17601: On Polluting The World With Mediocrity.

 

The Marketing Dive spotlighted Coca-Cola’s “The World Will Wait” campaign, revealing the lame concept creators as WPP Open X, led by Grey, supported by Ogilvy, WPP Production, and WPP Media.

Tactics are running globally, except in the US—so, the whole world will wait to possibly see it all.

In the not-too-distant-past real world, such mediocre work would not qualify WPP to win—let alone retain—Coke business.

Coke asks busy Gen Z, millennials to log off for quality meal time

A new global integrated campaign spans a pair of brand films, out-of-home ads and digital activations that champion shared meals.

By Peter Adams

Dive Brief:

• Coca-Cola is encouraging young consumers to slow down and unplug in a new integrated campaign that positions the soft drink as a pairing for shared meals and will roll out globally, except in the U.S., according to a press release.

• “The World Will Wait” depicts busy Gen Z and millennials who miss out on important bonding, including family dinner time, due to work and other tasks before being reminded of what matters most. The concept comes to life in a pair of videos, out-of-home advertising and digital activations.  

• In addition, Coke is enlisting influencers on a program that takes a page from the term AFK, or “away from keyboard,” which is popular in gaming. Creator partners on the effort will nudge consumers to put their phones down and live more in the moment.

Dive Insight:

Coke is emphasizing the emotional value of setting aside time to bond over meals as the brand tries to shore up a positioning as a pairing with food. “The World Will Wait” is targeted at Gen Z and millennials who are entering life stages, like juggling a career and young kids, where it can be more difficult to strike a work-life balance.

“In a world that constantly demands our attention, we’ve observed a growing tension among our consumers — especially younger generations — who truly desire genuine connection but often feel overwhelmed by the urgent pressures of daily life,” Arnab Roy, president of the global category at Coca‑Cola, said in a statement. “‘The World Will Wait’ is designed to inspire us and remind everyone that some moments are simply too important to postpone.”

The hero ad for the campaign shows a family that settles down for a home cooked meal only to realize dad is absent. When his son goes to check on him, the dad is cooped up in a dark office room and hidden behind a laptop screen, where he wordlessly signals he is still occupied with work. Later, the dad discovers a family portrait drawn by his son that shows him in the same light — face obfuscated by the demands of his job — which spurs him to log off and join the next gathering.

OOH ads carry a similar theme, bearing copy like “Laundry can wait. Fried Chicken & Coca‑Cola can’t” and “No one ever said ‘this meal could have been an email.’” In a twist on the tactic, Coke is also deploying social media influencers to ask people to set aside their screens to engage in quality time in real life. Digital elements will unlock rewards tied to the meals-forward messaging. 

“The World Will Wait,” which is running globally but not in the U.S., was developed by WPP Open X, led by the Grey agency and supported by Ogilvy, WPP Production and WPP Media.

Marketing around food has been in focus for Coke this year. An effort that rolled out in the spring enlisted the CPG’s wide range of U.S. food service partners, including Domino’s, Popeyes and Wendy’s, to show how Coke goes well with a variety of meals. “And a Coke” followed a yearslong platform from Pepsi that argues the soft drink rival is actually the superior meal pairing. “Food Deserves Pepsi” features guerilla marketing-style campaigns where undercover Pepsi agents storm into places like barbecues and fast-food chains to swap out other soda brands with PepsiCo’s flagship offering.  

The Coca-Cola Company saw net revenues rise 7% to $13.4 billion in Q2 and raised its full-year outlook around the earnings report last week. Coke commanded the No. 1 share of voice during the FIFA World Cup, which it sponsors, thanks to an advertising blitz that included heavy digital, social and creator activations. The campaign around the soccer tournament contributed to a 5% boost in volume growth for the namesake Coke brand, the company said.

17600: More Dizzying Dispatches From The Cola Wars.

 

Advertising Age reported WPP is primed to win The Coca-Cola Company global media, data, and technology review.

Although as previously noted by this blog, the “victory” is mostly the result of Publicis Groupe nabbing PepsiCo global media duties. That is, the single White operating company claims the Coke prize by virtue of a prime contender dropping out.

According to Ad Age, WPP will not participate in the upcoming review for Coke North America media chores—although the trade publication previously identified the global flaming dumpster as a participant—which are being phased out of Publicis Groupe, who took the business from WPP last year.

The dizzying antics are likely driving people to drink. But not drink Coke or Pepsi products.

WPP is set to win Coca-Cola’s global agency review

By Ewan Larkin and Brian Bonilla

WPP is set to win Coca-Cola Co.’s global media, data and technology review and will not participate in the food and beverage giant’s forthcoming North America media pitch, according to people familiar with the matter.

The decision comes nearly five years after Coca-Cola hired WPP for creative, media, data and marketing technology across its 200 or so brands, setting up a bespoke unit called Open X. In early 2025, WPP lost its grip on a significant chunk of that business when Coca-Cola Co. hired Publicis Groupe for its North America media account. WPP continues to handle Coca-Cola’s global creative and PR.

WPP’s retention was expected by many after Publicis Groupe, which it had been competing against for the business, agreed to take over global media duties for PepsiCo. The French holding company’s decision prompted Coca-Cola to launch a review of its media account in North America, where Publicis is the incumbent, Ad Age first reported this week.

Coca-Cola and WPP declined to comment.

Coca-Cola has also been in discussions with Omnicom and Dentsu about the North America media business. Dentsu already works with the company in Japan and Korea, which were excluded from the global review.

PepsiCo last week announced it had moved its global media to Publicis from Omnicom without a formal pitch, relocating one of the industry’s most coveted accounts. PepsiCo spent $1.7 billion on global net media in 2025, according to COMvergence, making it a significant account for Omnicom to lose. Omnicom “remains a critical strategic partner across many of our marketing drivers, from creative to sports and PR,” PepsiCo stated.

17599: On Adland Analysts Seeing Industry Shifts And Shits.

MediaPost presented more common sense posing as color commentary on the stunning PepsiCo media shift.

A spotlighted analyst provided obvious insights such as:

“…[O]ne can reasonably assume that pricing was a major factor.”

“…[M]arketers are focused on price and performance over transparency and control.” 

“…[T]he loss could have more significant repercussions as it may lead to either more aggressive efforts with non-transparent trading activities, more significant investments in new capabilities or both.”  

“…[M]any hundreds of people at Omnicom [are] likely to be laid off.”

Sorry, but delivering duh as expert opinion warrants layoffs at consultancies and analyst firms.

Analyst Sees Industry Shifts In The Wake Of PepsiCo’s Media Move

By Steve McClellan

Omnicom’s stock remains down about 6% since news broke last week that one of its biggest clients—PepsiCo—abruptly shifted its entire media account to Publicis Groupe without a formal review. Omnicom ran the account for 20-plus years. 

According to the latest figures from COMvergence, Pepsi spent an estimated $1.7 billion on media in 2025. Of that total, Publicis had already been handling about $540 million, mostly attributable to the $500 million of spending in the Asia Pacific region.  

Omnicom had about two thirds of the business, including the $780 million U.S. market. 

PepsiCo has not explained specifically what led to the shift. But according to a rundown by analyst and marketing consultant Madison And Wall, “one can reasonably assume that pricing was a major factor.” 

Which isn’t a big surprise, given M&W’s premise that generally, “marketers are focused on price and performance over transparency and control.” 

According to M&W’s analysis, PepsiCo accounted for about 2.4% of Omnicom’s gross revenue last year—or approximately $400 million, which includes creative, media and other services. The lost media assignment probably accounts for under $100 million in gross revenue “unless principal-based trading was already a significant component of the existing relationship.” 

While a nine-figure revenue loss is clearly a blow, Omnicom’s sheer size mitigates it to some extent. It’s a $26-billion-plus revenue company thanks to its acquisition of IPG last year. 

The PepsiCo media loss could be made up for “in many ways,” per M&W. Strategically, the firm added, “the loss could have more significant repercussions as it may lead to either more aggressive efforts with non-transparent trading activities, more significant investments in new capabilities or both.”  

And to the extent that non-transparent activities helped Publicis offer better pricing to PepsiCo, similar tactics are likely to expand industrywide, M&W surmises.  

The firm also believes there’s a high likelihood that WPP will retain its $1.7 billion Coca-Cola media account, currently in review, and likely win back TCC’s $800 million North America business, which shifted to Publicis in 2025.  

The PepsiCo shift will affect jobs with “many hundreds of people at Omnicom likely to be laid off,” says M&W. The good news: Many of those same people will likely migrate to Publicis, along with the PepsiCo business.

17598: On WPP Production Triple BS.

 

MediaPost reported WPP Production aims to be the go-to vendor—and exclusive vendor—for every client served by the global flaming dumpster.

One controversial point involves the intentional goal to avoid standard triple bidding by offering three bids from enterprises within the WPP Production network.

In other words, the single White operating company theory is bullshit. WPP remains a confederacy of companies competing amongst themselves for billable hours—or outcomes-based remuneration.

Plus, it’s highly unlikely WPP would ever allow one enterprise to low-bid against sister firms. The scenario invites a rigged bidding system, whereby clients might be encouraged to choose a vendor sneakily pre-selected by WPP.

It all inspires a new tagline for WPP Production: From those wonderful folks who gave you a global crime scheme in media.

On a sidenote, the MediaPost report was illustrated with a metaphorical image of a funnel (depicted above). A more appropriate object would’ve been a toilet.

WPP Production, APA Lock Horns Over Triple Bids

By Steve McClellan

WPP Production is urging clients to do all of their production work with the holding company—thereby avoiding outsourcing to independent production houses-- and at least one production trade group says WPP’s stand is essentially an assault on “the free market in commercials production.”  

Leaked internal documents from the holding company’s production arm state that "Our goal is to avoid traditional commercial triple bidding by proving the value of a centralized partnership by positioning WPP Production as the default, trusted partner.” 

Triple bidding is the standard urged by trade groups like Association of Independent Commercial Producers (AICP) in the U.S. and the Advertising Producers Association (APA) in the UK. 

The leaked documents suggest a way that WPP can circumvent the commercial bid process: 

“If a client or creative team requires triple bidding to assess different options, we should evaluate if WPP Production can provide all three bids internally from the same or different markets. We can satisfy this need by offering three different production approaches, locations, and director treatments within the same country or within the region—keeping the work entirely within WPP Production.” 

Steve Davies, CEO of the APA, issued a response that in part reads, “This is a serious threat to the free market in commercials production — and to the independent production, editing and post companies within it — but only if clients don’t see through it. I think they will.”
 
“Professionalism means putting clients’ interests ahead of your own. WPP has effectively announced it’s doing the opposite,” Davies asserted.  
 
The triple bid, he added, is central to the collaborative system between agencies and production companies that enables “great work.” 

WPP Production took issue with the APA’s assessment.  

“Any suggestion that WPP Production misleads clients or undermines fair competition is fundamentally wrong,” the firm responded. “Selectively quoting from a comprehensive document doesn’t fairly reflect what is a completely transparent process. 

“We respect competitive bidding and work with independent production companies, always adhering to client contracts and procurement requirements. We make decisions with clients, helping them find the right solution for each brief and considering WPP capabilities alongside specialist partners.”

17597: On Omnicom Experiencing PTSD (PepsiCo Termination Shockingly Delivered).

 

Digiday reported on Omnicom conducting a post mortem after being dumped by PepsiCo sans formal review or advance notice.

Expect the final analysis report to succinctly read: WTF.

‘Certainly a disappointment’: Omnicom CFO’s verdict on losing PepsiCo to Publicis

By Seb Joseph

 

Omnicom’s CFO is still trying to get his head around what went wrong. It’s been a little over a week since the holdco lost one of its longest running clients to Publicis. He called the loss “disappointing” and “unfortunate.” Now, he and the rest of the C-suite are doing a post-mortem to figure out why it happened. 

Speaking at the Goldman Sachs’ Communacopia and Technology Conference earlier today, Phil Angelastro gave a sobering take on PepsiCo’s decision to walk away after more than 25 years. 

“The Pepsi situation is an unfortunate one,” he said. “It’s certainly a disappointment from our perspective — you cannot sugarcoat it.” 

The comments all but confirm that this move blindsided Omnicom’s execs. Holdco bosses like Angelastro usually see this kind of switch coming. Sources with knowledge of the matter said his team didn’t, and has spent the past week trying to work out why. Why would PepsiCo after all those years walk away from Omnicom without even giving it the chance to fight for it? Speculation has been rife. Was it because PepsiCo’s CMO had a relationship with Publicis in a previous role? Or maybe the advertiser simply wasn’t impressed with whatever Omnicom was pitching in the wake of the IPG acquisition.

Whatever the reason, Omnicom will want it nailed down fast. 

“We are doing a detailed kind of deconstruction of how it happened and what we should have been doing differently to prevent it from happening,” Angelastro said at the conference. “We are not completed with that process but we are going to learn some lessons from this, and certainly we are going to take them very seriously.”

In short, he said the holdco isn’t looking for excuses during this analysis. The aim, Angelastro continued, is to do a root cause analysis so that we can improve the business and our processes going forward.” That matters most for holding onto what’s left of the PepsiCo relationship since Omnicom still handles the company’s PR, creative and some sports marketing. 

It could also help the holdco get ahead of other CMOs who might be watching PepsiCo’s move and wondering if they should follow suit. Those clients will want to know what happened and whether it changes anything for them. Needless to say Angelastro has some tough questions in the weeks ahead. 

“We don’t think it’s going to have a significant impact on the business going forward when we get to 2027 and our expectations,” the ad exec said. “There is still quite a bit of time between now and ‘27 and we will be aggressively pursuing new business as we always do.”

His confidence lines up with the numbers, even if the underlying figures come from outside estimates rather than Omnicom’s own disclosures. According to ComVergence, PepsiCo’s core global media spend sits at roughly $1.8 billion. Madison and Wall estimates Omnicom’s actual fee revenue from that business at closer to $100 million, a fraction of the headline figure, against a company running a 21% EBITA margin. That’s an abosrbale hit on the holdco’s bottom line based on the numbers available. The exposure that is harder to model is reputational — more than 25 years with a client, Apple, Renault-Nissan, McDonald’s and several others all running on the same kind of long, unreviewed relationship Omnicom just watched come apart. 

Whether that means Omnicom goes after Coca-Cola’s media business, which is now in play following Publicis’ decision to relinquish its North America media account and back out of contesting the rest of it after the PepsiCo deal remains to be seen. If it is, Angelastro offered scant detail. 

“We value the relationship [with PepsiCo] but certainly there will be a little bit more flexibility in terms of what we pursue in the future.”

17596: For WPP, TGIF’d Up.

 

MediaPost reported increasing motion sickness in the WPP whistleblower lawsuit.

Previously, the single White operating company sought to seal all references to an alleged Sony Pictures investigation, insisting the “whistleblower” acquired the information via improper means.

The “whistleblower” countered by claiming Sony Pictures brought the investigation details to his legal team earlier this year—completely unsolicited and sans confidentiality request.

WPP boasts being “The Trusted Growth Partner For The World’s Leading Brands.”

Sony likely questions the “Trusted” claim.

Sony Briefed Foster’s Legal Team On Its WPP Rebate Probe

By Steve McClellan

Last month WPP “whistleblower” Richard Foster submitted evidence in his wrongful termination suit against the company of a previously undisclosed investigation by client Sony that concluded WPP pocketed $350 million in media rebates in China belonging to clients.   

A week later WPP demanded that the New York State Supreme Court judge hearing the case seal all documents related to the Sony probe, alleging that Foster likely acquired documents improperly.  

But according to Foster, that’s not the case. In a court filing yesterday opposing WPP’s demand to seal, Foster said that Sony brought the findings to Foster’s legal team earlier this year, without any prior solicitation or request for confidentiality.  

According to the documents Sony made initial contact with the Foster’s law firm (Brewer Attorney’s & Counselors) in February. In May Sony requested a meeting which took place remotely when company representatives briefed Foster’s legal team on the rebate investigation that Sony undertook. 

“Sony, a sophisticated client, examined the same Rebate and Purchase Risk practices Plaintiff reported, reached the same conclusions about them, and presented those findings to WPP’s two most senior lawyer,” Foster’s motion states.  

“That evidence bears on three contested elements of this case. It supports the objective reasonableness of Plaintiff’s belief, because a disinterested third party with access to the underlying data interpreted the practices the same way Foster did. It bears on Defendants’ knowledge, because the findings went to the officers Defendants say exercised “robust formal internal controls.” And it bears on causation and pretext, because the executives Sony identified are the same executives Plaintiff alleges removed him.” 

Foster also argued that WPP’s demand to seal discussions he had with company attorney Nicola McCormick should be denied. “Defendants presume that because Nicola McCormick is a lawyer, her communications with Plaintiff are privileged. That is not the law,” per the filing.  

“Defendants identify no communication in which she rendered legal advice and submit no affidavit from her. Plaintiff approached her as a business executive, and she answered in that capacity.” 

Foster also argued separately that WPP’s motion for sanctions should be denied, submitting that no orders were violated, that discussions with McCormick were not privileged and that the Sony probe materials were obtained properly, among other reasons.  

In addition to the filings, Brewer attorney William A. Brewer III, issued a comment: “Mr. Foster alleges that on multiple occasions, he reported through appropriate channels what he reasonably believed were systemic problems in WPP’s trading practices, Mr. Foster named names and provided specific, detailed reports of undisclosed profiteering by Defendants in the form of rebates. He believes those reports led to retaliation against him by his former employer — and ultimately resulted in his termination.” 

17595: Exposing Historical Reality On The Hidden Page.

 

LUNDU, Center for Afro-Peruvian Studies and Promotion, and Cheil Peru bring a Critical Race Theory perspective to Peru via The Hidden Page—a creative concept described as follows:

Bringing Afro-Peruvian historical memory to schools: The Hidden Page and the vindication of figures forgotten by Peruvian history

LUNDU, Center for Afro-Peruvian Studies and Promotion, and Cheil Peru join forces in an educational project, distributing 50,000 copies in Lima, Callao, Ica, Lambayeque, and Piura.

For decades, official Peruvian history was narrated from approaches or perspectives that relegated or rendered invisible the contribution of the Afro-Peruvian population to the country’s construction—especially that part of history related to the “colonial” era and the early days of the republic, which is reflected in school textbooks through references to the enslaved or “enslaved Black person” brought from Africa.

This way of narrating Peru’s history overlooked the stories of those men and women of African descent who, through their example, managed to remain in the memory and oral tradition of communities that historically had a significant concentration of Afro-Peruvian population.

To address this gap, the project “The Hidden Page” by LUNDU, Center for Afro-Peruvian Studies and Promotion, and Cheil Peru recovers and disseminates four stories of Afro-Peruvian heroes and heroines whose paths, struggles, and contributions were left out of predominant historical narratives. Since October 2025, members of this Afro-Peruvian culture research collective have been distributing printed copies of “The Hidden Page” to schools in Lima, Callao, Ica, Lambayeque, and Piura.

“With this initiative, we want to help bring visibility in schools to those key figures of the freedom and emancipation processes of the various Afro-descendant communities of the 19th century,” states LUNDU Project Director Brenda Garay, who has led various educational initiatives such as the school contest “For a Peru Without Racism” and the audiovisual project “My Story Matters.”

“When we have shared copies of The Hidden Page with students, we have seen it awaken children’s and adolescents’ curiosity to learn more about aspects of Peruvian history. We truly feel that we are achieving a change in the perception of Afro-Peruvian figures, beyond those related to music, cooking, and sports,” explains Brenda Garay.

This educational and Afro-Peruvian historical memory project has been documented audiovisually by Cheil Peru, accompanying Lundu’s team through the different stages of the project, including the research process by historian Maribel Arrelucea. During this stage, and thanks to the historical and family references of the figures, Cheil’s creative team was able to recreate the faces of Ildefonso, Francisco Congo, Catalina Buendía de Pecho, and Alberto “Grumete” Medina, as well as handle the layout design and the printing of 50,000 copies.

The project’s documentary video is now online across the social media channels of LUNDU, Center for Afro-Peruvian Studies and Promotion. It reflects the creative and historical documentation process, with a musical score by percussionists Carlos Yamasaki Ayllón and Gustavo Silva. The documentary includes commentary from former members of Lundu: its founder Mónica Carrillo, as well as singer and communicator Ysabel Omega. It also features analysis by the former General Director of Intercultural Citizenship of the Ministry of Culture, current Senator Susana Matute.

17594: On The Front Lines Of The Cola Wars.

 

Advertising Age reported obvious news: The Coca-Cola Company is launching a review of its North America media account following incumbent Publicis Groupe nabbing global media duties for PepsiCo.

Or maybe not, as PepsiCo handed its media business to Publicis Groupe sans a formal review.

Ad Age stated potential pitch participants include WPP, Omnicom, and Dentsu.

For WPP, it would be a comeback of sorts, as the global flaming dumpster lost the North America media assignment to Publicis Groupe last year.

Despite losing PepsiCo global media responsibilities, Omnicom is still a “critical strategic partner” for the brand, so there could be potential conflicts picking up Coke media chores.

The scenario poses a unique challenge. As repeatedly noted by this blog, competitions for major chunks of business are typically closed affairs, exclusive privileges available only to a handful of White holding companies.

Yet in this case, the iconic Coca-Cola might have to settle for a lesser choice because the stronger players are unavailable.

Another unique aspect is Publicis Groupe essentially dumped Coke in favor of PepsiCo.

Coca-Cola was once consumed for medicinal purposes. Now it’s just making everyone feel sick.

Coca-Cola to review North America media after Publicis wins PepsiCo

By Ewan Larkin and Brian Bonilla

Coca-Cola Co. is readying a review of its North America media account after incumbent Publicis Groupe agreed to take over global media duties for PepsiCo, according to people familiar with the matter.

The beverage giant is said to be in discussions with WPP, Omnicom and Dentsu, the last of which works with Coca-Cola in Japan and Korea. Publicis won Coca-Cola’s North America media business from WPP, the primary global incumbent, just last year.

Coca-Cola declined to comment for this story.

Publicis had been pitching for Coke’s global media, data and tech business, competing against WPP, but the status of Publicis’ involvement is now unclear following the PepsiCo win. It also wasn’t immediately clear whether WPP, which also handles Coca-Cola’s global creative and PR, will assume those global duties.

Publicis, Dentsu and Omnicom declined to comment. WPP wasn’t immediately available for comment.

PepsiCo last week announced it had moved its global media to Publicis from Omnicom without a formal pitch, relocating one of the industry’s most coveted accounts. PepsiCo spent $1.7 billion on global net media in 2025, according to COMvergence, making it a significant account for Omnicom to lose. Omnicom “remains a critical strategic partner across many of our marketing drivers, from creative to sports and PR,” PepsiCo stated.

In a statement last week, an Omnicom spokesperson called PepsiCo’s move “one client’s decision in a year in which Omnicom Media has built tremendous momentum [with] leading brands across multiple categories,” pointing to wins with brands including Adidas, Dyson, IBM, Subway and Uber.

“After an extraordinarily long and successful partnership, PepsiCo has decided to move its media business elsewhere. We are proud of the work we have done together over three decades as partners in innovation and impact,” the spokesperson stated last week. “Nothing about yesterday’s decision changes that.”