Wednesday, January 12, 2011

8347: ANA Sucks On Big Tobacco.


Adweek reported the Association of National Advertisers filed a lawsuit over the FDA’s proposed cigarette labels, charging potential First Amendment violations. So, the organization jumps to defend Big Tobacco, but would never consider going to court over the hiring discrimination on Madison Avenue. Maybe the ANA really stands for Anglo Numbskull Assholes.

ANA Files Suit Against New Smoking Label
FDA wants to place images on cigarette packs

By Katy Bachman

The Food and Drug Administration’s proposal requiring tobacco companies to place cadavers, coffins and other horrific images of what could happen to smokers on cigarette packs and ads is stirring up First Amendment concerns among the advertising community.

The fight stems from the Family Smoking Prevention and Tobacco Control Act, which called for the FDA to set rules for placing larger and more visible graphic health warnings on tobacco packaging and advertisements. The FDA came up with several graphic pictures to accompany nine warnings, along with specifications for how much space the warnings and pictures should take up on packaging and advertisements.

Comments on the proposed rules were due Tuesday, Jan. 11. The Association of National Advertisers argued in its filing that the new text and graphic requirements run afoul of the First Amendment and would convert product packages and advertisements into platforms for the government’s viewpoint.

Though smoking may be out of favor, it is still a legal product. “The proposal goes way beyond what is factual and neutral. It not only violates the First Amendment, it creates precedent for the advertising sector,” said Dan Jaffe, evp of government relations for the ANA. “There has never been anything like this before in this country.”

The precedent the new rules set is equally scary to advertisers. “Somebody else is going to want a government message placed on other products like alcohol or violent videos,” Jaffe noted. “If this goes through, it would be a very significant step.”

The proposal is likely to end up in court. Last year, the ANA filed a friend of the court brief with the U.S. Court of Appeals for the Sixth Circuit in a lawsuit brought by six major tobacco companies challenging the marketing restrictions in the act.

8346: Fabulous First Gay Museum.


From Salon…

Nation’s first gay museum opens in San Francisco

America’s first gay museum in the Castro district showcases items ranging from Harvey Milk’s sunglasses to sex toys

By Associated Press

The nation’s first gay museum opening in San Francisco’s Castro district showcases a variety of items ranging from Harvey Milk’s pink-framed sunglasses to manuscripts and sex toys.

The 1,600-square-foot museum, opening Wednesday, chronicles the evolution of what organizers call the liberation of the gay, bisexual and transgender community.

Milk’s sunglasses displayed in the GLBT History Museum are a tribute to the late San Francisco supervisor, who was the first elected openly gay politician in California.

GLBT Historical Society executive director Paul Boneberg told the San Francisco Chronicle the society has a five-year lease for a formerly empty storefront.

The society is relying on donations and volunteers to keep the museum open.

8345: Smartphoning It In.


Mom is texting her son to scold him for getting into a car accident? Um, the collision was probably the result of her son texting while driving. Also, why the hell doesn’t mom call the kid?

Tuesday, January 11, 2011

8344: Lenovo Doubles The Exclusivity.


As a follow-up to an earlier post, it was announced that Lenovo chose Saatchi & Saatchi NY to create a new global branding campaign. OK, the client ignores minority contenders and hands the prize to an agency that failed to meet its diversity hiring objectives in recent times. Plus, White agency Ogilvy & Mather retains its lead position on the account. Brilliant.

Lenovo Selects Saatchi for New Global Branding Campaign

PC Maker Says Relationship With Ogilvy Will Continue

By Rupal Parekh

NEW YORK -- After a final-round pitch that included presentations at the Consumer Electronics Show in Las Vegas last week, Lenovo has chosen a new global agency partner, Publicis Groupe’s Saatchi & Saatchi.

According to executives familiar with the situation, the shop beat out stiff competition from MDC Partners’ Crispin Porter & Bogusky and WPP’s Ogilvy & Mather, which has handled Lenovo’s line of “Think”-branded products since the computer maker purchased IBM’s PC division in 2005.

Agencies referred calls to Lenovo, which confirmed Saatchi’s appointment to the roster, while also noting that it doesn’t mean a parting of ways for Ogilvy. “We selected Saatchi & Saatchi to develop a new branding campaign for us, and this is an additional piece of business for us,” a spokesman told Ad Age. “Our existing agency relationship with Ogilvy will continue as is.”

Still, that Lenovo is seeking some fresh brand thinking isn’t surprising considering it has raised the curtain on several new products at CES. Among them, the new “Le Pad” slate, which weighs less than 2 pounds and comes in a variety of colors for about $520 a pop, retailing in China initially. Lenovo also announced thinner and slimmer versions of its ThinkPad laptops and IdeaPad series of netbooks.

The new global branding campaign will be led out of Saatchi’s New York office, which is probably hoping the win marks the start of a busier year on the new-business front than the one it saw in 2010. It’s also the first win under Chief Creative Officer Con Williamson, who jumped to Saatchi from Havas’ Euro RSCG, New York, replacing Gerry Graf.

While the company is a major global player, U.S. spending on the account has plummeted in recent times. According to Kantar Media, Lenovo in 2009 spent a little more than $30 million on domestic measured media, with the majority of it backing the marketing of its ThinkPad line. But between January and October 2010, that figure has dropped to less than $5 million.

8343: Vamping Varicose Veins.


This place owes Carly Simon an apology.

Monday, January 10, 2011

8342: Hoo-Gay For Hollywood.


From Newsweek…

A Return to ‘Promises, Promises’

As the play closes, Ramin Setoodeh takes another look and realizes the problem isn’t gay actors in straight roles.

By Ramin Setoodeh

“Why isn’t somebody like you married?” asks a woman to Sean Hayes’s character in the Broadway revival of Promises, Promises. That’s not a rhetorical question, although it feels that way. Last spring I argued that Hayes, best known as the flamboyant Jack from Will & Grace, did not make a convincing straight man. And if an accomplished performer like Hayes can’t pull it off, can any openly gay actor? Is homosexuality such an innate part of who you are—like age, gender, or skin color—that you just can’t leave it at the stage door? Richard Chamberlain said as much last week when he told The Advocate that gay actors should stay in the closet. Rupert Everett made a similar comment in 2009.

The Internet wasn’t happy with my line of thinking, and blogs twisted my words to suggest that I was homophobic. Hollywood’s gay elite joined in the attacks. Glee creator Ryan Murphy called for a boycott of NEWSWEEK. Cynthia Nixon accused me of setting the gay-rights movement back 10 years. Alan Cumming said I was “a danger to us all, not just gay people … but everyone on the planet.” Perez Hilton posted pictures of me on his blog. I could not walk through New York’s gay neighborhoods without causing a stir.

Was I really a traitor to my own community? Before Promises, Promises closed on Broadway on Sunday, I bought a ticket and secretly went to see the show again. Once inside, I slumped down in my seat, afraid somebody would call the GLAAD police if I were spotted. The lights dimmed, and Sean Hayes opened the show alongside a troupe of male dancers. When he sang about his passion for basketball, the men performed aerial splits. Then he started to pine after the office lunch lady (Kristin Chenoweth), and I realized that I had been all wrong.

It’s not just that audiences don’t often see openly gay actors in straight roles. What’s even more unsettling is that Hollywood doesn’t even allow gay actors to play gay. With the film industry swept up in the congratulatory swirl of awards season, not a single openly gay actor is up for an Oscar nomination. Of course, that’s probably because no openly gay actors even starred in any big films of 2010. The lovable lesbian wives in The Kids Are All Right were played by the heterosexual actresses Annette Bening and Julianne Moore. The quirky couple in I Love You Phillip Morris were portrayed by straight men Jim Carrey and Ewan McGregor.

You could say that’s why it’s called “acting.” But that’s little comfort to gay actors, who are routinely shut out of the studio system, even though Hollywood is supposedly one of the most “gay-friendly” towns. Movies need to attract the broadest possible audience, and filmmakers worry that if they cast a gay person as a romantic lead, audiences will be too grossed out. Instead, straight actors get the roles, and everybody talks about how brave they are. Stanley Tucci has played gay so many times (The Devil Wears Prada, Burlesque) it’s as if he’s switched teams. Eric Dane and Bradley Cooper were lovers in Valentine’s Day, and they follow a long tradition of straight actors who play gay and collect accolades: Jake Gyllenhaal (Brokeback Mountain), Sean Penn (Milk), Greg Kinnear (As Good as It Gets), Philip Seymour Hoffman (Capote), Hilary Swank (Boys Don’t Cry), Charlize Theron (Monster), Tom Hanks (Philadelphia), Robin Williams (The Birdcage). The blog AfterElton.com could name only nine working gay TV actors, and they all hold minor or supporting roles. The new gay guy on 90210 is played by heterosexual hunk Trevor Donovan.

“A lot of straight actors are actively searching for gay roles because it is something different to do,” Rupert Everett said last week to BBC Radio. “I think that’s fine, but that does mean the gay actor who used to just get to play the gay part—like me—has been reduced to drag, really.”

Read the full story here.

8341: Digital Divide 3.0.


From USA TODAY…

For minorities, new ‘digital divide’ seen

By Jesse Washington, Associated Press

When the personal computer revolution began decades ago, Latinos and blacks were much less likely to use one of the marvelous new machines. Then, when the Internet began to change life as we know it, these groups had less access to the Web and slower online connections — placing them on the wrong side of the “digital divide.”

Today, as mobile technology puts computers in our pockets, Latinos and blacks are more likely than the general population to access the Web by cellular phones, and they use their phones more often to do more things.

But now some see a new “digital divide” emerging — with Latinos and blacks being challenged by more, not less, access to technology. It’s tough to fill out a job application on a cellphone, for example. Researchers have noticed signs of segregation online that perpetuate divisions in the physical world. And blacks and Latinos may be using their increased Web access more for entertainment than empowerment.

Fifty-one percent of Hispanics and 46% of blacks use their phones to access the Internet, compared with 33% of whites, according to a July 2010 Pew poll. Forty-seven percent of Latinos and 41% of blacks use their phones for e-mail, compared with 30% of whites. The figures for using social media like Facebook via phone were 36% for Latinos, 33% for blacks and 19% for whites.

A greater percentage of whites than blacks and Latinos still have broadband access at home, but laptop ownership is now about even for all these groups, after black laptop ownership jumped from 34% in 2009 to 51% in 2010, according to Pew.

Increased access and usage should be good things, right?

“I don’t know if it’s the right time to celebrate. There are challenges still there,” says Craig Watkins, an associate professor at the University of Texas at Austin and author of “The Young and the Digital.” He adds: “We are much more engaged, but now the questions turn to the quality of that engagement, what are people doing with that access.”

For Tyrell Coley, engagement mostly means entertainment. In December, the 21-year-old New York City supermarket clerk launched a Twitter conversation about “(hash)femalesneedto.” The number sign was a “hashtag” that allowed others to label their tweets and join the discussion.

Within a few hours, (hash)femalesneedto was the top trending topic on Twitter — meaning more of the site’s 17 million users were talking about it than anything else. Most comments came from black users and focused on relationships, advising women to do things like “learn sex is not love” and “learn how to love themselves.”

“There’s always something happening on Twitter, some drama, people talking about something,” says Coley. “Twitter is a great social network to kill time. When you’re bored, get on Twitter. Next thing you know you’ll be out of work or whatever. Twitter makes my day go by. That’s why I’m on almost every day.”

Coley is black, and so are most of his 3,756 Twitter followers. So are about 25% of all Twitter users, roughly double the percentage of blacks in the U.S. population, according to a February 2010 survey by Edison Research and Arbitron.

Many of Twitter’s trending topics have been fueled by black tweets. Coley has been responsible for several — (hash)youcantbeuglyand and (hash)dumbthingspeoplesay also sprang from his iPhone. He has a desktop computer at home, which he used to apply for his supermarket job. But he uses his phone for 80% of his online activity, which is usually watching hip-hop and comedy videos or looking for sneakers on eBay.

This trend is alarming to Anjuan Simmons, a black engineer and technology consultant who blogs, tweets and uses Facebook “more than my wife would like.” He hopes that blacks and Latinos will use their increased Web access to create content, not just consume it.

“What are we doing with this access? Are we simply sending e-mail, downloading adult content, sending texts for late-night hookups?” Simmons says. “Or are we discussing ideas, talking to people who we would not normally be able to talk to?”

Read the full story here.

8340: Non-Menthol Is Not Non-Lethal.


This ad ran in the latest issue of Ebony magazine. Looks like Newport is now targeting Blacks with non-menthol cigarettes too.

Sunday, January 09, 2011

8339: Randomly Firing Google Ads.


AdPulp published a post on the Arizona shooting—and Google automatically inserted an ad with a headline that reads, “The 9mm Won’t Protect You.” News sources reported the alleged shooter used a Glock 9mm handgun. Nice targeting, Google.

8338: Smoking Guns, Exclusive Studies.


Studying the news with a MultiCultClassics Monologue…

• A new study shows smoking could vanish by the middle of the 21st century. The research was based on declining smoking figures in Britain, despite steady rates in America. Hey, Big Tobacco will probably just shift their marketing efforts toward Africa—and dramatically crank up menthol cigarette production.

• A new study of admissions at highly selective colleges shows legacy applicants—students with family members connected to the institution—have significant advantages in the acceptance process. In short, it’s not what you know, it’s who you know. However, places like Harvard and Yale don’t come close to matching Madison Avenue when it comes to exclusivity and nepotism.

8337: Off-Color Commentary For GlobalHue.


The comment thread for the GlobalHue post at AgencySpy has taken an ugly turn, incredible as that may seem. What started as a stereotypical display of cultural cluelessness by minority advertising agency haters has degenerated into a celebratory rant and rave by GlobalHue staffers. The free-for-all illustrates a phenomenon noted by MultiCultClassics in a 2007 perspective originally inspired by another AgencySpy post. On course to exceed 80 comments, the spectacle essentially spotlights the alleged improprieties of the ex-studio manager of a minority advertising agency’s satellite office. Truly pathetic. Considering the controversies involving GlobalHue in recent years—including the Bermuda affair, U.S. Census shakedown and Jeep campaign criticismAdweek’s Multicultural Agency of the Decade is looking like a minority version of Draftfcb.

8336: Redrawing A Previous Post.


Last week, MultiCultClassics called Westwood College the 21st century version of Art Instruction, Inc. Didn’t realize Art Instruction, Inc. is still in business.

Saturday, January 08, 2011

8335: Kidding Around.


Child’s play in a MultiCultClassics Monologue…

The New York Daily News published a story about Kiernan Shipka, the actress who plays Sally Draper on AMC series Mad Men. According to the piece, the 11-year-old is not allowed to watch the show. We should all be so lucky. Plus, Kiernan is spared the agony of having to see her own pathetic performances.

• Rep. Jesse Jackson Jr. wants to collect unemployed Americans’ resumes in order to “put a face on the job crisis we confront.” Jackson declared, “By collecting these resumes, I hope to dramatize the shameful condition of unemployment and compel action to do something about it.” Considering the shameful, self-induced crises on his own plate—including controversy surrounding his involvement with former Illinois Governor Rod Blagojevich and an extramarital affair—Jackson might soon be adding his own resume to the collection.

• A new study showed college students prefer receiving praise over sex and money. So does this mean they’ll accept unpaid internships if employers promise to gush over them?

8334: Freedom Riders Ride On.


From The Los Angeles Times…

Taking a trip into history with the Freedom Riders

A PBS documentary is helping to renew interest in the civil rights campaign.

By Sandy Banks

Helen Singleton became a Freedom Rider because of her mother, and her childhood memories of family trips every summer in the 1940s from Philadelphia to her grandparents’ farm in Virginia.

“Mother would be up all night over a hot stove, cooking chicken, potato salad, rolls” to sustain eight children over a 14-hour trip along back roads where every restaurant, market and hotel was “whites only.”

“We could feel her exhaustion and the tension in the car,” Singleton recalled. “And when we got there, there was always some incident — stores we couldn’t go in because it’s not the right day for blacks to shop.… It marred the joy of our summer vacations. I carried that with me for a long time.”

For nigh on 20 years, in fact, she carried that memory of second-class citizenship. Then in 1961, Singleton and her husband, Robert, joined hundreds of college students — black and white, from every region of the country — on “freedom rides” through the Deep South.

The bus rides began in Washington, D.C., with a small group of civil rights activists. Seven were black and six were white. They boarded Greyhound buses in interracial pairs, shared seats and mingled in terminals at each stop.

It was a blatant challenge to Southern codes that mandated racial separatism. The U.S. Supreme Court had declared that segregation was unlawful in interstate travel, but federal officials had refused to enforce that precedent, fearful of political backlash.

The ride from D.C. to New Orleans was supposed to take 14 days. But in Alabama, jeering, violent mobs of whites firebombed the buses and attacked the riders as local law enforcement officers looked on. The wounded activists were forced to abandon their plan.

A group of Nashville college students stepped in, though, and that sparked a national swell of support on college campuses around the country.

In Los Angeles, 17 students — 10 white and seven black — traveled east as Freedom Riders. As head of UCLA’s chapter of the NAACP, Robert Singleton was in charge of recruitment.

“I had the names of 42 people,” he said. “But most of them got turned down by their parents. It was on the news back then every night — the beatings, the mobs, the fires.” He got his bus-full, and they flew to New Orleans, then boarded a train for Jackson, Miss.

The Freedom Ride movement tends to get short shrift in history books. There was no single big-name leader, no symbolic murdered martyr. It was an exercise in courage and cooperation by young people with nothing personal to gain and little in their backgrounds in common.

“We had white kids from wealthy families and black students whose moms and dads had migrated up from the South,” recalled Singleton, now a professor of economics at Loyola Marymount University. “Until then, we didn’t know what we could do. We came back from there empowered.”

Read the full story here.

8333: Pharma Agency Self-Promo Ads 7.


The new LLNS boasts that the entire agency is creative. Yet the place produces one of the least creative ads imaginable. Meanwhile, Beacon Healthcare Communications asks, “Got something to say?” Yes—your ad sucks.

Friday, January 07, 2011

8332: Brilliant Concept, Questionable Execution.


Advertising Age supplemented its fluff piece on BrandLab with a fluff podcast episode via Ad Age Outlook. Bob Knorpp and reporter E.J. Schultz discussed the minority youth outreach program, noting a few more details behind the effort. For example, Schultz said BrandLab selects low-income high schools where at least 40 percent of the students are minorities, and 40 percent are participating with government-sponsored free lunch programs.

OK, MultiCultClassics continues to struggle with examining programs like BrandLab. On the one hand, the folks involved probably have the best of intentions. Yet the execution here seems a bit screwy. Try not to take offense to the following paragraphs.

First, why target low-income minorities? It feels a tad insulting, as if the presumption is that all minorities are poor. MultiCultClassics also wonders if it involves politics—that is, the program must meet certain guidelines to qualify for aid and tax benefits. Even Knorpp referred to BrandLab as a philanthropic endeavor (versus a professional recruitment tool).

The MultiCultClassics staff has been in the ad game for a while, and has literally and personally connected with many minorities in the field. Can’t think of a single minority advertising executive who was raised in a low-income setting—especially when considering the generations after Baby Boomers. Granted, MultiCultClassics doesn’t have research data to support the matter. But it appears that most minority advertising executives have economic backgrounds similar to their White peers. And please note the qualifier is economic, not social, cultural, geographic, etc.

Madison Avenue isn’t scouring poor White neighborhoods in search of the next Alex Bogusky. So why only visit underserved communities for future minority adpeople?

Hey, since Ted Williams is suddenly landing commercial gigs, shall we now direct our minority recruitment attention on homeless shelters?

BrandLab and minority youth outreach program advocates might argue that it’s imperative to make young minorities realize there are opportunities in our industry. Agreed. But everyone seems oblivious (or perhaps culturally clueless) to an easier solution: hire more minorities today, not decades down the road. When minority kids start to see advertising executives in their communities—when Mr. Brimm next door is a creative director and Ms. Miller across the street is a research director and Mr. Steffens down the block is an account director—then they will clearly recognize and believe there is a place for them in our ranks.

8331: Spying On GlobalHue & Global Racism.


AgencySpy published a post on layoffs at GlobalHue in New York. The comments reflect the continued confusion, cultural cluelessness and racism surrounding minority advertising agencies and minorities on Madison Avenue. As well as the maturity level of typical AgencySpy visitors.

8330: Overreaction Of The Week.


Worldwide news sources reported that a White lioness in Argentina gave birth to three cubs. Sure, give all the attention to the White lioness. There’s never any coverage on Brown lionesses or Black panthers.

8329: Menthol Cigarettes & McRib® Sandwiches.


Jim Edwards at BNET presented “Why Big Tobacco Targeted Blacks With Ads For Menthol Cigarettes.” Edwards ended the piece by declaring, “If your product has negative health effects and you’re advertising it to minorities, there’s really no difference between Big Tobacco and you.” MultiCultClassics has stated this sentiment in the past, and even noted the covert tactics of other corporate categories. Hell, McRib® sandwiches are just as bad for one’s health as menthol cigarettes.

8328: Pharma Agency Self-Promo Ads 6.


Side effects for these ads include extreme disorientation and projectile vomiting.

Thursday, January 06, 2011

8327: Who’s Policing The Police?


How many Nazi-like office managers saw and clicked on this banner ad while leisure surfing the Web on company time?

8326: Mark Twain Slurs Marked Out.


From The Chicago Sun-Times…

N-word deleted from Twain classics

By Phillip Rawls

MONTGOMERY, Ala. — Mark Twain wrote that “the difference between the almost right word and the right word is really a large matter.” A new edition of “Adventures of Huckleberry Finn” and “Tom Sawyer” will try to find out if that holds true by replacing the N-word with “slave” in an effort not to offend readers.

Twain scholar Alan Gribben, who is working with NewSouth Books in Alabama to publish a combined volume of the books, said the N-word appears 219 times in “Huck Finn” and four times in “Tom Sawyer.” He said the word puts the books in danger of joining the list of literary classics that Twain once humorously defined as those “which people praise and don’t read.”

“It’s such a shame that one word should be a barrier between a marvelous reading experience and a lot of readers,” Gribben said.

Yet Twain was particular about his words. His letter in 1888 about the right word and the almost right one was “the difference between the lightning bug and the lightning.”

The book isn’t scheduled to be published until February, at a mere 7,500 copies, but Gribben has already received a flood of hateful e-mail accusing him of desecrating the novels. He said the e-mails prove the word makes people uncomfortable.

“Not one of them mentions the word. They dance around it,” he said.

8325: Pharma Agency Self-Promo Ads 5.


Got spilt milk? Meanwhile, grey healthcare group adds a new dog to the network.

8324: Africa In Sao Paulo Wins Bud In Brazil.


Advertising Age reported that Africa bested the Omnicom network to launch Budweiser in Brazil. OK, the agency is not in Africa; rather, it’s in Sao Paulo. But Africa did beat Omnicom at its own game, landing the new account without a review. However, Africa’s holding company, Grupo ABC, also owns a sizable stake in DDB’s Brazilian agency, which initially won the business in a previous pitch. If any of this is making sense, you’ve probably been drinking too much Brazilian Budweiser.

A-B Picks Africa to Launch Bud in Brazil
Grupo ABC Agency Wasn’t Even Part of Review but Beat Last Finalist DDB

By Claudia Penteado

SAO PAULO—In a surprise move, Anheuser-Busch InBev picked local Sao Paulo shop Africa to launch Budweiser beer in Brazil this year over the brand’s international network DDB—even though DDB’s Brazilian agency was the only contender left in the lengthy review.

Nizan Guanaes, chairman of Grupo ABC, the Brazilian holding company that owns Africa and a sizable stake in DDB’s Brazilian agency, is believed to have stepped in when AmBev, the beer marketer’s Latin American operation, was dissatisfied with DDB and suggested Africa. Mr. Guanaes, who ran DDB’s Brazilian agency in the past, started Africa in 2002 and the agency is now among the top 10 agencies in Brazil. Mr. Guanaes, who is in Paris this week, could not immediately be reached for comment.

AmBev started the review almost a year ago and was down to two finalists, Leo Burnett and DDB, last September when Leo Burnett got a call from the client to say the agency didn’t win. The Brazilian market has been waiting for an announcement that never came that the account would go to DDB.

Four months later, AmBev’s communications director, Alexandre Loures, confirmed today that Africa will launch Bud in Brazil. Africa wasn’t involved in the earlier pitch but is the agency of record for another AmBev brand, Brahma, Brazil’s No. 2 beer. During last year’s World Cup, Anheuser-Busch focused its massive marketing campaign for Brazil on Brahma, with work from Africa. DDB has other AmBev assignments, too, for Bohemia beer and soft drink Guarana Antarctica.

Budweiser is expected to launch this fall, in Brazil’s premium beer category, competing against Heineken, which is also distributed in Brazil by Ambev. Heineken is also reviewing its agency relationships. The brand works with Fischer & Fala, and uses a Rio de Janeiro agency, Mohallem/Artplan, for the Rock in Rio music festival Heineken sponsors.

8323: Going Crackers.


Snacking on the news with a MultiCultClassics Monologue…

The New York Times published a lengthy piece on Wheat Thins, detailing how Nabisco/Kraft Foods is intent on repositioning the product from a cracker to a snack. Leave it to the advertising industry to take offense at being labeled a cracker.

• A new poll showed 84 percent of workers intend to actively search for a new job this year. Add the 9 percent unemployed looking for a job and get ready for riots at anyplace hiring in your neighborhood.

Wednesday, January 05, 2011

8322: Pharma Agency Self-Promo Ads 4.


Digitas Health shows why digital shops should not be doing print. Meanwhile, palio shows why they should not be doing advertising.

Tuesday, January 04, 2011

8321: Lenovo Search Results Are Pure White.


Advertising Age reported that three agencies are vying for the chance to handle Lenovo global advertising duties. As always, zero minority shops were invited to compete. Digital divide or discriminatory dealmaking? More like computerized Corporate Cultural Collusion.

Agencies Competing for Lenovo Global Ad Duties

Presentations Taking Place at CES in Las Vegas

By Rupal Parekh

NEW YORK -- Three shops are set to face off in a final-round pitch to handle global advertising for Lenovo just as the tech company unveils a suite of new products—including an Android-based tablet—at the Consumer Electronics Show in Las Vegas this week.

According to people with knowledge of the agency review, those shops are: Publicis Groupe’s Saatchi & Saatchi, New York; MDC Partners’ CPB; and the incumbent for Lenovo’s ThinkPad products, WPP’s Ogilvy. It is understood that shops will meet with client executives while at the CES, and some presentations of work will take place this week during the event.

Lenovo representatives did not respond to requests for comment, while agency representatives declined to comment or couldn’t be reached.

While the company is a major global player, U.S. spending on the account has plummeted in recent times. According to Kantar Media, Lenovo in 2009 spent a little more than $30 million on domestic measured media, with the majority of it backing the marketing of its ThinkPad. But between January and October of 2010, that figure has dropped to less than $5 million.

The review comes five years after Ogilvy was selected to handle global advertising for Lenovo’s “Think” branded products, shortly after the computer maker purchased IBM’s PC Division. It also comes as Lenovo preps to unveil several new products.

Just today at CES, it announced the new “Le Pad” slate. According to SlashGear, the tablet, which can also dock to create a laptop, will sport a 10.1-inch display, weigh less than 2 pounds, and come in a variety of colors for about $520 a pop, retailing in China initially. On its website, Lenovo has also announced thinner and slimmer versions of its ThinkPad laptops and IdeaPad series of netbooks.

8320: Arbitron PPM® OK 4 U?


The digital ad above announced, “Arbitron PPM® radio ratings meet Media Monitors commercial data.” Given all the past problems, is it too early to declare mission accomplished?

8319: Force Dumb Factor.


Why show a steroid-created mutant for a product endorsed by professional athletes?

8318: Pharma Agency Self-Promo Ads 3.


HC&B Healthcare Communications promises big brains. Big ideas, well, that’s debatable. Meanwhile, Concentric promises staffers who aren’t big.

Monday, January 03, 2011

8317: Forecast Calls For Raining Strollers.


Who thought it would be a good idea to show baby strollers falling from the sky?

8316: Men Behaving Badly—Albeit Typically.


Monday Morning MultiCultClassics Monologue…

• The Navy is investigating videos showing the crew of an aircraft carrier engaging in hijinks replete with gay slurs, suggestive shower scenes and more—starring the ship’s second in command. Navy Cmdr. Chris Sims declared that the videos “were not acceptable then and are not acceptable in today’s Navy.” No word yet from Village People.

• ESPN broadcaster Ron Franklin was yanked from the air after referring to ESPN sideline reporter Jeannine Edwards as “sweetcakes” during an off-air confrontation. The tiff began at a pre-production meeting including Franklin, Edwards and ESPN announcer Rod Gilmore. While talking about Gilmore’s wife being elected mayor of Alameda, California, Edwards tried to join the discussion but was clipped by Franklin. “Why don’t you leave this to the boys, sweetcakes,” Franklin told Edwards. “Don’t call me sweetcakes, I don’t like being talked to like that,” replied Edwards. Franklin snapped, “OK then, asshole.” No word yet regarding the full extent of Franklin’s punishment. However, the Navy will likely express interest in hiring him to call games.

8315: You Too Can Be A Marketing Director.


Based on this commercial, Westwood College is the 21st century version of Art Instruction, Inc.

8314: Pharma Agency Self-Promo Ads 2.


Abelson-Taylor megaphoned it in. Pacific Communications seismic-monitoring-deviced it in.

Sunday, January 02, 2011

8313: Wishlist Needs Heavy-Duty Genie.


Advertising Age presented A Wishlist for the Industry in 2011. The wishes included:

We hope this is the year the advertising industry finally makes some headway in its diversity hiring and promoting. Programs such as BrandLab are good starts, but there needs to be a real commitment to hiring and nurturing this talent once they’re ready to enter the workforce.

Um, the wish might come true if you enlist a Shaq-sized genie to kick asses on Madison Avenue.

8312: Supplement BrandLab With WhiteLab.


Advertising Age presented a fluff piece on BrandLab, another minority youth outreach program. As always, it’s hard to rip these efforts. At the same time, why are they always targeting low-income schools? The story closes in stereotypical fashion:

Ad executives say they want to hire more minorities, they just can’t find them. “There are not that many candidates with diverse backgrounds getting into advertising,” said Christine Fruechte, president and CEO of Colle & McVoy and a BrandLab board member. “And how do you change that? You reach them at a younger age.”

Um, you could also try ending the exclusivity present in too many advertising agencies. And how do you change that? You reach Madison Avenue executives at an older age and enroll them into diversity training programs. After all, most White adpeople are far more clueless about non-White cultures than poor kids are about the alleged opportunities in our industry. You can’t recruit and retain minority talent with minority-unfriendly workplaces. Cultural enlightenment must happen in the high-income ad firms before heading to the low-income schools.


Minneapolis’ BrandLab Aims to Diversify Ad World’s Future

Local Industry Group Hits Up High Schools to Pique Youth Interest in Marketing

By E.J. Schultz

MINNEAPOLIS -- Jamir Hopson always thought he wanted to be a cop. “I like to work with people,” said Mr. Hopson, a high-school sophomore from Minneapolis. “I wanted to stay connected” with people in the neighborhood.

But that all changed recently when he enrolled in a diversity program called BrandLab that connects Minneapolis marketers and agencies with low-income high schools. Students take advertising classes and apply for internships at some of the city’s hottest shops.

After a few classes, Mr. Hopson was hooked, and he realized advertising was a better fit for his personality. “The BrandLab actually made me want to change my occupation,” said the affable Mr. Hopson. “Working at an ad agency would be a lot more fun for me because I like to design and network.”

Although his neighborhood might get one less cop, the ad industry will gain what it sorely needs—an African-American job candidate who will help bring more racial and socioeconomic balance to the overwhelmingly white field. And that’s what BrandLab is all about: introducing minority and low-income students to a career that many don’t know much, if anything, about, in hopes of influencing them to make it a career.

“These kids don’t know about this field, that you can actually get paid to do what we do,” said John Olson, founder and chairman of Olson, a local indie agency he says has donated roughly $1 million in time and money to the effort. “And simply introducing them to the concept of getting paid to be in marketing, in this glamorous world, is a very simple concept.”

Mr. Olson came up with the idea a few years ago, and in the 2007-08 school year dispatched agency employees to Minneapolis’s South High School, where they taught marketing to a group of Native American students. He slowly got other executives involved, and BrandLab is now growing like a hot start-up. The program—which has a budget of $300,000 -- expects to reach nearly 300 students this year at 10 Twin Cities schools, with plans to reach even more students next year.

Corporate funders include area stalwarts Target, General Mills, 3M, Best Buy, Land O’ Lakes, Schwan Food Co., Imation and Medtronic, while agencies such as Olson, Fallon, Carmichael Lynch, Larsen and Colle & McVoy provide guest lecturers and host field trips. Some shops host interns. And work is under way to take the program national, with the goal of reaching 50 cities in five years. Interest is coming from New York, Chicago, Miami and Los Angeles.

In Minneapolis, BrandLab targets schools with at least 40% of students on government-sponsored free and reduced lunch programs that also have a minority population of at least 40%. Four part-time administrators oversee three part-time instructors who teach classes on branding, campaign strategy and print, radio and TV production, which are open to all students at the school. Volunteers from agencies routinely visit classrooms to conduct seminars.

On a recent day at the FAIR school—a K-12 fine arts magnet school—two Olson creatives guided students through a mock scenario of a granola brand that wants to shift strategy and appeal to younger consumers.

“Get into their mind-set,” Tom Lord, an associate creative director, told the class. “That’s what makes great ads.”

Minutes later, students used an Olson worksheet to scribble out personality profiles for their target customer base—young consumers who are ready to try something a little healthier. Mr. Hopson, who was sitting in the back row, caught on quickly, throwing out the hypothetical “Amanda Appleton,” a journalist and part-time yoga instructor who hates smoking and watches “Glee.”

Next up was Lou Florez, an Olson creative director, who told the students that if they are competing with Doritos “you gotta make granola cool.”

“What if Kanye West was pushing granola?” he asked.

“I’d eat it,” blurted Mr. Hopson.

The class erupted in laughter.

By the end of the semester, the class will have created a full-fledged campaign for the brand. It’s too early to gauge the success rate of the program because the alumni are still in college, officials say. But BrandLab plans to watch its former students closely, recently setting up a database to track how many end up in advertising or marketing.

For Minneapolis marketers and agencies, the program is more than a feel-good effort—they hope to fill a business need by creating a local pool of diverse talent.

Nationally, the industry is woefully short of minority-hiring benchmarks. African-Americans, 13% of the population nationally, should make up at least 9.6% of advertising managers and professionals, but composed just 5.3% in 2008, meaning 7,200 African-Americans were “missing” from agency ranks, according to a study last year by the Madison Avenue Project, a partnership of the NAACP and civil-rights law firm Mehri & Skalet. The study found that 16% of large ad firms employed no African-American managers or professionals, a rate that’s 60% higher than the general labor market. Cyrus Mehri, a partner at the firm, has suggested the industry has engaged in “purposeful discrimination.”

Ad executives say they want to hire more minorities, they just can’t find them. “There are not that many candidates with diverse backgrounds getting into advertising,” said Christine Fruechte, president and CEO of Colle & McVoy and a BrandLab board member. “And how do you change that? You reach them at a younger age.”

8311: Pharma Agency Self-Promo Ads 1.


The body copy for Draftfcb Healthcare features S#*@! while Brandkarma goes with #!@%—and both ads are ¡#%@*!

8310: Fighting Islamophobia With Social Activism.


From The Los Angeles Times…

Working to boost social activism among Muslims

‘One of the solutions to Islamophobia is organizing around city-based issues,’ says Naim Shah Jr., who has worked with Christian and Jewish activists across L.A. to push a ‘responsible banking’ ordinance.

By Nomi Morris

For the first 15 years of his working life, Naim Shah Jr. was the personal assistant to the imam at Masjid Ibadallah, a mosque in Los Angeles. He helped with Friday sermons and religious classes and dealt primarily with his Muslim congregants.

But for the last six months, Shah has worked with Christian and Jewish activists across the city, drumming up support for the “responsible banking” ordinance, a law that would spur banks that do business with the city of Los Angeles to modify mortgages, increase loans to small businesses and invest in their neighborhoods.

What does community banking have to do with his commitment to Islam? Everything, says Shah, 41, who is also a professional accountant and a former director of Humanitarian Day, an American Muslim day of service to local communities, especially the homeless.

“One of the solutions to Islamophobia is organizing around city-based issues,” he said. “Trying to deal with global issues can lead to entanglements. Uniting around local issues can broaden understanding.”

Shah is one of four paid trainees in Southern California and 16 nationwide who are completing a six-month Community Organizing Residency (COR), a program launched a year ago by Jewish Funds for Justice, a national nonprofit organization.

Shortly after Shah arrived at his placement with the group LA Voice, he noticed that there were no mosques — and no Muslims — among its 24 faith-based organizations. LA Voice is an ecumenical federation that promotes civic action on the congregational level.

So Shah lined up 35 one-on-one meetings with Islamic clergy and lay leaders, and within two weeks he had mobilized 70 Muslims to participate in a responsible-banking rally organized by LA Voice. Now several mosques have joined the group’s network of churches and synagogues, which represents 30,000 families.

Simon Greer, president and chief executive of Jewish Funds for Justice, said COR’s guiding principles are that activists need not distance themselves from their faith traditions when they engage in community organizing and that true dialogue happens when people work closely toward shared goals.

“For those who say that the Jewish and Muslim communities can’t work together, I have the program that says otherwise,” Greer said. “This is not interfaith discussion. It’s not about finding two Jews, two Christians and two Muslims who know each other.”

Greer had noticed that although many Jews work toward social justice, their activities are not always connected to their Jewish identities. And those active in Jewish organizations often take a “parochial” approach, he said, not looking beyond their own group.

At the same time, agencies that receive grants from his group — many of which are not Jewish organizations — have expressed frustration that staff and volunteers are ill-equipped to deal with the religious dimension of the diverse populations they serve.

“There weren’t enough people doing community work who were comfortable in their faith traditions,” Greer said. “We found the same thing affected the Christian and Muslim communities.”

Read the full story here.

8309: Hawaii Jive-O.


American Girl® Girl of the Year® 2011 is Kanani—and she loves to share the aloha spirit of Hawai’i. Kanani is only available for one year, and prices start at $100. Wonder if Native Hawaiians are lining up to buy her.

Ua mau ke ea o ka aina i ka pono.

8308: Michael Jackson Autopsy Show Killed.


From The New York Post…

Michael Jackson autopsy television special pulled

A television show featuring the re-enactment of Michael Jackson’s autopsy has been “postponed indefinitely” by the Discovery Channel, it was announced Friday.

“Michael Jackson’s Autopsy: What Really Killed Michael Jackson,” had been slated to air in Europe and the UK later this month.

“Given the commencement of legal proceedings beginning next week, and at the request of Michael Jackson’s estate, the scheduled broadcast of the medical documentary related to Michael Jackson’s official autopsy has been postponed indefinitely,” a Discovery Channel representative said.

The executors of the late pop star’s estate said they were “very pleased” with the move. “We are hopeful that this show will never run in any market in the future,” co-executors John Branca and John McClain said.

They sent a letter to Discovery Channel last week demanding they cancel the show.

“Your decision to even schedule this program is in shockingly bad taste, insensitive to Michael’s family, and appears to be motivated solely by your blind desire to exploit Michael’s death, while cynically attempting to dupe the public into believing this show will have serious medical value,” the letter, obtained by Fox News Channel, read.

They said they were “especially outraged” when a “sickening” print advertisement promoting the show made light of Jackson’s death by showing the singer’s sequin gloved hand sticking out from a coroner’s gurney.

The incident comes as Jackson’s doctor Conrad Murray is set to argue in the manslaughter case against him that the King of Pop killed himself with a lethal dose of the powerful anesthetic Propofol, entertainment website TMZ reported.

The singer died on June 25, 2009 of a prescription drug overdose at the age of 50.

Saturday, January 01, 2011

8307: Happy New Year, Adpeople!


Celebrating 2011 with 11 more observations from 2010.

News Flash! Diversity efforts on Madison Avenue don’t receive enough funding. Or enough attention, organization, commitment, intelligence, etc. Except when it involves creative filmmaking.

• In March, Adweek reported that four Madison Avenue advertising agencies—Y&R, Saatchi & Saatchi, Avrett Free Ginsberg and G2—failed to meet self-imposed diversity hiring goals. In April, Adweek reported the figures were revised to indicate Y&R actually exceeded its goals. Hopefully, the recalculations did not require adding security, mailroom attendants and janitorial staffers.

The One Club took offense to an Advertising Age story, reading criticism where none existed. The exclusive awards organization ultimately showed its ideas for diversity don’t deserve a Gold Pencil for originality.

• Three Stooges: The Denver Egotist presented ignorance that could only be denied by an egomaniac; JWT honcho Bob Jeffrey said Mad Men is a recruitment tool; Advertising Week female executive panel declared glass ceiling is no longer a problem—these broads must be dumb blondes.

• Will Madison Avenue minority youth outreach programs eventually target embryos?

• Procter & Gamble rates its advertising agencies with a Green Scorecard—yet the mega-client continues to ignore their partners’ Whiteness.

• Madison Avenue sees great opportunities in Africa. African Americans, not so much.

Ogilvy & Mammies.

• The Dove Real Beauty campaign seeks, well, real beauties.

• Don’t expect Jim Edwards and GlobalHue executives to vacation together in Bermuda.

• After 62 years, the Advertising Hall of Fame® found a worthy Latino. ¡Ay, caramba!