Showing posts with label r/ga. Show all posts
Showing posts with label r/ga. Show all posts

Tuesday, March 04, 2025

16989: FYI IPG R/GA WTF.

 

Advertising Age reported IPG finally pruned R/GA, essentially giving the digital shop its independence back. A buyout group guided by R/GA leaders—and financially supported by a private equity firm—will take the company forward (or at least in different directions, opening the possibility for total failure).

 

Hard to predict how things will turn out, as IPG claimed R/GA had been a financial drag for years. Then again, IPG has not exactly been advancing in positive ways, and it’s now being acquired by Omnicom.

 

To compound the chaos, R/GA has experienced seismic shifts in leadership and vision, probably further complicated by dramatic changes in technology.

 

Time will tell if R/GA is getting a reboot—or just getting the boot.

 

IPG Sells R/GA To Private Equity Firm In Partnership With Agency Leadership

 

Truelink Capital will invest $50 million in an innovation fund to support the agency’s efforts

 

By Brian Bonilla

 

Interpublic Group of Cos. has completed its sale of R/GA to a management-led buyout group backed by Los Angeles-based private equity firm Truelink Capital. IPG, which had been shopping the digital agency around for over a year, announced the deal Monday morning. 

 

R/GA Global CEO Robin Forbes and Chair and Global Chief Creative Officer Tiffany Rolfe are among those part of the management-led buyout group, according to a joint statement from R/GA and Truelink Capital. R/GA declined to name the other members of the management group. Financial terms of the deal were not disclosed.

 

The deal comes as IPG prepares to be acquired by Omnicom Group and is planning its own $250 million restructuring.

 

“This strategic move allows Interpublic to further sharpen our focus on our core strategic offerings,” IPG CEO Philippe Krakowsky said in a statement. 

 

Truelink Capital will invest $50 million in an innovation fund to support the agency’s efforts in generative AI, talent, product development and future acquisitions, according to the joint statement.

 

“To us, it’s an opportunity to accelerate our world-class creative work through technology and design,” Rolfe said in the statement announcing the sale.

 

R/GA was founded in 1977 by Bob Greenberg and his brother Richard. It was one of the earliest digital agencies to break out in the advertising industry. Over the years, the agency has made its mark for work with clients such as Nike, Reddit and Verizon. Some of R/GA’s current clients include Google, Nike, Diageo, Eli Lilly, Samsung and TurboTax, for which it created a Super Bowl spot this year.

 

“Bob’s been a great advocate for this deal—and is excited about where we can take R/GA independently,” an R/GA spokesman said.

 

R/GA had been a part of IPG since 2001.

Thursday, February 20, 2025

16970: ICYMI IPG R/GA TTFN TBD.

 

Advertising Age reported IPG is closer to finally pruning R/GA. Don’t expect a farewell bash once the digital shop is stripped from the soon-to-be-acquired network.

 

IPG Nears Sale Of R/GA To A Management-Led Group Backed By Private Equity

 

Truelink Capital is backing the deal for the IPG agency

 

By Brian Bonilla

 

Interpublic Group of Cos. is in late-stage discussions to sell R/GA to a management-led buyout group backed by Los Angeles-based private equity firm Truelink Capital, Ad Age has learned.

 

The deal is expected to close in a few weeks, according to several people close to the situation.

 

IPG and R/GA declined to comment. Truelink wasn’t immediately available for comment. Multiple people close to the situation declined to share who is part of the management-led group poised to acquire R/GA. 

 

IPG has been shopping the digital agency around for some time, as first reported in June 2024.

 

R/GA was founded in 1977 by Bob Greenberg and his brother Richard. It was one of the earliest digital agencies to break out in the advertising industry. Over the years the agency has made its mark for work with clients such as Nike, Reddit and Verizon. Some of R/GA’s current clients include Google, Nike, Diageo, Eli Lilly, Samsung and TurboTax, for which it created a Super Bowl spot this year.

 

The plan to sell R/GA comes as IPG prepares to be acquired by Omnicom Group and is planning its own $250 million restructuring.

 

Independent network Serviceplan is the runner-up in the potential deal to acquire R/GA, according to multiple people close to the situation. Serviceplan has been looking to grow its positioning in the U.S. It acquired a stake in Pereira O’Dell in 2019 and in 2023 took a stake in New York agency L&C. The company shortly after formed Serviceplan Americas, which houses those agencies.

 

Serviceplan declined to comment.

 

Truelink currently has some marketing-related assets in its portfolio, such as a shopper marketing tech company called Flipp, marketing tech company Ansira and an exhibition and experiential marketing company called GES.

 

IPG’s digital agencies, including R/GA, have been struggling financially, as confirmed by the holding company’s CEO Philippe Krakowsky in recent earnings discussions. R/GA and Huge, which IPG recently sold to a different private equity firm, AEA Investors, have each undergone significant restructuring to adapt to the changing digital market. IPG also sold Deutsch New York and Hill Holliday in 2024.

 

It’s unclear how much the deal is worth. In October, Ad Age reported that IPG classified R/GA and Huge as “held-for-sale” and recorded a non-cash goodwill impairment expense of $232.1 million related to their potential sale, which essentially meant that the agencies were likely to be sold for less than the amounts at which IPG originally valued them.

 

R/GA has been in IPG’s portfolio for more than two decades. True North Communications, the holding company for FCB, bought R/GA in 1995, a year after True North and R/GA formed a strategic joint venture in digital and interactive technologies. IPG acquired True North in 2001.

 

Bob Greenberg, an early innovator in digital design, production, computer-imaging technologies and special effects, stepped down as R/GA’s CEO in 2019.

Tuesday, January 28, 2025

16934: Weight-Loss Drugs, Job-Loss Drags.

 

Adweek reported R/GA won Eli Lilly social agency of record status, including work for the pharmaceutical giant’s GLP-1 weight-loss drug Zepbound.

 

Ironically, IPG is still seeking to lose weight by pruning R/GA from its soon-to-be swallowed network.

Sunday, December 15, 2024

16885: Help Wanted—Job Security Extremely Limited-Time Only.

 

Gee, this must be a tough sell.

 

You’re cordially invited to join a failing White digital agency poised to be pruned by a White holding company that’s being acquired by a bigger White holding company.

 

This is no Help Wanted ad—it’s Hell Wanted.

Friday, December 06, 2024

16875: Huge Prune, Big Shat From IPG.

 

MediaPost reported White holding company IPG executed a huge pruning—literally—selling Huge to global private investment firm AEA. Next on the list to be pruned is probably R/GA, although IPG refused to confirm anything, saying “it does not comment on rumors or market speculation.”

 

Nope, the White holding company only spews DEIBA+ gobbledygook.

 

IPG Sells Agency Huge To Investment Company AEA

 

By Steve McClellan

 

Interpublic announced today that it has sold its digital agency Huge to AEA Investors, a global private investment firm. 

 

IPG noted Huge is being merged with another AEA unit Hero Digital. Terms of the deal are not being disclosed. 

 

IPG confirmed in July that it was considering the sale of both of its digital agencies—Huge and R/GA—which have been struggling to remain competitive and have proven to be a drag on IPG’s financials for the last couple of years. 

 

There were reports earlier this year that the company held discussions to sell R/GA to tech giant Tata Consulting Services—based in India but with a sizeable North American presence. 

 

It’s not clear if those talks are ongoing and there was speculation that the sides were far apart on a valuation for the agency. IPG has said it does not comment on rumors or market speculation.  

 

Last year Huge unveiled a major revamping of its service offering, a two-year long endeavor that was chronicled in a book by Michael Farmer called Madison Avenue Makeover: The Transformation of Huge and The Redefinition of the Ad Business (LID Publishing).  

 

A major objective was to move away from a project-focused business model to a solutions model with products and fixed pricing that could drive client growth as well as its own, Mat Baxter, then CEO of the agency said when the revamp was unveiled.  

 

Baxter was succeeded by Lisa De Bonis as CEO of Huge in January.

 

AEA acquired Hero Digital in 2021. Jay Dettling is CEO of the agency.

Monday, August 19, 2024

16744: No Love For Love Has No Labels…?

 

AgencySpy posted on the latest performative propaganda involving Ad Council and its Love Has No Labels campaign.

 

Ad Council President and CEO Lisa Sherman gushed, “No one should face discrimination because of who they are. There is more that unites us than divides us, and this new campaign was designed to empower individuals across the country to see the inequities impacting so many…”

 

Okay, except Ad Council consistently discriminates, handing big-budget projects to White advertising agencies and brushing crumbs to non-White shops.

 

It’s also ironic that the White digital agency responsible for Love Has No Labels—R/GA—is getting no love from White holding company IPG.

 

There is a label for this scenario: Bullshit.

 

The Latest ‘Love Has No Labels’ PSAs Target LGBTQ+ Discrimination

 

By Kyle O'Brien

 

The Ad Council has launched the latest effort in its Emmy-Award-winning “Love Has No Labels” campaign, to raise awareness of the ongoing discrimination faced by LGBTQ+ people and to remind audiences how they can help create a more accepting and inclusive society.

 

The new “American Dreams” PSAs highlight the barriers that exist in achieving equality and protection against discrimination and threats of violence.

 

Since the initial launch of the campaign nearly a decade ago, hatred and division are still rampant, with rising discrimination targeting LGBTQ+ people and increasing their risks of experiencing housing and broader discrimination. Many people across the country are unaware of the current threats to the LGBTQ+ community.

 

“American Dreams” was developed pro bono by R/GA, directed by Luke Gilford, and produced by Golden LA highlights the shared humanity, dreams and hopes of people across all walks of life, juxtaposed against the reality for LGBTQ+ people.

 

In “A Place to Call Home,” we see an idyllic suburban home with a diverse, happy cast of people enjoying their home and yard. The tone changes when the front door shuts and the reality of discrimination sets in. It ends with “In over 50% of U.S. states, you could legally be denied housing.”

 

“The Freedom to Live in Safety” shows a same sex family in a diner, with the reality being that LGBTQ+ are four times more likely to be victims of violent crime.

 

A third spot, “The Opportunity to Work for a Better Life” highlights the discrimination against LGBTQ+ people in the workplace.

 

All spots direct audiences to the LoveHasNoLabels.com website, where people are encouraged to learn about the legal protections, or lack thereof, in their state, read stories from LGBTQ+ people about their experiences with discrimination, and access resources to help foster more accepting communities.

 

“No one should face discrimination because of who they are,” said Ad Council president and CEO Lisa Sherman in a statement. “There is more that unites us than divides us, and this new campaign was designed to empower individuals across the country to see the inequities impacting so many and take actions that help ensure that LGBTQ+ people also have the opportunity to pursue their dreams.”

 

The campaign’s latest initiative was funded by California’s Bridge Project Fund, state bill 447, which creates a fund that can be used to create non-partisan, inclusive messaging, discourage discrimination, and help members of the LGBTQ+ community feel less isolated.

 

“The Ad Council’s Love Has No Labels ‘American Dreams’ campaign is more than just a message—it’s a call to action,” said Robin Forbes, global chief executive officer at R/GA. “It’s an urgent reminder that we must all take steps to ensure LGBTQ+ individuals are treated with the respect and equality they deserve. R/GA is proud to partner with The Ad Council to tackle these issues head-on, reinforcing that we’re all human before anything else.”

 

The campaign will appear nationwide through inventory donated by the media industry, including iHeartMedia which also produced audio assets for the campaign.

Friday, June 28, 2024

16688: IPG – R/GA = WTF + BS.

Mediapsssst at MediaPost reported IPG is poised to prune R/GA from the White holding company. Not surprising, as the White digital agency has been experiencing online connection problems for quite some time.

 

Based on speculation at MediaPost, The Wall Street Journal, and Advertising Age, the enterprise that once declared it was throwing out the traditional DEIBA+ playbook may soon get thrown out of IPG. Interestingly, the frontrunner in negotiations to acquire the firm is based in Bombay, India, meaning R/GA could soon be a non-White-owned White digital agency.

 

If IPG dumps R/GA, expect a stripper-filled farewell bash.

 

Is IPG About To Unload R/GA?

 

By Richard Whitman

 

IPG has talked to potential buyers for the holding company’s pioneering digital consulting, design and ad agency R/GA, according to several reports.

 

Earlier today The Wall Street Journal reported that Tata Consulting Services appeared to be the frontrunner in talks to acquire the agency.

 

An IPG spokesman declined to comment on the “speculation” that R/GA was for sale. 

 

The company was founded by brothers Richard and Robert Greenberg back in the 1970’s as a production company that utilized then leading-edge computer technology to help make films.

 

IPG acquired the company in 2001 as part of its M&A deal for True North Communications. By then R/GA was a leader in digital marketing and IPG used it to help forge a path in that fast-growing sector.

 

Richard Greenberg left the firm in the 1980s to pursue other interests. Bob Greenberg stepped down from the CEO post in 2018.

 

The agency excelled in reinventing itself often to keep pace with the fast-changing digital marketing landscape.

 

However, over the past couple years the firm has struggled to meet changing client needs, a similar problem for IPG’s other well-known and long-held digital agency, Huge.

 

Both agencies were cited last year as part of the reason for IPG’s dwindling organic revenue growth, along with sharp client cutbacks in the technology sector.

Friday, April 26, 2024

16621: IPG Priming For Pruning…?

 

Mediapsssst at MediaPost reported IPG CEO Philippe Krakowsky stated that two White digital agencies in the network—Huge and R/GAcontinue to pose a “significant drag” on the White holding company’s growth.

 

Hmmm. Sounds like somebody’s ripe for pruning.

 

Digital Agencies Still A Drag On IPG Growth

 

By Richard Whitman, Columnist

 

During a call with analysts yesterday following the release of its first quarter results, IPG CEO Philippe Krakowsky noted that its two digital agencies Huge and R/GA are still posing a significant drag on the company’s growth—about 1.5 percentage points in Q1.

 

That’s after a year or more of strenuous efforts to turn the fortunes of both shops around with new management and revamped go-market approaches.

 

Another big drag on the company’s growth throughout last year was its roster of technology and telecom clients which collectively cut spending drastically at IPG and other holding companies too.

 

The good news there is that now that sector is less of a drag on IPG’s growth—around 1.5% versus the previous 2 to 2.5%. Krakowsky told analysts that it was still hard to tell when the sector would actually start growing again.

 

And the company’s organic growth outlook for the year—between 1% and 2%--does not factor in any growth from the “turnaround” agencies or tech sector growth. So if some growth does materialize in either sector, it would be icing on the cake.

Wednesday, October 04, 2023

16402: TTFN/CUL8R R/GA.

Advertising Age announced R/GA Connected Communications U.S. Chief Creative Officer Shannon Washington is shipping out, reportedly for a role at an unnamed sister firm in the IPG network.

 

Remember when White advertising agencies from IPG would file lawsuits against rival shops for allegedly poaching talent? Now Interpublic is inter-poaching without shame or hesitation.

 

In fact, IPG CEO Philippe Krakowsky gushed, “We’re thrilled [Washington] will continue her career with IPG, as she expands the positive impact she’s having on our company and our clients with a new leadership role within our organization that will be announced soon.” Expect Krakowsky to declare the shift is a diversity victory for Washington’s new workplace. That’s how the IPG gobbledygook machine rolls.

 

But don’t expect anyone to admit Washington might just be jumping off a sinking ship.

 

R/GA US CCO Shannon Washington set to depart for another IPG shop

 

Washington heads up R/GA’s Connected Communications practice in the U.S.

 

By Brian Bonilla

 

Shannon Washington, the U.S. chief creative officer of R/GA’s Connected Communications practice, is set to depart the agency for a sibling Interpublic Group of Cops. shop, Ad Age has learned.

 

The move is expected by the end of the year, according to multiple people close to the situation, although it was not clear exactly where Washington was heading. Washington wasn’t immediately available for comment and R/GA declined to comment beyond a statement by IPG's CEO Philippe Krakowsky.

 

“We’re thrilled she will continue her career with IPG, as she expands the positive impact she’s having on our company and our clients with a new leadership role within our organization that will be announced soon,” Krakowsky said in a statement.

 

Washington, named Ad Age’s Chief Creative Officer of the Year in April, has been with R/GA for over three years, swiftly rising through the ranks. Prior to her promotion, she served as a senior VP, group executive creative director. Before that she was the head creative for R/GA’s New York office prior to the agency’s restructuring into a practice-based model last year. As part of that restructuring, Washington was named U.S. chief creative officer of Connected Communications, R/GA’s largest practice, in December.

 

The division, which is dedicated to creativity that has a media and technology focus, made up about 50% of the agency’s business at the time of her promotion.

 

Washington has been instrumental in helping lead work, including Sephora’s “Black Beauty is Beauty” campaign in 2021. Washington also helped R/GA bring on Uber and Intuit TurboTax as clients.

 

Last year, Washington led R/GA’s “Love Lives On” campaign for the Ad Council, which included a seven-minute film, “The Gentle Giant,” that recounted George Floyd’s personal story.

Tuesday, August 08, 2023

16344: How Fractional Work Programs Fracture DEI Programs.

 

Advertising Age reported on The Associates—a program at R/GA that invites former employees and freelancers to work at the White digital agency for an annual minimum of 20 weeks. Whoop dee damn doo.

 

For starters, there doesn’t appear to be anything new here—the initiative feels like an IRS-friendly permalancer scheme. It’s no secret that White digital agencies operate with a different staffing structure than White advertising agencies. That is, White advertising agencies employ the minimum number of bodies, bringing in freelance help when necessary. In contrast, White digital agencies employ fewer than the minimum number of bodies—these firms have freelance support at their beck and call 24/7. The simple reality is White digital agencies are project-based enterprises—where workloads wildly fluctuate with no rhyme or reason—making it nearly impossible to maintain consistent, regular employees.

 

Secondly, given the recent mass layoffs at R/GA, the place has effectively created a vast pool of available talent. Hell, they might as well take advantage of the former workers—probably doling out lower rates in comparison to previous salaries—while hyping the maneuver as an innovation.

 

Finally, The Associates further diminishes the opportunity for authentic diversity in Adland. Drawing from an exclusive network of familiar faces prevents progress by shutting out newcomers, ultimately demonstrating corporate cronyism.

 

R/GA once declared they were “throwing out the traditional playbook for [DEI]”—yet it appears they’ve officially resumed utilizing the traditional playbook for systemic racism.

 

In closing, it’s worth noting that Ad Age illustrated the story with a royalty-free stock photograph (depicted above), underscoring how employees have become generic, interchangeable drones.

 

R/GA Launches Fractional Work Program For Agency Alumni

 

The Associates program promises a minimum of 20 weeks a year of work to former R/GA employees and freelancers

 

By Aleda Stam

 

R/GA is launching The Associates, a program for the agency’s alumni that invites them to work at the agency for a minimum of 20 weeks a year.

 

The Associates program is a type of fractional hiring, in which an employee is hired for a period of time, but without the constraints of project-based work, like freelance, or the permanence of part-time work.

 

The program was created in response to the rise in project-based client requests as a way to better manage skills, financial impact and headcount, according to Tiffany Rolfe, R/GA’s global chief creative officer. She also cited the rise in flexible work culture as people adopt—or are forced to adopt—freelance lifestyles.

 

“There was a need for a model for a workforce that gives more flexibility to employees, that also gives flexibility to our clients, so we can adapt to the changing needs that they have,” Rolfe said.

 

The Associates debuts months after R/GA laid off an estimated 15% to 20% of its U.S. employees. This was at least the sixth round of layoffs in the last three years for the Interpublic Group of Cos. shop. Last week, IPG announced that the holding company’s total headcount decreased by 1.2% through the first half of the year.

 

The program’s name came from the agency’s name—the A in R/GA stands for associates. (The R and G come from the names of brothers Richard and Robert Greenberg, who founded R/Greenberg Associates.)

 

‘Clients want consistency on their business’

 

R/GA said that through the program it will gain access to a diverse talent pool across disciplines that is familiar with the agency and its clients without having to worry about the expense or hassle of onboarding full-time employees.

 

“There’s challenges with onboarding employees into new projects, which might take a little while to get them accustomed to it, and clients want consistency on their business,” Rolfe said. “But it gives stability to employees.”

 

Employees in the program will have access to the agency’s office space, hardware such as computers, and the same software technology as full-time employees. Rolfe also touts the program as a way to offer access to workplace culture, agency events and learning and development opportunities.

 

Associates are eligible for the same type of benefits as full-time employees including health, dental, vision, supplemental life, short-term disability, long-term disability and retirement savings, according to the agency.

 

Similar to freelance employees, Associates will sign NDAs and have non-compete clauses in their contracts for certain R/GA clients, and they can float among different accounts.

 

Associates are paid based on the work they do (hourly or weekly, part-time) and at the end of year are compensated for any unused time. Specific salaries were not disclosed.

 

The Associates initially launched in June and now has 10 people participants. The agency is opening several more roles in the coming months, and Rolfe expects Associates to grow further into 2024 as client needs dictate.

 

While The Associates is an R/GA-only pilot program at the moment, Rolfe sees applications for parent Interpublic Group of Cos. and the industry at large in the future as client needs change.

 

“We don't think this is something that should just be an R/GA thing,” she said. “We actually think this is an approach that the whole industry needs.”

 

Fractional is the new freelance

 

These fractional employment terms are just another way for a company to say freelancer, and might not be beneficial to employee or employer in the long term, according to Sasha Martens, president of industry recruiting firm Sasha the Mensch Inc.

 

“In the U.S., sometimes we lay people off and ultimately that’s a short-term decision that’s not beneficial for the company or the person because a lot of institutional knowledge gets lost having to rehire and retrain somebody else,” Martens said.

 

Martens cites Germany’s Kurzarbeit policy as a more beneficial tact to take. The policy, which Germany implemented during the 2008 financial crisis and the early stages of the 2020 pandemic lockdowns, is a social insurance program that has employers reduce their employees’ working hours instead of laying them off. The policy was one of the main reasons Germany was the only G7 economy to avoid a rise in joblessness in 2009.

 

Martens believes policies that favor fractional employees could “open the door” for having fewer full-time employees. “There does seem to be a driving interest to lower full-time headcount in most corporations to offer fewer benefits,” he said.