Showing posts with label woke advertising. Show all posts
Showing posts with label woke advertising. Show all posts

Thursday, January 01, 2026

17301: White Man Of The Year 2025.

Instead of the regular “Year In Review” post, MultiCultClassics introduces White Man Of The Year 2025.

 

The new honor spotlights the White Man who made the greatest negative impact on Adland in the last 12 months—as well as contributed to DEIBA+ devolution.

 

The inaugural award goes to two White men whose actions have dramatically affected the global industry, albeit in extraordinarily different ways.

 

Omnicom Chairman, CEO, and Pioneer of Diversity John Wren

 

Wren orchestrated the Omnicom acquisition of IPG, which technically began and was announced in 2024 (maybe earlier).

 

The scheme ignited global pruning, radical RIFs, and iconic nameplate erasures. And the corporate demolition/deconstruction/desecration is expected to extend into 2026 and beyond.

 

Blending an organization led by the Pioneer of Diversity with a gobbledygook-vomiting enterprise recognized for leadership in diversity and inclusion marked the pinnacle of performative PR. Then again, the lack of transparency involving anti-DEIBA+ maneuvers prohibited assessing how much collateral damage of color occurred. It’s a safe bet, however, that the acquisition accelerated the employment challenges faced by US Black women.

 

In short, thousands of livelihoods—along with countless uncounted Dawn Chambers—were eliminated.

 

President Donald J. Trump

 

Tylenol, Tariffs, Bashing Big Pharma, and Anti-Woke + Anti-DEIBA+ are just the tip of the Trump iceberg that might sink Adland. ‘Nuff said.

Wednesday, August 27, 2025

17166: On Loud & Booming Double-Barreled Shitguns.

 

Adweek reported the revamped Cracker Barrel logo experienced backlash from Internet mobs—including President Donald J. Trump and Donald Trump Jr.—who could all be called Cracker Critics.

 

Particularly dumb commentary came from the Chief Design Officer at TBWA\Worldwide, whose mutterings Adweek presented as follows:

 

[While] “the effort to modernize the brand by simplifying its identity and making it more legible and adaptable to a digital ecosystem” works, it risks “alienating loyal audiences. … Heritage brands must remember their identity is not just aesthetic, it’s cultural. … When updating visual codes, they’re not simply adjusting pixels or type curves, but symbols embedded in people’s everyday lives.”

 

On this topic, viewpoints from Adland should be summarily dismissed—and dissed.

 

After all, the industry never hesitates to quickly abandon heritage brands as White holding companies execute corporate colonization. TBWA routinely disrupts White advertising agencies by tagging its signature logo across iconic nameplates.

 

When White advertising agencies win accounts, the first order of business involves rejecting, razing, and rebuilding the acquired brand.

 

And now comes news that Cracker Barrel caved in to the pressure, announcing the Old Timer will be resurrected.

 

Where was the outrage when erasing Aunt Jemima, Uncle Ben, Rastus, and Mia? Will professionals and political leaders demand the restoration of those icons too?

 

In the end, the anti-woke wield more power than the anti-racist. White power trumps—clever wordplay intended—all advocacy for progress.

 

Cracker Barrel CMO Defends Rebrand After Stock Tumbles 

 

The restaurant chain’s shares fell 7.2% on Thursday morning, two days after it unveiled its new logo

 

By Cydney Lee

 

On Tuesday (Aug. 19), Cracker Barrel unveiled a new logo, much to the chagrin of the internet.

 

Since its release, left and right-wing politicians, marketers, and consumers alike have criticized the switch, with some declaring it’s too “woke” and steers away from “American tradition.” Others have knocked the simplicity of the design.

 

“WTF is wrong with @CrackerBarrel??!,” Donald Trump Jr., the president’s eldest son, posted to X. The official X account for the Democratic Party echoed the statement, posting, “We think the Cracker Barrel rebrand sucks too.”

 

Following the backlash, the brand’s shares fell 7.2% on Thursday morning (Aug. 21), erasing $100 million in market value. Its shares rose slightly on Friday (Aug. 22) in pre-market trading.

 

However, Cracker Barrel is doubling down on its new look.

 

In a statement shared with ADWEEK, Sarah Moore, the brand’s chief marketing officer (CMO), said its “values haven’t changed, and the heart and soul of Cracker Barrel haven’t changed.”

 

“Cracker Barrel has been a destination for comfort and community for more than half a century, and this fifth evolution of the brand’s logo, which works across digital platforms as well as billboards and roadside signs, is a call-back to the original and rooted even more in the iconic barrel shape and word mark that started it all back in 1969,” she said.

 

‘All the More’

 

Cracker Barrel released the updated visual identity as part of its new “All the More” campaign, which also includes a 15-second spot starring country singer Jordan Davis, new menu items, and an interior design revamp of its restaurants.

 

The logo removed its longstanding old man and the barrel motif, replacing the image with a simple wordmark in the brand’s signature gold and brown.

 

Along with consumers, the ad industry is divided on the rebrand, too.

 

Bruno Regalo, chief design officer at TBWA\Worldwide, observed that while “the effort to modernize the brand by simplifying its identity and making it more legible and adaptable to a digital ecosystem” works, it risks “alienating loyal audiences.”

 

“Heritage brands must remember their identity is not just aesthetic, it’s cultural,” he told ADWEEK. “When updating visual codes, they’re not simply adjusting pixels or type curves, but symbols embedded in people’s everyday lives.”

 

He continued: “More than following design trends, it’s about keeping that soul alive—the distinctive elements that touch consumers emotionally—and reinterpreting them to feel current and relevant without losing what makes them unique.”

 

Kevin Green, executive creative director (ECD) at Moroch Agency, said the brand was the latest in a run to have stripped its brand of “any unique or ownable personality,” while plumping for a more modern aesthetic.

 

“There has to be a better balance between modernity and the magic that has built brands like Cracker Barrel for decades,” he said.

 

Indeed, other advertisers, including fashion label Burberry, have been critiqued for jumping on this so-called “blanding” trend, where a typeface replaces an image.

 

A Run of Controversial Brand Moments

 

While the move was intended to celebrate its 55+ year heritage, Cracker Barrel has faced previous boycotts over claims of discrimination due to its American South aesthetic and corporate policies.

 

It now joins a running list of brands that have stoked controversy and become a flashpoint in the U.S. culture wars over the last month, including American Eagle, Dunkin’, and e.l.f. Cosmetics.

Monday, June 12, 2023

16284: ‘Woke’ Advertising Is Joke Advertising—As In Hilariously Culturally Clueless.

 

Digiday published a report on brands expressing mixed opinions and concerns over ‘woke’ advertising, mostly responding to the recent boycotts, backlashes, and bad press ignited by Bud Light, Miller Lite, and adidas.

 

Seems like brands need only consider at least three basic angles:

 

1. What’s the true motivation behind any proposed ‘woke’ communication? That is, does it seek to reflect the brand’s values or is it patronizing propaganda?

 

2. What’s the marketing objective? How will the brand benefit from publicizing its politics and purpose?

 

3. What’s the intended audience response? And more importantly, will the message polarize and politicize the audience? That is, does a sizable segment present biased and bigoted attitudes toward ‘woke’ communications?

 

In these times when research and data drive every decision, it’s astounding if these communications aren’t undergoing pre-testing via focus groups—which could be renamed ‘woke’-us groups.

 

How the push for anti-‘woke’ advertising could create controversy for brand startups

 

By Kimeko McCoy

 

Recently, purpose-driven and inclusive marketing has found itself under fire, with “woke” advertising from Bud Light, Miller Lite and Adidas in the spotlight. It’s left marketers of all sizes questioning the future of inclusivity-themed campaigns, partnerships and imagery.

 

But marketers at startups and direct-to-consumer brands in particular, have mixed opinions on whether to push forward with purpose-driven marketing as the stakes for losing business may be a bit higher when it comes to boycotts and bad press.

 

For some companies, like LGBTQ+ healthcare brand Folx Health and August, a period care company, inclusive marketing is a no-brainer. But for others, like Glamnetic beauty brand, the public pushback to so-called woke advertising creates uncertainty and fear of upsetting potential shoppers.

 

The startup, which launched back in 2019, has had Pride-themed initiatives in the past, including launching rainbow colored beauty products and donating to gender-inclusive non-profit organizations. The latter of those efforts will continue, per Ann McFerran, CEO and co-founder of Glamnetic, but promotion won’t be as visible as prior years.

 

“You have to tread carefully there,” said McFerran. “As a brand, we’re not a political company.” Seemingly, there’s been a pendulum swing from brands presenting themselves as not “woke” enough to too “woke,” she added.

 

Marketers have been flocking to the idea of deeper meaning behind the brand, or purpose, even before the pandemic. But after Covid-19, the murder of George Floyd, the overturning of Roe vs. Wade, voter suppression and other societally pivotal moments, the idea of brand purpose was revisited as a must-have marketing strategy.

 

Strategists, however, warned brands of the dangers of lauding positive campaigns for good PR and in hopes to be on the so-called right side of history. Case in point: Pepsi’s brand value dropped by 4% to $18.3 billion after its Kendall Jenner campaign disaster back in 2016, as reported by Marketing Week. Albeit, Pepsi’s initiative was critiqued as a shallow commitment–a danger zone for brands, per strategists.

 

According to agency executives, brand purpose is a long game that takes commitment, especially as each passing generation has higher expectations of brand beliefs and values.

 

“The leaders of these big portfolio companies, they’re obviously driven by revenue and commercial success,” said Akbar Hamid, founder and CEO of The 5th Column communication and marketing agency. “It’s important to create specific campaigns that build your community, not your consumer.”

 

It’s a message that the team at Folx and August have taken to heart, albeit their companies are founded on ideas of inclusivity and gender non-discrimination. Even in the face of potential backlash, inclusivity is paramount.

 

“From a business perspective, we stand for inclusivity,” said Nadya Okamoto, co-founder of It’s August period care and wellness company. “We stand for these things because we believe in it. We know that backlash might come about.”

 

In talking about how period care extends to all genders, Okamoto said she often gets death threats. Still, she said, “I’m taking my bets as a business owner that we are going to stand for what we believe in.” Consumer trust is at an all time low, but brands can benefit from being strong in what they believe in, she added.

 

The three-year-old company is still sorting through what Pride campaigns look like in the future. But for now, work is inclusive year-round, per Okamoto.

 

It’s a similar notion that Liana Guzman, CEO of Folx Health, holds. “Consumers today are much more sophisticated around wanting to make sure that companies are not just talking the talk, but they’re walking the walk as well,” Guzman said.

 

And the numbers speak to that; 94 % of consumers say that “supporting brands that care about environmental, social and governance (ESG) issues is as important as it was 12 months ago, despite inflation,” according to research from Barkley ad agency.

 

For Pride this year, the health company is partnering with the Black Trans Advocacy Coalition for a one-month fundraising campaign to improve the lives of 491 trans people for a year. It’s a push to show that purpose-driven marketing isn’t synonymous with propaganda. Also that brands should be leveraging social moments and their position of power to drive change, she said.

 

“When you think about purpose-driven marketing, what is the purpose? That, you have to ask yourself,” Guzman said. “And if the purpose is to leverage the social moment to drive growth, that is a selfish purpose that is not really about the community.”