Showing posts with label insensitivity. Show all posts
Showing posts with label insensitivity. Show all posts

Saturday, August 29, 2026

17582: More Zapping Target For Costume Cultural Cluelessness.

 

Adweek published a seemingly self-promotional perspective from the Chief Marketing Officer of Zappi, providing unsolicited advice for Target in the wake of its latest Halloween hijinks.

Pointing to another Target Halloween costume controversy involving Anne Frank insensitivity (depicted below), the piece underscored MultiCultClassics’ recognition that trick-or-treating brings regular trouble to the mega-retailer.

After droning on about data, the author closed with a hopefully unintentionally patronizing statement:

“But no amount of testing can make up for one cold, hard fact. Somebody who could have looked at this costume and immediately seen the problem was either not involved, or wasn’t heard early enough to stop it.”

Um, it’s more likely that nobody creating Target content possesses the cultural competence or authority to make such a call.

In short, the marketing team at Target probably looks like the leadership team at Zappi.

Unsolicited advice for Zappi CMO: People in exclusive glass houses…

A Retailer’s Checklist to Prevent the Next Target Costume Blunder

Target’s repeat offense shows why ‘pull it and apologize’ doesn’t work. Here’s what retailers should actually change.

By Nataly Kelly

In 2020, Target pulled a children’s costume from its website after shoppers pointed out that it evoked Anne Frank. Six years later, the retailer is apologizing again, this time for a children’s Halloween costume that critics said evoked racist minstrel caricatures.

Target responded in typical corporate fashion. It pulled the product, apologized, and promised internal reviews of the situation. But we all know that the veil of proactivity fades in favor of waiting for all of the uproar to blow over. 

When does an apology stop being a checkbox exercise as opposed to a genuine learning moment? 

A massive corporation like Target no doubt has checks, balances, and stage gates for almost everything. And there’s real volume and pressure behind seasonal innovation. 

Target has said some of its strongest recent performance has come in the fall, and nearly 70% of its Halloween assortment this year is new. That’s a lot of innovation moving through an organization quickly. 

One offensive product is a mistake; two is a concerning trend. 

When a similar failure happens again, it raises a harder question: What did the organization actually learn the first time?

The bar is high and teams are stretched thin trying to find ideas that land. Products are tested for risk—things like choking, flammability, sizing, cost. What’s too often disconnected is how an individual product might affect perception of the brand. 

There is no innovation without brand, and no brand without innovation. But the teams tasked with each are often operating separately.

So what should retailers do differently?

Classify products by their potential for brand risk

A costume carries fundamentally different risks than a towel or a blender. Costumes regularly venture into the territory of culture, identity and at times, appropriation. In a Talker Research survey of American parents, 29% said costumes built around cultural stereotypes should be pulled from stores. For anything involving blackface, that number rose to 43%. Some lines are clearer than others. Seasonal deadlines make that scrutiny harder, but also more important. 

Review the whole, not just the parts

Teams need to look at the composite, not just the individual components. In the Target example, a children’s striped bodysuit alone reads as a clown suit. Add a black mesh mask with a snaggletoothed grin. Then add black gloves and a tiny top hat with a flower on the brim. Most companies review the tech pack and never review the photograph of the image, but the photograph is what the customer ultimately sees, and reacts to.

Look closely at consumer signals

Before this conversation exploded on social media, shoppers were already flagging the costume in Target’s own product reviews. That’s the kind of signal companies spend enormous amounts of money trying to find. Another problem is often that the people moderating product reviews don’t talk to the people creating products, and most of those folks are not getting feedback directly from consumers whatsoever. In a hundred-thousand-person company, things fall through the cracks. Consumer research only helps if it can travel horizontally across the organization, and can be accessed quickly enough for every employee making a decision that affects the brand to act on it. At many companies, access to consumer testing is not yet democratized and widely available. 

Address the cultural problems no checklist can solve.

No one wakes up hoping to destroy brand equity and alienate consumers. Companies repeat mistakes when they treat their own response as a project with an end date instead of a system that has to be built and maintained for the long term.

Think about what six years does to an organization the size of Target. The team that felt the heat in 2020 is gone. The vp that commissioned the internal review may have retired. The consultant that curated the design invoiced and moved on. The task force fizzled out not long after the news cycle. And the document with the retro is still sitting in a drive nobody opens under a name that no longer has any relevance. 

That requires better consumer feedback and more connected data. But no amount of testing can make up for one cold, hard fact. Somebody who could have looked at this costume and immediately seen the problem was either not involved, or wasn’t heard early enough to stop it.

Target will recover, and eventually the news cycle will move on, as it goes. But while consumers can look past a mistake, it’s very hard to undo how a brand made them feel. The goal shouldn’t be to get better at apologizing. It’s to build an organization that remembers why it had to apologize in the first place, and keeps the next embarrassing mea culpa from happening.

Wednesday, December 07, 2022

16059: Monumental Lack Of Respect, Decency & Integrity…?

 

Adweek spotlighted a promotion via U.K. charity Crisis and White advertising agency adam&eveDDB designed to build awareness around homelessness. The stunt features a gigantic statue of a homeless person—Alex—whose presence is intended to literally and figuratively force people to confront the issue. Everyone is encouraged to take photos and videos of Alex to share on social media.

 

Okay, but it’s pretty contrived—and morally corrupt—to photograph the homeless, no? Many have argued that such photography and videography represent unethical exploitation. So, it’s fitting that a White advertising agency would go there—as such enterprises are prone to being culturally clueless, witless, thoughtless, and shameless.

Tuesday, May 03, 2022

15810: Ulta Beauty Is Ultra Ugly—In Spades.

 

The New York Post reported on Ulta Beauty’s ugliness—that is, its outrageous example of cultural cluelessness—which ignited much-deserved online backlash. The cosmetics beauty retailer sent out the email referenced above, allegedly unintentionally making light of Kate Spade’s suicide by hanging in 2018. To make matters even more disgusting, May is Mental Health Awareness Month. Beautiful.

 

Fans rip Ulta Beauty for shocking email about Kate Spade’s suicide

 

By Samantha Ibrahim

 

Ulta Beauty is attempting to makeup with fans after ugly backlash over its latest “tone-deaf” email promotion.

 

The cosmetics mega company sent out an email for a Kate Spade perfume on Sunday that unintentionally alluded to the designer’s suicide. Ulta’s message to customers read “Come hang with Kate Spade” alongside a sale for its beauty products.

 

Spade died by suicide when she hanged herself in 2018. She was 55.

 

The beauty behemoth apologized in a statement to The Post on Monday.

 

“Ulta Beauty recently sent an email featuring Kate Spade New York fragrance with an insensitive subject line and for this, we sincerely apologize,” the rep said. “Mental health is a very serious, important issue in this country, and not something we would ever take lightly. We apologize to the Spade family, our Kate Spade New York brand partners and to our guests. Thank you for understanding as we strive to do better.”

 

Fans were appalled by the reference and expressed outrage on social media.

 

“How disgusting to use for clickbait,” wrote one, believing the message was written intentionally.

 

“I cannot believe I got this email today,” one person wrote on Twitter. “Is this some kind of sick joke? How insensitive and absolutely tone-deaf. Apparently nobody in marketing at Ulta remembers how Kate Spade died. Disgusting.”

 

Another chimed in, “Just got this email … this is wrong of Ulta Beauty … Kate Spade committed suicide by hanging herself.”

 

“Ulta Beauty corporate probably having a MELTDOWN realizing somebody sent out a promo email with the subject line Come hang with Kate Spade … somebody’s losing their job,” a user added.

 

“Ulta Beauty f—ked up with their Kate Spade email. Not only did I get a metric f—k ton of emails all night, but the headline was BULLS—T. Ulta gives no care to the mental health community, Kate Spade or her family. Gross,” a fan wrote.

 

As May marks Mental Health Awareness month, another noted, “Kate Spade was amazing and an icon. Your lack of attention to detail is sad at best, negligent and hurtful at worst. Do better. #MentalHealthAwareness.”

 

Criticizing the critics currently disseminating the promo, one insisted, “Sharing that awful ulta beauty x kate spade email is honestly worse than ulta sending it in my opinion because someone in the comments who would’ve never seen it otherwise literally said they were triggered by it. that person should’ve just emailed ulta.”

 

At the time of the fashion icon’s death, her family sent out a statement saying: “To most of the world, she was Kate Spade, the beautiful embodiment of her brand and a glamorous cultural icon.”

 

Kate Spade founded the brand with husband Andy Spade in the early 90s, putting up their own money to launch their line of preppy, colorful handbags, which they hustled together at trade shows for years until the likes of Barneys and Saks would carry them — and without the help of celebrity endorsements as so many brands rely on these days.

 

The duo sold their stake in Kate Spade to Neiman Marcus in 2006 — by then already considered iconic, and expanded beyond bags to include other accessories, clothing and home goods.

 

Andy released his own statement at the time of Kate’s death, explaining that “there were personal demons she was battling.”

 

“Kate suffered from depression and anxiety for many years. She was actively seeking help and working closely with her doctors to treat her disease, one that takes far too many lives,” he wrote in 2018.

Monday, April 29, 2019

14612: Do You Seem Disinterested About Racism?

This BBG Telecom campaign from Brazil commemorated the International Day for the Elimination of Racial Discrimination allegedly celebrated annually worldwide. The digital work posed a question—“Do you seem racist?”—to make people mindful of structural racism, as well as cultural cluelessness and ignorance-based insensitivity. Not sure banner ads and emails are sufficient to combat racism. Regardless, the campaign is another example of a cause receiving little attention from advertisers and advertising agencies versus the splashy divertsity dreck designed for events like International Women’s Day.

Sunday, April 23, 2017

13653: Killing It With Insensitivity.

Campaign published “How to have a killer career without killing yourself” by recently retired Phelps Chief Creative Officer Howie Cohen—and the piece included a jokey photo of a skeleton at a workstation (depicted above). Given the issue of adpeople dying on the job, this all seems quite insensitive.

Thursday, March 02, 2017

13580: More Garbage From Deutsch.

AgencySpy posted about a Taco Bell commercial created by Deutsch that sparked criticism regarding the brand’s racial insensitivity. Specifically, a version of the commercial showed a White man throwing garbage at a Black woman pushing her baby in a stroller—all taking place in a 1950s-style setting. Of course, the online discussions included the standard volleys between the offended and offended-by-the-offended, with the latter group labeling the former group as overreacting liberals. Meanwhile, Deutsch averted accountability in the matter, reportedly deferring to the client, who responded by stating, “We had no intention of upsetting anyone with this ad and apologize to anyone who was offended. We immediately re-edited the commercial and removed the original version from the air.” Contrary to the offended-by-the-offended’s position, Taco Bell’s apology and re-edit technically concede a mistake was made. Regardless, the teachable moment demands examining Deutsch’s role. Consider the White advertising agency’s history of deceit, extreme exclusivity, nepotism, sexist stupidity, cultural stereotyping and firing its Chief Diversity Officer. Why, the Taco Bell incident could be karma or cultural cluelessness—and probably a heaping serving of both.

Wednesday, November 02, 2016

13417: Why Cubs Will Win World Series.

The Chicago Cubs have a distinct advantage over the Cleveland Indians in the World Series: Offensive Karma.

Offensive Karma is defined by a team’s display of offensiveness in the form of words or actions rooted in bigotry, discrimination and ignorance—which then leads to the team’s ultimate demise in the championship tourney.

Alas, the Cleveland Indians are doomed because of the team icon, Chief Wahoo. ‘Nuff said.

Tuesday, July 26, 2016

13272: DUDE, Please.

Not too sure about this Communities for Development video from DUDE in Italy. The philanthropic initiative undoubtedly has good intentions. Yet the depicted Ugandans come off as primitive versus progressive. The comparisons to Silicon Valley have added clumsiness, as the technology community has admitted to a digital dearth of diversity in its ranks. Oh, and DUDE—demonstrated by the people page on its website—looks far more like Silicon Valley than Bulambuli Valley.

Wednesday, February 10, 2016

13061: BHM 2016—NBA.

The NBA appears to be celebrating Black History Month on a team-by-team basis, including individual promotional activities with the Charlotte Hornets, Indiana Pacers and Boston Celtics. Why, the Sacramento Kings even displayed sensitivity over BHM activities coinciding with the Chinese New Year’s “Year of the Monkey.”

Sunday, January 17, 2016

13016: Concrete Cultural Cluelessness.

Harvard Business Review published the cartoon above in the monthly “Strategic Humor” section, which challenges readers to “test your management wit in the HBR Caption Contest. If we choose your caption as the winner, you will be featured in an upcoming magazine issue and win a free Harvard Business Review Press book.” Maybe the HBR editorial board needs a free book covering cultural cluelessness and insensitivity. Fuggedaboudit. Somebody call the Sons of Italy pronto.

Thursday, November 26, 2015

12950: A Heritage Of Ignorance.

In keeping with the arguably dumb decision to celebrate Native American Heritage Month in November with Thanksgiving, MultiCultClassics presents advertising and marketing featuring descendants of the true founding fathers (and mothers).

Ralph Lauren displayed cultural cluelessness in classic style.

Victoria’s Secret exposed insensitive ignorance on the catwalk.

Folks were not feeling happy with Pharrell and Elle.

Natural American Spirit appears to be smoking something strange by insisting the brand shows its Native American spirit via philanthropic support.

The Washington Redskins fumbled by saluting Thanksgiving, prompting a salute from MultiCultClassics.

The Land O’ Lakes Indian Maiden escaped one White advertising agency, only to be taken captive by another.

All of which warrants closing out with a little cry.

Thursday, January 15, 2015

12397: Pontificating On Offending.

From Reuters…

‘You can’t insult the faith of others’: Pope on Charlie Hebdo

By Reuters

Pope Francis, speaking of last week’s deadly attacks by Islamist militants in Paris, has defended freedom of expression, but said it was wrong to provoke others by insulting their religion and that one could “expect” a reaction to such abuse.

“You can’t provoke, you can’t insult the faith of others, you can’t make fun of faith,” he told reporters Thursday aboard a plane taking him from Sri Lanka to the Philippines to start the second leg off his Asian tour.

Francis, who has condemned the Paris attacks, was asked about the relationship between freedom of religion and freedom of expression.

“I think both freedom of religion and freedom of expression are both fundamental human rights,” he said, adding that he was talking specifically about the Paris killings.

“Everyone has not only the freedom and the right but the obligation to say what he thinks for the common good … we have the right to have this freedom openly without offending,” he said.

To illustrate his point, he turned to an aide and said: “It is true that you must not react violently, but although we are good friends, if (he) says a curse word against my mother, he can expect a punch, it’s normal.

“You can’t make a toy out of the religions of others,” he added. “These people provoke and then (something can happen). In freedom of expression there are limits.”

Seventeen people, including journalists and police, were killed in three days of violence that began with a shooting attack on the political weekly Charlie Hebdo, known for its satirical attacks on Islam and other religions.

Referring to past religious wars, such as the Crusades sanctioned by the Catholic Church against Islam, the Pope said:

“Let’s consider our own history. How many wars of religion have we had? Even we were sinners, but you can’t kill in the name of God. That is an aberration.”

The Pope was also asked if he felt vulnerable to an assassination attempt or an attack by Islamic extremists.

Earlier this week, the Vatican denied Italian newspaper reports that US and Israeli intelligence officials had informed the Vatican that there could be an imminent attack by Islamist militants.

Francis said he was more worried about others — rather than himself — being hurt in an eventual attack and that he was confident about security measures in the Vatican and during his trips.

“I am in God’s hands,” he said, joking about having asked God to spare him a painful death.

“Am I afraid? You know that I have a defect, a nice dose of being careless. If anything should happen to me, I have told the Lord, I ask you only to give me the grace that it doesn’t hurt because I am not courageous when confronted with pain. I am very timid,” he said.

Thursday, January 08, 2015

12376: Examining Charlie Hebdo.

The New York Times reported on the Charlie Hebdo terrorist incident. A provocative quote from the story reads:

“The French like their satire,” said Jean-Marie Charon, a sociologist who studies the news media. “The idea is to be irreverent, that irony and criticism are good things. But it is true that this is perhaps not part of everybody’s culture.”

Proud to Offend, Charlie Hebdo Carries Torch of Political Provocation

By Doreen Carvajal and Suzanne Daley

PARIS — In 2012, when Charlie Hebdo editors defied the government’s advice and published crude caricatures of the Prophet Muhammad naked and in sexual poses, the French authorities shut down embassies, cultural centers and schools in about 20 countries.

“Is it really sensible or intelligent to pour oil on the fire?” asked Laurent Fabius, the foreign minister at the time.

But Charlie Hebdo’s editor, Stéphane Charbonnier, who died in the attack on the paper’s offices Wednesday, was not deterred.

Week after week, the small, struggling paper amused and horrified, taking pride in offending one and all and carrying on a venerable European tradition dating to the days of the French Revolution, when satire was used to pillory Marie Antoinette, and later to challenge politicians, the police, bankers and religions of all kinds.

This week’s issue was no exception. It featured a mock debate about whether Jesus exists and a black-and-white New Year’s greeting card from the leader of the Islamic State, Abu Bakr al-Baghdadi, with the caption, “To your health.”

No subject was off limits. The paper offered pages of colorful cartoons depicting France’s top politicians and intellectuals as wine-swilling slackers indulging in sexual acts, or suggesting the pope was stepping aside to be with his girlfriend.

It is a brand of humor the French and other Europeans are attached to, but it has prompted fury among both Muslim extremists and less radical Muslims who see the denigration of their religion as provocation, not food for thought.

“The French like their satire,” said Jean-Marie Charon, a sociologist who studies the news media. “The idea is to be irreverent, that irony and criticism are good things. But it is true that this is perhaps not part of everybody’s culture.”

In recent years, the editors and cartoonists at Charlie Hebdo had weathered a firebombing, computer hacking and death threats. Mr. Charbonnier was included on a list published by Al Qaeda’s magazine, Inspire, of those “most wanted” for crimes against Islam. But Charlie Hebdo’s staff continued to take on Islam with the same irreverence as it did other religions, a stand that gave it stature among French journalists.

In 2006, for instance, the paper republished the controversial cartoon caricatures of a weeping Prophet Muhammad that had appeared first in a Danish newspaper.

“Charlie Hebdo has always kept its insolence, and since the caricatures crisis, it has become a symbol of press independence,” said Bruno Patino, director of the journalism school at the Institut d'Études Politiques de Paris, known as Sciences Po. “The debate about caricatures overlapped others in France about freedom of speech and religion. It became the most visible.”

The newspaper was born in controversy in 1970, after a publication called Hara-Kiri was banned for mocking the death of former President Charles de Gaulle. That prompted its journalists to set up a new paper, Charlie Hebdo, named for its reprint of Charlie Brown cartoons from the United States and a French shorthand for weekly publication.

According to some reports in the French news media, the attackers knew the names of their victims. Among the dead were Mr. Charbonnier, editor since 2009, and the veteran artists Jean Cabut, 76, and Georges Wolinski, 80, who had been involved with the publication since its inception.

While the paper first drew the anger of Muslims by reprinting the Danish cartoons from the newspaper Jyllands-Posten, it went further in 2011, when it temporarily renamed its weekly “Charia Hebdo,” a play on Shariah, Islamic law, and appointed the Prophet Muhammad as its “editor in chief.”

In 2012, the French authorities increased the police presence outside the Charlie Hebdo office out of concern about another attack. At the time, one of its journalists, Laurent Léger, said that “in France, we always have the right to write and draw.”

He continued: “And if some people are not happy with this, they can sue us, and we can defend ourselves. That’s democracy. You don’t throw bombs, you discuss, you debate. But you don’t act violently. We have to stand and resist pressure from extremism.”

Mr. Charon said the paper was often sued, including 14 times in recent years by the Roman Catholic Church. The New York Times has chosen not to reprint examples of the magazine’s most controversial work because of its intentionally offensive content.

Mr. Charbonnier, like the other Charlie Hebdo journalists, published under his pen name, Charb. His last published cartoon appeared in Wednesday’s issue, a haunting image of an armed and cross-eyed militant with the words, “Still no attacks in France,” and the retort: “Wait! We have until the end of January to offer our wishes.”

Since 2012, Mr. Charbonnier had a police bodyguard, who also died in the attack. “The threats were constant,” the publication’s lawyer, Richard Malka, said. “It’s frightening.”

But Charlie Hebdo thrived on breaking taboos. In the past, Mr. Charbonnier vowed that his cartoonists would keep poking fun “until Islam is just as banal as Catholicism,” but in the process it struggled not only with death threats, but also with its own financial survival.

Its circulation is about 30,000, and like other frail journals in the French newspaper industry, it has turned to its own form of crowdfunding, publishing a coupon on Wednesday for readers to fill out and mail in with checks.

Its chief rival is Le Canard Enchaîné, founded in 1915, which specializes in scoops and leaked secrets, whereas Charlie Hebdo is known for its cruder and more vicious wit. On Wednesday, an editor at Le Canard Enchaîné declined to speak about the shooting. Journalists there were instructed during an emotional afternoon meeting not to discuss the attack.

“It’s too early and too difficult to talk about this right now,” said a journalist there who knew some of the victims at Charlie Hebdo.

Radio France, Le Monde and France Télévisions issued statements late in the day saying they intended to offer staffing and other support to help Charlie Hebdo “live on.”

Doreen Carvajal reported from Paris, and Suzanne Daley from New York.

Thursday, January 01, 2015

12353: Flying Too Fast With News…?

Advertising Age published a story titled, “Crisis Management Lessons: How Two Asian Airlines Responded to Disasters”—examining how “AirAsia and Malaysia Airlines Handled Communications Very Differently.” Really? Bodies are still being pulled from the Java Sea and the trade journal runs a case study on crisis management? What’s next—a creative review of the airlines’ advertising campaigns?

Thursday, December 11, 2014

12300: Overreaction Of The Week.

Advertising Age’s Creativity spotlighted a new Foot Locker commercial with the headline, “Foot Locker and Russell Westbrook Ape Every ‘Sporty’ Commercial Ever.” Ape? Really? Mimic, imitate or play off wouldn’t have worked?

Monday, November 24, 2014

12251: Guess Who’s Coming To Dinner…?

From The New York Times…

Indianapolis Star Newspaper Apologizes for Cartoon on Migrants

By Emma G. Fitzsimmons

The Indianapolis Star removed a cartoon from its website over the weekend after readers complained that the drawing was racist for depicting an immigrant family climbing through a window to crash a white family’s Thanksgiving dinner.

The newspaper should not have published the cartoon, the paper’s executive editor, Jeff Taylor, said in a statement on Saturday. The cartoon, by the artist Gary Varvel, featured a white father unhappily telling his family, “Thanks to the president’s immigration order, we’ll be having extra guests this Thanksgiving.”

Mr. Taylor said that he was uncomfortable with the depiction when he saw it online, but editors decided to leave it up to allow readers to comment on it, and “because material can never truly be eliminated once it is circulating on the web.”

They decided to remove it on Saturday, he said.

“This action is not a comment on the issue of illegal immigration or a statement about Gary’s right to express his opinions strongly. We encourage and support diverse opinion,” Mr. Taylor wrote. “But the depictions in this case were inappropriate; his point could have been expressed in other ways.”

Many readers took issue with the heavy mustache worn by the immigrant father when the cartoon was posted on Friday. The mustache was later removed from the cartoon before the entire cartoon was taken down.

Mr. Taylor said that the cartoonist did not intend to be “racially insensitive” or for the cartoon to be read literally.

“He intended to illustrate the view of many conservatives and others that the president’s order will encourage more people to pour into the country illegally,” he said.

Mr. Varvel has been the editorial cartoonist at the newspaper since 1994, and his work is nationally syndicated through Creators Syndicate. The original cartoon was still posted to his Twitter page on Sunday evening. He did not respond to requests for comment.

He published several cartoons last week in response to the president’s immigration actions, which are expected to grant up to five million unauthorized immigrants protection from deportation. One cartoon showed the president’s car driving over the United States Constitution. Another showed the president dressed as a king for deciding to take action on his own.

Reporters at the newspaper criticized Mr. Varvel in 1999 when he illustrated invitations for an event that raised money for a Republican candidate for mayor, and the publisher agreed it was inappropriate. Mr. Varvel said at the time that he made “a stupid mistake” and thought the sketch was for a birthday party, not a political event.

Saturday, November 01, 2014

12180: Walmart Is Scary Ignorant.

The New York Post reported Walmart pulled more offensive Halloween costumes from its website. Of course, the retailer profusely apologized for its alleged unintentional insensitivity. Yet given that Halloween is an annual opportunity for people to openly display cultural cluelessness, one would think companies like Walmart would take extra precautions to prevent such mishaps. How difficult is it to assign a culturally competent employee to review the Halloween costumes? Then again, perhaps there are no culturally competent employees at Walmart. Now that’s a scary thought.

Walmart pulls offensive Halloween costume from shelves

By James Covert

Halloween was another diplomatic disaster for Walmart.

The retail giant got blasted Friday for selling a costume called the “Pashtun Papa” (right) — a mock-up of traditional Afghan robes and turban, coupled with a big, fake silver beard.

“Whether you’re making a serious political statement or staging a polical [sic] parody, this authentic-looking outfit is sure to fit the bill!” the outfit’s description on the store’s Web site read.

“Nothing is sacred this Halloween,” the blurb continued. “Shock your friends with this Islamic costume.”

Walmart removed the offensive outfit later in the day after it sparked an uproar online. The retailer said it was sold by a third-party vendor.

“We are deeply sorry that this costume is on our Web site, and we are pulling it down as soon as possible,” a Walmart spokeswoman said. “We are calling on all of the other retailers to pull it down as well.”

Earlier this week, Walmart sparked an outcry when Halloween merchandise on its site included a section of “Fat Girl Costumes.”