Friday, February 28, 2025

16983: BHM 2025—Aunt Jemima.

Closing out a quiet Black History Month in Adland—and playing off the theme of African Americans and Labor—marks an appropriate moment to consider Aunt Jemima.

 

Aunt Jemima “retired” in 2020, appearing as a contemporary Black woman sporting pearl earrings, the final phase of her evolving persona.

 

The character was born in 1889 to promote the Pearl Milling Company. Despite the revisionist rebranding, the Aunt Jemima journey began with slavery.

 

Even in the 1950s, the official legend of Aunt Jemima revealed a victim of forced labor. She worked as a cook on Colonel Higbee’s plantation, delighting White men and women with her culinary genius.

 

After over 100 years of service, Aunt Jemima lost her job to a logo—during Black History Month to boot—as the original Pearl Milling Company was resurrected.

 

The iconic tale of Aunt Jemima is more than Black history—it’s American history.


Thursday, February 27, 2025

16982: BHM 2025—For WPP, BHM = Black Health Misrepresentation…?

WPP presents a BHMish salute by spotlighting a healthcare heat shield—State of Black Health: What Now.

 

What’s the state of Black health—in terms of representation—at WPP? Recent admissions indicate an unhealthy state indeed.

16981: BHM 2025—AbelsonTaylor Group.

It’s been disturbing to see most White holding companies and White advertising agencies ignore Black History Month—especially in terms of deciding against publishing performative PR or contrived and clichéd campaigns.

 

Equally disturbing is seeing messages from the few enterprises that did acknowledge the annual event.

 

AbelsonTaylor Group—a pharmaceutical marketing firm—spotlighted its Black ERG and Black icons from Adland.

 

Side effects include drowsiness and nausea.



Wednesday, February 26, 2025

16980: Cutting Remarks On DEIBA+ Cutbacks.

 

Advertising Age published a lengthy report examining the impact of DEIBA+ cutbacks on brand marketing and agency strategies, presenting perspectives from multicultural marketing executives.

 

There are two fundamental issues with the conversation.

 

First, the cutbacks aren’t generating global concern—at least not from brands and White advertising agencies—mostly because the reductions involve crumbs. Neither brands nor White ad agencies are dramatically impacted. It’s impossible to motivate progress when change-resisters bear no consequences for their inaction and indifference.

 

Second, DEIBA+ discussions that lack a diversity of voices—ie, brands and White advertising agencies are not active participants—essentially constitute silent and segregated protests. Indeed, it would be interesting to learn if brands or White ad agencies even read such Ad Age content. Probably not.

 

Perhaps it’s time to stop using the term cutbacks. It’s really a matter of cutting down and cutting out the already underrepresented, underutilized, and underpaid underlings.

 

How DEI Cutbacks Are Impacting Brand Marketing And Agency Strategies

 

There’s already been a dip in Black History Month campaigns—and executives say the trend will only worsen

 

By Lindsay Rittenhouse and Ewan Larkin

 

The ad industry continues to feel the impact of brands rolling back their diversity, equity and inclusion efforts, as evidenced this month by the scarcity of Black History Month support from marketers.

 

The regression is sparking concern among diverse-owned agencies that fear their businesses will be impacted, and who also worry that the current falloff in diversity efforts will cause Black Americans to distrust brands. 

 

“People are running scared like a bunch of hapless sheep who have forgotten they work at the most powerful companies in the world and have the power to shift, shape and drive culture, not bend the knee to the basest parts of it,” said Lola Bakare, a chief marketing officer adviser and owner of inclusive marketing firm be/co.

 

Lack of opportunities

 

There has been a conservative backlash against DEI, including at the federal level, with President Donald Trump implementing an executive order to stop DEI programs across the government and its agencies. Meanwhile, Target, Walmart and McDonald’s are among a growing group of brands that have pulled back on DEI.

 

The result is a dwindling of business opportunities around multicultural or diverse marketing, said Joe Anthony, the founder and CEO of Hero Media and the Hero Collective, causing agencies in the space to rethink or recalibrate.

 

“I have to now compete with my general market counterparts for general market-only business, which this industry has shown an opposition towards awarding us,” added Anthony, who co-founded diversity and inclusion conference Blackweek.

 

Part of the reason for the retreat is a confusion in terms. While multicultural marketing and DEI are “related and connected, they are not the same thing,” said the CEO of an agency who requested anonymity. DEI is related to internal company practices and how businesses create more equitable and inclusive workforces, the CEO said, while multicultural marketing is external, a form of segmentation of target consumers.

 

There’s “a very sad and frankly ignorant conflation of the DEI rollback and what business critical targeted marketing should look like,” said Myles Worthington, CEO and founder of Worthi—an agency dedicated to helping brands connect purposefully with marginalized consumers. “These audiences are still massive in size, buying power and influence—and only getting larger—regardless of what the administration is doing about DEI.”

 

Impact on Black History Month support

 

Campaigns celebrating Black History Month seem to be directly impacted by this conflation. Several people who spoke to Ad Age said marketers have trimmed initiatives around Black History Month, and Ad Age has observed a noticeable decrease in Black History Month campaigns this year compared to the recent past.

 

Anthony said that’s an especially disappointing trend given that campaigns around DEI, including those tied to cultural observances like Black History Month, are one of the main “things keeping our segment of the industry afloat.”

 

Jason Klein, chief operating officer and co-founder of SeeMe Index, an AI platform that evaluates inclusive marketing, said that according to consumer trends platform Spate, for the first full week of Black History Month in 2023, there were 232.5 million views of content on TikTok with a #blackhistorymonth related hashtag. In 2024, that number fell to 215.7 million views. This year, views of the first full week of content with the hashtag dropped to 190.1 million views.

 

The question, said Klein, is: “Who is pulling back on BHM: brands, creators or consumers?”

 

Some people interviewed believe the culprit is brands.

 

“What we’re seeing is that some brands have lost the courage to live their values in fear of being called out by conservative activists,” said Stacey Wade, CEO and executive creative director at Nimbus. “In today’s political climate, supporting Black History Month is viewed as a DEI initiative, and DEI itself has become solely framed as a Black initiative [leading brands to mistakenly conclude] that this support could adversely impact their brand.”

 

“It also confirmed what a lot of Black consumers already knew—brands love Black culture, but they don’t love or value Black consumers enough to support what’s important to their community on a consistent basis,” Wade said.

 

Kumi Croom, managing director at Duncan Channon, said “this retreat is shortsighted,” pointing to U.S. Census data that shows a 276% rise in Americans identifying as two or more races between 2010 and 2020, “jumping from 2.9% to 10.2% of the population.”

 

“Black History Month campaigns aren’t just about celebration, they’re about authentic connection,” Croom said. “Companies that choose to sit this out risk alienating consumers who are paying close attention to which brands show up and which ones retreat when it’s no longer convenient.”

 

Some people maintain that there are marketers who are investing in connecting with Black culture throughout the year rather than running a one-off ad timed to Black History Month in February.

 

“Rather than confining their efforts to a single month, many are embracing a year-round commitment to Black culture,” said Andy Checo, managing director of PR and social at d expósito & Partners. “This shift isn’t about doing less—it’s about doing better, ensuring that meaningful engagement becomes the norm.”

 

Nike is an example of a brand that “remains committed to Black storytelling and community investment,” Croom said, and “its recent Super Bowl ad showed us that they’re taking a stand and sticking up for marginalized groups.”

 

Nike’s Super Bowl comeback, its 60-second “So Win” in-game ad, celebrated women athletes and their accomplishments and featured stars including Sha’Carri Richardson, Caitlin Clark, Jordan Chiles and Sabrina Ionescu.

 

How DEI cutbacks are affecting agencies

 

Brands had already started to rebrand DEI after the Supreme Court’s 2023 decision to effectively end affirmative action, and those efforts have accelerated in recent months, according to multiple executives interviewed by Ad Age. Marketers are increasingly turning to agencies to help them navigate the way they message about such efforts moving forward.

 

“There’s been a lot of conversation around, ‘Do we now just say diversity, or do we now talk about inclusion? Because diversity is also a little charged,’” said Tara DeVeaux, CEO of Burrell Communications, who said that none of Burrell’s clients have yet paused or canceled diversity-focused campaigns, or reduced the agency’s scope. (She declined to comment on the shop’s relationship with McDonald’s, which recently retired some diversity goals.)

 

Other marketing services businesses are feeling a sharper impact. Larry Adams, the CEO and founder of XStereotype, an AI platform that gathers insights about identifying racial bias and risk factors in campaigns, told Ad Age that a campaign he was working on, backed by a government agency, to “promote healthier outcomes for Black audiences,” has been shut down.

 

“There’s just widespread confusion on how to proceed,” said Adams. “Contracts are being canceled and paused.” While some clients have signaled a willingness to stay the course on DEI, there’s largely been “a full stop,” he added.

 

Since January, a few people have suggested to Adams that he rebrand XStereotype and make it seem less like it’s a “fact-checking” platform on race—a decision he said isn’t out of the question. “If enough potential customers are like, ‘Hey, I don’t want anything to do with anything that sounds racial,’” Adams said, “you know, I have to make the right decision for my business.”

 

Many shops are bracing for further changes in the year ahead. As brands continue to pull back on DEI programs that will limit opportunities available to agencies, said Coltrane Curtis, founder and managing partner of Team Epiphany.

 

Curtis said diverse-owned shops aren’t often considered for traditional reviews or lead agency assignments and instead have to rely on relationships at brands, a challenge that will only intensify as marketers eliminate DEI-specific roles.

 

The CEO of the agency that does multicultural and general market work said the best thing for agencies to do right now is stand firm on what they do best and continue to produce effective work that will demonstrate why marketing to diverse audiences matters.

 

“I don’t want to be simplistic,” this person said, but “great work” is how clients will continue spending money, “how search consultants are going to call you … The best antidote is to do great work.”

 

One holding company executive said agencies with government contracts are particularly concerned that their internal DEI initiatives may eventually be attacked. Those agencies are essentially “employees of the government,” this executive said. “They bend to the winds of profit.”

 

A silver lining

 

Still, some agency executives believe there’s a silver lining. Brands’ cutbacks on DEI may spark broader conversations about the historically disproportionate investment in diverse communities, according to Anthony. 

 

“When these brands start feeling it in their pocketbooks, with respect to their inability to sell products to an important growing consumer base that is not decreasing in size or buying power or influence, then objectivity will have to come in,” he said. 

 

An executive at a diverse-owned agency, who also requested anonymity, said the one positive he’s taken away from all of this is that his team knows the clients that continue to work with them are truly committed.

 

“A lot of people have been asking me, ‘are you seeing less traffic? Are you seeing less inbound? Do you feel a dip?’” the agency executive said. “To be honest, I feel a dip in people who are just browsing. As a guy who is focused on my revenue line, [that’s been] a boon for me. My phone doesn’t ring unless someone’s a serious buyer for the first time in a while."

 

He said it's a “welcome miss” that brands are not just calling his agency “in order to check a box.”

 

There are also brands that continue to stay the course and several people interviewed said these are the companies that will win in the long term.

 

Wade pointed to Costco as an example for other marketers to follow. The membership-based retailer has recently refused to budge to conservative activist pressure and instead reaffirmed its commitment to diversity.

 

Said Wade: “They didn’t stutter when they put their 10 toes down on that fertile DEI earth.”

16979: BHM 2025—Channels Changers.

 

Channels Changers—the breakthrough documentary by Lowell Thompson—is hyped as follows:

 

This powerful film shines a light on the trailblazing African American admen and women of the 1960s, 70s, and 80s. It showcases their groundbreaking contributions to the advertising industry and the lasting legacy they’ve left behind.

 

Watch it via PBS now.

Tuesday, February 25, 2025

16978: Super Nonsense On Super Bowl Advertising.

 

Advertising Age published pathetic puffery from the Chief Creative Officer at White advertising agency Zambezi, who pontificated on “why every ad should feel like a Super Bowl commercial.”

 

This is an exclusive perspective, underscored by the annual revelation that non-Whites—ie, all humans who aren’t straight White men or White women—are grossly underrepresented in the creation and casting for Super Bowl spots.

 

The author goes on to contend you don’t need a gazillion-dollar Super Bowl budget to generate breakthrough concepts and content.

 

This argument also has a fundamental flaw rooted in cultural cluelessness.

 

Sure, White advertising agencies can produce work with standard budgets. In contrast, non-White shops are disabled by wildly substandard budgets, routinely operating for crumbs.

 

To push a Super Bowl metaphor, it’s an uneven and unfair playing field—a rigged game scripted to award victory before the opening kickoff.

 

Hell, the only time non-White shops see cash is during the coin toss.

 

Why every ad should feel like a Super Bowl commercial

 

Don’t save your best ideas for just one day a year

 

By Gavin Lester

 

If you ask children if they want it to be their birthday every day, most will probably say yes.

 

Ad creatives can’t make that happen, but with a mindset shift, we could deliver another kind of celebration. Ask if they want it to be the Super Bowl every day, and you would probably get another yes. So, why isn’t it?

 

Most Super Bowl commercials are showstoppers. Audiences don’t care if they represent the right target—only whether the spots are interesting, inventive or emotionally resonant. If the creative craft is loud and interesting, the ad will get people talking about your brand—which is the point of what we do.

 

The industry shouldn’t reserve its pinnacle of creative expression for just one moment out of the year. The onus falls on both creative teams and clients to collaborate with trust. To accomplish that, we need to overhaul how agencies and clients create together. Let’s start here:

 

Don’t budget your creative thinking

 

“Yes, but the budget …” is one of the more soul-crushing things I hear when I’m on a brainstorming roll. I understand the Super Bowl is special. For once, ads aren’t the bathroom break; for many, they’re the centerpiece, earning eyeballs because they're equally entertaining (or in this year’s case, more entertaining).

 

And we built that perception ourselves. Creatives can’t put their best ideas under lock and key because we fear budget constraints, client judgment or a “no.” Present them anyway. If we have to reduce the scope, remove the cameo or limit the airtime, we can make those calls later. But the seed of a big idea would remain.

 

It may feel like the best ideas need multimillion-dollar budgets, but a big media spend alone doesn’t deliver Super Bowl-level creativity and quality.

 

Brands should understand that big ideas pay sharper dividends. We understand clients care about marketing results such as revenue and reputation—which creates caution. Caution seems responsible, but it’s irresponsible not to unleash your creative talent and let them make their noisiest work. With the Super Bowl reminding us annually which ads work and which fall flat, following a subpar path is illogical.

 

Create for 127 million people … even when there aren’t

 

Clients should let creatives run wild with big ideas even when 127 million people aren’t watching.

 

Brands may wonder if creative intensity is worth the effort when they don’t reach as many viewers on a regular day. I ask: Is a smaller audience less deserving of creatively interesting work? The Super Bowl proves that loud creative is more successful than any other kind, so why wouldn’t you pursue it no matter the audience size?

 

This brings me to creatives. If you want your ads to generate buzz, know what they’re airing and streaming and posting against.

 

In the Big Game, every brand targets every viewer rather than specific audiences at specific times. Keep doing that: Not only do you reach your consumers, but you open your marketing to everyone else for attention-grabbing discussion. Audience size is in flux anyway, with people who cross-share the best ads on digital platforms. If your ad is entertaining enough to share, it will reach beyond your target scope regardless.

 

Put reactions and conversations over product benefits

 

Brand success during the Super Bowl demonstrates how to approach the best creative executions. Metrics turn into belly laughs and tears or, in 2025, puzzlement at a dancing tongue and fleshy hats. More reactions and conversation mean successful execution.

 

The rest of the year, our marketing returns to custodial “business as usual.” We go back to pushing product benefits because clients tend to soften creative ideas instead of sharpening them—even though ads worth talking about build brand awareness and drive revenue.

 

Brands and agencies need to think of ads less like commercials and more like entertainment that resonates in culture. The word advertising almost limits our output and expectations, whereas during the Super Bowl, those ads are on the same playing field as the game and halftime show.

 

Creatives and clients need to remind themselves that the Super Bowl isn’t the only place to make great advertising. If brands let ad creatives do what they do best, we could always get Super Bowl-level work and recognition. If it could be the Super Bowl every day, when maybe sticking around through the commercial break could become the norm, not the exception.

16977: BHM 2025—US Department Of Defense.

While President Donald J. Trump issued a proclamation recognizing February 2025 as National Black History Month, the US Department of Defense issued a memo (depicted above) bombing BHM celebrations—which led to the Air Force temporarily removing videos featuring the Tuskegee Airmen from basic military training courses.

 

The cultural cluelessness is indefensible.

 

Pentagon agency pauses celebrations for Martin Luther King Jr. Day, Black History Month and more

 

By Tara Copp

 

WASHINGTON (AP) — The Defense Department’s intelligence agency has paused observances of Martin Luther King Jr. Day, Pride Month, Holocaust Days of Remembrance and other cultural or historical annual events in response to President Donald Trump’s ban on diversity, equity and inclusion programs in the federal workplace.

 

The instructions were published Tuesday in a Defense Intelligence Agency memo obtained by The Associated Press and affect 11 annual events, including Black History Month, which begins Saturday, and National Hispanic Heritage Month.

 

The memo’s authenticity was confirmed by a U.S. official who said the pause was initiated by the DIA and appears not to be policy across the Defense Department. The official spoke on the condition of anonymity to discuss sensitive matters.

 

“We are receiving questions across the workforce on the way forward,” the memo said. “DIA will pause all activities and events related to Agency Special Emphasis Programs effective immediately and until further notice.”

 

It also noted a pause on “special observances” hosted throughout the year. While Martin Luther King Jr. Day and Juneteenth were included, the memo said the change would not affect those national holidays.

 

The contents of the memo were first reported by independent journalist Ken Klippenstein and posted to X.

 

Federal agencies have struggled to interpret Trump’s Jan. 20 executive order ending DEI programs across the government and have taken a broad approach due to lack of clearer guidance from the White House on how to comply.

 

On Wednesday, Defense Secretary Pete Hegseth directed staff to create a DEI task force to ensure no DEI programs remain in the Pentagon.

 

“We’re not joking around,” Hegseth said in an interview Wednesday with Fox News. “There’s no changing of names or softly manipulating something. DEI is gone.”

 

In response to a query from the AP about the memo, the DIA said late Wednesday it “is working with the Department of Defense to fully implement all executive orders and administration guidance in a timely manner. As we receive additional guidance, we will continue to update our internal guidance.”

 

The other annual events listed in the DIA memo are Asian American Pacific Islander Heritage Month, National American Indian Heritage Month, National Disability Employment Awareness Month, Women’s Equality Day and Women’s History Month.

 

White House press secretary Karoline Leavitt was asked at a briefing Tuesday whether Black History Month would cease to be celebrated.

 

“As far as I know, this White House certainly still intends to celebrate, and we will continue to celebrate American history and the contributions that all Americans, regardless of race, religion or creed, have made to our great country,” she said.

 

The changes in holiday observances in some ways resemble the Air Force’s quick elimination of DEI coursework in its basic military training, which temporarily resulted in the service removing videos on the Tuskegee Airmen and World War II female pilots that had been in those courses. After a brief uproar, the Air Force said the history of both groups would continue to be taught.

Monday, February 24, 2025

16976: BHM 2025—On The White House & White Advertising Agencies, Part 7.

 

President Donald J. Trump’s antics continue to mirror Adland—right down to the handling of Black History Month.

 

Trump issued a proclamation (depicted above) recognizing February 2025 as National Black History Month. To date, he has not taken any intentional actions to honor the event. Indeed, Trump’s attacks on DEI arguably counter the official rhetoric.

 

This behavior is typical of White advertising agencies, where BHM enthusiasm is proclaimed, yet not demonstrated with deliberate initiative. There is no walk to justify and/or support the talk.

 

Trump and his sycophantic cronies position themselves as disruptors of the political status quo. The performative proclamations, however, perpetuate White supremacy and systemic racism—it’s all business as usual.

Sunday, February 23, 2025

16975: BHM 2025—BJCTA MAX Transit.

 

Birmingham-Jefferson County Transit Authority (BJCTA)/MAX Transit salutes Black History Month with a special bus wrap.

 

BJCTA MAX Transit Unveils 2025 Black History Month ‘Birmingham Has More’ Bus Wrap

 

Birmingham-Jefferson County Transit Authority (BJCTA)/MAX Transit is proud to announce the unveiling of its 2025 Black History Month bus wrap, continuing its annual tradition of honoring African American achievements and contributions to society.

This year’s bus wrap design showcases the Birmingham Business Alliance’s ‘Birmingham Has More’ campaign. The 2025 Black History Month bus wrap aligns perfectly with the Birmingham Business Alliance’s “Birmingham Has More” campaign, showcasing the city’s commitment to diversity, culture, and community engagement. This collaboration highlights Birmingham’s rich African American heritage and ongoing contributions, reinforcing the message that Birmingham has more.

 

“By featuring prominent African American figures and historical moments on public transportation, MAX Transit is actively contributing to the BBA’s campaign’s goal of fostering a shared sense of identity and purpose in the Greater Birmingham Region” states BJCTA marketing & communications manager, Amanda Hare. “This initiative not only celebrates the city’s diverse culture but also demonstrates how local organizations are working together to continue to make Birmingham a better place every day because Birmingham certainly has more stories to tell.”

 

The specially wrapped bus will operate on various routes throughout February, offering riders and passersby an opportunity to engage with this mobile exhibit.


For more information about the 2025 Black History Month bus wrap and related events, please visit maxtransit.org.