Showing posts with label occupy wall street. Show all posts
Showing posts with label occupy wall street. Show all posts

Friday, September 29, 2023

16397: Progressive Failure, Dominating Victory.

 

The New York Times published a perspective titled, “The Failure of Progressive Movements,” focusing on the perceived shortcomings of Occupy Wall Street, #MeToo, and Black Lives Matter. While the trio initially sparked passions, “none of the three movements have come close to achieving their ambitions.”

 

Adland certainly reflects the phenomena in semi-twisted ways.

 

Given the greed of White holding companies—with CEOs collecting multimillion-dollar salaries—the 1 percent are literally in charge.

 

#MeToo was more moment versus movement, where Diet Madison Avenue had a shorter shelf life than a can of Diet Coke. And gender pay gaps have expanded.

 

As for Black Lives Matter, even Human Heat Shields are among the diminished, dumped, and departed. And racial underrepresentation has extended.

 

Yet does not achieving their ambitions constitute failure or corroborate success—i.e., the overpowering success of White privilege and systemic racism?

 

The Failure of Progressive Movements

 

Prominent movements like Occupy Wall Street and Black Lives Matter have had an impact. But none achieved their ambitions.

 

By David Leonhardt

 

Three progressive movements have risen to prominence over the past 15 years and vowed to create a fairer America: Occupy Wall Street, #MeToo and Black Lives Matter.

 

All of them have had an impact. Occupy popularized the idea of the 1 percent and the 99 percent. #MeToo led to the firing (and sometimes jailing) of sexual predators, as well as the hiring of more women in prominent jobs. Black Lives Matter led to policing reforms in some cities and the hiring of more Black Americans in prominent jobs.

 

Still, none of the three movements have come close to achieving their ambitions.

 

Congress has not passed any major laws to reduce economic, gender or racial inequality, such as a wealth tax, universal pre-K or nationwide police reforms. Instead, taxes on the affluent are near their lowest level in decades, and the number of killings by the police remains largely unchanged. “The term ‘reckoning’ was invoked again and again, and yet we don’t seem to have reckoned with any of our problems in any meaningful way,” Fredrik deBoer, a popular Substack newsletter writer, argues in a new book.

 

What explains these disappointments? In part, it’s simply that political change is fantastically difficult and often takes decades. But the degree of difficulty is only part of the story.

 

The movements also bear some responsibility for their disappointments. Above all, they made decisions geared more toward changing elite segments of American society — like academia, Hollywood and the national media — than toward passing new laws and changing most people’s lives.

 

That’s the central argument of deBoer’s book, “How Elites Ate the Social Justice Movement.” It has helped me think about American politics, and I want to devote today’s newsletter to these issues.

 

Radical and practical

 

The most successful political movements tend to share a few features. They start with activists whose goals can seem so audacious as to be unrealistic. (Otherwise, there would be no need for a movement.) Over time, the movement’s leaders make careful decisions about how to accomplish at least some of those goals. They appeal to public opinion. They collaborate with unlikely allies. They work the system to change the system.

 

It was true of the civil rights movement, which combined radical aims with patriotic symbols and nonviolent protest. More recently, the gay rights movement accomplished rapid change partly by emphasizing traditional values like marriage and military service. The lessons also apply to the political right: Abortion opponents spent decades patiently taking over the Republican Party and making the case that voters have a right to choose their own policies, state by state.

 

Recent progressive movements have tended to be less strategic, explains deBoer, a self-described leftist. Occupy celebrated its lack of structure, including its lack of concrete goals. “Demands are disempowering since they require someone else to respond,” one Occupy protester told The New York Times in 2011. Black Lives Matter refused to name leaders, contrasting its approach with the old top-down civil rights movement. #MeToo, befitting its hashtag, never quite became an organized movement.

 

None of the three created a mass organization with a long-term plan — as labor unions, civil rights groups, evangelical Christians and other successful movements did in past decades.

 

Occupy and Black Lives Matter also allowed unpopular positions to shape their public image — and weaken them. For instance, polling shows that most Black Americans support major changes to policing but not less policing. Much of Black Lives Matter, however, focused on cutting police funding. One organizer wrote a Times Opinion article titled “Yes, We Mean Literally Abolish the Police.”

 

The recent movements have instead had more success changing elite institutions that tend to be filled by fellow liberals. The winners of prestigious cultural awards have become more diverse. Media organizations now capitalize Black when describing somebody’s race. President Biden has made Juneteenth a federal holiday. Universities emphasize identity in their curriculums.

 

Symbols over substance

 

These are real changes, but deBoer notes that they have little effect on most people’s lives. They instead reflect what the political philosopher Olúfẹ́mi Táíwò calls the “elite capture” of social justice campaigns. “Today,” deBoer writes, “left-activist spaces are dominated by the college-educated, many of whom grew up in affluence and have never worked a day at a physically or emotionally demanding job.” For that reason, these spaces prioritize “the immaterial and symbolic” over “the material and the concrete,” deBoer argues.

 

(That point is related to a continuing theme of this newsletter: the class inversion of American politics.)

 

DeBoer’s writing can be withering, as the best polemics often are, and few people will agree with all of his arguments. But his central point is important, whether you’re part of the political left, center or right: Calling out injustice isn’t the same as fighting it.

 

“The spirit of 2020 was always a righteous spirit, and the people and organizations that powered that moment had legitimate grievances and moral demands,” he writes. “What we need is practicality, resilience and a plan.”

Sunday, June 22, 2014

11920: One Percent’s Cannes Complaints.

The New York Post reported WPP Overlord Sir Martin Sorrell chastised Viacom CEO Philippe Dauman for partying too much at Cannes; additionally, Sir Marty “further complained that the Cannes Lions festival has turned into a superficial bash that has gotten away from its roots as an agency ad competition and turned into a crass show of wealth.” Um, Sorrell’s 2013 income of $50 million makes him among the biggest crassholes at Cannes. Here’s a man who literally bought his way into the industry. Additionally, Sorrell’s money-driven thinking and tactics—where billable hours trump big ideas—have helped the ad game get away from its roots in the worst ways imaginable. Sir Marty whines about the degradation of Cannes, yet he doesn’t realize the obscenity of the 2011 introduction of a special trophy saluting holding companies—especially since corpulent WPP has become a routine winner of the award. If Cannes has indeed become “a crass show of wealth,” it’s because narcissistic One Percenters like Sorrell consistently crash the party.

Sorrell chastises Dauman for too much partying

By Claire Atkinson

While the sessions at the Cannes Lions were all about native advertising, or sponsored content, it was perhaps appropriate that Robin Thicke sang “Blurred Lines” at Viacom CEO Philippe Dauman’s party on Thursday night.

Dauman, who invited the crooner to entertain advertising bigs, revealed at a session that Sir Martin Sorrell had been dancing to the song at the Château de la Napoule event.

But while Sorrell may have had fun, he further complained that the Cannes Lions festival has turned into a superficial bash that has gotten away from its roots as an agency ad competition and turned into a crass show of wealth.

“There should be less partying and more working,” he said, to which Dauman responded: “How about partying while we work?” Whoever accused Dauman of being dull clearly has never seen him in the south of France.

Thursday, November 08, 2012

10707: C’MON WHITE MAN! Episode 27.

(MultiCultClassics credits ESPN’s C’MON MAN! for sparking this semi-regular blog series.)

Jordan Zimmerman, Founder and Chairman of Zimmerman Advertising, recorded a post-election video calling on fellow Americans to back President Barack Obama. “Support his vision, his mission, his drive,” Zimmerman said before segueing into financial advice for anyone nervous about today’s economy. The tips included putting money into a Swiss bank account, converting dollars into real estate and parking funds into commodities. Holy shit, this guy must be trying to rival Mitt Romney’s 47 percent commentary. What do Zimmerman employees think of their boss making such statements—with a photo of his private jet in the background? Adbusters launched the Occupy Movement to protest admen-assholes like Zimmerman. The fool doesn’t even see the contradiction of insisting citizens should rally behind Obama while suggesting the shipment of savings to Switzerland.

C’MON WHITE MAN!

Monday, September 10, 2012

10506: Jay-Z On Occupy Wall Street.

From The New York Daily News…

Jay-Z knocks Occupy Wall Street

In a new interview, the legendary rapper says he never threw his support behind the protest movement because he didn’t understand what it stood for.

By Rich Schapiro / NEW YORK DAILY NEWS

Jay-Z says Occupy Wall Street had a fatal flaw: Its 99 messages.

The legendary rapper, in a new interview, says he never threw his support behind the protest movement because he didn’t understand what it stood for.

“What’s the thing on the wall, what are you fighting for?” Jay-Z told The New York Times in a wide-ranging interview.

The Brooklyn-born hip-hop king said he made his feelings clear to Russell Simmons, who was a full-throated supporter of the Zuccotti Park demonstrators.

“I’m not going to a park and picnic—I have no idea what to do,” Jay-Z said, recalling a conversation with Simmons about joining the movement.

“I don’t know what the fight is about. What do we want? Do you know?”

Jay-Z, whose real name is Shawn Carter, transformed himself from a poverty-stricken crack dealer to a multimillionaire music mogul and co-owner of the Brooklyn Nets.

He said Occupy Wall Street’s blanket demonization of the rich is un-American.

“I think all those things need to really declare themselves a bit more clearly because when you just say that ‘the 1 percent is that,’ that’s not true,” he said.

“Yeah, the 1 percent that’s robbing people, and deceiving people, these fixed mortgages and all these things, and then taking their home away from them, that’s criminal, that’s bad.

“Not being an entrepreneur. This is free enterprise. This is what America is built on.”

Sunday, July 08, 2012

10291: Adbusters Inspires Advertising.

The New York Times published a story titled, “In Ads, the Workers Rise Up … and Go to Lunch”—claiming in part that advertisers are playing off the Occupy movement to hawk products. That should no doubt infuriate the protest initiators from Adbusters.

Tuesday, November 29, 2011

9560: Occupying Contextual Advertising.


A story on Occupy Long Beach is under a banner ad from JPMorgan Chase—proclaiming the financial institution can “make real progress happen” all across America.

Sunday, November 27, 2011

9543: Delayed WTF 15—IPG = No New Taxes.


MultiCultClassics is often occupied with real work. As a result, a handful of events occur without the expected blog commentary. This limited series—Delayed WTF—seeks to make belated amends for the absence of malice.

Earlier this month, global news sources reported on a study revealing 30 big and greedy U.S. corporations that paid zero taxes in 2008 through 2010. On the list is Interpublic Group, parent company of advertising agencies like McCann Erickson, Lowe + Partners and Draftfcb. IPG brags about values including integrity and transparency—as well as corporate governance grounded in accountability. Yet explaining the tax dodging would require seriously twisting McCann’s classic line, Truth Well Told. Who knew there are tax incentives for inept leadership, account mismanagement, offensive advertising and mass layoffs? Perhaps IPG will become a case study for the Institute of Advertising Ethics. Or a target for the Occupy movement.

Saturday, October 15, 2011

9408: Occupation Party Invitation Draws Hope.


From WNYC…

‘Hope’ Artist Shepard Fairey Designs Wall Street Protest Invite

By Brigid Bergin : WNYC Producer

Street artist and controversial graphic designer Shepard Fairey is adding his imagery to the Wall Street protesters: using a palate of red, black and beige, the “Hope” artist has designed an invitation to the Occupation Party, a protest planned in Times Square on Saturday.

In this latest work, Fairey depicts a lone figure standing at an angle, with an Afro hairstyle and eyes cast upward. At first glance, the design is reminiscent of images from the Black Power movement, which are images Fairey has worked with in the past.

Fairey garnered mainstream fame — and a legal challenge from the Associated Press — with his iconic 2008 poster of then-candidate Barack Obama with the word “Hope” emblazoned in all capital letters across the bottom of the image. That design was replicated on posters, t-shirts and became a viral part of the campaign’s iconography.

While the protests near Wall Street have garnered a reputation for not having a single leader or spokesperson, the involvement of a bold-faced named like Shepard Fairey and the news he was designing graphics for the Occupation Party wowed even an art insider like Hrag Vartanian, editor of art blog Hyperallergic.

“That makes me very happy to hear,” he said, crediting Fairey for his long involvement in politics in spite of some of the controversy surrounding his work. “I think it’s something that speaks to a generation of people.”

Looking at the Fairey’s latest Occupation Party image, Vartanin said it looked to him like Angela Davis.

“I think it’s really great that it’s an upward looking positive image, as well as it tries to tie together a little bit of the radicalism of the 60’s with today,” he said.

The art blog Hyperallergic started taking note of the imagery coming out of the Occupy Wall Street protests when one of their writers tweeted a photo of a “sea of signs” near Zuccotti Park, the demonstrators’ makeshift headquarters.

From then on, Vartanian said he and his staff have paid special attention to how people are using art and social media to communicate about this movement.

“Because it was not necessarily through the mainstream media but often through tweets, photos on Tumblr,” Vartanian said.

His site was one of the first to cover the daily work of the movement’s Art and Culture committee, one of many communal organizing groups that meets at Zuccotti Park.

While employing familiar symbolism may not land Fairey’s most recent design in a museum, it does help convey a message.

Jean Robertson, professor of Art History at the Herron School of Art and Design in Indianapolis and author of Themes of Contemporary Visual Art: Visual after 1980, said the design may also conjure imagery from other protest movements in Europe and the Soviet Union, with its use of the color red and reliance on bold black writing.

“There’s something almost old fashioned about this that seems like it’s trying to leap back through the whole 20th century of and all the protest movements that use graphic style like this,” Robertson said.

It remains unclear what Fairey’s inspiration was. He was not available for comment.

But on his company’s website, Fairey has said that his work aims to “reawaken a sense of wonder about one’s environment.”

9406: C’MON WHITE MAN! Episode 16.


(MultiCultClassics credits ESPN’s C’MON MAN! for sparking this semi-regular blog series.)

Donny Deutsch appeared on Friday’s Morning Joe to comment on Occupy Wall Street—and the douchebag ultimately demonstrated that Wall Street is not as dumb as Madison Avenue. Deutsch declared:

“You know what this movement needs? One is obvious, one not so obvious. Everybody is saying they need to clarify. They need policy issues… The other thing it needs and I don’t want this to come out the wrong way. Not needs but will happen. If you think back to the late ‘60s, what is the most stirring image of all of the rebellion that happened? What do we remember? Kent State. Now I’m not saying somebody has to get killed. What will happen, will there be a climax moment of class warfare somehow played out on screen that I think will, the same way 999 if you will kind of simplifies a message that articulates this clash so both the real clarification. We’re a visual society.”

Forget the ignorant insensitivity and historical inaccuracy (the Kent State shootings happened on May 4, 1970). What’s really appalling is Deutsch saying, “If you think back to the late ‘60s, what is the most stirring image of all of the rebellion that happened? What do we remember?” Um, how about the Civil Rights Movement and the assassinations of Malcolm X in 1965 and Dr. Martin Luther King Jr. in 1968? Heaven forbid any events of the rebellious period might have produced images that would stick in Deutsch’s memory. Then again, the man did grow up privileged, as his children have too. And on Madison Avenue, privilege marches hand in hand with cultural cluelessness.

Congratulations, Donny, on your second appearance in this special series.

C’MON WHITE MAN!