Showing posts with label laura martinez. Show all posts
Showing posts with label laura martinez. Show all posts

Wednesday, September 14, 2022

15957: Cultural Cluelessness Is Kryptonite For DC Comics.

 

Adweek reported on the cultural cluelessness displayed by DC Comics during National Hispanic Heritage Month—which, incidentally, was also noted by Super Latina Laura Martínez at Mi Blog es tu Blog. The scenario becomes increasingly hypocritical and outrageous when considering the book depicted directly below titled, “Diversity is a Superpower.” Perhaps the comic book company needs to hire a Super Chief Diversity Officer.

 


DC Comics’ HHM Error Reflects a Larger Issue in Latinx Marketing

 

Carelessness toward Hispanic fans and creators is all too common when compared to the multicultural landscape

 

By Michael León-Rivera

 

In recent months, there has been a great deal of discussion about the progress of diverse representation in entertainment, in particular within fictional genres including sci-fi, superheroes and fantasy. At times, this public discussion on progress has come to feel like a pendulum, moving back and forth between the forward swings of creative new stories that incorporate diverse experiences and the backward swings ranging from stereotypes to erasure.

 

The recent release of variant images by DC Comics of well-known characters eating tacos, serving up fried plantain and holding a bag of tamales as a “celebration” of Hispanic Heritage Month, without a doubt, felt like a heavy backward swing to many Latinx comic book fans.

 

The fact that these variant covers were in such stark contrast to DC’s current and past collaborations with creators such as Edgardo Miranda-Rodriguez’s La Borinqueña and the recently relaunched Milestone imprint—the legendary Black comic book company now headed by film producer and TV executive Reginald Hudlin—seemed to add insult to injury for many comic book fans and artists alike, including Miranda-Rodriguez who spoke out about it on multiple platforms.

 

To further the irony of the situation, one of the main pillars of the recent Milestone relaunch was the formation of the Milestone Initiative in partnership with DC and Ally Bank, a program that was designed to bring more diverse voices into comics.

 

Within this context, it is easy to understand how this attempt from DC can be viewed, at best, as “lacking creativity,” and at worst, completely “tone-deaf.” The release of the images in celebration of the heritage was akin to the type of microaggressions that so many fans of color face daily in their workplaces.

 

In fact, one of the variant images featured a member of the Green Lantern core holding a plastic bag full of tamales, which according to the artist, Jorge Molina, had never been signed off for public release. Molina explained via Twitter that the official image was meant to pay homage to Mexican muralist Jorge González Camarena, while the variant image was never meant to see the light of day.

 

This type of carelessness toward Latinx fans and creators is all too common when compared to the multicultural marketing landscape.

 

Lack of due diligence

 

Too often, brands fail to give Latinx consumers the same attention they would give to most other “new” targets. This includes the basic due diligence of research, focus groups and expert consultation.

 

Many brands choose to skip over many of these elementary steps when it comes to Latinx consumers. Instead, they choose to circumvent the typical planning process in favor of the same tired tropes year in and year out.

 

To put it into perspective, imagine a brand like Whirlpool launching a new product campaign targeting young parents by forgoing any market research and just simply asking a room full of single, childless male employees, “What do we know young mothers love?” This situation might feel like a scene from Mad Men, but it is all too familiar to Latinx marketers when it comes to Hispanic Heritage Month.

 

How to ‘swing forward’

 

How can brands avoid these types of errors? The answer is easier than you might think: Do the research and listen. Don’t make the mistake of bringing in diverse partners only to put all of their expertise and hard work aside in favor of the quick, easy and budget-friendly options.

 

One example of a brand that seems to truly be doing the work is DC’s direct competitor. Marvel enlisted professor Frederick Luis Aldama, also known as Professor Latinx, who has written extensively on Latinx representation in comics, to edit its 2021 Comunidades edition in the Marvel’s Voices series. Voices is both a comic and podcast series dedicated to telling the stories of the Black, Asian, Indigenous, Latinx and LGBTQ+ creators and heroes of the Marvel universe.

 

On-screen Marvel also recently gave us a stunningly beautiful preview of Ingenious and Latinx inclusion in the highly anticipated Black Panther sequel, Wakanda Forever. The film’s incorporation of Mesoamerican themes and designs can be compared to the futuristic interpretation of pan-African cultures in the groundbreaking original film. The film also breaks new ground with the casting of Indigenous Mexican actors in principal roles.

 

As many fans continue to crave new and diverse stories of characters like themselves existing in a world beyond their own, we can only hope that marketers and brands like DC learn to listen to the diverse voices around them so that their unfortunate backward motion results in an even bigger swing forward.

Saturday, March 14, 2015

Monday, June 03, 2013

11181: To And Fro With Negrito.

Laura Martinez examined the experiential and evolutionary marketing for Negrito candy. Gee, it’s like taking a stroll down memory lane. MultiCultClassics first encountered Martinez while debating the controversies surrounding Memín Pinguín in 2005.

Tuesday, November 27, 2012

10793: Free Advice From MultiCultClassics.

Wanted to elaborate on the previous post regarding a botched press release for Allison Pescosolido that led to a botched publicist response. Laura Martinez had received a communication featuring terrible Spanish translation and wound up posting it on her blog. A publicist for Pescosolido sought to explain the mishap and ask Martinez to take down the post. For starters, the publicist should have let the responsible PR firm handle the affair versus clumsily compounding the mess. Regardless, MultiCultClassics is publishing the publicist’s email to Martinez and offering a better response—free of charge.

Here’s the publicist’s original email:

Hi Laura:

My name is Nicole Wool. I am the publicist for Allison Pescosolido. I saw the release that you posted from Pivotal PR regarding Allison. I am so very sorry. Pivotal was handling elements of Allison’s campaign, and a publicist in that office who is Latin, translated this pitch on the publicist’s (John’s) behalf. Unbeknownst to John and contrary to what John’s colleague represented, her Spanish is clearly not strong.

Is there any way you might please consider taking down your post? I realize it must have come off as insulting and inexperienced. However, it is terribly embarrassing to Allison. She did not approve this pitch, nor did she have any awareness that the PR firm sent it out on her behalf. She is a great expert and doesn’t deserve to be collateral damage in what was clearly a major mistake. She has worked very hard to build an excellent reputation and helped many people.

Might you please consider taking it down? I am happy to discuss this with you and to do whatever it takes to make this right.

Nicole Wool | CEO

Here’s MultiCultClassics’ suggested response:

Dear Laura Martinez,

My name is Nicole Wool. I am the publicist for Allison Pescosolido and I am reaching out to you about the release that you posted from Pivotal PR.

First, I am sorry you received the release and hope you were not offended in any way. Pivotal PR was handling elements of Allison’s campaign and clearly utilized an individual whose Spanish translation capabilities are limited.

Needless to say, Allison is terribly embarrassed over the incident. She did not approve the pitch and was not apprised that the PR firm sent it out on her behalf.

Allison is a great expert—she has strived to build an excellent reputation and has helped many people. The release you received does not represent Allison at all.

On behalf of Allison, I apologize for the mistake. Rest assured, we will work to ensure things are properly handled in the future. Please let me know if you have any questions or wish to discuss the matter further. Thank you very much.

Nicole Wool | CEO

10792: PR Means Public Ridicule.

At Mi blog es tu blog, Laura Martinez spotlighted a press release from a “Latin” publicist who needs help with her Spanish, prompting a plea to take down the embarrassing post. As if removing the entry will make the cultural cluelessness disappear. ¡Ay, Caramba!

Friday, June 03, 2011

8849: Lights Out For Coors Light Campaign.


Laura Martinez examined the Coors Light campaign that managed to offend Puerto Ricans in New York. The brewer wound up pulling the work after the complaints grew louder. Can’t help but wonder if the campaign came from Coors Light AOR Draftfcb—the home of
cross-cultural marketing enthusiasts. Additionally, the Chief Diversity Officer of parent company IPG once remarked, “Homogeneous creative teams limit the number of idea combinations. … They can also come up with some embarrassing creative.” Did Draftfcb provide more evidence to prove the statement’s validity?

Thursday, October 28, 2010

8105: Martinez Meets Mad Ave Minutemen…?


At Advertising Age, Laura Martinez examined a racist political ad from Nevada Republican Senate candidate Sharron Angle that rivals the shit expelled by Louisiana Senator David Vitter—and Martinez ultimately ignited irate comments from Madison Avenue Minutemen.

Sunday, June 21, 2009

6862: Relivin’ La Vida Loca.


At The Big Tent, Laura Martinez wonders about the recent NBC “We The People” series that focused on Latino culture in the United States. The program presented many of the usual suspects—from Ricky Ricardo to Gloria Estefan to Shakira to Dora the Explorer—to show how Latinos are “changing the face of America.” Technically, Dora is changing the cartoon face of America. Wonder if the series paid homage to Terminator’s “Hasta la vista, baby,” or Bart Simpson’s “¡Ay, caramba!” Madison Avenue has certainly chipped in cultural contributions with the Frito Bandito and Taco Bell’s Mariachi Band—the former created by FCB and the latter by Draftfcb. Anyway, check out Martinez’s perspective here.

Tuesday, March 24, 2009

6579: A Blog To Watch.


Laura Martinez launched another blog: La Sala de la Tele

Here’s the self-hype:

Welcome to La Sala de la Tele, the only place in the Internet where you will be able to see what’s new, what’s good, what’s not so good and what really sucks in Spanish-language TV advertising. The idea here is to have you, agency heads and creative directors, share with me your latest TV work and help me create the first, one-stop library of Hispanic TV spots. Once we accumulate a decent amount of spots, you’ll be able to drop by and share your thoughts about your own and your peers’ work.

Saturday, December 13, 2008

6251: ¡Ay, Caramba, Ave Maria!


Playboy honored the Virgin Mary in its Mexican holiday edition. Catch the details and comments at Mi blog es tu blog.

Monday, October 20, 2008

6075: Marketing y Medios y Adios.


Hispanic Market Weekly confirmed the news from Laura Martinez that Nielsen Media is completely eliminating Marketing y Medios. In roughly four years, Marketing y Medios has gone from monthly publication to monthly insert to weekly email to memory, as the website is also being dismantled. While it’s a dream come true for the Minuteman Project, the rest of us can look forward to quarterly Nielsen revelations like, “Latinos Love Fútbol!” Of course, there will be no reduction in Latino-related coverage spanking rival Arbitron and its controversial PPM. And as always, Nielsen didn’t even wait for the office cleaning lady to sweep up the piñata debris from the company’s Hispanic Heritage Month party before saying adios. If you need an expression to accurately describe this sad scenario, you’ll find plenty in Martinez’s book.

Friday, October 17, 2008

6058: Marketing y Medios y Menudo.


Laura Martinez reveals that Nielsen Media has killed Marketing y Medios. Where have we heard that before? No, wait, it was before that. Seems like there’s been more versions of Marketing y Medios than Menudo.

Tuesday, May 13, 2008

5468: Laura Martinez Talks Dirty For $7.95.


Last year, Laura Martinez pissed off the Association of Hispanic Advertising Agencies Board of Directors with a perspective she wrote criticizing Hispanic TV programming. She recently ignited a racial firestorm by posting about the infamous Mexican Absolut ad. So one can only wonder who will be offended by her latest work: Talk Dirty Spanish. Co-written with Alexis Munier, the book is now available via amazon.com and elsewhere. If you can read Spanish, there’s a review here. Given that it’s only $7.95, you should definitely pick up a copy or two. Madison Avenue agencies will no doubt try to count the purchase toward their diversity efforts.

Thursday, November 01, 2007

Essay 4648

Laura Martinez presents a thoughtful response to the AHAA letter presented in Essay 4638. Click on the essay title above to visit The Big Tent at AdAge.com.

Monday, October 29, 2007

Essay 4638


Last August, Advertising Age launched The Big Tent, a blog featuring industry leaders’ perspectives on diversity in the advertising, marketing and media worlds. The viewpoints hit a range of topics, inspiring lively online chatter. Additionally, Ad Age has done a commendable job of spreading the efforts by running stuff in its weekly magazine—kudos to Ken Wheaton and his associates for their groundbreaking commitment.

Among the more spirited writers under The Big Tent is Laura Martinez, whose credits include founder and editor-in-chief for Marketing y Medios magazine, which was the premier source for news and opinions on Hispanic marketing before conglomerate VNU made the asinine decision to fold the publication. Then and now, Martinez has never hesitated to state her positions with insight, wit and the subtlety of a sledgehammer blow to the temple.

Martinez recently pondered why Hispanic TV programming isn’t as good as Hispanic advertising, prompting a flood of reactions. To read the original piece and comments, click on the essay title above.

The Martinez post irked the Association of Hispanic Advertising Agencies Board of Directors, who fired a nasty letter to Ad Age editor Scott Donaton. The letter appears below, followed by a MultiCultClassics response.

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Dear Scott:

Many of us on the AHAA Board of Directors and surely among our membership have read some of the opinions posted on Ad Age’s Big Tent blog with concern but have chosen not to comment until now. While clearly any blog represents the rightful opinions of individuals, we are deeply concerned over last week’s blog on Hispanic TV programming by Laura Martinez as Ms. Martinez is also an Ad Age reporter covering news and editorial material related to our Hispanic ad industry. In our view and considering the standards of ethical journalism, it is questionable whether Ms. Martinez can actually report objectively on Hispanic media matters when she has publicly stated such strong negative opinions about its content. This is especially more offensive when we consider that her opinions rely on two hours of morning daytime Hispanic TV viewing and web search. Hispanic audience’s preferences for Spanish language programming have been consistent over time and are reflected in the high ratings this programming enjoys as reported by AC Nielsen.

We will most certainly not argue the quality of the creative work produced by the AHAA agencies cited by Ms. Martinez but it should be understood that there are fundamental differences between the objectives and context of commercial advertising and content programming. The comparison made is superficial and shallow, clearly demonstrating a lack of understanding of our industry.

Media programming content is mostly based on successful formats and plots which are creatively adapted and sometimes replicated across many different parts of the world. This is how Reality shows have come to be a global phenomenon and how shows like “Deal or No Deal” (UK) and “El Gran Show de La Oca” (Spain) have been hugely successful in delivering media ratings and engaging consumers. Should we then argue that content programming in highly developed and sophisticated advertising and media markets like the UK and Spain are also garbage by the mere nature of their program format? Cinderella was written in 1697 by the Brothers Grimm and it is still the basic plot behind the “novella” format which by the way is also a globally successful format.

Television entertains and informs through stories, games, soft news and hard news, among other major formats. Advertising, on the other hand, aims to engage; persuade; sell; connect; create or support a brand image, among other communications criteria. Are the two comparable? I challenge, not.

In our view the unabashed public trashing of any sector of our industry is not conducive to the constructive understanding of our marketplace and the value it represents to marketers in the U.S. Statements like: “the target, apparently, are the legions of uneducated, Spanish dominant immigrants who presumably crossed the border by foot and now have to be punished with awful TV choices just because that is what they are used to” are irresponsible, feed misconceptions and lead to confusion about the viewing preferences among our Hispanic audiences. This rings especially true when the blogger expressing such opinion is also a news reporter on your publication.

Scott, in the spirit of AHAA’s partnership with Ad Age, we very respectfully offer the many members of our association as bonafide opinion leaders for your blog and urge you to consider publicizing their objective and professional opinions as a service to our industry and the advertising community in general.

Let us know your thoughts and we will quickly initiate a recruiting process among our membership.

Best regards.

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Um, somebody please forward the Spanish translation for “Chill out, dudes.” Pronto.

Way back in Essay Eleven (March 2005), MultiCultClassics observed the Hispanic marketing community was doing a far better job of promoting itself than other industry peers. Ironically, the Martinez-led Marketing y Medios was spotlighted as an example of how the segment hyped accomplishments in positive, professional and compelling styles.

So it’s disturbing to see the AHAA make editorial demands, as if hollering, “I don’t have to show you any stinkin’ press badges!”

First, the AHAA must review the objectives of The Big Tent. Ken Wheaton wrote, “In politics, the ‘big tent’ refers to a party in which diverse viewpoints are accepted, where the comfort of a unified ideology is exchanged for the clamor of many voices.” With all due respect to the AHAA, this ain’t your party—and Martinez is not your piñata.

The AHAA argues a decent case for conflicts of interest with Martinez’s roles of blogger and reporter. Too bad it doesn’t hold up in today’s media landscape, where the borders have been crossed more often than, well, the U.S. borders. Ad Age reporters routinely author editorials and even rip the 4A’s and events like Advertising Week. Rival Adweek editors and writers cover the daily press releases and simultaneously insult DraftFCB on the AdFreak blog. Scribes like Martinez have successfully played on both sides of the fence, and they’ll undoubtedly continue their schizophrenic ways.

On another tip, while the AHAA has done a great job of establishing its honor and integrity, it’s a stretch for any adpeople to pontificate on ethical standards of journalism. Especially when most Hispanic publications contain advertisements from bizarre psychics. And what’s with offering an “objective” replacement blogger?

AHAA members constantly tell clients the Hispanic consumer market is not monolithic or homogeneous. Yet they’re howling because someone has demonstrated the notion with unconventional thinking. You can’t have your torta and eat it too.

The AHAA ought to peruse the thread ignited by the Martinez post. The majority of minorities welcomed the discussion. If the AHAA had opposing sentiments, why not join the online conference? There are real, legitimate issues warranting open examination versus ignoring problems and sweeping dirty secrets under the proverbial rug ala industry peers (whose businesses, incidentally, are crumbling like stale tortilla chips).

This was an opportunity for AHAA members to be inclusive pioneers. Instead, their actions mirrored those of old school gringo advertising executives.

Thursday, August 30, 2007

Essay 4391


From Advertising Age’s The Big Tent…

-----------------------------------

An Inconvenient Mexican

For Some, I’m Not Hispanic Enough

By Laura Martinez

Growing up in Mexico City, I thought my family and friends were kind of an oddity because we didn’t look like the Scandinavian types dominating the airwaves and the outdoor advertisements. Happy blond, blue-eyed people were everywhere pitching sodas, insurance, airlines and cars. At night the 9 o’clock telenovela invariably brought us a story about a good, virginal maid who was also very light skinned and for some reason ended up in the arms of the rich home-owner (who by the way always sported a compound name such as Alberto Manuel or Roberto Alejandro). People in the ads did not look like the people we saw in our everyday lives simply because, as my creative director friend later explained to me, the point was to send a message that was “aspirational”; that is, to have people aspire to be more stylish, more wealthy, more … blond?

That was then -- and there. But now after nine years in the U.S., exposed to Hispanic-targeted media and so-called “Hispanic-specific advertising,” I feel like an oddity again, because I don’t seem to fit the “type” of Hispanic people the media insists on portraying, and researchers insist on “researching.”

Take my recent brush with a focus-group recruiter who called to ask if I would be interested in participating in a focus group among Mexican women ages 31-50 living in the New York City area. “Sure!” I thought. After all, I had nothing much to do and was going to walk away $50 richer. Mind you, it was not only the 50 bucks that caught my attention. I was perfect for the gig. I am a Mexican who speaks Spanish (duh!), still between the ages of 31 and 50 and, most importantly, I live very near the place where the focus group was to take place. But then came the pre-screening process, an excruciating 10-minute phone interview, which I failed miserably (and it was in Spanish).

It went sort of like this:

--Which brand of facial cream do you use at night?
--None. I don’t wear night cream.
--OK. Which is your cellphone provider?
--Verizon Wireless.
--Oh … [long pause] … What about education? Did you finish elementary school?
--I have a BA in Journalism so I guess you can say I did.
--Are you married?
--I’m divorced.
--I’m sorry chica, you just don’t qualify for our test, but we’ll keep you posted on our upcoming focus groups.

Although I’m still trying to figure out the connection between the cellphone and the night cream, I realized that having an education but not a husband was too much for these researchers to bear. I am sure someone out there perusing over the data figured I was simply not the type of Mexican they were looking for.

The whole incident was actually funny and gave me a story to blog about, but at the same time I could not help but wonder: Why can’t marketers and advertisers just acknowledge that Latin Americans (and everyone else for that matter) come in all sizes, shapes and colors? Why do they insist on giving us only Hispanic-looking dolls? (I grew up playing with Barbie and Ken, for God’s sake!) I guess marketers are right when they say I am simply not the target of their multicultural efforts, but one thing I’m pretty sure of: For matters concerning marketing and advertising, I am simply an inconvenient Mexican.