Wednesday, December 23, 2015

12979: Chief Diversity Officers’ Lament.

The Drum dumped a dung heap of drivel about Chief Diversity Officers—aka pimps or diversity parasites, as accurately and eloquently labeled by Sanford Moore. Omnicom Vice President and Chief Diversity Officer Tiffany Warren admitted that justifying the role is a constant challenge. Of course, Warren deflects the justification examination by doling out ADCOLOR® Awards with glee. TBWA Chief Diversity Officer Doug Melville said, “When I walk into a room everyone has a different definition of what I do because they’re all defining the word differently. Understanding where everyone is coming from, based on the lens they see the world with, is one of the biggest challenges of a role like this.” It’s more likely that when Melville walks into a room, everyone has no idea what he does—including Melville. LIDA Managing Director Jonathan Goodman revealed his agency staffed the Ikea account with Swedish folks to gain cultural competence for the brand. Did LIDA also hire people with Tourette Syndrome to handle Tourettes Action or virgins to deal with Virgin Holidays? A peek at the People page on the LIDA website displays the shop’s full range of diversity and inclusion. It continues to boggle the mind how Chief Diversity Officers remain such fuzzy entities. And it’s obscenely ironic how Chief Diversity Officers struggle to become honestly, credibly and professionally integrated into the advertising industry.

‘If you support a culture of sameness, how can you expect to innovate?’ — Diversity officers, inclusivity and overcoming cultural barriers

By Gillian West

The relatively new role of chief diversity officer has become increasingly key in establishing inclusiveness as a tangible asset in the workplace, finds Gillian West.

Just 10 years ago less than a fifth of Fortune 500 companies employed a chief diversity officer. By 2012 that number was up to 60 per cent and has been rising ever since. But what exactly is a chief diversity officer? What does their day-to-day schedule look like? And why, in people-led service industries such as advertising and marketing, is the role so important?

Billy Dexter, managing partner of executive search firm Heidrick and Struggles, is a leader in talent acquisition and diversity related efforts for more than 20 years. In the report ‘The Chief Diversity Officer Today: Inclusion Gets Down to Business’, he points to the success in global markets pushing the growing need for diversity and diverse ways of thinking to prominence.

Meanwhile, self-proclaimed “champion of diversity” Tiffany R Warren, vice-president and chief diversity officer at Omnicom Group, explains: “The role of chief diversity officer is a unique hybrid between HR, talent management, supplier diversity, crisis management, creative review, mentoring and corporate and social responsibility.” Justifying the role is a constant challenge for diversity officers, she adds.

“The biggest challenge a chief diversity officer or diversity champions face is the daily question of ‘why?’ In my role I do not produce a tangible product, but what I do can lead to creating a new one. I don’t build companies, but I can help a diverse supplier establish themselves and secure new partners. I may not create an ad, but my contribution will help to fashion a story told from a diverse point of view.”

Appointed chief diversity officer of TBWA in 2012, Doug Melville tells The Drum the first thing the agency did following his appointment was to look at diversity as if it were a client, coming up with a game plan for success.

“We got a team of planners, strategists and creatives together and they came back with three elements — representation, supplier diversity and culture — that need to be satisfied to be successful, and these elements dictate what I do day to day,” he says. He believes no two chief diversity officers are the same as the role varies depending on who they report to, their style of management and, most importantly, their vision of diversity. “When I walk into a room everyone has a different definition of what I do because they’re all defining the word differently,” he explains. “Understanding where everyone is coming from, based on the lens they see the world with, is one of the biggest challenges of a role like this.”

Coming from an entrepreneurial background, Melville believes his varied career path — from driving the Oscar Mayer Wienermobile to leading the business development team and marketing efforts of Magic Johnson Enterprises — have paid dividends in this role as relating to people is step one.

“I’ve been to each state [in the US] three times and that really helps when it comes to breaking the ice. Whether internal or external, you have to be able to understand people’s point of view and then encourage them to open up their minds so we can have more creativity.”

A common misconception of the chief diversity role, according to Melville, is the idea it is solely based “within agency walls”.

“In the last three years, TBWA has spent over $100m with businesses led by diverse entrepreneurs. More people than ever before are choosing to start their own businesses.

“They would rather find niche opportunities and work on those than be in an advertising agency, and we need to tap into that in addition to what we do internally,” he says.

When it comes to looking for talent “the competition is the entrepreneurs”, he adds. Lida managing director, Jonathan Goodman, makes a similar observation, claiming it’s not a lack of diversity that’s stopping diverse talent pursuing marketing and communications, it’s just “not the cool kid in town” thanks to social media giants and the lure of striking out on your own.

“Historically advertising and marketing agencies aren’t great when it comes to diversity, it’s been a white, male, upper middle-class reserve where if you’re graduating from Oxford or Cambridge and not sure what to do next you’re welcomed with open arms,” he says.

“[But] when it comes to clients they are starting to worry about whether you really understand their business. Do you have the cultural expertise as well as the business acumen?”

When assembling the Ikea account team at Lida, they added Swedish people because they understand the culture and the nuances better, explains Goodman.

Diversity can also be a brand identity issue, with companies seeking assurances that diverse teams will be employed to carry out their services. TBWA’s Melville says: “Some of our largest clients — PepsiCo, Nissan, MillerCoors — want to know which businesses we’re working with when we create content for them, and what percentage of those businesses are owned by women or diverse leaders.

“It’s something that’s growing more, and more brands want to know that what we do goes along with their principles. A lot of clients are hiring, or already have, chief diversity officers and that helps when it comes to collaborating on projects.”

One such brand is Dell, whose vice-president of global talent and chief diversity officer, Marie Moynihan, finds her day ruled by the same three elements as Melville. “My role is about creating awareness of the value of diversity and inclusion.

“The good news is, in Dell, it’s now less about convincing people of the value of diversity and more about reflecting stories to raise awareness and championing programmes that will continue to make us more inclusive.”

Despite Dell being one of DiversityInc’s Top 50 Companies for Diversity for the past five years running, Moynihan admits to feeling frustrated that the problem hasn’t been solved yet. “Everyone would like it to be more straightforward — set a target and go after it. But it’s more complex than that — you need to have a deeper understanding of the issue and a comprehensive approach,” she explains.

Roxanne Hobbs, founder of The Hobbs Consultancy, which aims to transform businesses via inclusivity, welcomes the advent of the role of chief diversity officer role but warns “the challenge is being taken seriously” and hints at a few potential pitfalls.

“The inclusion role should be fully routed in the business,” she says. “It will only work when the commercial advantages of being more diverse and inclusive are understood by everyone in the business. You need to be careful that businesses don’t think ‘we’ve got someone looking after this now, job done’.

“It’s everyone’s responsibility, not just the responsibility of that person with it in their title.”

After promoting diversity for more than 15 years, Omnicom’s Warren adds: “Why does it make business sense to have a diverse workforce was a question often asked in the 80s, it doesn’t make sense now if you don’t have a diverse workforce.

“If you support a culture of sameness, how can you expect to innovate or disrupt?”


DunwoodyDeKalb said...

"In the last three years, TBWA has spent over $100m with businesses led by diverse entrepreneurs."


You know how they accomplish that? White female friends of white agency insiders. $99m of the typical $100m is just white female vendors they count as diverse entrepreneurs. It's all white all the time.

Doug Melville and Tiffany Warren's entire position is to figure out ways to spin those details. "We do business as usual and nothing has changed in decades" becomes "We support diverse entrepreneurs by sponsoring AdColor!"

"Avert your eyes and pretend you're not seeing more dogs and plants than black creatives inside our agency" becomes "Our diversity officer is proof we have a strong commitment to diversity!"

They lie and twist things just enough to make it seem like the agencies are actually doing something, and that's what has gotten us into the current position of the mental gymnastics their ilk used to turn Swedish hires into Proof of Agency Diversity.

Anonymous said...

Changing the face of advertising, no.

Keeping it exactly the same with no tangible results after years in the position, yes.