Showing posts with label skin tone. Show all posts
Showing posts with label skin tone. Show all posts

Friday, February 10, 2023

10629: Commercializing Colorism, Continuing Cultural Cluelessness.

 

Adweek published a perspective from Carta Head of Inclusion, Equity and Impact Mita Mallick, who provided color commentary on colorism. On the one hand, there’s nothing new here. On the flip side, it’s outrageous that the subject must be addressed regularly in Adland. Colonialism and Caucasianism trump colorism as a conversation cue.

 

Marketers Need to Fight the Ways Colorism Shows Up in Our Industry

 

Colorism has significantly impacted my life, and I am not alone

 

By Mita Mallick

 

Colorism still permeates so much of what we do in the marketing ecosystem. From who we cast to the products we create, many marketers knowingly or unknowingly cling to the white standards of beauty: blonde hair, blue eyes, light skin. It’s an archaic standard that tells the rest of us we don’t belong, this brand is not meant for us.

 

As a marketer who’s a dark-skinned woman, I have seen colorism show up too many times to count. Earlier in my career, I didn’t always have the language, the power or the mental energy to confront colorism head on. But now I know I have a responsibility to educate and the power to help brands make different decisions. We need more marketers to come to this realization and be a catalyst for change.

 

Start educating your teams on colorism

 

Colorism upholds and values white standards of beauty and is a product of racism. It continues to be pervasive, whether we’re aware of it or not. The preference for lighter skin over darker skin is still prevalent in white, Black, Latinx and Asian communities and is not often openly discussed.

 

As a South Asian woman, I was aware from a very young age that I was smart but not pretty—I was too dark to be pretty. I was bombarded with recipes for homemade turmeric face masks, brightening, lightening and whitening creams and lotions, and endless tips and reminders for staying out of the sun so I wouldn’t get any darker. Colorism has significantly impacted my life, and I am not alone.

 

According to Web MD, a recent U.S. survey of Latinx adults revealed that colorism had significantly impacted their lives as well. 62% believed that having darker skin hurts their ability to get ahead in the U.S., and 59% believed having lighter skin was an advantage. Over 50% said their skin color impacts their daily life.

 

For marketers, you can’t stop colorism if you aren’t aware of it or don’t understand it. Educate your teams on what colorism means and how it can show up in our marketing ecosystem. Be open, honest and brave about how colorism could be impacting your creation of content, products and campaigns, or members of your team.

 

Stop casting racially ambiguous models

 

Historically, as the demographics of the U.S. shifted, casting racially ambiguous models became a way to try and resonate with multicultural audiences without alienating white (“general market”) consumers. I can recall a number of occasions where I was told to put “racially ambiguous” on the creative brief to the agency. “Neutral,” one creative director said to me, justifying the selection of images to our brand team.

 

This was in response to me pushing back on our focus on racially ambiguous models. “We want a neutral look, not too ethnic. So that means the hair, the nose, the eyes, the skin, it all matters. Remember, a look that will be desirable and appealing to all.”

 

As marketers, we can’t fight colorism if we won’t stop casting and using the language of “racially ambiguous.” We must ask ourselves what it means for someone to look too ethnic and what biases we are holding onto. We have the power and responsibility to include darker-skinned models and portray them as desirable, appealing and resonant with our consumers as they actually are.

 

Start being inclusive of darker skin tones

 

In the U.S. alone, multicultural buying power is now more than $5 trillion, which includes Black, Latinx, Asian, Pacific Islander, Indigenous, multiracial and multiethnic communities. Inclusion is a driver of business, and those brands who continue to ignore these communities will be left behind.

 

As marketers, it’s our job to advocate and be inclusive of darker skin tones. This means intentionally casting and featuring dark-skinned models, actors and influencers in your content and programming. This means also having products that work on darker skin tones—in the beauty world, not just checking the box with foundations but also having eyeshadows, lip glosses, blushes and more that work on darker skin tones.

 

And don’t default to stock photography; be intentional about who is behind the camera and capture product shots that show darker-skinned hands.

 

We have a responsibility to fight colorism and be advocates for societal change. We must challenge our industry standards and do better for the next generation of marketers and for our consumers.

Tuesday, September 15, 2020

15142: Saatchi & Saatchi Promotes White Supremacy, Er, White Power.


Saatchi & Saatchi in Thailand created an Oral-B campaign featuring the tagline, “White is Great.” Brilliant. Oh, and the concept presents light-skinned casting too.

 


 

Tuesday, September 17, 2019

14759: The Vagina Monochromatic Monologues In India.

This gynecological health awareness advertisement from India is disturbing not just for its conceptual awfulness—which seemingly took inspiration from Summer’s Eve—but also for the decision to depict the Whitest skin possible. Hey, racism shouldn’t be taboo either.

Friday, March 27, 2015

12601: Cataloguing Colors.

From GOOD Magazine…

Brazilian Photographer Attempts to Catalog All Possible Human Skin Tones

By Isis Madrid

Angélica Dass is attempting to capture the full spectrum of human skin tone. Her ambitious photography project, “humanæ” features photographs shot in Madrid, Barcelona, Valencia, Winterthur, Bergen, Daegu, Addis Ababa, Rio de Janeiro, São Paulo, Paris and Chicago and displayed around the world.

“The ultimate goal is to provoke and bring currently using internet as a discussion platform on ethnic identity,” she writes. “…creating images that lead us to match us independent from factors such as nationality, origin, economic status, age or aesthetic standards.”

The artist periodically puts out calls for interested subjects and is always willing to photograph volunteers who reach out to her via the internet.

Using an 11x11 pixel sample from the subject’s portrait, Dass then references the Pantone guide for the corresponding color swatch and background color. The Rio de Janeiro born photographer hopes that the project shows how the gradient of human skin tone connects us all, rather than divides.

Monday, September 02, 2013

11411: Beyoncé Talks True About Skin.

Anybody else think it’s odd that L’Oréal would run this True Match™ commercial starring Beyoncé talking about her “mosaic” skin—after the cosmetics company was accused of lightening the star’s features?

Thursday, April 19, 2012

10020: Acura’s Accuracy In Casting Specs.


TMZ reported RPA—the advertising agency behind the Acura Super Bowl commercial featuring Jerry Seinfeld—originally sent out a casting spec sheet seeking “not too dark” Black actors. Maybe the concept called for a cameo appearance by Michael “Kramer” Richards. The excuses ultimately given for the casting restrictions included lighting and special effects could get tricky. Right. Wesley Snipes and Samuel L. Jackson have always posed such difficulties.

Monday, March 19, 2012

9905: Seeing The Light On Latinos.


From CBS News…

NM Tourism ad seeks “light-skinned” Hispanics

SANTA FE, N.M. — New Mexico’s new tourism ad isn’t done yet, but it’s already creating quite a buzz.

First, the Tourism Department touched some local nerves by hiring a Texas firm to produce its new branding campaign. That firm chose a California producer rather than someone in New Mexico’s film industry to shoot the spot. And on Friday, traditional and social media was abuzz over the ad’s “real people” casting notice, which called for Caucasian or “light-skinned” Hispanics to star in the spot.

The Santa Fe New Mexican in an editorial Friday (http://bit.ly/z9ZwJ1) called the “light-skinned” requirement “wrong-headed.”

“Hearing that term brings to mind a vision of casting agents holding up paper bags next to people’s faces to ensure they can pass,” the Santa Fe New Mexican wrote. “We don’t know, of course, who made it into the shoot and how New Mexico will be presented to the world once the campaign is unveiled. But really, light-skinned only? What were they thinking?”

The ad, which is being designed as part of a $2 million yearlong effort by Tourism Secretary Monique Jacobson to create a brand that will attract more out-of-state visitors, was shot in a variety of locations and is scheduled to be unveiled next month.

Jacobson, according to the editorial, has said that it included Native Americans dancing.

But the casting notice seeking fit and attractive people to portray real families carried the light-skin requirement.

“We’d wager that there are more than a few active Native climbers and bikers, couples and families even,” the Santa Fe New Mexican wrote. “Native people dance and make art, yes, but they are fully in the modern world. They, along with dark-skinned people, even take vacations.”

Tourism officials did not immediately respond to emails or phone calls about the ad.

According to the latest Census data, 46 percent of New Mexicans are of Hispanic or Latino origin. Just under 10 percent are Native American.

The state also has the nation’s first female Latina governor, Republican Susana Martinez.