Showing posts with label interracial romance. Show all posts
Showing posts with label interracial romance. Show all posts

Saturday, January 25, 2025

16930: How The Fortune Cookie Crumbles At Panda Express.

 

This Panda Express video posted at Ads of the World serves as a DEIBA+ doubleheader, presenting Chinese American culture/casting and Chinese/Lunar New Year.

 

Taking lead credit is White advertising agency Opinionated, who won AOR status for Panda Express in July 2024 by tapping TDW + Co.—a multicrumbtual shop—for cultural competence.

 

It would be interesting to learn how much compensation TDW + Co. received for its creative contributions. Based on the Prime Redlining typically experienced by non-White firms “partnering” with White ad agencies, the fee was likely not a fortune, but rather, fortune cookie crumbs.

 

Honesty is the best policy indeed.

 






Friday, October 11, 2024

16801: TGIFatherless.

 

The Guardian published a perspective on the controversy sparked by a Heinz advertisement featuring arguably racist stereotypes. In short, Heinz took the “pa” out of pasta sauce, which left a bad taste in viewers’ mouths.

 

When a Heinz advert features racist stereotypes to sell pasta sauce, it’s vital to speak out. So I did

 

By Nels Abbey

 

I’m glad that an ad apparently minimising the role of Black fathers has drawn an apology. It’s lazy thinking we just don’t need

 

It’s Black History Month, one dedicated to reclaiming narratives. It also happens to be a month before the 140th anniversary of the plotting phase of white supremacy’s most enduring set of crimes: the Berlin conference (in which it was decided which European nations, empires or monarchs would get to own which parts of Africa and, effectively, enslave the population). Complementing and continuing the catastrophes that emerged from the industrialised kidnapping and enslavement of Africans in the Americas before it, the Berlin conference unleashed a slew of compounding tragedies, confusions, narratives and stereotypes, which have led us down the years to the stereotype of single parenthood, and notably the “deadbeat father”.

 

Fast-forward to last Friday. Standing on the Victoria line platform of Vauxhall tube station, I noticed an advert for a new “family size” pasta sauce being flogged by Heinz. It is a wedding shot, in which a joyful-looking dark-skinned Black woman in her wedding dress is clutching a fork of pasta in tomato sauce, seemingly unconcerned that sauce has dripped down her dress. So far, so innocuous. Sat beside her is a man you assume is the groom (who is white) and a rather bewildered-looking older Black woman you could reasonably guess is her mother. On her other side are two older, and also apparently bewildered, white people who would reasonably be assumed to be the parents of the groom. Admittedly I had to look a few times to ensure I wasn’t seeing things. I wasn’t. Where was her father, whom the average person – looking at her – would assume to be Black? Nowhere to be seen. Not at the top table. Not anywhere.

 

Most might not have noticed. That’s probably how the image – which Heinz, post-social media storm, has apologised for – got that far.

 

Looking at it on the tube, I reflected on how much the concept of the deadbeat or missing father has cost us. It’s not that it doesn’t happen. Everything’s Gonna Be Alright (Ghetto Bastard), a furious anti-deadbeat father record by rappers Naughty By Nature sprung to mind. It was a song I knew line for line as a 10-year-old former foster child before I met my own biological father.

 

But that detachment isn’t a given. And it certainly shouldn’t be the basis for an ad executive’s lazy assumption. On Friday night, I tweeted a line from a song by the rapper Nas, Daughters, (“for my brothers with daughters”) – alongside the picture of the Heinz ad, before adding that Black girls, believe it or not, have fathers too. It rightly touched a nerve. 


A key legacy of centuries of racist assault on Black people has been Black families struggling to stay together. Yet a statistic is a liar’s best friend, and statistics on single parenthood in Black communities are a bigot’s closest ally. Admittedly, the stats on single parenthood look notably vicious for Black communities. The figure in England and Wales increased from 48.5% in 2011 to 51.0% in 2021.

However, in Black communities, the synonymising of single parenthood with deadbeat fatherhood is an error. As in all communities, it is not uncommon for Black or multi-racial parents to break up or to be unmarried, but it is increasingly unusual for Black fathers not to play a super-active role in the lives of their children. The stereotypes we inherited from yesteryear are yet to be updated and are crowded out by statistics that don’t paint a full picture.

 

Thanks in large part to intra-communal accountability endeavours for Black fathers on an interpersonal, collective (see organisations such as Dope Black Dads) and cultural level (more musical examples include Parity by AKS), we are living through the aftershock of the era of the deadbeat Black father. So we are left with no choice but to challenge the Heinz advert and that stereotype.

 

We know that outrage sells. As does subtle racism. And in the main, no publicity – especially for a billion-dollar entity like Heinz – is bad publicity. But I will also say that, compared with other media, advertising has really tried to reflect and represent modern, multicultural and diverse Britain, especially at a time when it is under political and, as we saw in this summer’s riots, literal physical assault.

 

Advertising in Britain formed a force field against the culture war assaults of the years of Tory rule. And money talks: diversity has proven to be a very good (profitable) marketing and advertising tool. I view the Heinz ad as more cock-up than corporate Klansman conspiracy, and its apology for “unintentional perpetuated negative stereotypes” – assuming it is taking the posters down and doing something positive to challenge those stereotypes – is to be welcomed.

 

But let this be a lesson. From advertising to TV to reality, what must always be remembered is that Black girls, like Black boys, have fathers too. Keeping Black men off the table does no one any good.

Sunday, December 04, 2022

16055: BetterHelp Multicultural Marketing Is Mixed Up.

 

BetterHelp utilizes interchangeable illustrations to offer relationship therapy to White couples, Black couples, Asian-American couples, and interracial couples.

 

Sorry, but BetterHelp needs the help of better creative marketing services.

 

Thursday, March 12, 2020

14949: SafeAuto Continues To Create Contrived And Crappy Commercial Car Wrecks.

A new campaign for SafeAuto from Joan includes this commercial featuring an interracial couple that is pure garbage. So it looks like a women-run White advertising agency is just as capable of producing awful work for a clearly shitty client as any male-run White advertising agency. Bravo.

Friday, April 19, 2019

14603: Revisionist History From Ancestry.com And Anomaly.

Adweek reported on a culturally clueless commercial for Ancestry.com from Anomaly that romanticizes why Blacks have White blood ties, ignoring the historical truths involving slavery and rape. Hey, it’s not the first time Ancestry.com has embraced revisionist history in its advertising. And Anomaly’s ignorance is, well, not an anomaly.

Ancestry.com Pulls Tone-Deaf Ad That Romanticizes Why Black Americans Have White Lineage

The spot doesn’t take enslavement and rape into account

By Lindsay Rittenhouse

It’s just another day in advertising and another example of a tone-deaf ad that likely would have never been approved had there been more people of color with significant sway on the matter.

Ancestry.com has pulled an ad that romanticized the reason why so many black Americans have white ancestry. (The biggest reason is rape.)

The ad, which is called “Inseparable” and is from Anomaly, is set in the 1800s and imagines a white gentleman trying to convince a black woman he is supposedly in love with to run away with him to Canada (as if white men in America at the time weren’t enslaving and raping black women and trying to dismantle the Underground Railroad that freed thousands of slaves).

The ad ran online this month and was broadcast on cable networks in Utah, where the online genealogy company is based, before The Salt Lake Tribune reported on it, prompting the brand to pull it from YouTube.

“Ancestry is committed to telling important stories from history,” an Ancestry.com spokeswoman said in a statement. “This ad was intended to represent one of those stories. We very much appreciate the feedback we have received and apologize for any offense that the ad may have caused. We are in the process of pulling the ad from television and have removed it from YouTube.”

The spokeswoman declined to say how many people of color were involved in making the ad, which was created by Anomaly’s Toronto office. The agency deferred comment to the client.

The ad garnered considerable backlash from viewers who pointed out how offensively unrealistic it is along with other insensitive aspects such as how the white male character interrupts the black woman when she tries to speak (arguably the only realistic part of the spot).

Others have noted how the ad parallels other white savior tales, from the recent controversial Academy Award-winning Green Book to To Kill a Mockingbird. Business Insider producer Manny Fidel explained the origin of white savior stories and detailed why they are so unrealistic and problematic in a video posted to his Twitter account in response to the Ancestry.com spot.

Here’s hoping change one day comes to the advertising industry.

Tuesday, November 13, 2018

14378: When Harlan Met Joy.

Okay, before anyone thinks KFC is jumping on the interracial couples bandwagon with Colonel Sanders and Mrs. Butterworth dancing and romancing for the Chicken & Waffles promotion, think again. Contrary to popular misconception, Mrs. Butterworth is a matronly White woman—not to be confused with Aunt Jemima. Hell, Mrs. Butterworth is barely true to her name, as the original formula only contained 2% of butter.

Saturday, October 06, 2018

14320: HelloFresh Not Fresh.

This HelloFresh commercial is not very fresh with its interracial couple. And the decision to not give Rich a single line of copy makes him come off like, well, a vegetable.

Tuesday, August 14, 2018

14260: Triple Entendres?

Given all the sensitivity surrounding sexism in advertising—and in advertising agencies—why did Mekanism think it would be cool to present three-way double entendres for HotelTonight? Does any woman find this this this even slightly amusing? Hell, does anybody?

Oh, and the spot titled “Mixing It Up” features two White chicks and a Black dude. How racy!

Sunday, February 28, 2016

13105: Kohl’s Is Mixed Up.

Did Kohl’s try to bring diversity to the Academy Awards with its interracial family? The retailer deserves a nomination for Best Patronizing Pap.

Tuesday, May 26, 2015

12684: Orbit Gum Blows.

Orbit presents a global, multicultural campaign in the laziest way possible, integrating Ashton Kutcher, Cristián de la Fuente and Damon Wayans Jr. delivering identical performances in the same set. Why is Kutcher chewing with a woman who isn’t Mila Kunis? And why is Wayans Jr. depicting an interracial romance?