together about 150 people, connecting chief marketing officers and agencies with AI startups to figure out what comes next.

Read, who sold an internet company, WebRewards, to Bertelsmann during the dot-com era in 2001, is once again embracing a startup mentality while trying to help companies navigate the AI space.

The first Prompt took place in London in June. The event is designed for a small group of marketers, AI entrepreneurs and agency executives, with discussions held under Chatham House rules. The format encourages participants to speak frankly, Read said in an interview.

“We’re not trying to compete in any way with CES or even Possible,” said Read. “This is not about scale. It’s really just trying to focus on the intersection of creativity, AI, technology and marketing, and be small.”

Read, who exited WPP late last year, also spent years running Stream, WPP’s technology-focused event. He said that he saw an opportunity to continue connecting marketers with a new generation of companies developing AI applications.

Read said he sees a gap between the AI platforms marketers recognize and the applications they can put to work.

“Everyone knows OpenAI or Claude or Gemini, but on their own, they’re not much use to CMOs, right? They need applications,” he said in an interview with Ad Age. “And I thought, why don’t I see if I can bring these people together?”

Prompt comes to New York Oct. 6, during Advertising Week. Read expects about 150 people at the invite-only event, which is free to attend. Longtime advertising executives David Droga, vice chair of Accenture, and Carolyn Everson, now senior adviser at Permira, are some of the notable speakers. Other participants include CEOs and other senior executives from AI companies such as Profound, Listen Labs and Google.

Asked how much he had personally invested in Prompt, Read said only, “It’s not a massive investment.” He retains control over the speaker lineup.

“Not everyone who’s sponsoring is on stage, and not everyone who’s on stage is sponsoring,” he said.

The gap he sees with AI

Read described himself as a frequent user of Gemini and Claude for different tasks.

“The whole of Prompt is run on those two platforms—from legal advice, financial advice, managing invitations, creating content,” he said.

Read praised AI’s usefulness for startups like his own new venture, noting that established companies face a harder task of retrofitting processes and teams. The conversations Read wants Prompt to host reflect that issue: Companies are adopting AI tools, he said, but their efforts often remain disconnected.

“Too much of AI deployment happens in individual bits,” Read said. Companies need to move beyond experimentation, he said, by connecting applications, establishing sound data governance and focusing on work that can change how the organizations operate.

Read also thinks advertising inside AI tools has yet to realize its potential. “Now, what we have to do—and I don’t think we’ve yet seen this, even from OpenAI—is have an ad experience that fully exploits the power of AI to bring the right message to the right person at the right time,” he said.

He calls that “relevance rather than personalization.” Read cited a personal example of using AI while planning a trip to Alaska, noting that he would have found it useful if the tool had shown him which hotels were available, their prices and any offers while he searched.

Read’s time advising AI companies and using AI tools has also led him to consider how a brand-new agency might operate. “If I were a 25-year-old entrepreneur starting an agency, I’d be saying, ‘How do I embrace all of these tools and start from scratch?’” Read said. “What if you need fewer account executives when AI can take the briefing notes?”

Read remains a WPP shareholder and is keeping an eye on the holding companies.

The industry’s consolidation has been “driven by intense, sometimes irrational competition,” he said, adding that “pressure from procurement has led to an industry with really three major players, which hopefully will create a somewhat more healthy ecosystem for those three companies.”

Read is considering taking Prompt to Berlin, Riyadh and Singapore. Expanding Prompt beyond events is not in his current plans, he said.

Asked whether he has considered starting an agency or agency group himself, Read offered a glimpse of the possibility.

“I think about this,” he said. “Let’s leave it at that.”

Sunday, September 27, 2026

17613: KFC = Kyiv Fried Chicken…?

 

This KFC campaign—explained below—emphasizes even White advertising agencies in Ukraine love hip hop.



In August, KFC launched a new street food menu called “Street Beat,” featuring shawarma, hot dogs, Bessarabian placinda, and a bunch of other delicious dishes. The agency idealer$ was responsible for developing the project’s communication concept. The creatives decided to break KFC’s usual advertising rules. The campaign doesn’t invite people to restaurants; instead, it encourages them to head outdoors — to work up an appetite and enjoy the summer vibes and breathtaking views.

Especially for the launch of “Street Beat”, one of the country’s most popular musicians, MONATIK, recorded a sizzling hit of the same name, for which a music video was filmed during a particularly hot day in Kyiv. The music video became the basis for the street food line’s commercial, which is already airing on TV.

Working side by side with MONATIK on the project and the track’s composition were KFC’s new ambassadors — Bogdan Cooper and Sasha Bardachenko. These young talents emerged as the winners of KFC’s nationwide casting call, “Club of Fantastic Flavors”. Their musical talents, on-camera presence, and ability to create content truly shone during filming. Together with the star performer, they showcased “Street Beat” not only in the music video but also on billboards and citylights across all major cities in Ukraine.

A unique feature of the new “Street Beat” menu is that it’s convenient to enjoy on the go. To emphasize this, instead of the usual photos of dishes, the campaign showed how perfectly lemonade, fries, and even shawarma fit in your hands. These images are already featured on the menus at the restaurants’ digital kiosks and in the KFC app, as well as adorning subway and tram cars throughout the Ukrainian capital.

Ukrainians will be able to step outside — rather than staying indoors — to experience KFC’s new flavor in all its glory for a limited time — through the end of September.