Showing posts with label the crazy ones. Show all posts
Showing posts with label the crazy ones. Show all posts

Saturday, August 16, 2014

11991: R.I.P. The Crazy Ones.

Didn’t realize until reading about the death of Robin Williams that CBS had canceled The Crazy Ones last May. When the show first launched, CBS touted it as the #1 new comedy, basing the puffery on initial ratings. The Crazy Ones, however, benefited from playing behind The Big Bang Theory, a very popular series. So the fake hype may have actually proven a classic advertising notion; that is, strong promotion will make a lousy product fail faster. All the network-fabricated hoopla was offset by The Crazy Ones being shameful, bad, crappy shit that couldn’t end soon enough. The pathetic program made The Pitch look like high art.

Thursday, April 17, 2014

11828: Yay! The Crazy Ones Is Over.

Didn’t bother watching the final episode of CBS series The Crazy Ones. The show presented Simon Roberts’ ex-wife, played by Marilu Henner. Guess Betty White and/or Rue McClanahan weren’t available. Oh, wait a minute. McClanahan’s dead. Wish this program were too.

Sunday, April 13, 2014

11825: Crazy Dork & Mindy.

As predicted, CBS series The Crazy Ones persuaded Pam Dawber to embarrass herself on the pathetic program. There’s something about this scenario that accurately reflects the real advertising industry; that is, the prevalence of irrelevant people (e.g., Dawber and Robin Williams) seeking to regain or prove their relevance in pitiful fashion. It’s like watching a washed-out athlete well beyond his/her prime still struggling to stay in the game. The Crazy Ones is AMC series The Pitch, performed by C-grade celebrities. Stop the sadness.

Friday, April 04, 2014

11814: The Sex Crazy Ones.

In the latest episode of CBS series The Crazy Ones, Sydney Roberts hired a woman of color—Tiya Sircar as Allie—to be her personal assistant. Of course, Allie served as fresh meat for the White male/sexual predators in the agency. Diversity is dandy for deviants.

Wednesday, March 26, 2014

11805: Fouling The Crazy Ones.

Once again, the NCAA blocked CBS series The Crazy Ones. If only there were more rounds in the tournament.

Thursday, March 20, 2014

11799: The Crazy Ones Timeout.

NCAA March Madness bounced CBS series The Crazy Ones from its regular timeslot. Awesome, baby!

Saturday, March 15, 2014

11793: March Mad Men.

The latest episode of CBS series The Crazy Ones—titled “March Madness”—focused on St. Patrick’s Day, a holiday hated by recovering alcoholic Simon Roberts. This show is so miserable, there ought to be a 12-Step program to help viewers cope after having watched it.

Monday, March 10, 2014

11788: Isms On The Crazy Ones.

Only bothered to watch the first ten minutes of the latest episode of CBS series The Crazy Ones. The show continues to reflect the real advertising industry in painfully unfunny ways. Simon Roberts hired the live-in boyfriend of daughter Sydney Roberts. At this agency—like most agencies—nepotism and cronyism are siblings.

Sunday, March 02, 2014

11774: The Crazy Ones Not Kosher.

The latest installment of CBS series The Crazy Ones tapped Jewish culture in typically clueless style. To land a new motel chain account, copywriter Zach agreed to play Bar Mitzvah MC at the special event for the prospective client’s son. Can’t even begin to list all the inappropriate comments. Oy vey, this show so sucks.

Thursday, February 06, 2014

11740: Kill The Crazy Ones.

Didn’t bother watching the latest episode of CBS series The Crazy Ones, but will review it anyways. The website synopsis read, “A woman asks Simon (Robin Williams) to eulogize her deceased father, a jingle writer who was not a well-liked man…” Classy. Based on the online photos, the show allowed for the integration of a gospel choir for the second time this season. Wish someone would kill the series already.

Monday, February 03, 2014

11732: The Crazy Ones Is 0% Funny.

The latest installment of CBS series The Crazy Ones pitted old school creative against new quantifiable data. The result was quantifiably the shittiest episode yet.

Thursday, January 09, 2014

11687: The Crazy Ones Is Sickening.

CBS series The Crazy Ones aired installment 13—delivering bad luck to anyone who made the mistake of watching. Plus, the show continued its peculiar habit of depicting Black clients. Half the staff of Lewis Roberts+Roberts got sick during the episode. All of the audience probably felt ill afterwards too.

Friday, January 03, 2014

11674: The Crazy Ones Sucks In 2014.

The 12th installment of CBS series The Crazy Ones was the worst episode of the year. But only because it aired on the second day of 2014. It’s a safe bet there will be more awful shit in the weeks ahead.

Saturday, December 14, 2013

11643: The Crazy Ones Is Getting Worse.

The latest episode of CBS series The Crazy Ones really showed why typical White advertising agencies are going down the toilet. That is, adpeople spend more time dealing with politics, cronyism, nepotism and sex than the billable work. The main characters are self-absorbed, mediocre hacks and/or world-class poseurs. Simon Roberts is a dinosaur, surrounding himself with past trophies to hide the fact that he hasn’t generated a single breakthrough concept since he’s been sober. The program’s creators have yet to come up with any big ideas too.

Friday, December 06, 2013

11625: The Crazy Ones Is Crass.

CBS series The Crazy Ones took its reliance on celebrity guest appearances to a new low, integrating lingerie-clad Victoria’s Secret models. The hotties allowed the program to show some diversity, offsetting the predominately White cast. And the heterosexual appeal was offset by homosexual tension between Simon Roberts and Gordon Lewis.

Thursday, November 28, 2013

11611: Tortured By The Crazy Ones.

CBS is celebrating Thanksgiving evening with The Crazy Ones Marathon, rerunning three episodes in a row. Gee, this is the entertainment equivalent of Thanksgiving dinner at Mickey D’s.

Sunday, November 24, 2013

11592: Crapping On The Crazy Ones.

CBS series The Crazy Ones continues to crap out the cartoonish chronicles of fictional (bordering on science fictional) advertising agency Lewis Roberts + Roberts. The episodes have become so annoyingly awful that the program doesn’t warrant weekly reviews, prompting the following collection of random comments.

The show’s creators must realize they’ve got a major stinker on their hands, as evidenced by the reliance on celebrity guest appearances to boost audience interest. Kelly Clarkson, Josh Groban and Ed Asner have already willingly embarrassed themselves; plus, Brad Garrett of Everybody Loves Raymond fame recently joined the cast as partner and gay account executive Gordon Lewis. It’s only a matter of time before Betty White receives a cameo role. And the creators are probably debating which nostalgic actress to inevitably present as Simon’s ex-wife—Suzanne Somers? Linda Evans? Pam Dawber?

The Gordon Lewis character is a head-scratcher addition to the cast. Why is he so openly gay, always making references to his husband? It’s even odder that seven episodes passed before an account person was inserted into the mix. Before then, creatives solely ran all the client meetings, pitches and productions. Yeah, that’s pretty believable. On Bizarro World. Or maybe Ork.

While Lewis Roberts + Roberts maintains a predominately lily-white staff, the clients are colorful. In fact, the agency has so many Black clients, you’d think it was a multicultural firm. Why isn’t Gordon advocating for pitching LGBT accounts? Surely Robin Williams would have a field day with that angle.

One episode depicted Simon and copywriter Zach both sleeping with the same client. This scenario may actually be more accurate than the high number of Black clients peppering the place. However, it doesn’t reflect well on the real advertising industry, painting admen as predatory sex fiends. Such reckless behavior usually happens when someone is a bona fide drunk like Don Draper versus an alleged recovering alcoholic like Simon.

Andrew the art director is simply too ugly to couple with Sydney or the actress portraying his girlfriend in Episode 9. Hell, he ought to be matched with Gordon.

Last Thursday’s episode was the most obscene to date, with Simon and Gordon letting the results of a softball game—and later a mini-motorcycle race—decide which department should be forced to terminate an employee. Sadly, true agency downsizings have been executed in less professional ways.

Thursday, November 07, 2013

11556: The Crazy Ones Is Shameful.

Didn’t catch the latest episode of CBS series The Crazy Ones, but viewing the online preview video showed enough to confirm the miss was no loss.

Although it took a few seasons, AMC series Mad Men at least attempts to accurately depict the industry. In contrast, The Crazy Ones is to advertising agencies what Hogan’s Heroes was to Nazi POW camps. Exaggerating reality is standard for TV sitcoms; however, The Crazy Ones has yet to deliver a situation or comedy worth watching.

The program claims to be based on the experiences of a real creative director from Leo Burnett. Delusional experiences would be a more precise term. Like TNT series Trust Me—which was also spawned by Leo Burnett employees—The Crazy Ones is an embarrassment to the field. Actually, it embarrasses two fields: advertising and network television. Guess it’s a good thing that neither field has ever shown a sense of self-respect.

The Crazy Ones is shameful. Its creators are shameless.

Thursday, October 31, 2013

11539: The Clueless Crazy Ones.

The latest installment of CBS series The Crazy Ones integrated Black people via a gospel choir singing about erectile dysfunction pills. Actually, Blacks regularly appear on the program as clients. This is accurate to real life, as advertisers tend to be more diverse than their agency partners. It’s also accurate for White agencies to use Black people in clichéd and stereotypical ways.

Thursday, October 17, 2013

11513: The Crazy Ones Stuck On Suck.

The opening four minutes of the fourth installment of CBS series The Crazy Ones contained zero funny moments. At the 14:00 mark, the lack of funny was still holding strong. Not a snicker in sight by 8:22. And the crickets were chirping during the closing blooper clips. The episode depicted the main characters at Roberts + Roberts experiencing a group creative block. Obviously, the show’s writers were stuck too.