Essay 677

In Chinese restaurants, he was the kid who was always given the fork. In his largely white Covina public schools, he was the one beaten up and taunted as a “Chinaman” and “burnt potato chip.”

Kip Fulbeck, a Santa Barbara artist, filmmaker, athlete and art professor who is of Chinese, Irish, Welsh and English descent, was born at a time when several states still banned mixed-race marriages and the children of such unions were routinely stigmatized.

But 41 years later, as interracial marriages have exponentially increased, Fulbeck is now celebrated as one of the nation’s leading artists focused on work about mixed-race Asians, known as “hapas.” He recently published a book on hapa identity, “Part Asian 100% Hapa,” and this weekend opened a related photographic exhibit at the Japanese American National Museum in Little Tokyo.

The exhibit reflects an evolution in the perception of multiracial people from the bizarre freaks and "tortured mulattoes" popularized in film and literature a century ago to simply normal. Hapa — originally a derogatory Hawaiian word for half-breed — has been embraced as a term of pride.

“Before, people would look at you like you were a science experiment,” said Fulbeck, a lanky Fontana native who sports a surfer’s tan and a waist-up Japanese tattoo.

“Now, we’re everywhere.”

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This excerpt opens an article on mixed-race Asians published by The Los Angeles Times. Click on the essay title above to view the full story.