Sunday, June 07, 2026

17500: On Black-Owned Brands At Target.

 

Digiday published a lengthy report on Black-owned brands feeling alienated—and abandoned—by Target.

 

The retailer’s decision to pull back inclusive initiatives triggered a DEIBA+ domino effect with collateral damage to cultures, communities, and cash registers.

 

Target has alienated Black-owned brands, founders say, as some startups vanish from its shelves

 

By Mitchell Parton

 

This story was first published on Digiday sibling Modern Retail.

 

In 2022, April Showers finally got her big retail break as her brand, Afro Unicorn, entered Target and Walmart.

 

Afro Unicorn is a licensed-character brand designed for women of color that sells hair-care products, books, apparel and more. For Showers, as a Black entrepreneur aiming to normalize Black beauty, getting into mainstream retail was a critical milestone.

 

“It wasn’t to help normalize it for us,” Showers said. “It was there to normalize it for everyone else, so that when a little white girl walks into the room and sees a Black girl, she doesn’t look at her any differently.”

 

Nearly four years later, however, Showers’ products are no longer found on Target’s shelves after the company pulled back from some diversity, equity and inclusion initiatives. Showers told Modern Retail that, as a result of Target’s decision, she decided to stop advertising Afro Unicorn’s presence at the retailer, adding that the brand’s sales at Target fell below the company’s standards and that its products were cleared from its shelves by the end of 2025.

 

Some Afro Unicorn plushes and a book are still available on Target’s website, but not in stores — speaking to how long it can take for a brand’s inventory to be cleared from warehouses. The brand is still available at Walmart and CVS Pharmacy.

 

This isn’t the way Showers wanted things to go. She said she initially pushed her community to do a “buyout” — as in buying all the Black brands at Target until they sold out — but they were resistant to it. She said her followers, Black or not, did not want to shop at Target as they felt like the company didn’t acknowledge it had made a mistake in how it pulled back from DEI programs.

 

“I never want to feel like I’m hurting my community or anyone around, so if you tell me we’re boycotting [Target], then we’re boycotting it; one band, one sound,” Showers said. “I did not like how Target never came out with a statement and really put it on the backs of the founders to figure this all out.”

 

Afro Unicorn isn’t the only Black-owned brand that has disappeared from Target’s shelves over the past few years. While Target’s DEI pullback hurt its reputation within the Black community, other Black founders Modern Retail spoke with said they found Target to be a frustrating wholesale partner, even before 2025.

 

A couple of founders said they struggled to get key information from their respective buyers, which hampered their sales. One described promotions they had to pay to participate in that they thought would be free. And, in the case of another founder, they only got an answer about their brand’s fate with Target — after months of unanswered emails — after going to a Target diversity executive, even though the brand wasn’t part of any supplier diversity program at Target.

 

Target representatives declined to share details on specific conversations or interactions with vendors, but said that it makes changes to its assortment based on how products are performing and what shoppers are looking for.

 

“Style, design and value are at the heart of our differentiated assortment, and emerging brands play an important role alongside national brands and owned brands,” a Target spokesperson said in a statement. “We’re proud of our long-term record of helping small businesses grow and reach new customers at Target, and will continue to create opportunities for new brands.”

 

Other Black-owned brands once featured at Target have been removed from the retailer’s assortment without explanation. These include Alikay Naturals and Oyin Handmade, which are still sold outside of Target. Some, like hair-care brand Curls Dynasty, have gone out of business entirely.

 

Entrepreneur and author Tina Wells said her luggage and accessories brand, WNDR LN, was built exclusively for Target but was canceled and removed from stores by late 2024. While some of her products are still listed on Target’s website, she said she hasn’t fulfilled an order to Target since August 2023 and that anything still available is back stock.

 

A representative for Black-owned skin-care brand GlowRx, in an email, said the brand “no longer being in Target was not our voluntary decision.” 

 

Some brands may have been removed from Target due to their sales performance.

 

“I’ve seen them kick out eight brands — not because they were Black, not because they were woman-owned and not because they were Latina-owned, but because they didn’t perform,” Melissa Butler, founder of vegan lipstick brand The Lip Bar, said in an Instagram video last year. She was warning her shoppers that the same fate could come to Black brands if customers were to stop shopping for them at Target as part of a boycott.

 

Target, for its part, is trying to position 2026 as a comeback year. This month, Target reported its first quarter of sales growth in more than a year as CEO Michael Fiddelke and his team have worked to refine its assortment and invested hundreds of millions of dollars in payroll and store technology to improve the guest experience.

 

And, Target continues to expand the number of Black-owned brands it carries in stores. It has hundreds of Black-owned brands in its stores, double the amount compared to 2020, the company said in an email. Last fall, it added KBB by Kahlana to its stores, which a press release described as “one of Target’s most in-demand women’s apparel and accessories brands.” It continues to spotlight Black-owned brands on its website, such as through a Black History Month collection featuring Black designers.

 

But even as Target adds new Black-owned brands to its assortment, it has burned bridges with others.

 

“I personally don’t feel like we saw any benefit,” from being at Target, one Black founder who spoke on the condition of anonymity said. The founder said their brand was dropped in the fall of 2024 after several years with the retailer. “We invested a lot of money and a lot of time, and we spent much more money than we ever made at Target. We were doing so much better before we were in store at Target, and if I could redo it, I probably would have just not done the partnership at all.”

 

The lingering DEI problem

 

One of the big driving factors that led many Black entrepreneurs, like Showers, to pull back on their support for Target was the company’s decision last year to walk back some of its DEI goals, programs and initiatives. That decision — and Target’s murky communications around what led to the pullback — led to some shoppers boycotting the chain. 

 

Last year, Target concluded its three-year diversity, equity and inclusion goals, concluded its Racial Equity Action and Change initiatives, stopped all externally diversity-focused surveys such as the HRC’s Corporate Equality Index and renamed its “supplier diversity” team to “supplier engagement.” Still, the company said that this year, it fulfilled its 2021 commitment to invest $2 billion in Black-owned businesses.

 

Showers said fellow founders would tell her they were waiting for Target executives to admit they made a mistake on DEI, but that she was never optimistic. Target’s pullback itself came off as performative, Showers said, given that it previously had embraced the Black and LGBTQ+ communities, such as by making public statements on racial equity and investing in scholarships, business consulting and sponsorships aimed to support marginalized groups.

 

“It was like a slap in the face to the community that basically felt that they helped build Target’s name in the urban sector,” Showers said. “The community was hurt. It was an emotional attachment that they had with Target, because they felt like Target was there for us.”

 

Target did eventually address the frustration last May, but in an internal email that communications professionals found vague and underwhelming and didn’t specifically address what the company did.

 

Target’s Fiddelke told the Associated Press in March that boycotts were among the things that impacted its sales last year. The company’s net sales decreased 1.7% to $104.8 billion from 2024 to 2025. “We’ve got trust to win back with guests, and we’ll be focused on doing it,” he told the outlet. “There’s no easy button to win back trust, but we’ll do the work.”

 

Shortly after Fiddelke’s comments that Target’s goal was to win back guest trust, Atlanta pastor Jamal Bryant in March said he was ending his boycott of the company after “productive” conversations with Fiddelke and others at the company, according to USA Today. Target, however, did not offer any concessions or reverse any changes it made to its policies, the newspaper reported.

 

However, organizers of another boycott — civil rights attorney Nekima Levy Armstrong, Jaylani Hussein of the Council on American-Islamic Relations and Monique Cullars-Doty of Black Lives Matter Minnesota — held a press conference, also in March, to say their boycott remains ongoing.

 

But the DEI pullback has continued to harm the company’s brand reputation, argues SOC Investment Group, Mercy Investment Services and Trillium Asset Management. The activist investors launched a campaign this month encouraging shareholders to vote against the re-elections of former Target CEO and executive chair Brian Cornell, as well as lead independent director Christine Leahy.

 

“Target’s brand has eroded, and it’s not from taking a stance, but from appearing disingenuous on social issues,” said Emma Bayes, deputy director of SOC Investment Group, in an interview. Her firm works with labor unions and their pension funds to promote good governance. 

 

“Retreating from DEI commitments that once defined it as a leader, Target undermined its credibility, made the brand feel inauthentic at a time when consumers are actively seeking companies that stand firmly and consistently by their values,” Bayes said.

 

Showers said she’s not completely against working with Target again, but would need to see a statement made addressing its previous decision on DEI, among other things.

 

“I don’t see myself going back until Target actually does what they did [before] 2024 and truly embraces women, Black businesses and all other marginalized businesses, like they did previously, publicly,” Showers said. “I know that would never happen.”

 

Showers took a six-figure hit just within her hair-care line after leaving Target, she said. Her company lost a total of $600,000 in revenue from 2024 to 2025, according to her. She attributes those lost sales to retailer boycotts in response to DEI decisions in response to the Trump administration.

 

“We were collateral damage because of this administration’s policies,” she said. “It was this administration, with their fear that they did to these retailers for DEI, that caused the hurt.”

 

A costly bet on Target

 

For other Black founders, their issues with Target stem from their belief that the retailer was not a good partner in giving their brands visibility and accessibility nationwide.

 

When Trey Brown and his brother Donovan appeared on “Shark Tank” with their Ride FRSH line of air fresheners in 2023, the two co-founders said their goal was to expand the business at retail. Later that year, that dream became reality. They landed a deal with Target to get their products into stores, which was supposed to begin their launch into mass retail, in addition to an agreement with AutoZone.

 

Instead, Target has been a nightmare for the Black-owned brand, as Brown described to Modern Retail. Shortly. After the launch, he said, customers would complain that they couldn’t find the products in the stores. He discovered the stores would have the items but not put them on the floor, and instead hold them in the back room.

 

Brown said Ride FRSH only ever got an answer about what happened to his brand this year from a Target diversity executive, even though the brand was accepted at Target as any other supplier, not as part of any diversity program.

 

“Why do I have to talk to the diversity initiatives guy to get an answer when I’m not even in a DEI program, and never was?” Brown said. “I should be able to reach the owner of the specific section, the buyer of the section. But somehow, nobody’s following up, and nobody gave a shit. So it just was like, ‘OK, so I have to go talk to the Black guy to get a response?’”

 

He said the executive apologized and said that’s not the way Target handles it, but that their solution was to get in touch with Target Plus — a third-party marketplace program that only deals with products sold online, not in stores. Brown said he was told by the diversity executive that it was “not likely” that he would get his products back on the floor.

 

Ride FRSH no longer appears on Target’s website; Brown said he’s not exactly sure when Target stopped listing the product or selling it in stores. He said Target has sent invoices to the brand that buyers would tell the brothers to ignore.

 

“Even when they [Target] had an opportunity to tell us that we were no longer with them, they just didn’t tell us that,” he said. In recent months, he has struggled to get an answer from Target’s buyers on whether the retailer has discontinued the relationship, and if so, why they have done so. He also said he hasn’t gotten any information on how the brand performed at Target.

 

“We’re stuck with a whole bunch of inventory, trying to figure out what’s going on,” Brown said.

 

The founder whose brand was dropped by Target in 2024 went through a similar ordeal. 

 

“We were told there was a change in product lineup, so they were just not going to move forward,” they said, adding that there was no other reason given as to why they were removed. “That was the whole conversation.” This founder, like Brown, said they had sent several emails to Target buyers without a response when trying to get information on a promotion they were supposed to be part of.

 

The founder said they paid for and warehoused at least $100,000 in product to be prepared for the next season with Target. Target had encouraged them to have the product stored in the U.S. rather than overseas, they said, so the brand would be able to get it to the retailer if the company needed a last-minute shipment instead of paying up to $30,000 to ship it from overseas.

 

“We’ve been, like, selling through it, slowly but surely, but we’re paying ridiculous amounts of money, like warehouse fees,” they said.

 

The founder said being at Target was costly overall, due to shipping costs, giving Target 50% of the proceeds and having to pay to change their packaging at the request of Target buyers. Additionally, the entrepreneur said they would have to pay if they wanted to be featured in certain promotions through Target’s Roundel retail media network, including Black History Month promotions. “If I wanted to pay $25,000 for marketing, I wouldn’t go in Target, I would just make an ad and go direct-to-consumer myself,” they said.

 

Finally, the founder said they had to pay for a certification in order to be featured on Target’s website as a Black-owned vendor. They said they had thought Target would give the brand free marketing opportunities during Black History Month or other events.

 

Brown, for his part, said he had no numbers on how Ride FRSH sold at Target, making it impossible to tell other retailers how they performed there. That could jeopardize future attempts at retail expansion. “If another retailer wants to come to us and ask us for numbers, we don’t have any,” he said.

 

He estimates he has lost $200,000 due to what happened with Target. What’s particularly frustrating, he said, is that it also compromises his direct-to-consumer business, because the brand stopped focusing as much on it to fulfill orders for retailers and because the capital it would use to invest in it is tied up with the retailers. 

 

“You just want a chance to have an even playing field somewhere in this country,” Brown said. From his perspective, “there were never any issues with our products, and we did everything we were supposed to do. But if you don’t put the products out on the floor, then how are we supposed to compete?”

Saturday, June 06, 2026

17499: On AI Ignorance, Incapability, and Inaccuracy.

 

Mediapsssst reported on a study from Stagwell’s Harris Poll and Milken Institute that featured the following:

 

Eighty-five percent of business leaders admit to feeling pressure to appear further with their firm’s AI implementation plans than they actually are and almost as many (80%) admitted that while they “talk a good AI game” publicly they are still trying to figure out the technology.  

 

Advertisers should keep this in mind when White holding companies—including Stagwell—hype wondrous AI services and capabilities.

 

In Adland, AI stands for Actually Inept—or Advertising Incompetence.

 

Report: 68% Of Workers Are Navigating AI Transition ‘On Their Own’

 

By Richard Whitman

 

A new study from Stagwell’s Harris Poll and Milken Institute finds that a significant gap exists between what business leaders are saying about their companies’ AI readiness and the reality of the situation.   

 

Eighty-five percent of business leaders admit to feeling pressure to appear further with their firm’s AI implementation plans than they actually are and almost as many (80%) admitted that while they “talk a good AI game” publicly they are still trying to figure out the technology.  

 

Sixty-one percent of employees say their leadership “barely talks about AI” internally, while 41% report they have received no meaningful AI support from their employer in the past 12 months.  

 

And 68% of workers say they are navigating the AI transition largely on their own.  

 

The study is the latest installment of the Harris Poll Listening Project with the Milken Institute. This year’s study included surveys of 2000 US adults 18 plus, including 1,280 workers and a separate poll of 500 business leaders at the vice-presidential level or higher at businesses generating $2 billion or more in revenue.   

 

See the full report here

Friday, June 05, 2026

17498: Can’t Beat The Real Exclusivity.

Advertising Age reported The Coca-Cola Company is launching a global review for media, data, and technology, staging a France vs UK battle royale between Publicis Groupe and WPP.

 

The scenario underscores how serving global brands are closed affairs, exclusive privileges available only to a handful of White holding companies and a single White operating company.

 

In the US, Coca-Cola has a history of intentionally excluding Blacks from its marketing efforts.

 

Looks like the colorless campaign continues. Let them eat—and drink—crumbs.

 

Coca-Cola media, data and tech agency review pits WPP against Publicis

 

By E.J. Schultz, Brian Bonilla, and Ewan Larkin

 

Coca-Cola Co. will conduct a global agency review for media, data and technology needs, setting up a shootout between Publicis Groupe and WPP, the beverage giant confirmed.

 

The rival holding companies will compete for the business in Coca-Cola’s top global markets, excluding North America, where Publicis is the incumbent, and Japan and Korea, where it works with Dentsu, Coca-Cola confirmed to Ad Age. Mediasense will handle the review, which will begin in July with a decision expected in the fall.

 

The review is driven by Coca-Cola’s desire to evolve “its digital-first marketing operating system for future growth. This includes a shift in mindset from traditional media planning to the emerging ways we need to reach consumers through technology, including agentic tools,” the company stated.

 

Coca-Cola Co. reported $5.4 billion in ad expenses in 2025, up from $5.1 billion in 2024. Coca-Cola was the 19th-largest advertiser in the world and the 27th-largest advertiser in the U.S. based on 2024 spending, according to Ad Age Datacenter.

 

The review comes nearly five years after Coca-Cola hired WPP for creative, media, data and marketing technology across its 200 or so brands, setting up a bespoke unit called Open X. WPP in early 2025 lost its grip on a significant chunk of that business when Coca-Cola Co. hired Publicis Groupe for its North America media account. Now Publicis has an opportunity to significantly expand its remit with Coca-Cola, potentially at WPP’s expense. Publicis finished a close second during the 2021 review, but at that time, Manolo Arroyo, Coca-Cola’s global chief marketing officer, said WPP’s global reach tipped the scales in its favor.

 

The new review “coincides with a contract renewal cycle following the start of our five-year partnership with WPP Open X, which has helped to modernize our marketing approach and deliver significant business value,” Coke stated, adding that “global creative and PR disciplines are not in scope of this review and will remain with WPP Open X.”

 

“We are proud to serve as The Coca-Cola Company’s global network partner,” WPP shared in a statement. “The upcoming five-year contract renewal process coincides with Coca-Cola’s Next Chapter initiative, and we will continue to transform our capabilities in lockstep with them. We welcome the opportunity to showcase how our integrated media, data science, and agentic technology platform and solutions will continue to drive future growth across their key global markets.”

 

Publicis didn’t return requests for comment.

 

WPP has been building some much-needed momentum in the pitch room, with WPP Media raking in $1.5 billion in new client billings during the first quarter, according to COMvergence. There is, however, a lot riding on the Coca-Cola account. Marketing consultants previously told Ad Age that any further losses or missteps with the beverage giant could signal deeper systemic issues within WPP.

 

It is the latest test for Cindy Rose on the eve of her first time at the Cannes Lions International Festival of Creativity as WPP’s CEO.

 

Open X has seen leadership changes since losing the North America media account. When Laurent Ezekiel moved from Open X CEO to take the top post at Ogilvy in September, WPP handed the reins of the bespoke team to Floriane Tripolino, previously WPP’s client lead for Nestlé and a former Publicis executive, with Ezekiel staying on as executive sponsor.

 

In September, Ezekiel told Ad Age the Open X model was going “very well.” At the same time, Devika Bulchandani, WPP’s chief operating officer, made clear that WPP intended to reclaim Coca-Cola’s North America media account.

 

In April, Coca-Cola reported a 12% jump in first-quarter net revenue, to $12.5 billion. The company in part credited efforts to execute “locally relevant marketing at scale to drive enduring brand value,” citing programs such as an AI‑enabled campaign in China inspired by traditional Chinese paper art. WPP’s EssenceMediacom cited the effort on its website, suggesting it led to 8% year-over-year sales growth.

 

Coca-Cola, in recent years, has shifted much of its advertising to targeted digital channels and stepped back from big tentpole events such as the Super Bowl. However, it still spends big on the World Cup and Olympics.

Thursday, June 04, 2026

17497: Different Outhouse, Same Shit—Brought To You By Adland.

Adweek reported the former McCann Worldwide CCO, who left Omnicom Advertising after the acquisition of IPG, returned to Publicis Groupe, where he formerly served as Saatchi & Saatchi US and Latin America CCO, and will now serve as Leo Constellation Americas and Iberia CCO.

 

The winding opening sentence above underscores how White holding companies—and a single White operating company—have fueled the commoditization of Adland, whereby people, places, and practices are repetitive, redundant, and replaceable.

 

Why, even C-suite leaders shift from White advertising agency to White advertising agency, confirming all firms are essentially identical.

 

Of course, the drones must weather the storms of change, often cast away and lost in a sea of sameness.

 

The Adweek report closes with the most outrageous statement: “Part of his remit also includes recruiting and developing the agency’s talent pipeline.”

 

Recruiting and developing the agency’s talent pipeline?! Um, the newish CCO will draw from his limited pool of connections at Publicis Groupe, Omnicom Advertising, and the erased IPG to maintain the cronyism, exclusivity, and systemic racism in Adland.

 

Publicis Groupe Taps Javier Campopiano Following Omnicom Exit

 

He’ll join Leo Constellation as CCO for the Americas and Iberia

 

By Hannah Bowler

 

Two weeks after announcing his departure from Omnicom Advertising, Javier Campopiano is joining Publicis Groupe as global chief creative officer (CCO) for Leo Constellation Americas and Iberia.

 

The former McCann Worldgroup and McCann Worldwide CCO left Omnicom just six months after taking on his latest role following its acquisition of Interpublic Group (IPG) in December 2025.

 

His appointment at Publicis follows the group’s $2.2bn purchase of LiveRamp. In a statement, Publicis CEO Arthur Sadoun, said Campopiano’s appointment showed the holdco’s commitment to creativity alongside such investments.

 

“Javier’s return is the latest demonstration of our commitment to investing in what remains a key differentiator for our clients: the very best talent, to drive creativity in all of its forms,” he said.

 

A return to Publicis

 

The move marks Campopiano’s return to Publicis Groupe where he previously served as CCO for Saatchi & Saatchi U.S. and Latin America. Campopiano initially left Publicis Group in 2022 to join Grey, also in a CCO role.

 

In a statement, Campopiano said his return had been on the cards for a while. “For years, Marco and I had this running joke where he would text me ‘come home’ completely out of the blue, and I would immediately reply ‘pronto.’ Well, the time has finally come,” he said.

 

At Leo Constellation he will report to global co-CEO’s Agathe Bousquet and Marco Venturelli. The pair said Campopiano was one of most respected creative leaders in adland. And added: “His ability to combine craft, humanity and impact makes him the perfect person to lead our creative community across the Americas and Iberia.”

 

Campopiano is a decorated exec having earned himself Cannes Lions, Clios, The ANDY Awards and D&AD’s.

 

At Leo Constellation he’ll work closely with the leadership team overseeing creative strategy and output across the group for both global and regional brands. Part of his remit also includes recruiting and developing the agency’s talent pipeline.

Wednesday, June 03, 2026

17496: Mo’ Media. Mo’ Money. Mo’ Problems.

 

Advertising Age reported advertiser concern over transparency with media agencies is still bad—a decade after the ANA published a report alleging shady and unethical practices in the field.

 

The global issue is especially significant given holding companies—including single White operating company WPP—are transforming into media-first enterprises with an imperative on generating revenue and profits. Sorry, but desperation for dollars leads to greed, scheming, and improprieties.

 

Expect advertising executives to elevate their notorious ranking on the list of least-trusted professions.

 

Media agency concerns persist, and are more complex for advertisers, 10 years after transparency investigation

 

By Ewan Larkin

 

A decade after the Association of National Advertisers published a report prepared by investigative firm K2 alleging that media agencies were collecting undisclosed cash rebates from media deals, advertiser concerns about agency transparency have barely changed—and the problem, according to the ANA, has only grown more complex.

 

An ANA survey of 108 member companies released today found 43% of advertisers have concerns about the level of transparency with their media agencies, down only slightly from the 46% who said the same in 2014, two years before the K2 report was published. Among those with concerns, 49% say the situation has gotten worse over the past year, up from 42% in 2014, with principal media—where media agencies buy media and resell it to clients—cited as the primary driver.

 

That marginal gain came as a disappointment to Bill Duggan, group executive VP at the ANA, who told Ad Age that the nation’s largest marketing industry trade group had been “absolutely hoping for more progress.”

 

“The elephant in the room, has enough changed in the last 10 years? No, I don’t think so,” said Duggan.

 

Progress has been halted, experts said, by the rapid growth of the media channels least amenable to scrutiny. Social media, digital, retail media and walled-garden platforms have surged in the decade since the K2 report, and with them the ad tech infrastructure that makes it harder to follow where money goes.

 

“The media that are in ascendancy now are the ones which are inherently less transparent,” said Nick Manning, a former Ebiquity executive who worked on the 2016 K2 report. “When you get ad tech involvement, you get a loss of transparency.”

 

Duggan acknowledged the original K2 report didn’t pay enough attention to principal media, which has become a significant and growing source of revenue for holding companies. Court filings made public earlier this year from an ongoing legal dispute between WPP and former GroupM executive Richard Foster illustrated the scale: a report prepared by Foster in December 2024 stated WPP generated roughly $1 billion annually from rebates and principal-based media buying combined, with principal media accounting for $713 million of that figure.

 

Principal media has grown even as marketers remain uncertain about it. A separate ANA study published earlier this year found that 90% of marketers who used principal media weren’t sure the recommended media was in their best interest, up from 79% the prior year. Many accept the practice as a trade-off for lower fees, with little visibility into actual margins and few contractual caps—a problem compounded by procurement teams, rather than media specialists, often handling these deals.

 

Marketers need to reckon with how fundamentally the agency role has changed, experts said.

 

“It continues to surprise me how the industry tolerates things which, outside of the media buying ecosystem, would be clearly anathema,” said Richard Plansky, who led the K2 investigation and now works at Kroll, a global financial and risk advisory firm. The same practices applied to an investment advisor relationship, for example, would cause public outrage, he said.

 

The positives—and room for improvement

 

The ANA’s latest survey found that 56% of member companies had updated their media agency contracts within the past year, and 70% within the past two years, figures Duggan called encouraging. Those updates, however, have not consistently addressed the most critical issues. Only 54% of contracts specifically cover rebates, and 61% address principal media, according to the ANA’s findings.

 

“It’s a little disappointing to me that more marketers have not updated their contracts to address these issues,” Duggan said.

 

The ANA has tried to make it easy, he added. The organization’s outside counsel, Reed Smith, has published contract templates specifically designed to address both issues, with the most recent update focused on principal media.

 

Many marketers lack the specialized knowledge to know what their agency agreements should cover, often relying on standard supplier contracts rather than bespoke agency agreements, said Keri Bruce, partner at Reed Smith. Even where stronger contracts exist, she said, marketers frequently fail to act on them.

 

“You have to make sure that you’re ... operationalizing your contract,” Bruce said, pointing to audit rights as an example.

 

“It’s your money, Mr. Marketer, you have to manage it,” Duggan said, recommending that companies spending $50 million or more on media appoint a dedicated internal media lead. “Media is just too fragmented, complicated, changes every minute; you can’t just bundle it into another responsibility that the CMO has.”

Tuesday, June 02, 2026

17495: Bored By Publicis Groupe Board.

 

Mediapsssst reported Publicis Groupe added two White people to its board, one of whom is the son of the current vice chair of the Publicis board, as well as the grandson of corporate founder Marcel Bleustein-Blanchet.

 

The other White holding company based in France—Havas—also features nepotism at the highest ranks.

 

Maybe it’s a cultural thang. C’est la vie.

 

Two New Members Added To Publicis Groupe Board

 

By Richard Whitman

 

At its annual meeting earlier this week Publicis Groupe shareholders voted to add two new members to the board including Microsoft Chief Scientist and Technical Fellow Jaime Teevan (as previously reported) and Benjamin Badinter. 

 

Badinter is the son of Élisabeth Badinter (current vice chair of the Publicis board) and grandson of company founder Marcel Bleustein-Blanchet. 

 

Badinter, 56, has spent most of his career at the holding company, which he joined in 1995. 

 

In 2002, he was appointed head of Mediavision and Jean Mineur, an agency specializing in advertising cinema. In 2011, he was appointed Chairman Médias et Régies Europe, a Publicis specialist in outdoor, print, radio, and cinema.  

 

In 2016 Badinter acquired the publisher of Tennis Magazine and created an agency dedicated to tennis, Tennis Team Agency. Badinter owns the publisher while Publicis owns the agency.  

 

On the board, he will serve as a member of the strategic, environmental and social committee. 

Monday, June 01, 2026

17494: Why Cannes Lions Is A Lyin’ Loser.

More About Advertising reported Cannes Lions International Festival of Creativity dumped the Holding Company of the Year/Creative Company of the Year trophy.

 

In nixing the dubious honor, Cannes Liars finally admitted it represented a scam award—a recognition exclusively reserved for White holding companies.

 

Plus, the Omnicom acquisition of IPG—along with WPP repositioning itself as a single White operating company—further complicated the exclusivity and scammy nature.

 

Given all the holding/operating companies are becoming media-first or AI-focused enterprises, it didn’t even make sense to call it the Creative Company of the Year award.

 

Expect Cannes to recoup any losses and maintain its outrageous profits by introducing new trophy categories.

 

The only true creativity with Cannes Lions involves its craftiness for maximizing and monetizing opportunities targeting an ever-award-hungry Adland.

 

Cannes cans Creative Company of the Year

 

By Stephen Foster

 

Cannes Lions has moved to update one of the dafter elements of its annual jamboree, “retiring” (a newly-popular word in adland as elsewhere) its Creative Company of the Year award. This simply seems to have rewarded the ad holding company that made the most shortlists — that is, had the most entries — last year going to WPP.

 

Which looked rather odd because just as then CEO Mark Read and the troops were celebrating this on stage it must have been evident to even the most rosé-soaked client that the wheels were coming off the British-owned holding company in all directions.

 

With Omnicom buying IPG the number of contenders has reduced anyway (Publicis, which ditched Cannes entries entirely one year to save a reported €50m) doesn’t seem to take the event as seriously as its US and UK rivals.

 

In line with this are changes to Network of the Year, presumably now a replacement for Creative Company of the Year. This too has had its issues, Omnicom’s DDB winning last year even though it had to withdraw three ads for cheating. DDB has now joined the list of retirees — folded into TBWA — suggesting the connection between supposed creative excellence and commercial performance isn’t as direct as many (including the Cannes organisers) suggest.

 

Cannes Lions says: “By introducing a cap on shortlist contribution, reinforcing the importance of quality over quantity through adjusted weighting, and ensuring consistent judging practices, our aim is to provide a refreshed benchmark that reflects today’s creative landscape — grounded in credibility, integrity and excellence.”

 

That would be nice.