Wednesday, April 30, 2008

5416: BB King Of Beers.


Received the following comment for Essay 4281 that’s definitely worth sharing…

Wow, reading that article by Tim Arnold brought back some frightening memories of ad men. I was the recording engineer on the BB King Budweiser radio spot. That session was the single most embarrassing moment of my career. Having to spend 6 hours in a room with completely out of touch advertising executives and “creatives” trying to tell BB King just how to play the blues. I only wish I had it on videotape.

Anyone who has ever listened to BB King knows that he never plays over his vocals, though the “passionate” blues enthusiast seemed to have no clue to this. I remember cringing whenever they pressed the talkback button to say something like, “BB…babe…I want to hear Lucille wail over the entire spot…Give me some Lucille, BB.” Of course they also had him singing “Bud” lyrics throughout the entire spot with no holes left for his guitar work. Mr. King was, however, gracious and accommodating throughout the arduous process and I’m sure the entire band got a good laugh afterwards. Check please.

They never did get him to play over his vocal until I sent a number of 4 bar vocal refrains to magnetic heaven.

The fact is that having celebrities hawk a product is neither groundbreaking nor creative…it’s Marketing 101. People are suckers for “if HE or SHE uses it, it must be great.” The only tough thing about it is prying the money to pay the celebrity out of the budget.

One thing Ad Men are VERY good at is tooting their own horn.

5415: Will The Axe Drop On Dupri?


AllHipHop.com reported Procter & Gamble created a hotline to get consumer responses to placing advertising in media—specifically, BET and MTV— that features offensive rap imagery. The move appears to be a reaction to protests from the Enough is Enough Campaign led by Maryland pastor Delman Coates. Wonder if the ink has dried on the music contract between P&G and Jermaine Dupri.

5414: Divisiveness & Digital. Oh, And Diversity Too.


The story below appeared at AdAge.com. A brief MultiCultClassics comment immediately follows…

New 4A’s Leadership Provides Healthy Dose of Boosterism
Chairman Tom Carroll Wants an End to Divisiveness and Ad Industry In-fighting

By Rupal Parekh

LAGUNA NIGUEL, Calif. -- Ad agency chiefs used to hearing doomsday forecasts for their business model heard very different calls from two industry leaders at the American Association of Advertising Agencies’ 2008 Leadership Conference here.

After an official passing of the baton by outgoing 4A’s Chairman Tony Hopp, incoming chairman and TBWA/Chiat/Day President-CEO Tom Carroll opened the event in his signature candid style, speaking out against persistent criticism by industry publications -- including this one -- of the good work agencies are doing in an environment that’s rapidly changing because of digital technology.

‘Stop listening to critics’
All industries need to calibrate themselves, Mr. Carroll noted, and the ad industry, in the midst of making difficult changes, isn’t doing a half-bad job of it. “We need to stop listening to the critics … we know what we’re doing with technology.”

He went on to urge agency executives to once and for all use stop using language that divides creative and digital disciplines: “It’s all digital … everything we do is digital … it’s one thing.” Mr. Carroll earned some laughs when he compared the notion of digital talent staging an attack on the industry to President Bush’s depiction of Al Qaeda.

The 4A’s leadership conference -- which in past years was dubbed a “management conference” -- has in prior years gotten its share of criticism “some of it deserved, some of it’s just piling on,” Mr. Carroll said. As a result, the group this year revamped the agenda by shortening sessions and mixing presentations with respected luminaries, such as TBWA/Chiat/Day’s Lee Clow and Tribal DDB’s Matt Freeman, with speakers from outside the industry, such as Google’s Eric Schmidt.

Still, he placed the burden on attendees to provide constructive feedback to evolve the confab and make it more relevant going forward.

Addressing agency concerns
Meanwhile, Nancy Hill, who in February took over as president-CEO of the group, succeeding O. Burtch Drake, went down a more inspirational route, squarely placed diversity and technology at the top of the organization’s agenda. Not necessarily new issues, Ms. Hill noted, but nevertheless the ones repeatedly cited as top concerns she hears from agency leaders around the country.

To boost the numbers of ethnic and racially diverse employees in agency ranks, the 4A’s before the close of its conference will announce a “major new initiative that will specifically address the dearth of African-American executives,” Ms. Hill said.

She further vowed to make it a priority to transform the nearly century-old organization into the “digitally savvy association of the future,” via a new website that launches today, and the rollout of a new digital platform and suite of online tools over the next year to allow members to better network and engage in a global conversation about advertising.

“Our perspective must be broader and more global in scope,” she said. “Our counterparts from around the world need and want to interact with us.”

OK, so Nancy Hill promised a “major new initiative that will specifically address the dearth of African-American executives.” Which probably means Hill recruited a bunch of Black adpeople to brainstorm a solution. Don’t mean to be the type of critic Tom Carroll criticized, but the industry’s failure at ethnic diversity is no different than its bumbling of integrated marketing. Advertising executives pigeonhole and segregate everything—and the worst part is, they place value judgments on the individual pieces. Unless the “major new initiative” includes rewiring the brains of typical advertising executives—and introducing serious behavioral modifications—it’s unlikely any real progress will take place. As it is, digital has already leapfrogged diversity on the official to-do list.

5413: Terminal Stupidity.


To get the true terminal experience, soak this ad in sweat and urine.

5412: Broad Imagery.


Ad Broad points out 6 things to avoid when doing ads for boomers. Madison Avenue perpetuates stereotypes with clichéd imagery when targeting specific audiences? Imagine that. Also, might add overuse of Motown music to the list—or in lieu of Motown, Louis Armstrong singing, “What A Wonderful World.”

5411: Eye-popping Shit.


If this Propel ad was produced by the agency that replaced Element 79, then the Chicago-based shop was robbed. If it was created by Element 79, then they deserved to lose the business.

Tuesday, April 29, 2008

5410: Worlds Gone Wild.


Exposing deals in a MultiCultClassics Monologue…

• Ashley Alexandra Dupre, the call girl linked to former New York Governor Eliot Spitzer, is suing Girls Gone Wild creator Joe Francis for $10 million. Dupre is charging Francis with using her image to sell videos, even though she allegedly permitted Francis to film her in 2003. Perhaps this will inspire a spinoff series: When Call Girls Attack.

• The Wm. Wrigley Jr. Company, the maker of assorted gums, and Mars, the maker of M&Ms and more, announced plans to merge the companies. “Bringing together these iconic, world-class companies combines Wrigley’s strengths with the deep resources and proven brand-building savvy of Mars and will result in a powerful force for innovation and growth in the global confectionery marketplace,” said Warren Buffett, whose company will provide funding for Mars. Um, what are Wrigley’s strengths—the Doublemint Twins?

• General Motors announced plans to dump 3,500 workers because of lousy sales with pickup trucks and SUVs. A GM executive said, “With rising fuel prices, a softening economy and a downward trend on current and future market demand for full-size trucks, a significant adjustment was needed to align our production with market realities.” Since when has GM been in touch with reality?

5409: Who’s Your Daddy?


Just in time for Mother’s Day…?

5408: Creative Director X-Factors.


Saatchi & Saatchi X seems to be constantly seeking creative help. Check out this actual job listing:

At Saatchi & Saatchi X, our Creative Directors ensure delivery of world-class ideas and award-winning work that create sustainable growth for our clients. Our Creative Directors are connected players with their multi-functional teams, their peers, the creative youth and our clients. They are talented storytellers who are capable across multiple disciplines, such as digital, copywriting, design, interactive, CRM, promotional campaigns and environment/experiential.

Our Creative Directors are leaders in our agency, engaged in broad business discussions that shape the future of Saatchi & Saatchi X. They are inspirational leaders and mentors.

The ideal candidate will be an outstanding strategic and conceptual thinker, imaginative storyteller and persuasive communicator. You should also have a degree in a related field, with preferably 8 to 10 years of agency experience and a proven ability to direct and create award-winning work.

We are looking for team players who are passionate, curious, positive, and courageous.


“Connected players with…the creative youth” probably means you’ll be overseeing low-paid, inexperienced rookies. “Imaginative storyteller” definitely means major-league bullshitter. As for the world-class ideas and award-winning work, well, check out the examples depicted above from the agency website. Guess Prilosec side effects include delusions of grandeur.

5407: Lame Recognize Lame.


Game over.

Monday, April 28, 2008

5406: Bulging Bias.


From The Chicago Tribune…

Lending heft to an anti-bias campaign
Massachusetts bill aims to stem discrimination against the overweight, but some don’t want a ‘green light’ to be fat

By Lisa Anderson, Tribune correspondent

NEW YORK — In an overwhelmingly overweight nation that worships thinness, many describe prejudice against the obese as one of the last socially acceptable biases. Advocates for the plus-sized, particularly activists in the “fat acceptance” movement, want obesity to become a category legally protected against discrimination, like religion, race, age and sex. But not everyone agrees.

One such law, to ban discrimination against weight and height, is pending in Massachusetts.

“I think it would help mostly because it would send a message that fat people are equal citizens. It’s not in the litigation rates, but the rights consciousness that comes after legislation,” said Anna Kirkland, an assistant professor of women’s studies and political science at the University of Michigan.

Kirkland, who said she is not overweight, is the author of the just-published “Fat Rights: Dilemmas of Difference and Personhood,” which examines the question of whether weight should be a protected category.

Currently, people can seek protection under the Americans with Disabilities Act, but they must prove their obesity is a disability and, in some cases, that it is caused by physical traits beyond their control.

“Right now, fat is just a marker of bad character, an undesirable personal trait that people bring on themselves,” said Kirkland, who prefers the word fat to the ambiguity of overweight and the clinical-sounding obese. “What you’re doing is forcing the law to force social change.”

According to generally accepted medical standards, about two-thirds of Americans are overweight (a body mass index of 25 to 30) or obese (a BMI over 30). It is a situation so entrenched in popular culture that it provides the basis for such reality shows as “Bulging Brides” and “The Biggest Loser” and for 242-pound Texas yoga teacher Abby Lentz to provide classes in “HeavyWeight Yoga: For the Body You Have Today” in her Austin studio.

But not everyone, including the corpulent, considers anti-weight-bias legislation a good idea.

“Legislation happens when people are too childish to police themselves,” said Sue Ann Jaffarian, author of the Odelia Grey mystery series starring a 220-pound heroine who is a reflection of her creator.

“But, as a fat woman, I don’t want a green light,” said Jaffarian, 55, who worries that such a law would validate what some consider unhealthy weight. “The downside of legislation is that the prejudice would go more underground.”

[Read the full story here.]

5405: Th-th-that’s All, Black Folks!


From The New York Times…

Cartoons of a Racist Past Lurk on YouTube

By DANIEL E. SLOTNIK

Among the millions of clips on the video-sharing Web site YouTube are 11 racially offensive Warner Brothers cartoons that have not been shown in an authorized release since 1968.

Some of the cartoons were removed on April 16. A message saying the cartoons were no longer available because of a copyright claim by Warner appeared in their place. By evening the messages disappeared, and some of the cartoons were back. Representatives for YouTube and Warner would not confirm whether the companies had tried to remove the cartoons.

Ricardo Reyes, a YouTube spokesman, said YouTube relies on copyright holders to identify infringing content and on users to flag offensive content. If people do not complain, videos remain, he said. Mr. Reyes said that copyright violations are removed “very quickly” once identified, but the problem “is that ownership is often tough to determine.” He said many users “unknowingly post because they don’t know the law.”

A representative for Warner wrote in an e-mail message that “Warner Brothers has rights to the titles” in question and that “we vigorously protect all our copyrights. We do not make distinctions based on content.”

The cartoons, known as the “Censored 11,” have been unavailable to the public for 40 years. Postings no longer appear if YouTube is searched for “Coal Black and de Sebben Dwarfs,” a parody of “Snow White” and the most famous of the cartoons. But a search for “Coal Black” does find the cartoon.

These cartoons were controversial when first released; the N.A.A.C.P. unsuccessfully protested “Coal Black” before it was shown in 1943. Richard McIntire, the director of communications for the N.A.A.C.P., wrote in an e-mail message that “the cartoons are despicable. We encourage the films’ owners to maintain them as they are — that is, locked away in their vaults.”

WMAV01, a YouTube user who posted some of the cartoons and preferred not to give his name, wrote in an e-mail message that “these cartoons were never officially ‘banned’ by any law” and added that the cartoons had “historical value.” WMAV01 said the cartoons were available on Web sites like foundrymusic.com, which is run by “The Opie and Anthony Show,” a talk radio program.

The cartoons are also available on bootleg DVDs from Web sites like banned-cartoons.com, which sells a collection of 165 such cartoons. At least two of the shorts are available on unlicensed DVDs sold by third parties on Amazon.

Michael Barrier, author of four books on the history of animation and comics, said the cartoons should be “presented in an informed way for an intelligent, adult audience.” Mr. Barrier also said the Censored 11’s appearance on YouTube “shows that there is a demand, so the logical step would be to release them in a way that is profitable for you as a copyright holder.”

5404: Judging R. Kelly.


From The Chicago Sun-Times…

Judge in R. Kelly trial must balance interests

The Cook County judge overseeing the R. Kelly criminal case is worried that the upcoming trial will turn into a three-ring circus.

Given Kelly’s star power, the salacious nature of the allegations against him and the likelihood that more than 300 journalists will be on hand, we see the problem.

But that’s no reason for Judge Vincent Gaughan to hold sessions in secret, as he has done for months.

In an emergency petition, the Chicago Sun-Times, the Chicago Tribune and the Associated Press have asked the judge to lift the shroud of secrecy.

At first blush, that petition might look like whining by three big media companies upset that they can’t get the dirt on the biggest celebrity case of the summer. But critical issues of law and the First Amendment are at stake.

Kelly is accused of a serious crime, child pornography, for allegedly taping himself having sex with a girl who was no more than 13 or 14. It matters that he get a fair trial -- and public scrutiny has a way of keeping trials fair.

It also matters that the public’s right to observe be respected, if only so they can see for themselves whether a multimillionaire with the best lawyers in town gets the same treatment as an average Joe.

Important matters in criminal cases often are resolved during the pretrial maneuverings of prosecutors and defense attorneys. Cases can be won or lost before a jury is ever picked.

Judge Gaughan has slammed the door on those hearings, sealed documents and gagged the lawyers.

We’d love to tell you specifically what the judge is worried about, but that’s secret, too.

In other such high-profile cases, judges have managed to keep the proceedings fair but open by taking common-sense precautions.

If Judge Gaughan is worried that revealing certain details of the case before the trial could bias potential jurors against Kelly, then he must quiz them carefully during jury selection. It’s always surprising how little many potential jurors know about even the most high-profile cases.

If the judge is concerned about protecting the privacy of the alleged victim or about the prejudicial impact of some detail in a court record, he can black out the offending words before releasing the rest of the document.

Judge Gaughan must do more to balance competing interests -- a fair trial vs. the public’s right to know. That’s his job.

5403: Extra Awful.


This ad is hard to endure.

Sunday, April 27, 2008

5402: Are Copywriters Endangered Species?


This actual job listing for a Creative Director seems to display the growing lack of respect for copywriters, particularly in below-the-line enterprises. Within a group of visual artists and designers, the lone copywriter isn’t even a full-time copywriter.

Define and create innovative advertising platforms for one of the nation’s top gaming and entertainment companies. Manage a 15-person, in-house creative team comprised of Art Directors, Graphic Artists, Production Artists, Web Designers, Electronic Sign Animators, Production Manager and a Copywriter/Producer. Skill set within travel/hospitality, gaming, entertainment or consumer products good to have. Comfort levels in print, direct mail, outdoor, web, television and radio a must. Qualifications: A few years (5+) of agency and/or creative team management.

5401: Old School Concept.


This idea would have been outdated in the 1980s.

Saturday, April 26, 2008

5400: Taxing Ordeals.


Courting disaster in a MultiCultClassics Monologue…

• After a short period of alleged marital bliss, Gary Coleman and his wife are already appearing on TV’s Divorce Court. “If he doesn’t get his way, he throws a temper tantrum like a five-year-old does,” said the wife during the show taping. “He like stomps the floor and yells, ‘Meehhhh,’ and starts throwing stuff around. He bashes his head in the wall, too.” Coleman admitted he gets frustrated, and also explained why he has no friends by saying, “People will stab you in the back, mistreat you, talk about me behind your back, steal from you. And they’re not really your friends. (They’re) only there because you’re a celebrity or because they want to get something from you.” Um, is Coleman really a celebrity anymore?

• Wesley Snipes has requested serving his 3-year prison sentence in New Jersey, close to where the actor lives. Wonder if Snipes will inevitably try to argue he’s not legally obligated to serve the sentence.

5399: Protesting The Bell Decision.


From The New York Daily News…

It’s our duty to protest Bell decision

By Errol Louis

It was a disaster that leaves a large swath of the population with the sense that the odds are rigged against them, the cops are out of control, and the courts are no place to look for justice.

It didn’t have to be that way.

Sitting in the front row of the courtroom as the verdict was read, I was amazed at how Cooperman gave the case a narrow reading that mentioned the flaws and inconsistencies of the prosecution case, but ignored the gaping holes in the defense version of what happened outside the Kalua that fateful night in 2006.

The detectives’ defense depended on the notion that they identified themselves as officers, ordered Bell and his companions to surrender, and reacted when Bell tried to drive away.

But the lieutenant in charge of the operation testified that he never heard his companions ID themselves, and the first outside officers to arrive on the scene testified that they didn’t see the detectives wearing badges. Cooperman gave no indication the inconsistencies mattered.

Cooperman also skipped any mention of whether the level of deadly force applied — dozens of shots fired at unarmed men who committed no crime — made any difference.

If all three officers on trial had done what Detective Michael Oliver did — empty their clips, reload and fire again — nearly 100 bullets would have flown. Would that be considered reckless?

I pray we never have to find out.

The next act in this drama will be a series of demonstrations and acts of civil disobedience, led by the Rev. Al Sharpton. They will be designed to make the whole city feel the deep unease and smoldering anger now felt by the Bell family and its supporters in the civil rights community.

It’s not an idle threat. Twenty years ago, in demonstrations called Days of Outrage, Sharpton and a surprisingly small band of nonviolent protesters shut down the Brooklyn Bridge and brought the subway system to a standstill simply by jumping down on the tracks at strategically-selected stations.

A repeat of that campaign — call them the Cooperman Campaign — would horribly inconvenience Gotham and draw national attention.

It would also illustrate what George Orwell called “the moral dilemma that is presented to the weak in a world governed by the strong: Break the rules, or perish.”

People should not have to paralyze the city to make everyone see that police actions in the Bell case — whether viewed as a crime or horrible blunder — cannot be excused as “just one of those things.”

IN THIS CASE, they must.

We have not heard Mayor Bloomberg, Commissioner Raymond Kelly or anyone else lay out a clear, convincing, detailed plan for ensuring there will be no more situations in which undercover officers rush up on unarmed, innocent people and unleash deadly force as if they’re in a war zone.

Sharpton and other protesters should nonviolently raise hell until we do. Protest in the face of unacceptable conditions is as patriotic as singing the “Star-Spangled Banner” on the Fourth of July.

And while many will heap scorn and gleeful contempt on demonstrators, the protesters should do what any patriot would if someone tries to drown them out during the national anthem.

Sing louder.

5398: Diamonds Are A Girl’s Biggest Friend.


Cheap lines for expensive rocks.

Friday, April 25, 2008

5397: Meat Market News.


Pornography and other buns in a MultiCultClassics Monologue…

• NFL star Terrell Owens was pictured at a porn photo shoot in Miami, and now he’s trying to get the website that posted the image to take it down. “All this was designed to bring embarrassment to him in his professional and personal capacity, and subject him to ridicule,” stated a letter sent on Owens’ behalf. “The clear meaning and innuendo is that Mr. Owens was actively and consensually participating in a porn site—a lie.” No, Owens is usually only offending people and embarrassing himself on the field.

• Arby’s is buying Wendy’s via an all-stock deal worth $2.34 billion. Former New York Governor Eliot Spitzer thinks that’s a lot to pay for a gal.

5396: Call It Contrived.


To us, it’s a cliché.

5395: Uniformity Rules.


Publicis Groupe agencies Leo Burnett, Arc and Lapiz are allegedly adopting a dress code. What’s most outrageous about this announcement? Not the ridiculous decision to dictate employees’ wardrobes. Not the incredibly amateurish poster design. Not even the corny and corporate copywriting.

No, what’s most outrageous is the depiction of the companies as diverse workplaces.

Update: The ad turned out to be a joke played on employees. However, MultiCultClassics’ main point still holds true.

Thursday, April 24, 2008

5394: Retired And Tired News.


Driving oneself crazy with a MultiCultClassics Monologue…

• The Ford Motor Company posted $100 million in 1Q profits. However, the automaker still needs more workers willing to accept early retirement and buyout offers. The company’s new tagline is, “Drive One.” Internally, it may be revised to, “Drive One Towards Early Retirement.”

• Toyota beat General Motors for the global automotive sales lead, selling 2.41 vehicles versus 2.25 for GM. Toyota may ultimately drive GM into early retirement.

• Surprise, surprise. The R. Kelly trial might be postponed again, as a lawyer seeking to join the defense team is fighting the judge’s refusal to let him participate. By the time this case is tried, Kelly will be well into retirement age.

5393: H&R Cell Block.


From The Associated Press…

Wesley Snipes to serve 3 years in prison for tax convictions

By TRAVIS REED

OCALA, Fla. (AP) — Wesley Snipes called on famous friends to vouch for him, highlighted his clean criminal record and even wrote the government $5 million in checks — all in an effort to convince a judge that his conviction on tax charges should cost him nothing more than home detention and some public service announcements.

None of it worked. The “Blade” actor was ordered to do hard time.

Snipes was sentenced to three years in prison Thursday for failing to file tax returns, the maximum penalty — and a victory for prosecutors who sought to make an example of the action star.

Snipes’ lawyers had spent much of the day in court offering dozens of letters from family members, friends — even fellow actors Woody Harrelson and Denzel Washington — attesting to his good character. His attorneys recommended he be given home detention and ordered to make public service announcements because his three convictions were all misdemeanors and the actor had no previous criminal record.

But U.S. District Judge William Terrell Hodges said Snipes exhibited a “history of contempt over a period of time” for U.S. tax laws, and granted prosecutors the three-year sentence they requested — one year for each of Snipes’ convictions of willfully failing to file a tax return from 1999-2001.

“In my mind these are serious crimes, albeit misdemeanors,” Hodges said.

Snipes apologized while reading from a written statement for his “costly mistakes,” but never mentioned the word taxes.

“I am an idealistic, naive, passionate, truth-seeking, spiritually motivated artist, unschooled in the science of law and finance,” Snipes said. He said his wealth and celebrity attracted “wolves and jackals like flies are attracted to meat.” He called himself “well-intentioned, but miseducated.”

Snipes surprised the court before Hodges handed down the sentence by offering the government three checks totaling $5 million in unpaid taxes over several years, money the government first denied but then accepted. Prosecutors called it “grandstanding” to avoid jail time, and a mere down payment on the actor’s still-undetermined multimillion dollar tax bill.

The action star of the “Blade” trilogy, “White Men Can’t Jump,” “Jungle Fever” and other films hasn’t filed a tax return since 1998, the government alleged. Snipes and the IRS will work in future civil proceedings to determine his full tax liability, plus interest and penalties.

Snipes was the highest-profile criminal tax target in years, and prosecutors called for a heavy sentence to deter others from trying to obstruct the IRS. The government alleged Snipes made at least $13.8 million for the years in question and owed $2.7 million in back taxes.

Snipes was acquitted in February of five additional charges, including felony tax fraud and conspiracy. Co-defendants Douglas P. Rosile and Eddie Ray Kahn were convicted on both those counts. Kahn, who refused to defend himself in court, was sentenced to 10 years, while Rosile received 54 months. Both will serve three years of supervised release. Snipes will serve one year of supervised release.

Snipes and Rosile remain free and will be notified when they are to surrender to authorities. Defense attorney Carmen Hernandez signaled in court that Snipes would pursue an appeal.

Kahn was the founder of American Rights Litigators, and a successor group, Guiding Light of God Ministries, that purported to help members legally avoid paying taxes. Rosile, a former accountant who lost his licenses in Ohio and Florida, prepared Snipes’ paperwork.

Snipes maintained in a years-long battle with the IRS he did not have to pay taxes, using fringe arguments common to “tax protesters” who say the government has no legal right to collect. After joining Kahn’s group, the government said Snipes instructed his employees to stop paying their own taxes and sought $11 million in 1996 and 1997 taxes he legally paid.

Prosecutors sought to justify the maximum sentence by raising those and other details from the IRS investigation, as well as a tax loss even for years in which Snipes was acquitted of failing to file a return. Such “relevant conduct” is allowed by law for a judge’s consideration at sentencing.

Criminal tax prosecutions are relatively rare — usually the cases are handled in civil court, where the government has a lower burden of proof. Prosecutors said Snipes’ case was important to send a message to would-be tax protesters not to test the government.

Snipes’ lawyers said he was no threat to society, and called four character witnesses Thursday, including television's Judge Joe Brown, who incited applause from the gallery by suggesting Snipes was no different than “mega-corporate entities” that legally avoid taxes.

Hodges twice halted the proceedings to quiet the crowd, threatening to clear everyone out if they made another outburst.

Defense attorneys Hernandez and Daniel Meachum said Snipes was unfairly targeted for prosecution because he’s famous. Meachum called prosecutors “big game hunters,” selectively prosecuting the actor while Kahn’s 4,000 other clients remained free.

Hodges was not swayed.

“One of the main purposes which drives selective prosecution in tax cases is deterrence,” the judge said, while denying it had anything to do with his sentence. “In some instances, that means those of celebrity stand greater risk of prosecution. But there’s nothing unusual about it, nor is there anything unlawful about it. It’s the way the system works.”

5392: Moron Of The Week.


Tony Zirkle, a moron seeking the Republican nomination in Northern Indiana’s 2nd District, delivered a speech before a group celebrating Adolf Hitler’s birthday. Zirkle claims he did not know much about the neo-Nazi organization, and he only intended to talk on “the targeting of young white women for pornography and prostitution.” His defense included, “I’ll speak before any group that invites me. I’ve spoken on an African-American radio station in Atlanta.” Perhaps Zirkle thinks appearing with Blacks is no different than hooking up with Hitler fans.

5391: Seeking Creative Director-Intern.


This actual posting for a Creative Director says a lot about the state of the job market:

To collaborate with their creative partner to administer and assign creative work to a creative team. To understand the dynamics of both print and broadcast advertising, and to properly execute and/or provide instructions for creative solutions in all media. To deliver compelling oral presentations of creative solutions to clients and agency personnel. To be proficient in printing requirements/techniques such as bleeds, crop marks, color conversions, etc. for proper delivery of jobs to service bureaus for printing. To service accounts directly, setting and maintaining design standards for specific clients or groups of clients, as well as working on presentations for creative meetings and pitches for prospective clients. To advise art directors, graphic designers and production artists with creative solutions. To be proficient with file formats, such as TIF, EPS, JPG and PDF, and how to create/edit them. To demonstrate proficiency in skills such as scanning, image-retouching and color correction. To communicate with Account Service personnel to determine the best design solution for clients. To ensure that mechanical specs are accurately applied, such as job slug, size and color. To be familiar with mounting/paste-up techniques and materials.

Wow, when’s the last time you saw a classified ad containing the term job slug? The poor fool that lands this role should be a visionary leader who’s also not above making PDFs and adhering his own layouts to foamcore board. Must be proficient with X-ACTO™ knives.

(Plus, note the only title to merit capital letters is Account Service)

5390: Signing Off.


Wonder if any paranoid types will question if he’s flashing gang signals.

Wednesday, April 23, 2008

5389: Golden Parachutes And Arches.


Flying high in a MultiCultClassics Monologue…

• United Airlines announced plans to cut 500 managerial jobs and 600 union jobs after reporting it lost $542 million in 1Q. United lost lots of travelers’ luggage too.

• Boeing recorded a 38 percent jump in 1Q profits. How come all the airlines are tanking, but the airplane maker is flying high?

• Mickey D’s reported a 24 percent increase in 1Q profits. It’s actually good that the airlines are failing, because thanks to McDonald’s, most Americans can no longer fit into airplane seats anyways.

5388: D-Fence!


From The Associated Press…

Feds Scrap $20 Million ‘Virtual Fence’

By ARTHUR H. ROTSTEIN, AP

TUCSON, Ariz. — The government is scrapping a $20 million prototype of its highly touted “virtual fence” on the Arizona-Mexico border because the system is failing to adequately alert border patrol agents to illegal crossings, officials said.

The move comes just two months after Homeland Security Secretary Michael Chertoff announced his approval of the fence built by The Boeing Co. The fence consists of nine electronic surveillance towers along a 28-mile section of border southwest of Tucson.

Boeing is to replace the so-called Project 28 prototype with a series of towers equipped with communications systems, new cameras and new radar capability, officials said.

Less than a week after Chertoff accepted Project 28 on Feb. 22, the Government Accountability Office told Congress it “did not fully meet user needs and the project’s design will not be used as the basis for future” developments.

A glaring shortcoming of the project was the time lag between the electronic detection of movement along the border and the transmission of a camera image to agents patrolling the area, the GAO reported.

Although the fence continues to operate, it hasn’t come close to meeting the Border Patrol’s goals, said Kelly Good, deputy director of the Secure Border Initiative program office in Washington.

“Probably not to the level that Border Patrol agents on the ground thought that they were going to get. So it didn’t meet their expectations.”

The Border Patrol had little input in designing the prototype but will have more say in the final version, officials said.

Agents began using the virtual fence last December, and the towers have resulted in more than 3,000 apprehensions since, said Greg Giddens, executive director of the SBI program office in Washington.

But that’s just a fraction of the several hundred illegal immigrants believed to cross the border daily near southwest of Tucson.

The virtual fence is part of a national plan to use physical barriers and high-tech detection capabilities to secure the Mexican border — and eventually the Canadian boundary.

Boeing was awarded an $860 million contract to provide the technology, physical fences and vehicle barriers.

“Boeing has delivered a system that the Border Patrol currently is operating 24 hours a day,” Boeing spokeswoman Deborah Bosick said. She declined further comment.

Project 28 was not intended to be the final, state-of-the-art system for catching illegal immigrants, Giddens said. “I think some people understood that and some didn’t. We didn’t communicate that well.”

5387: The Two Faces Of Omnicom.


This week, Advertising Age reported that Omnicom beat expectations for 1Q, enjoying a 14 percent increase in profits. “The first quarter was a great start for 2008,” said President-CEO John Wren, adding that Omnicom “didn’t see any unexpected shifts in client spending patterns,” and the company is “not seeing a significant reduction in client spending.”

Advertising Age also noted the majority of Madison Avenue agencies failing to meet diversity hiring goals were in the Omnicom network. “Clearly the company isn’t pleased that it missed its numbers,” said a lawyer representing the ad giant. “But Omnicom doesn’t want to hire for numbers’ sake. It’s more important for us to create an environment that will accept [minorities] and help them to flourish. We want to make sure we are hiring the right people and, after we hire them, that we retain them.”

Nice to know Omnicom is striving to create an environment that will accept minorities. Wonder if the Diversity Development Advisory Committee thinks the first quarter was a great start for 2008. Obviously, Omnicom didn’t see any unexpected shifts in minority hiring patterns, and the company is not seeing a significant reduction in corporate exclusivity.

5386: Individual—Or Invisible—Man.


Johnson & Johnson makes individuals look totally generic.

Tuesday, April 22, 2008

5385: Exchanging Peasantries.


Peasant conversations in a MultiCultClassics Monologue…

• Colorado State Rep. Douglas Bruce sparked controversy by referring to Mexican workers as “illiterate peasants.” During a session, Bruce remarked, “I would like to have the opportunity to state at the microphone why I don’t think we need 5,000 more illiterate peasants in Colorado.” Although he was immediately shut down by his political peers, Bruce defended his statement by explaining, “I looked up ‘illiterate’ in the dictionary and it means somebody who is lacking in formal education or is unable to read and write. I don’t think these people who are planning to come over here and pick potatoes or peaches are likely to have much of a formal education. I looked up the word ‘peasant.’ The word ‘peasant’ means a person who works in agricultural fields. These people, most of them, don’t speak English. Most of them haven’t had any formal education, that’s why they’re coming over here. I don’t blame them for trying, but I don’t think we should pave the way for more aliens to come here.” Bruce needs to look up “ignorant jackass.”

• Last Sunday, Naomi Campbell spotted the Heathrow Airport cops she tussled with two weeks ago and apologized (see photo above). She’s so pleasant to the peasants, um, police.

5384: Diversity On Drugs.


Can’t see the copy for the trees.

5383: Client Cluelessness Continues…


This Brandweek story appeared at Adweek.com last week. Scan it quickly to read the MultiCultClassics commentary immediately following…

Study: Marketers Flunk CRM
Only 6% of marketers have an excellent understanding of their customers

By Kenneth Hein, Brandweek

NEW YORK Marketers, who spend millions to gain data about their customers, generally fail to use it properly, according to a new CMO Council study.

Only 16 percent of companies rate themselves as effective or extremely good when it comes to customer relationship management. Forty-five percent said they are deficient or need more work at integrating and leveraging customer data.

The “Business Gain From How You Retain: Addressing the Challenge of Customer Churn and Marketing Burn” report polled 450-plus marketers globally. The CMO Council teamed with Computer Sciences Corp., IBM Software and Dun & Bradstreet to conduct the research.

“There is a lack of focus as to how to optimize revenue from existing customers,” said Donovan Neale-May, executive director of the CMO Council, New York. “In a year of economic restraints, marketers should be more concerned with cross-selling and upselling.”

Too often marketers are enamored with chasing new conquests, said Loreen Babcock, CEO of direct and relationship marketing agency Unit 7, New York. “Let’s be honest. It’s sexier to bring new customers in, but that whole marketing model is broken because there is no accountability.”

Only half of the marketers said they have a strategy in place for further penetrating and monetizing key relationships. Not surprisingly, nearly a third of respondents (31 percent) reported customer churn rates of more than 10 percent. Roughly another third (32 percent) reported turnover of 5 to 10 percent. Two-thirds said they have no system in place for reactivating lost or dormant customers.

Nortel has made great strides in improving its CRM efforts, said Heidi Lanford, its global leader for marketing analytics. “We’ve formed more of a partnership with our customers. They help us innovate faster by helping us target what their needs are. Leveraging the customers we have is critical to us.”

Still, like many companies, Nortel has difficulties with data collection. “Since we’re a business-to-business company we struggle to get data from our channel partners that gives us a true view of the customer,” Lanford said.

Integrating a wide variety of siloed data sources across often inadequate IT systems is a challenge for many companies, said Alexander Black, senior partner in the strategic services group at CSC, an IT services company based in Falls Church, Va. “There can be as many as 20 to 25 different sources of data.”

Wealth management companies like Charles Schwab and Fidelity are the best at CRM “because they have the biggest risk if they lose their wealthy customers,” Black said. Internet retailers like eBay and Amazon are also tops because “they started with a clean slate. They don’t have the heritage of all those legacy systems.”

For many, however, “the landscape is a mess in terms of how data sources are linked,” said Babcock. As a result, 31 percent of respondents said they don’t do any data mining at all.

In the end, the number of respondents claiming to have excellent knowledge of their customers when it comes to demographic, behavioral, psychographic and transactional data—only 6 percent.

This report is yet another addition to the growing series of revelations that industry people don’t know what the hell they’re doing.

However, there are some key considerations regarding this latest study.

For starters, the results were offered up directly by the clients. In other words, clients seem to openly admit they are clueless about their own customers. What makes this so outrageous—at least for adpeople—is that clients still insist on criticizing and rejecting work aimed at customers.

So why do clients get away with killing campaigns when they are clearly lacking the intelligence to understand what might motivate and persuade the targeted audiences? Well, mostly because the only ones more ignorant than the clients are the advertising agency representatives.

You don’t have to conduct a survey to quickly realize that agencies—especially the BDAs, as George Parker calls them—do a lousy job of gathering and defining consumer insights. For confirmation, simply read the typical strategy brief given to creatives on any assignment.

Perhaps our collective stupidity ultimately ignited consumer generated marketing, as well as the paradigm shift of consumer control seized via the Web.

Apparently, customers didn’t need to collect research to conclude we weren’t doing our jobs.

5382: Please Stop.


This Weyerhaeuser ad is a waste of paper.

Monday, April 21, 2008

5381: 1Quickies.


Ups and downs in a MultiCultClassics Monologue…

• Bank of America reported a 77 percent drop in 1Q profits. “These results clearly did not meet our expectations,” said Chief Executive Ken Lewis. “The weakness in the economy and prolonged disruptions in the capital markets took their toll.” Hadji Williams hopes to see the percentage significantly increase in the next quarter.

• Google reported a 30 percent increase in 1Q profits. Chief Executive Eric E. Schmidt said, “It’s clear we are well positioned for 2008 and beyond, regardless of the business environment we are surrounded by.” Especially if Bank of America employees proceed to use Google to search for new jobs.

5380: Mad Ave Diversity Color Commentary.


Here’s some color commentary regarding Madison Avenue’s diversity progress reported by The New York Times and Advertising Age.

As both sources noted, it’s tough to really determine the truth behind the figures.

Don’t mean to sound paranoid and suspicious. At the same time, Madison Avenue spent many decades delivering broken promises and blatant lies on the issue. Additionally, when New York City’s Commission on Human Rights asked agencies to submit staff figures for the most recent investigation, one shop listed its Black chief of security as an officer of the company. So there’s a pattern of sneaky behavior to inspire the raising of eyebrows.

There are other factors to consider too. Besides setting their own hiring goals—which is like letting a convicted criminal write his own sentence—the agencies participating in the pact never agreed to a definition for what constitutes a minority. From a technical standpoint, White women are categorized as minorities. To honestly assess the success, someone must closely examine the numbers. MultiCultClassics nominates Sanford Moore to sift through the data.

Draftfcb claimed 10 percent of its new minority hires are Black. Does the total reflect the workers picked up in the IPG acquisition of Steve Stoute’s agency—which includes Jay-Z?

And can somebody explain Omnicom’s poor showing? These guys allegedly created the Diversity Development Advisory Committee to brainstorm solutions. Omnicom agency Merkley + Partners actually scored a zero in its efforts.

It’s curious that Arnold didn’t offer minority breakdowns, especially since the place is connected with crusader Tiffany R. Warren. Surely Warren would be the first to boast of Arnold’s accomplishments, provided there’s something worth bragging about.

Indeed, all the agencies are awfully quiet despite apparently exceeding objectives in certain areas. What’s up with that?

Let’s hope the paranoia and suspicions turn out to be completely unwarranted. MultiCultClassics will quickly publish retractions and apologies as soon as the facts are revealed.

(SFX: Ticking clock, drumming fingers, cheery whistling.)

5379: Who Are You?


Bank of America says: Diversity & Inclusion. It’s the foundation of who we are.™

Um, some folks feel differently.

5378: Micro-Management 101.


There’s nothing worse than working for a micro-manager. Except working for a micro-manager with tufts of hair jutting out of his nose and ears.

Sunday, April 20, 2008

5377: “…Diversity Progress Still Cloudy.”


From AdAge.com…

Agencies Chase Rainbow, but Diversity Progress Still Cloudy
Most Firms Meet Minority Hiring Targets; Some Question Whether Targets Are High Enough

By Megan McIlroy

NEW YORK -- The good news for many of the agencies that came under the gaze of the New York City Commission on Human Rights is that they met their goals for minority hiring in 2007. The bad news is critics are likely to be unimpressed.

For one, the goals were set by the agencies themselves. Second, some of them -- most notably a handful of Omnicom shops -- failed to meet even those goals. But perhaps more important, a closer look at the numbers shows African-Americans and Hispanics lag behind Asian-Americans and that agencies seem to lose minority hires as fast as they hire them. Following a two-year investigation by the CCHR, 15 advertising agencies in 2007 pledged to meet goals for minority hiring, presented as a percentage of total hires for the year. The goals will be monitored for three years, and agencies that don’t meet them will be subject to penalties.

The results are largely positive. On average, the 15 agencies set a goal of hiring 18% minorities and hired 25% minorities, according to the CCHR.

African-American focus
But it’s no secret that it was a specific lack of African-Americans in the agency world that drove the investigation. And a closer look at the numbers shows that of the total new minority hires, only about 30% were African-American. (This is based on the 13 agencies who reported minority breakdowns. Absent from that list were Havas’ Euro RSCG and Arnold.)

Of Ogilvy’s new minority hires, for instance, 46 were African-Americans and 107 were “other minorities.” At DraftFCB, 14% were Asian or Asian-American, 7% were Hispanic and 10% were African-American. According to 2006 U.S. Census figures the U.S. population is 4.4% Asian, 12.8% Black and 14.8% Hispanic.

“The numbers need to be pulled apart,” Carol Watson, president of Tangerine-Watson and a blogger for AdAge.com’s Big Tent blog, said, “because agencies weren’t required to, to show they improved the problem they were given in the first place” -- the lack of African-Americans.

Sanford Moore, the former BBDO adman who pressed for the latest CCHR probe into the advertising business, said he remains concerned about the results. “What Madison Avenue is doing is creating minorities of choice,” Mr. Moore said. “In this structure, blacks fall at the bottom. Whereas they talk about diversity, this is really a ploy for the continued marginalization and exclusion of African-Americans on Madison Avenue.”

Also troubling aspect was what seemed to be a revolving door.

“Agencies consistently feel they are able to get people in the early stage but they don’t stay,” said Ms. Watson. “Part of it has to do with not having a sense of support and community and being the only one.”

Indeed, some agencies in the CCHR report lost numbers of minority employees at the same pace they were gaining new ones.

But progress is progress and some are pointing out that regardless of who set the goals they were met -- and in many cases exceeded -- in the first year shouldn’t be overlooked. Cliff Mulqueen, deputy director of the CCHR, said he is optimistic about the progress the agencies are marking.

“This is going to take a while,” he said. “We didn’t expect in the first year that the whole industry was going to be diverse.”

Of the agencies included in the CCHR report, four are Omnicom-owned, four WPP Group owned-agencies, three Interpublic Group of Cos.-owned, and two each owned by Publicis Groupe and Havas.

Unmet pledges
Only five agencies did not meet at least one of their hiring goals, including four Omnicom shops.

This despite the fact that Omnicom has made an agreement with the New York City Council to spend more than $2 million to encourage to diversity, in addition to hiring diversity advisors, law firm Davis Wright Tremaine.

“Clearly the company isn’t pleased that it missed its numbers,” said Weldon Latham, one of the attorneys advising the holding company. “But Omnicom doesn’t want to hire for numbers’ sake. It’s more important for us to create an environment that will accept [minorities] and help them to flourish. We want to make sure we are hiring the right people and, after we hire them, that we retain them.”

5376: You Go, Girl.


Ladies’ Night in a MultiCultClassics Monologue…

• The New York Daily News ran a story about five actresses, including Gabrielle Union and singer Jill Scott, who posed nude for the latest issue of Allure magazine. The piece plays nicely against all the coverage on the pope’s visit. Plus, it allows MultiCultClassics to post a nude photo of Gabrielle Union.

• Danica Patrick recorded her first Indy victory, becoming the first female winner in IndyCar history. Allure will probably seek to commemorate the event by asking her to pose naked.

5375: The Benefits Of Bedhead.


Too bad the benefits don’t cover a hair stylist.

Saturday, April 19, 2008

5374: Free At Last.


Cutting people free in a MultiCultClassics Monologue…

• Foxy Brown was released from prison yesterday, driven off the grounds by New York City Councilman Charles Barron. Barron remarked, “She’s someone we need in our community to help with a positive message with our young people.” Right. Maybe the Pope will request a meeting now that he’s in town.

• AT&T announced plans to cut 4,600 employees, shifting resources to other areas of business. A spokesperson said, “Even with the reductions … we expect our head count overall to remain stable this year as we hire additional employees to support growth areas like wireless and TV.” Maybe the terminated will receive a free GoPhone® to GoAway.

• Citigroup will dump 9,000 jobs after reporting a $5.11 billion loss in 1Q. Let’s get it done.

5373: Crappos.


Hopefully, Zappos shoes are designed better than their ads.

5372: Lazy Recruitment Tactics.


It seems odd that with all the publicity surrounding Project Da Vinci, as well as the fact that the job market sucks (i.e., it’s a buyer’s market), WPP would need to recruit GCDs via monster.com.

(Although sometimes this is just a way for big agencies to claim they opened the search to minority candidates.)

Friday, April 18, 2008

5371: Fun For The Whole Family Reunion.


Looks like everyone is overly excited about reading the newspaper.

5370: Big Deals.


Extra Value News in a MultiCultClassics Monologue…

• McDonald’s in Japan has introduced a four-patty burger and mega sandwiches on the breakfast and dinner menu. A woman who ate all three burgers in a day remarked, “I’m tired, with low energy, irritable, and I have an uncomfortable feeling in my stomach.” The U.N. should investigate if the product launch constitutes an international war crime.

• TGIF for Foxy Brown, scheduled to be released from prison today. She’ll have two weeks before her next court appearance. Somebody hide all BlackBerry devices.

5369: Mindless.


OK, Pantene offers products designed with Black women in mind. But Crest, Always and Tampax?

Thursday, April 17, 2008

5368: Just Chillin.’

5367: Childproof The Home From BET, MTV.


From OneNewsNow.com…

Campaign targets MTV’s, BET’s music video ‘assault’ on children

By Jim Brown

A new report from the Parents Television Council finds that daytime music video programming on Black Entertainment Television and MTV features sexual, violent, profane or obscene content once every 38 seconds. Deep concerns are being expressed over the influence that is having on young children.

The study conducted by the Parents Television Council (PTC) -- titled “The Rap on Rap” -- examined music videos on BET and MTV during afternoon and early evening hours, when many children are at home after school. PTC president Tim Winter announced the findings at the National Press Club in Washington yesterday.

“Being in the trenches fighting for better indecency enforcement and cable choice on behalf of millions of American families, we thought we’d seen it all,” Winter lamented, “but even we were taken aback by what we found in the music video programs on MTV and BET that are targeted directly at impressionable children.”

PTC found more than 1,300 instances of offensive content in a mere 14 hours of programming in March, primarily in the form of sexually-charged images, explicit language, violence, drug use and sales, and other illegal activity.

The study was commissioned by the Enough is Enough Campaign led by Maryland pastor Delman Coates, who says his group is spotlighting a serious problem in American popular culture. He described elements of that problem: “The celebration and glorification of images that sexually objectify women, that glorify violence and criminal activity, that negatively stereotype black and Latino men as pimps, gangsters, and thugs -- and also that market adult-themed material to children and youth.”

Dr. E. Faye Williams, a leading black feminist and national chair of the National Congress of Black Women, has teamed up with the Enough is Enough Campaign and is denouncing corporate executives who are allowing the sexually explicit and profane rap music videos to be aired repetitively on the two networks. The campaign, she asserts, is not about censorship of artistic expression, but rather responsibility.

“We know how important our children are. And we know that many times if our children see these things on television, they think it’s alright -- unless we object to it,” Williams pointed out.” … So we as adults have a responsibility to show our children something better than they are being fed.”

The images that are “simply ram[med] down their throats everyday” by the networks are not appropriate, said Williams. “They are not the criminals, they are not the thugs, they are not the gangsters [portrayed in the programming],” she stated. “So we as adults must do something better.”

Former BET program director Paul Porter, who now runs the nonpartisan think tank Industry Ears, declared that only poor “ratings and revenue” will change the coarse programming at BET and MTV.

The Enough is Enough Campaign has been holding weekly protest rallies outside the residences of the CEOs of BET and Viacom (which owns BET and MTV), and plans to begin targeting companies whose advertising dollars are paying for the offensive programming on BET and MTV. Some of those companies include Procter & Gamble, McDonald’s, Wal-Mart, Sony, and AT&T.

5366: Common Tactic.


There’s nothing uncommon about using hip hop spokespeople.

Wednesday, April 16, 2008

5365: Off-Keys Remarks.


Keys messages in a MultiCultClassics Monologue…

• Alicia Keys explained her comments regarding gangsta rap appearing in the latest issue of Blender magazine. “My comments about ‘gangsta rap’ were in no way trying to suggest that the government is responsible for creating this genre of rap music,” said Keys. “The point that I was trying to make was that the term was oversloganized by some of the media causing reactions that were not always positive. Many of the ‘gangsta rap’ lyrics articulate the problems of the artists’ experiences and I think all of us, including our leaders, could be doing more to address these problems including drugs, gang violence, crime, and other related social issues.” Regarding the AK-47 references, Keys said that pals nicknamed her AK-47 “as an acronym for Alicia Keys and a metaphor for wowing people with my music and performances, ‘killing ‘em dead’ on stage. The reference was in no way meant to have a literal, political or negative connotation.” Now if she could only explain her involvement with the dreadful Dove Fresh Takes microseries.

• The Coca-Cola Company announced its 1Q profit rose 19 percent. Even Alicia Keys can’t explain why.

5364: Mad Ave Minority Report.


From The New York Times…

Madison Ave. Charts Some Progress in Meeting Diversity Hiring Goals

By STUART ELLIOTT

AN initial report card on efforts to diversify the long-homogeneous upper ranks of Madison Avenue shows some improvement, but much more left to be done.

The 15 agencies that agreed to be monitored for three years on their minority hiring practices met 24 of the 30 goals they set for themselves in 2007, according to a summary provided on Tuesday by the New York City Human Rights Commission.

Each agency set two goals: one for hiring managers and one for hiring professionals like copywriters. The goals were expressed in terms of percentages of new hires who were black, Hispanic or Asian-American.

According to the summary, the 15 agencies had hoped that 18 percent of the total managerial and professional employees they hired last year would be minorities, and the actual percentage was higher, at 25 percent. The goal for 2008 for both categories combined is 19 percent.

Only one agency, Merkley & Partners, part of the Omnicom Group, missed both its goals, while four others — three of them also owned by Omnicom — missed one goal each. Omnicom executives said that in some cases, the goals were missed because there were no hires, period, in the categories in question.

Some agencies met their goals exactly. For instance, the New York office of Arnold Worldwide, part of the Arnold Worldwide Partners unit of Havas, agreed that 30 percent of the managers and professionals to be hired in 2007 would be minorities, and that is what the results showed took place. In other instances, agencies exceeded their goals — sometimes by small margins, sometimes by large ones.

For example, Y&R, part of the Young & Rubicam Brands division of WPP, pledged that 18 percent of the managers and 30 percent of the professionals it would hire last year would be minorities. The figures reported on Tuesday were 27 percent and 46 percent, respectively.

“Going into this, we thought it was important to set high goals for Y&R and to support those goals with a clear set of initiatives,” said Hamish McLennan, chief executive at Y&R.

“We are going to raise the bar this year,” he added, with the hiring goals for 2008 being set higher than last year.

The commission’s report was the first of three that it plans to issue as part of an inquiry, dating to 2004, into the hiring practices of some of the best-known agencies in the world.

In addition to the four agencies owned by Omnicom, which is the largest holding company by revenue, four are owned by the second largest, the WPP Group. Three agencies are part of the No. 3 holding company, the Interpublic Group of Companies, while two are owned by Havas and two by the Publicis Groupe.

The 15 agencies accepted the reporting process as part of a binding agreement reached in September 2006 with 16 of them. They also agreed they could be punished with fines for failing to achieve more diversity in the hiring of senior employees. (The discrepancy in the numbers is explained by another fact of life on Madison Avenue: a merger of two agencies.)

The way the industry fills its ranks has been scrutinized for years because of the tangible and symbolic roles it plays in the economic life of New York. There are more than 40,000 advertising jobs in the city, but beyond that figure is the crucial part the industry plays in the marketing food chain, extending from the advertisers to the media to the ultimate goal, the consumers.

The industry’s inability to find and keep talented minority employees for jobs in the upper echelons has been at odds with the growing need of advertisers — the agencies’ clients — to meet the demands of an increasingly diverse consumer marketplace.

“It takes a long time to do this sort of thing,” said Cliff Mulqueen, deputy commissioner and general counsel of the commission, referring to attempts to increase the number of minority employees in the professional and managerial ranks. “It’s not the sort of thing you do overnight,” Mr. Mulqueen said. “We’re optimistic that the agencies are doing the right thing.”

Some agencies gave clear numerical proof of their efforts. At two other WPP agencies — G2 Direct and Digital and G2 Interactive, both part of the Grey Group division — both sets of goals were exceeded, particularly in the hiring of professionals.

Owen J. Dougherty, executive vice president at Grey Group, outlined a long list of “very concrete” steps taken last year to “recruit mid- and senior-level diversity candidates.” Some of those measures, like participating in job fairs, were taken in conjunction with the industry trade organization, the American Association of Advertising Agencies.

The agencies owned by the Interpublic Group that were party to the settlement — Avrett Free Ginsberg, Draft FCB and Gotham — all surpassed their goals for 2007. (Initially, Draft and Foote Cone & Belding were involved separately; Interpublic merged them to form Draft FCB.)

“While last year’s results are encouraging, we still have lots of work ahead of us,” said Philippe Krakowsky, executive vice president at Interpublic.

One Publicis agency, Saatchi & Saatchi, exceeded both its goals, while the other, the Kaplan Thaler Group, surpassed its goal for professional hires (18 percent versus 15 percent) but fell short of its goal for managerial hires (2 percent versus 13 percent).

Kaplan Thaler “is pleased about the progress we have made thus far and the fact that in some areas, we have exceeded our goals,” said Tricia Kenney, a spokeswoman. “We remain steadfastly committed to creating the most diverse organization possible.”

The Omnicom agencies being tracked, in addition to Merkley & Partners, are BBDO Worldwide, DDB Worldwide and PHD. Their shortfalls are unusual because Omnicom agreed in 2006 twice to improve its minority hiring. One agreement was with the commission. Under the other, signed with the New York City Council, Omnicom agreed to spend more than $2 million on other efforts to encourage diversity in the work forces of its agencies.

Under the terms of the deal with the commission, the agencies said they would hire outside consultants if they did not meet their goals. Omnicom has hired one for its four agencies: the corporate diversity counseling group at the Washington office of Davis Wright Tremaine. “If you know anything about diversity, one of the things you know is that it’s not a sprint; it’s a marathon,” said Weldon Latham, chairman at the counseling group.

“The companies that are successful are the companies that put together a long-term approach,” he added, to become “a positive representation of their customers.”

Asked what happened at the Omnicom agencies last year, Mr. Latham answered plainly. “They set aggressive goals and they didn’t make them,” he said, adding that the idea would be to work hard to “be more effective in reaching the goals.”

Mr. Latham and a colleague, Michael Hatcher, took issue with an aspect of the reporting process as it affected two Omnicom agencies. They said the percentage of minority management hires at DDB and Merkley was zero, compared with goals of 10 percent at both agencies, because those agencies made no management hires last year.

5363: Procter & Gamble Goes Hip Hop.


From The Atlanta Business Chronicle…

Atlantan Jermaine Dupri to head P&G-Def Jam hip-hop label

Procter & Gamble Co. has partnered with record label company Island Def Jam Music Group to launch a music company tied to its TAG men’s deodorant and body spray.

Jermaine Dupri, an Atlanta-based rapper and music producer, will act as president of the New York-based venture and will play a key role in identifying and developing its musical talent.

The label, called TAG Records, is an effort by the brand to connect with the urban market by providing opportunities for aspiring hip-hop talent. Those artists will merge their music with brand marketing for TAG, and will be promoted through a multimillion-dollar campaign, including television, print, radio, computer and event marketing.

“Today, we make history in the music industry with TAG Records,” Dupri said in a press release. “This label is going to provide new artists with a chance of a lifetime. New artists will receive 10 times the typical marketing support — a first in the industry. I’m hand-selecting and molding these artists to make history in hip hop.”

The first artist will be announced in May. In addition to an album release, TAG will showcase the artist and Dupri across various TAG brand advertising and marketing programs throughout the year.

“We’re confident the partnership will make a positive impact and bring opportunities to undiscovered urban creativity and vision,” Alex Keith, general manager of P&G Deodorants, said in the release.

While the record label is unique, it is not Cincinnati-based P&G’s first effort to partner with the entertainment industry to promote its brands. It has, for instance, partnered with several reality show programs, including “America’s Top Model” and “Survivor.”

P&G (NYSE: PG) is the world’s largest consume products maker, with brands including Charmin, Crest and Tide.

5362: Cancel Your Subscription.


This ad lacks Beauty & Style.

Tuesday, April 15, 2008

5361: Absolut Racism?


From AdAge.com…

Americans Cry ‘Racism’ Over Absolut Poster
Outrage Over Mexican Ad Shows Risky New Side of Globalism to Marketers

By Laurel Wentz

NEW YORK -- In a nightmare scenario for Absolut vodka and global agency TBWA, a print ad that ran only in Mexico was picked up by American bloggers, entered the blog-fed news cycle and inflamed U.S. anti-immigration factions, detonating racist comments and calls for a boycott of Absolut.

The ad, by TBWA Teran in Mexico City, was a local execution of the international “In an Absolut World” campaign that depicts an ideal world. In this case, a map showed much of the U.S. Southwest as part of Mexico, as it once was.

The furor reflects a growing challenge for international marketers and their agencies: how to vet local creative work that might offend people in other countries if it leaks out on the internet, without sacrificing local effectiveness.

World without borders
“It’s no longer a world where you can contain anything within borders,” said Kevin Roddy, executive creative director at Bartle Bogle Hegarty.

“Creatives have that extra layer of needing to put work through the filter of global issues that are true hot buttons,” said Ann Hayden, exec VP-creative director at Saatchi & Saatchi. “Most things aren’t picked up [in other countries], unless they’re great or totally offensive or hit a hot button. You can have a lot of fun with stuff but you have to know when you’re playing with fire.”

For the last week, Absolut and TBWA have watched in horror as the news cycle played out. The ad originally ran in Mexico’s Quien, a celebrity-gossip magazine published by Time Warner-owned Grupo Expansion. After bloggers, including Ad Age’s Laura Martinez, posted the ad in the States, it began a wild rush across the web, making its way onto both mainstream media and the Drudge Report. The story crossed over into TV, airing on CNN Headline News. CNN’s Lou Dobbs said Americans were outraged. Newspapers across the country picked up wire-service stories about the ad and the anti-immigration backlash it prompted, and local papers’ websites lit up with comments, mostly negative.

A Los Angeles Times poll on the topic, for example, drew nearly 67,000 responses, with about 62% agreeing with the statement: “The ad is an affront to Americans. I’m going to boycott the product.”

Absolut issued an apology on its website and on a PR phone line.

Teran/TBWA, the agency that created the ad, isn’t exactly a hotbed of rabble rousers. José Teran opened the agency in Mexico City in 1947 and still has his first client, department store El Palacio del Hierro. Mr. Teran, now in his 80s, still goes to work at the agency, run by his son, José Alberto.

5360: Releasing Prisoners, Albums, Frustrations.


Spring cleaning in a MultiCultClassics Monologue…

• Foxy Brown is fleeing prison on Friday, having served 8 months of a one-year sentence. The artist is being sprung early because officials decided she didn’t break any rules “considered serious enough to delay her release.” Also, she needs time to start working on her reality TV series before the fall season.

• Bill Cosby is releasing a hip hop album next month. Actually, the music collection will showcase Cosby’s concepts with a soundtrack featuring hip hop, pop and jazz. “I do not rap on any of these things,” said Cosby. “I wouldn’t know how to fix my mouth to say some of the words.” Hey, Foxy Brown will be available to record some last-minute tracks after Friday.

• The Detroit City Council is not playing with indicted Mayor Kwame Kilpatrick, refusing to accept his budget recommendation. “It seems as if [dissing my budget presentation] could have happened in my office,” Kilpatrick responded. “Grandstanding is not beneficial to our citizens. … It was a total blindside. It was childish.” Sort of like finding out about lurid text messages sent to coworkers that contradict grand jury testimonies.

5359: Dove Campaign For Real Bullshit.


It’s no secret that MultiCultClassics has never been a fan of the Dove Campaign for Real Beauty, criticizing the Unilever bullshit since 2005. The latest offerings provide further fodder for eye-rolling condemnation.

To quickly recap, the brand’s Website states, “The Dove Campaign for Real Beauty is a global effort launched in 2004 to serve as a starting point for societal change and act as a catalyst for widening the definition and discussion of beauty. The campaign supports the Dove mission: to make more women feel beautiful every day by widening stereotypical views of beauty.”

Whatever.

Even the traditionally anti-Madison Avenue Adbusters called out the campaign in an essay declaring, “Why Commercials Can’t Spark Change.” The May/June 2008 issue remarked:

“Consider the Dove Campaign for Real Beauty—one of the projects that set [Vanity Fair media critic Michael] Wolff off at [a design] conference in December. Billed as a ‘global effort that is intended to serve as a starting point for societal change and act as a catalyst for widening the definition and discussion of beauty,’ the campaign involves some truly brilliant short films that deconstruct the myth of beauty in advertising and features women with ‘real curves’ in its print ads. In this case the message is right on—it’s time to end the propagation of unrealistic ideals. But the intention—to somehow bolster women’s self-esteem while selling them firming lotion—is the problem. This is advertising in the guise of activism. Cue the cynical laugh.”

Adbusters was polite in its observations. Dove doesn’t have the heart and soul to be an activist. Indeed, the brand has consistently failed to remain true to its original goal of shattering the idealized images prevalent in the fashion, health and beauty categories.


For example, the ad hawking Dove Energy Glow Beauty Body Lotion depicts highly stylized photography of women whose figures are well above the norm. The hottie on the far right has the kind of sculpted abs regularly found on the covers of fitness magazines. Although it seems like Dove sought to compensate for the nice bodies by attaching them to plain-Jane faces—which are still better than average by most people’s measures. The tagline—good for your skin. great for your look.—also emphasizes the imperative to be visually sexy.

Yet the biggest Real Beauty deviation is unveiled via The Dove Digital Channel, a self-proclaimed innovative relaunch of Dove.com. The site highlight is Fresh Takes, a microseries starring recording artist Alicia Keys. Um, when last we noticed, Keys was drop-dead gorgeous. And the Webisodes include her fictional roommates, a fetching Asian lass and a lovely White gal. WTF! Ironically, the terrible writing renders Fresh Takes decidedly not fresh—it’s a wannabe sitcom that ultimately makes Keys and her crew look, well, ugly.

Perhaps Dove’s new tactic is to reinvent beauty standards by taking extraordinarily attractive women and transforming them into something not so pretty. It’s a bizarro reverse of the award-winning Evolution commercial.

In the end, Dove inspires folks to holler, “Calgon, take me away!”

5358: Bite Me.


Alternative clichéd headlines:

Keepin’ it real tasty.

Don’t sleep on this.

How we roll.

Baby got bacon.

Monday, April 14, 2008

5357: Binge and Merge.


Taking over the news in a MultiCultClassics Monologue…

• Delta Air Lines and Northwest Airlines are moving closer to merging, with Continental and United waiting in the wings to do the same. In the end, the moves will benefit customers, as they’ll ultimately have fewer airlines to complain about.

• Blockbuster made a bid to take over Circuit City, although the consumer electronics retailer has not responded to Blockbuster’s repeated offers. Which is pretty much how Circuit City’s sales representatives respond to customers’ repeated requests for service.

5356: Higher Pay, Higher Risk.


From The Chicago Tribune…

Higher pay puts older workers on firing line

By Barbara Rose

Older workers are more vulnerable to losing their jobs than younger ones when companies cut costs. They know this instinctively, even though the law of the land forbids age-related discrimination.

More experienced workers generally earn more than their younger counterparts. It’s illegal to fire them based on their age, but courts long have ruled that cost-cutting is an acceptable reason for firing higher-paid employees, even when the cuts fall disproportionately on workers older than 40.

A proposed rule change by the U.S. Equal Employment Opportunity Commission wouldn’t change that fact, but it would tweak the rules in a way that worker advocates say is positive. It would also open the door to a debate about the reasons employers can offer to justify their actions. And it comes at a time when age-bias claims are soaring.

The number of age-discrimination charges filed with the EEOC is up 21 percent compared with a decade ago, while total charges climbed less than three percent. The jump reflects changing demographics. The youngest of the Baby Boom generation entered their 40s during the decade, and older Boomers entered their peak earning years.

“When a company’s looking to cut expenses, those who are most heavily compensated are most heavily at risk,” said Chicago employment attorney Peter Steinmeyer.

Former EEOC Vice Chairman Paul Igasaki called this cost issue the “fault line” in age-discrimination cases, the divide where protection falls away.

If an employment decision falls disproportionately on minorities or women, for instance, an employer must be able to show it did not discriminate on the basis of race or sex but was forced to take action for a pressing business reason—a “business necessity.” But in age-discrimination cases, employers need only cite “reasonable factors other than age.” And cost generally is one.

Vulnerable ages
A study of more than 2,000 age-bias cases over a 15-year period in a large industrial state found older workers were most likely to experience discrimination when they approached 50, and again at 60 when they neared retirement. The Ohio State University study said the cases were rich with examples of qualified individuals who were laid off or forced into early retirement in a restructuring or downsizing. Many were long-term employees with good evaluations.

“Workers nearing 50 years old tend to be upwardly mobile middle managers that, particularly during harder economic times, tend to be seen as more expensive,” said lead author and sociology professor Vincent J. Roscigno. “Employers start contemplating whether they can replace these fiftysomething workers with younger workers who may not expect as much.

“Discrimination faced by the sixtysomething crowd seemed to be related to cost-reduction strategies surrounding health care and pensions, which can be big savings over time. In the one group the employers were looking at costs here and now, and the other, strategizing about future costs.”

Typical of the younger group was a 49-year-old service manager for a leasing company who, despite 17 years in management and repeated letters of recognition, was let go while a 35-year-old manager who had been with the company for one year was kept on. The company cited financial pressure in eliminating the older manager’s job, saying the decision was based on the “best service manager at that particular time, as well as who would be the best in the future,” the study reported.

Justifying actions
Employers used age stereotypes to justify their cost-saving strategies, Roscigno said. “The rationale we saw in the case material was wanting more ‘flexible,’ more ‘motivated’ workers. [Yet] some of these older workers were the ones who won awards. I don’t know about more motivated workers, but I’m pretty sure they wanted cheaper workers.”

The EEOC’s proposed rule change would make employers bear the burden of proving that a decision was based on a reasonable factor other than age.

“Any time an employer is required to prove reasonableness it puts more of the onus on the employer and ultimately increases the cost of defending these cases,” said Joel Rice of Fisher & Phillips in Chicago, who represents employers.

Advocates for older workers say that is where the burden belongs. “Requiring the victim to prove the employment practice was unreasonable was almost like proving a negative,” said AARP senior attorney Laurie McCann.

The EEOC also invited comment about whether the agency should issue additional rules explaining what “reasonable” means.

“That aspect is one of the most important parts,” McCann said. “AARP’s position is, there should be a job-related aspect for it to be reasonable. The whole area of cost is very difficult. It’s almost a knee-jerk reaction, when we need to cut costs that we’ll eliminate our longer-service employees. We will certainly argue additional guidance is necessary.”

5355: Just Say No.


Mommy, is this a corny ad?
Yes.

Sunday, April 13, 2008

5354: Are Admen Idiots?


From AdAge.com…

Advertisers: Men Are Not Idiots
Bashing Fathers and Husbands Isn’t the Right Way for Marketers to Sell Products

By Glenn Sacks and Richard Smaglick

The way the advertising industry portrays men has drawn increasing scrutiny in both the trade press and the mainstream media. Defenders of the status quo -- in which men are depicted as irresponsible fathers and lazy, foolish husbands -- are starting to feel outnumbered. It’s an understandable feeling.

In 2005, Bob Jeffery, chairman of JWT, said his agency had committed itself to developing “smart, positive portrayals of the modern man.” Meanwhile, anti-male ads have been criticized by, among others: Marian Salzman, chief marketing officer of Porter Novelli; Mark Tungate, author of “Branded Male: Marketing to Men”; syndicated columnist Kathleen Parker, whose weekly columns appear in 300 newspapers; TV host Bill Maher; CBS News anchor Charles Osgood; nationally syndicated radio-talk-show host Laura Schlessinger; syndicated columnist Jacey Eckhart; Chicago Tribune columnist Ross Werland; law professor/author and blogger Glenn Reynolds of Instapundit; Christine B. Whelan, author of “Why Smart Men Marry Smart Women”; and major-market-talk-show hosts Al Rantel, Mike McConnell, Ron Smith and Joe Elliott.

The evidence is clear: “Man as idiot” isn’t going over very well these days.

Defenders of the advertising status quo generally put forth the following arguments: Males are “privileged” and “it’s men’s turn,” so it’s OK to portray them this way, and that men simply don’t care how they’re portrayed. Both of these arguments are highly questionable.

Young males certainly aren’t privileged. The vast majority of learning-disabled students are boys, and boys are four times as likely as girls to receive diagnoses of attention-deficit hyperactivity disorder. Girls get better grades than boys and are much more likely than boys to graduate high school and enter college. According to the National Center for Education Statistics, women earn 60% of all bachelor’s degrees and 60% of all master’s degrees.

That adult men are “privileged” over women is also questionable. Yes, men do make up the majority of CEOs, politicians and powerbrokers. They also make up the majority of the homeless, the imprisoned, suicide victims and those who die young.

Negative depiction
How fathers are portrayed matters. Fatherlessness is one of the greatest threats our children face. Syndicated columnist Leonard Pitts Jr. recently said: “Twenty-eight percent of American kids … are growing up in fatherless homes, heir to all the struggle and dysfunction that condition portends. … Who can deny those [are] appalling numbers[?]”

Among the many ills of fatherlessness are much higher rates of teen drug abuse, crime, pregnancy and school dropouts.

While the advertising industry’s negative depiction of fathers certainly isn’t the cause of fatherlessness, it is part of the problem. In a TV culture like ours, the fact that the only fathers one can see on TV are buffoonish (at best) does influence young people’s perceptions of fathers.

For young men, it makes it less likely they’ll aspire to be fathers, see their own value as fathers or, as Mr. Pitts explains, want to do the “hard but crucial work of being Dad.” For young women, it means they’ll be more likely to be misled into thinking that their children’s fathers aren’t important, that divorce or separation from them is no big deal, or that they should, as is the increasing trend, simply dispense with dad altogether and have children on their own.

Is it true that men really don’t care how they’re portrayed? Evidence strongly suggests otherwise.

According to Leo Burnett Worldwide’s 2005 “Man Study,” four out of five men believe media portrayals of men are inaccurate. The study found that men care more about the way they are viewed than was generally believed.

When Kate Santich of the Orlando Sentinel did a feature on “men-as-idiots” advertising in 2004, she says she was “astounded” at the amount of mail she received, almost all of it critical of the way men are portrayed in ads. In a Washington Times article in January, advertising-industry journalist Todd Wasserman described getting a similar reaction to a recent article he wrote on anti-male ads.

This sentiment was reflected in the popularity of the highly publicized campaigns we’ve launched against advertising that is hostile to males. Several thousand protesters participated in both our 2004 campaign against Verizon’s anti-father ad “Homework” and our 2007 campaign against Arnold Worldwide.

Get on Her Good Side
Our campaigns have drawn widespread support from women, who generally do not like to see their sons, husbands and fathers put down. As Rose Cameron, senior VP-planning director and “man expert” at Leo Burnett, says: “One of the great markers [society] looks to about the intelligence of a woman is her choice of husband. So if advertisers position men as idiots in the husband scenario, then you’re commenting on her smarts. Women have told us, ‘If you want to get on my good side, you do not show my husband as the idiot.’”

We have three suggestions for the advertising industry:

1. Create more ads that are father-positive. Some recent examples include AT&T’s touching father-daughter ad “Monkey”; First Choice Holidays’ “Slow-Motion Hugs”; and Ford’s father-son ad “We Know.”
2. As we consider whether it’s wise to make men the butt of every joke, we should also consider the joke itself. Many see the 1960s as the golden age of advertising. Those who crafted the ads of that era created work of superb quality, seldom if ever resorting to the contempt, shame and aggressive ridicule of today’s ads.
3. When an ad does need to poke fun at somebody, stop automatically defaulting to men as fools.

Is bashing men a good way to sell products? The ad world has learned, for the most part, to respect womanhood. Given the rising level of media, ad-industry and public disgust toward anti-male ads, it’s clear that good, respectful humor is a much healthier approach to advertising.

Glenn Sacks has written columns on men’s and fathers’ issues that have appeared in dozens of large newspapers in the U.S.

Richard Smaglick is an advertising critic and founder of the media-watchdog organization Fathers and Husbands.

5353: Law And Disorder.


Legal briefs and panties in a MultiCultClassics Monologue…

• As the R. Kelly trial date nears, the judge has been working hard to keep things confidential. Lawyers are under gag order to prohibit them from speaking with reporters, while numerous closed sessions have been held with the judge, lawyers and R. Kelly. Which probably means all parties are inking their deals for the inevitable reality TV series.

• Ohio troopers have been punished for a KKK prank held a day before the Martin Luther King Jr. holiday. One officer donned a KKK-style costume while another snapped a pic on his cell phone. The costumed cop received a five-day suspension, the picture taker was demoted and a third officer received a one-day suspension. The White officers insisted they were inspired by a comedy skit from Dave Chappelle. They also probably blame their racist actions on gangsta rap.

5352: Air Ball.


This ad needed an assist—from a stylist, copywriter and art director.

5351: Costa Chica.


From The Los Angeles Times…

An unusual blend of cultures: Mexican and black
Immigrants from Costa Chica share an ancient ethnic heritage and culture that few outsiders know about.

By John L. Mitchell, Los Angeles Times Staff Writer

Every Sunday, on a chewed-up soccer field in Pasadena, Mexican immigrants play a game they learned barefoot in the dusty pueblos along a remote stretch of the Pacific coast.

The Costa Chica team -- named for the picturesque coastline south of Acapulco -- has cut a winning path through the heart of an immigrant-dominated league in Pasadena, capturing three championships in two years.

Its players are agile and swift. And they’ve quickly earned the respect and admiration of opponents who at first didn’t know what to make of their talented adversaries.

“Are you really Mexican?” they are sometimes asked.

Their skin is dark. They look Honduran, Dominican or even African American.

Black Mexicans?

“No existe!”

But Costa Chicans -- many dark in complexion with puchunco (curly or kinky) hair -- are Mexicans with cultural and racial histories going back hundreds of years to the Spanish conquistadors and the African slave trade.

As part of the massive wave of Mexican immigrants who began fleeing the economic hardships of their homeland in the 1980s, black Mexicans from the coast settled in communities throughout the United States, in Winston Salem, N.C., Joliet, Ill., and Salt Lake City, among other places.

Some 300 Costa Chicans live in Pasadena, and thousands more can be found in San Bernardino, South Los Angeles, San Juan Capistrano and Santa Ana, all enclaves characterized by close family and community ties.

The story of their journey and survival includes familiar subplots: immigrant families -- some here legally, some not -- struggling to adjust to a new country, establish livelihoods and avoid the perils of urban life. And for Costa Chicans, the unique cultural and racial identities add another layer of complexity as they try to make their way in a new land.

Like all immigrants, this group came here looking to scratch out a better life than the one offered in the small coastal towns of Guerrero and Oaxaca where most were born. Many seemed to have found what they were looking for -- and then some.

[Read the full story here.]

5350: Keeping It Real Dumb.


This ad is 100% awful bullshit.

Saturday, April 12, 2008

5349: Teeing Up And Shooting Off.


Racists and Revolutionaries in a MultiCultClassics Monologue…

• Not-so-ancient Chinese secret: Professional golf is filled with bias and exclusivity. The latest controversy involves former pro player and CBS announcer Bobby Clampett, who referred to golfer Liang Wen-Chong as “the chinaman” during a Masters broadcast. Clampett later remarked, “It has been a privilege to be here with you the last 2 days describing action of all of the players. In describing the Asian player Wen-Chong Liang if I offended anybody please accept my sincere apologies.” Jed Clampett and Granny deny having any association with Bobby Clampett.

• Alicia Keys showed her political side during an interview with Blender magazine. Her comments included, “‘Gangsta rap’ was a ploy to convince Black people to kill each other. ‘Gangsta rap’ didn’t exist.” Additionally, the feud between Notorious B.I.G. and Tupac Shakur was ignited “by the government and the media, to stop another great Black leader from existing.” Keys also claimed she’s read Black Panther autobiographies and wears an AK-47 pendant “to symbolize strength, power and killing ‘em dead.” This should play well with executives at Unilever, who recently signed up Keys as a spokeswoman for Dove. Maybe it can be positioned as the Dove Keepin’ It Real Beauty Campaign.

5348: Chocolate & Vanilla.


Weekend Rap-Up in a MultiCultClassics Monologue…

• A Black woman, Crystle Stewart (aka Miss Texas), was crowned Miss USA. Which balanced out Donny and Marie Osmond, the Whitest hosts imaginable.

• Vanilla Ice was arrested for domestic battery on Thursday, after allegedly roughing up his wife. The rapper also spent a night behind bars in 2001 for similar charges. Not nice, nice, baby.

5347: Blossoming Burger.


New from FTD: The Whopper Jr. Bouquet.

5346: Afro Fluff.


Not sure what this is about, but there’s not an Afro in sight.

Friday, April 11, 2008

5345: Shitty Underwear.


It’s always perplexing to see a brand adopt wildly different personalities for different countries. Yes, it’s important to develop messages that are culturally relevant to specific audiences. But why would Hanes offend Americans with the perennially lame Michael Jordan and Cuba Gooding, Jr. commercial while outraging folks in India with the ads depicted below?




From Ads Of The World. Hat tip to Racialicious.com.

5344: Overreaction Of The Week.


The cover story of the latest edition of Advertising Age is titled, “The Catch-22 Of Buying Black Media,” and details the issues involved with minority media. The back cover features an ad whose headline reads, “Not All Men Are Created Equal.” A Freudian editorial slip?

5343: Those Are Fighting Words.


Looks like this soldier is under attack—from typography torpedoes.

Thursday, April 10, 2008

5342: Black Thursday.


In the Black with a MultiCultClassics Monologue…

• News reports claim Naomi Campbell also threw racial slurs at Heathrow Airport cops during her latest meltdown, calling them, “Fucking White honkies.” Campbell allegedly thinks the incident was racially motivated and told a friend, “It just goes to show I have to fight for who I am. It’s because I’m Black.” That’s right. It has nothing to do with the supermodel being a raging lunatic.

• A moron in Ohio was arrested for allegedly sending threatening correspondence to Blacks for the past 20 years. His targets were Black men associated with White women, White women associated with Black men and biracial children. The man even threatened to blow up the U.S. Supreme Court and Justice Clarence Thomas. There are no reports showing the man’s intended victims included Naomi Campbell. Probably because she’s Black.

5341: Doggy Discrimination.


From The Associated Press…

Large, Black Dogs Go Unwanted

By EMILY ZEUGNER, AP

NEW YORK — When Aaron Jones walks Gozer, his Rottweiler-hound mix, people cross the street to avoid them. Mothers scoop up their children. A lost motorist once rolled up the windows and drove off after spotting the dog. One woman screamed.

“He’s the nicest dog I know,” said Jones, 33, of Oakland, Calif. “It’s hard to understand all the fear.”

Gozer isn’t aggressive and doesn’t look mean or bark, Jones insists -- people are afraid of the dog purely because it’s big and black. As a puppy, Gozer was passed over for at least a month before Jones took him home.

According to animal shelter officials, big, black dogs like Gozer have more trouble finding a happy home than do other dogs. Some shelters even have a name for it: “Big black dog syndrome.”

Nobody tracks the problem nationally, and local shelters often keep only limited data on the sizes, breeds and colors of the dogs that are adopted or put down, according to the Humane Society and the American Society for the Prevention of Cruelty to Animals.

“But anecdotally,” said Stephen Musso, executive vice president of the ASPCA, “that’s what we hear from shelter after shelter: Big, black dogs just don’t get adopted.”

At the city animal shelter in Rogers, Ark., big, black dogs almost always make up the bulk of the animals put to sleep each month. Last month, 13 of the 14 dogs killed by the city were large and black -- mostly Labs, shepherd mixes, pit bull mixes and Rottweillers, said Rhonda Dibasilio, manager of the city Animal Services Department.

It’s not just that large dogs can be frightening: Animal shelters say black dogs of all sizes are difficult to photograph for online listings, and are hard to spot against the shadows of their crates and cages in dimly lighted kennels.

Older black dogs with a little white in their muzzles can look elderly. Bigger breeds like German shepherds or Chows aren’t as fashionable as small, cuddly lap dogs.

Then there’s the reputation. The idea of a big, black dog unleashing destruction is a common theme in books, movies and folklore as diverse as “The Hound of the Baskervilles,” the “Harry Potter” series and “The Omen.”

Even the common sign “Beware of Dog” depicts a big, black dog, teeth bared and gums dripping. The notion that the animals are menacing is so pervasive that Winston Churchill famously called depression “the black dog.”

People are often wary of dark dogs because it’s difficult to read their expressions, said Paul Nicosi, the dog behavior specialist at Bide-A-Wee animal shelter in New York City. Without defined eyebrows, a playful grin might be construed as an angry grimace, he said.

“There isn’t a lot of contrast between black eyes and a black face, so people can’t get a handle on how the dog is feeling,” Nicosi said.

Joseph Giannini, owner of the Chicago dog-walking and doggie day care service Urban Out Sitters, said people may subconciously snub big black dogs because they aren’t comfortable with what the pet may say about the owner.

“If I’m out with a Yorkie I definitely get treated very differently than if I’m walking a big Rottweiler or a dark pit bull mix,” he said. “You look at the owner of a big, black dog and you might think, ‘Oh, there’s a tough guy. I better avoid him and his mean dog.’”

It doesn’t help that a quirk of dark-dog biology has led to an overabundance of large, black dogs, said Alex Yaffe, who founded Heartland Lab Rescue, a network for rescuing abandoned Labrador retrievers in Oklahoma. Labradors and pit bulls are resilient dogs who tend to have big litters of five or more, which increases overpopulation.

One black dog, Coal, took more than six months to find a home despite a sweet temperament, excellent recommendations and a featured spot on Yaffe’s Web site. “He was just black,” Yaffe said. “That was his one offense.”

The Web site blackpearldogs.com, a resource devoted to increasing public awareness of the “big black dog phenomenon,” offers some lighthearted reasons to adopt a big, black dog: Their color doesn’t clash with furniture or clothing, hides dirt well, and is easy to accessorize. In other words, black dogs could be the new black.

The dogs do appeal to those who want protection on walks late at night, or men who seek a canine boost of machismo, said Sandra DeFeo, the co-executive director of the Humane Society of New York.

And there’s a certain contingent of dog lovers who specifically seek out black dogs because of their connection to the trendy Black Dog bakery on Martha’s Vineyard.

“But either way, feelings aren’t based on fact,” she said. “Any dog can be friendly or unfriendly -- big, black dogs and little Chihuahuas alike.”

5340: Toilet Humor.


Well, at least they didn’t display a Latino janitor…

5339: New Views From The Kids’ Table.


The column above was published in the latest issue of Advertising Age, as well as the Small Agency Diary at AdAge.com.

Nancy Kramer, founder and CEO of Resource Interactive in Columbus, Ohio, makes the standard pitch for “below-the-line” enterprises to receive professional respect from the traditional advertising agencies and clients too. Kramer’s frustrations are shared by anyone who has ever had to bow behind the majority rulers—a familiar spot for minority shops. Yet it’s unlikely her viewpoint will inspire change. In addition to the traditional ad agencies’ iron grip on budgetary and political control, the clients still diss the smaller partners. As Kramer reveals, even the digital shops rate second-class citizenship, despite the exploding importance of interactive marketing.

However, this essay will not rehash the same gripes. Rather, the goal is to present a few observations on the state of the union. Or the disunion.

There was a time when the traditional ad agencies were in command. Or at least they created the illusion of wielding the main power. But through the years, things have dramatically altered.

The “below-the-line” shops continued to develop in their respective areas of expertise. Additionally, because most of these shops were already staffed with multitasking workers wearing multiple hats, the troops were better equipped to respond to the industry’s total downsizing.

It’s been quite different with the traditional ad agencies. The bloated, old school inhabitants kept farming out the heavy lifting to vendors or in-house studio grunts. Hell, the art directors rarely mounted their own layouts onto foamcore. The big agency employees failed to speed up in the accelerated arena. Plus, they appear to be moving backwards in regards to awareness of popular culture and technological advancements.

Now “below-the-line” partners are witnessing a new sight from the kids’ table. It’s like watching an elderly, drunken uncle show up for the family gathering. The traditionalists stumble, stammer and unveil concepts that are hackneyed garbage—often barfing all over everyone in attendance. It’s embarrassing to be a spectator. These guys aren’t ignoring the smaller partners for sinister reasons. They simply don’t have their shit together. Period.

Back in the day, the traditional ad agencies’ arrogance was a pain in the ass to accept. But assuming a totem pole position under today’s Otis Campbell and Foster Brooks is downright insulting.

Wednesday, April 09, 2008

5338: Cereal Boxing.


Here’s the latest Latino advertising integration of boxing imagery.

5337: First-Class Foolishness.


Flying through the news in a MultiCultClassics Monologue…

• I’m Lovin’ Tit. Mickey D’s doled out $505,000 to four ex-employees in Colorado to settle a sexual harassment suit. The women claim a then 24-year-old manager routinely bit their breasts and squeezed their buttocks. That doesn’t sound like any Extra Value Meal on the menu board.

• American Airlines cancelled about 500 flights to inspect and repair wiring in the wheel wells of 300 jets. The groundings affected up to 40 percent of the airline’s passengers. The company’s tagline is, “We know why you fly.” They apparently don’t know why their planes can’t fly.

• Naomi Campbell has been grounded by British Airways, as the airline banned her for assaulting cops at Heathrow Airport. The airline probably suspects the supermodel has faulty wiring that can’t be repaired.

5336: ¿Dónde Está Oswaldo?


You may need a magnifying glass, but there’s some crazy shit happening in this headline.

Tuesday, April 08, 2008

5335: Never Mind.


From The New York Times…

Los Angeles Times Retracts Article on Rapper’s Attack

By BRIAN STELTER

The Los Angeles Times formally retracted on Monday its investigative report about a 1994 attack on the rapper Tupac Shakur after concluding that a prison inmate had fabricated much of the evidence cited in the article.

The article, published online on March 17 and in the newspaper two days later, suggested that associates of the rapper Sean Combs were involved in a shooting of Mr. Shakur. A 600-word correction on the front of the Calendar section stated that the report “relied heavily on information that The Times no longer believes to be credible.”

The newspaper has removed the original article and associated materials from its Web site and directed readers to the retraction.

The article, which was written by Chuck Philips, relied primarily on documents, purportedly written by F.B.I. agents, which were apparently fabricated by James Sabatino, a longtime con man who is in a federal prison.

The Web site The Smoking Gun first raised questions about the authenticity of the documents on March 26. The Los Angeles Times published a front-page apology the next day and said it would investigate the documents fully.

A spokeswoman for the newspaper said Mr. Philips, a Pulitzer Prize winner, would remain with the newspaper as an investigative reporter. She would not comment on whether any disciplinary measures had been taken.

“The Los Angeles Times has taken this matter very seriously,” the newspaper’s editor, Russ Stanton, said in a statement. “The retraction that appears in the paper and on our Web site today, and the previously published apology, speak for themselves.”

The editor of The Smoking Gun, William Bastone, said on Monday that he awaited a further explanation of how the mistakes had been made.

“In the recent history of journalism, when stories go really bad, the publication often does an explanation of how it happened,” Mr. Bastone said. “I’d like to know: How did this kid pull this off from behind bars?”

5334: Funny Money.


Is the wallet smiling? Or has it been permanently bent by its owner’s fat ass—courtesy of Mickey D’s?

5333: Ageism Is Getting Old.


TalentZoo.com recently published two columns on ageism by Euro RSCG Chairman and Chief Creative Officer Steffan Postaer, which can be viewed here and here. Although the writing is clumsy—and the second column is contrived pap—the perspectives warrant examination. The comments actually reveal more than the words that inspired them, provided you can navigate through the haters spanking Postaer for sport.

While Postaer may be a member of Generation X (and that’s not for certain), he displays a host of Baby Boomer attitudes, including the cultural cluelessness usually associated with the elder group. Plus, folks have already addressed ageism and generational differences in the past years (see Ernie Schenck’s musings here and here).

Postaer can’t seem to make up his mind on matters, backpedaling and even contradicting himself. For example, he stated that “every other creative employee in [the typical agency is] a scruffy, white male replete with loose jeans and ironic tee shirt.” Yet when pressed on it in the comments section, Postaer announced that his current shop features more women and minorities than other places he’s worked at. Of course, this doesn’t mean much, as he spent the bulk of his career at lily-White Leo Burnett. Additionally, when questioned about the number of older staffers on his team, Postaer declined to respond. Postaer and his HR director will undoubtedly deny it, but he appeared to admit that young, White males are favored in Euro RSCG’s creative department.

Postaer later suggested older creatives aspire to management positions. The notion disregards the reality of today’s workforce and workplace. In the decades ahead, the industry will see a greater mix of generations than ever before. And given the trend to flatten hierarchies, there simply won’t be enough managerial slots for senior staffers to fill. Don’t forget the challenges of new media too. Many Baby Boomers and older Gen Xers are not exactly experts in the digital arena. Sorry, but we hardly need to increase the legions of inept, unqualified people in leadership roles.

Postaer should be careful when warning older workers that the kids are after their jobs. He ought to know it’s illegal to fire seniors and replace them with youngsters.

The disturbing part about Postaer’s columns and the accompanying comments is the open recognition that bias and discrimination exist in our business. In fact, numerous commentators expressed a sense of resignation. Ageism is just another mouthful of vomit from the sickness that continues to go unchecked, untreated and ultimately ignored.

Then again, there’s irony and hypocrisy within the furor ignited by this particular strain of prejudice.

White men have traditionally turned a blind eye and deaf ear to the inequities so prevalent on Madison Avenue. Yet now the boys are throwing a fit because they’re in the cultural crosshairs.

Monday, April 07, 2008

5332: Absolut Controversy.


From The Los Angeles Times…

Absolut vodka ad stirs a U.S.-Mexico debate
Some in the north take offense at the depiction of an old border.

By Deborah Bonello and Reed Johnson, Special to The Times

MEXICO CITY -- The latest advertising campaign in Mexico from Swedish vodka maker Absolut seemed to push all the right buttons south of the U.S. border, but it ruffled a few feathers in El Norte.

As word of the campaign spread across the border, primarily via the Internet, some in the United States began giving the campaign a much more hostile reception.

The colorful ad, created by the Teran\TBWA agency and the vodka maker, is a sight gag depicting what a map of North America might look like “In an Absolut world,” i.e., a perfect one.

It shows the Mexican border extending, very roughly, to its position during the 1800s before the Mexican-American War.

At that time, California as we now know it was part of Mexican territory and known as Alta California. Those territories eventually became U.S. property after the voluntary annexation of Texas and, later, the Treaty of Guadalupe Hidalgo.

Jeffrey Moran, a spokesman for Absolut in New York, said Friday that the company had received numerous complaints about the ad, which won’t be running in the United States. The ads ran for about two months in Mexico and had been scheduled to end this week.

Moran acknowledged that the ad had inflamed the already heated immigration debate and that the campaign had been accused of being anti-American, which he said was “never the intention of Absolut.”

“This ad certainly has nothing to do with immigration issues or anti-Mexican sentiments,” Moran said. “It’s based on a historical perspective on what Mexico was once. That’s all.”

A Friday post about the campaign on The Times’ La Plaza blog generated hundreds of responses, both positive and negative, about the campaign.

Many readers who posted comments said they found the ad offensive and planned to boycott Absolut.

But others, who liked the ad, indicated they would make a point of buying the vodka.

Some advertising directors commended the ad’s creativity but agreed that it would play better in Puebla than Peoria.

“I think the Absolut ad campaign is terrific. For Mexican eyes only, that is,” said Manny Gonzalez, vice president and managing director of Hill Holliday Hispanic/abece, a Miami-based ad agency specializing in the Latino market.

“This advertising basically taps into a very painful episode of Mexico’s history, so the cultural code for understanding that [for Mexicans] is ‘We were robbed,’” said Eduardo Caccia, vice president of Mindcode, a Mexico City advertising consultancy. “For the U.S. it’s different. The understanding for that episode is ‘We bought some land. We made a deal.’ The same event, but with different meanings.”

5331: Pregnant Pause.


Looks like 4 out of 5 obstetricians now recommend chewing Trident gum.

5330: Real Women After Therapy.


Wow! New Dove Therapy System with repairing serum transformed the Dove Real Beauty women (i.e., ordinary, chubby chicks) back into supermodels.

Sunday, April 06, 2008

5329: Fade To Black…


From AdAge.com…

The Catch-22 of Buying Black Media
Field Deserves Support, but There Aren’t Many Outlets Left, and Most Have Limited Reach

By Mya Frazier

COLUMBUS, Ohio -- The chief marketing officer dreads opening the survey request from the National Association for the Advancement of Colored People each fall.

The request is always the same: Detailed data on where the brand this CMO manages spends its sizeable advertising budget -- including black-owned media. And each year, the request for a breakdown of ad budget is politely declined by the marketing chief, who cites its proprietary nature.

And so each year, the brand winds up with an F in the area of marketing and communications -- along with 16 others -- in the NAACP annual Consumer Spending Guide. The stated goal is to measure corporate America’s relationship with the African-American community -- a consumer segment that represents 13% of the U.S. population with spending power of $845 billion in 2007 -- a figure expected to leap to more than $1.1 trillion by 2012, according to the University of Georgia’s Selig Center for Economic Growth.

“All things being equal, we’d have no problem supporting” black-owned media, said the CMO, but “a lot of the true African-American owned media companies are small and very decentralized. That doesn’t fit our strategy of needing to have a national reach. We have looked at some of the options, but the delivery is so small in relation to cost it doesn’t fit our strategy.”

The survey’s goal is to urge the black community to buy from marketers that support black media and to boost media ownership within the community, according to Richard McIntire, a spokesman for the organization. “Brands have these huge budgets, and less than 1% is reinvested back into African-American media,” Mr. McIntire said. “The black press does not see the advertising dollars coming from major corporations who will advertise in a market with two dailies but won’t in the smaller community papers.”

Scale affects pricing
But some marketers argue that in an ever-more-complex media environment, it’s not that simple. In a world of scale -- and the benefits of lower ad pricing that come with it -- there are few independent, black-owned media outlets left to support, and those that exist don’t have the reach to offer competitive rates.

Some of the biggest names in black media today actually are owned by corporate titans. The most notable example is BET, which founder Bob Johnson sold to Viacom for $3 billion in 2000. Then there’s Essence: Time Warner’s publishing arm took full ownership of the legacy brand in January 2005.

But the most dismal rate of media ownership among African-Americans is in TV. Only five African-Americans own full-power commercial TV stations; they collectively own eight out of 1,379 commercials stations nationwide.

“It’s not an impossible environment, but it’s tough,” said Lyle Banks, founder and CEO of Banks Broadcasting in Chicago, which owned two TV stations before selling KSCW-TV, Wichita, Kan., to Schurz Communications in August 2007. “It’s not just minorities. For anyone coming in the last two years, it’s difficult to raise enough money to buy into TV stations that are being sought by those who have scale and lower costs. You might have enough money to buy one TV station in a medium or a small market, but unless you plan to hold on to that station and grow it, it’s going to be very difficult to buy more stations to survive in this competitive business.”

Minority ownership in decline
The minority-ownership rate in TV has plummeted in recent years, falling nearly 70% in the past decade, according to a 2007 Free Press study.

Recent declines in TV ownership are attributed to the bankruptcy in May 2007 of a single company: New York-based Granite Broadcasting, which operated nine stations in seven states. That’s not to say that TV ownership among African-Americans was ever strong.

In fact, it wasn’t until 1975 that an African-American even owned a TV station. In 1978, among other new policies, the Federal Communications Commission tried to encourage minority ownership by giving tax deferrals on capital gains to radio or TV owners when they sold stations to minorities. Additionally, tax certificates were awarded to investors for giving start-up capital to minorities to buy radio or TV stations. Ownership rates peaked in the mid-1990s, according to the National Association of Black Owned Broadcasters, when African-Americans owned 23 TV stations and 240 radio stations. But after the Republican takeover of Congress in January 1995, Congress voted to eliminate the tax programs.

A year later, the 1996 Telecommunications Act relaxed ownership rules -- prompting some of the most successful African-American TV owners to sell out to bigger players. “Some of them did very well, and most of them who cashed out did so because they figured they couldn’t compete anymore,” said Jim Winston, executive director of NABOB.

[Read the full story here.]

5328: Why Y?


From AdAge.com…

Give Gen Y-ers a Reason to Stay at Your Agency
We All Must Dramatically Re-engineer How We Approach Entry-Level Positions

By Mark Strong

Ever scanned tomorrow’s calendar only to find that a junior member of your team has scheduled 15 minutes with you but offered no specific reason? Any astute manager knows that this dreaded appointment will likely contain either complaining, crying or quitting -- all of which are rather unpleasant but entirely manageable. However, Gen Y employees have begun using these 15-minute sessions for a much more captivating reason: to take their senior-most management through the Four Ps: the Personal-Progress PowerPoint Presentation.

From a design standpoint, the Four Ps I have observed generally were quite stunning and demonstrated tremendous mastery of PowerPoint’s next-generation offerings -- hyperlinks, unusual custom animations, video and the new 2007 Word Art function. But while the form of each varied dramatically, the function did not. All of the presentations were built around three distinct sections:

1. ACCOMPLISHMENTS
A comprehensive list of the projects the employees had worked on since joining and a recap of what they had learned about themselves, the agency and our business.

2. GOALS
Specific short-term and long-term objectives the employees had set for themselves, often the most significant portion of the presentations. Some key shared desires, such as to marry personal and business passions, to quickly move between jobs, to make lots of money.

3. EXPECTATIONS
Each presentation ended with three asks: a promotion, a specific salary increase and a desired effective date for both.

At the conclusion of each presentation, I was all too happy to give the presenters the positive recognition they wanted and deserved. But beyond that, my hands were tied. If I could have given them the raises and promotions they desired, I would have. But our business model just doesn’t support those actions. These frustrated Gen Y-ers might have begun job searches or, even worse, developed a crushing resentment toward me and the agency and written about it in their blogs. Who can blame them?

The brightest of my junior account folks attended notable universities and graduated with impressive GPAs. They ran fraternities, philanthropic organizations, student governments. And what can I offer them in return? A frequently mind-numbing job filling out insertion orders for newspaper ads, managing Excel budgets, updating status reports and writing up competitive alerts, all for a salary that’s considerably lower than what their client equivalents make.

Agencies need to find a new employment model that better caters to Gen Y’s 21st-century skill set, enviable ambition and vibrant desire for recognition. If we don’t, rest assured we will continue to lose smart and driven people to other, more-Gen-Y-friendly industries.

In a recent survey of our New York office, the majority of our employees under 25 wanted quarterly performance check-ins with their direct supervisors and separate quarterly meetings with their department heads. Right.

We all must dramatically re-engineer how we approach entry-level positions. Here we’re testing rotational department/discipline employment, reverse mentoring, master’s-level strategic education, personalized performance metrics and accelerated compensation models.

Gen Y employees are playing a more active role than ever in managing their careers. Our job is to find new ways to motivate, inspire and reward them. If we don’t, I fear these “Ad”-olescents won’t be taking us through their PowerPoint decks any longer, because there simply will be none of them left.

Mark Strong is group managing director on McCann Erickson’s global MasterCard business.

5327: What Can Brown Do For You?


The story below appeared in The Philadelphia Business Journal. A brief MultiCultClassics comment immediately follows…

Ad agency boss opens career doors to inner-city youth

by Peter Van Allen

Philadelphia’s advertising agencies have struggled to bring more diversity to their ranks -- and no one feels it more acutely than the agency head who has fought for greater representation.

David Brown, who owns Brown Partners in Philadelphia, has had a hard time finding minority job candidates. But he knows too well how stratified the agency world has been.

“For a long time, a good many years, with the agencies in Philadelphia, you had a Jewish agency, a WASP agency, an Italian agency,” Brown recalled. “When I started at Spiro & Associates, I was the only African American. It’s moved at a glacial pace, but it is changing.”

To hasten the pace, in 2004 Brown started The Big Pitch, a six-week program in which students in Philadelphia’s public schools are given an assignment to produce an advertising “pitch.” The mission is to expose inner-city high school students to careers in advertising.

The students are matched up with advertising agency “coaches” who act as mentors to the students as they prepare their campaigns. The students participate in six weeks of after-school classes, where they learn about advertising principles and careers.

This spring, the effort was focused on creating a voters’ campaign, to convince older students to get out and vote. The program culminated with students from Charter High School of Architecture + Design (CHAD) and Roxborough High School competing, in an “American Idol” format, for the top prize, $1,500.

“We had 40 kids to start. We get a lot because of the prospect of $1,500 in cash. Then they started to see how difficult it is. Then we whittled it down to the few and the proud,” Brown said.

CHAD had five kids and Roxborough High School had four.

“They get to see how powerful advertising is. It influences people's beliefs beyond selling sneakers and soda pop,” Brown said.

So, rather than selling sneakers or soda, kids involved in the Big Pitch are directed toward issues-oriented advertising -- advertising with a social mission, if you will. One year, the program focused on how to reduce violence in schools. This year, the emphasis is on the election, particularly Pennsylvania's influential primary.

“The Obama and Hillary battle has resonated. At CHAD, they were already working on a voter-registration drive,” Brown said. “We try to ask what’s going to motivate an 18-year-old who has to go through a war zone to get to school every day.”

While the program has no trouble motivating high school students, it has difficulty in finding advertising agencies in Philadelphia that will participate as guest instructors. So far, the program has gotten strong help from Red Tettemer founding partners Steve Red and Ed Tettemer, as well as Tierney Communications CEO Mary Austen and Brownstein Group President Marc Brownstein.

Agencies also pool funds to create the cash prize.

In 2006, MultiCultClassics dubbed Brownstein Group President Marc Brownstein a culturally clueless critter based on an essay he posted at AdAge.com’s Small Agency Diary. Kudos to Brownstein for hanging tough and also supporting David Brown’s progressive efforts.

5326: Beaten And Bloodied.


Public spankings in a MultiCultClassics Monologue…

• Now FIA president and alleged Nazi S&M enthusiast Max Mosley is fighting back. Plus, he’s suing the British newspaper that revealed his romp with five hookers. “I was the victim of a disgusting conspiracy. It goes without saying that the so-called Nazi element is pure fabrication,” argued Mosley. “This will become crystal clear when the matter comes to trial. The newspaper invented this in order to spice up their story and introduce my family background. … In short, I think I have done nothing wrong and that the wrong was done by the newspaper. That is why I am suing them. … Many people do things in their bedrooms or have personal habits which others find repugnant. But as long as they keep them private, nobody objects. … I don’t think any of this should affect my work on motoring safety, the environment or the sport. I believe that 21st century adults do not worry about private sexual matters as long as they are legal and harmless. … I shall put this view to the Assembly in due course.” This guy is clearly masochistic, as he’s bound to get his ass whipped by the media.

• Meanwhile, one of hookers spoke to the press, confirming that Max Mosley did indeed order a Nazi-style orgy. “We were only following orders,” said the woman. “Max told Mistress Switch that he wanted a German dominatrix and she got one—Mistress Zena. She’s German and wore a German military uniform. Then Mistress Abi was booked and had to be in German uniform, too—a German Luftwaffe tunic. All the outfits come from army surplus stores. … And I was told to expect a very strong Nazi theme, including demeaning body inspections, brutality and that two submissive girls, called Leah and JD, must play the parts of camp inmates. … They’d wear striped prison camp-style uniforms, be beaten and have sex with Max. … Mistress Switch said she herself would be wielding the cane on Max, flogging him with full force 15 times after strapping him to a bench. It was all carefully worked out beforehand. Max had given Mistress Switch £2,500 to sort out the whole scenario and she briefed us all on his requirements. … A client never hands out that sort of cash without saying EXACTLY what he expects. He doesn’t just say, ‘Look, there’s a bundle of cash, just do what you fancy.’” Mosley is probably delighted to receive this additional free beating.

• Skybus Airlines got its ass whipped by the competition, and it’s now shutting down to file for bankruptcy after about one year in business.

5325: Comic Book Collection.


Looks like comic book imagery is the cliché du jour for Latino advertising. It’s a safe bet that translating the ads would show none are even remotely funny.


Saturday, April 05, 2008

5324: Cause For Debate.


The new campaign addressing the climate crisis presents peculiar arguments for its cause. A TV spot features examples of people rising to meet challenges and proclaims, “We didn’t wait for someone else to guarantee civil rights…”

Um, seems like the country waited a long time with that issue. Plus, some folks are still questioning the success and progress.

5323: No Doggs Allowed.


Dogg droppings in a MultiCultClassics Monologue…

• Britain is appealing a decision to let Snoop Dogg into the country. The artist was banned after an arrest stemming from a 2006 melee with authorities at Heathrow Airport. But in January, a special committee awarded him entry clearance. Note to Dogg: Don’t use Naomi Campbell as a character witness.

5322: Imagine All The Colored People.


This ad lacks imagination.

5321: Sleep-Inducing Dreck.


The creative director who approved this ad was asleep at the wheel.

Friday, April 04, 2008

5320: Making The Cut.


Cutting remarks in a MultiCultClassics Monologue…

• Supermodel Naomi Campbell was arrested in London’s Heathrow airport for allegedly punching and spitting at a cop. Hard to believe Campbell would do such a thing. Guess she didn’t have her cell phone handy to hurl.

• Whitney Houston is probably looking to spit on Bobby Brown, who trashed her in his new autobiography. Excerpts include, “I think we got married for all the wrong reasons. Now, I realize Whitney had a different agenda than I did when we got married. … I believe her agenda was to clean up her image, while mine was to be loved and have children. … I never used cocaine until after I met Whitney. At one point in my life, I used drugs uncontrollably. I was using everything I could get my hands on, from cocaine to heroin, weed and cooked cocaine.” The most amazing revelation is that Brown is even capable of writing.

• Lil Jon is moving beyond crunk juice to launch a wine label. “I’m not no ‘drink wine every day’ kind of dude,” said the winemaker. “I’m not like an expert, so don’t ask me no questions … I just like the taste.” Guess he’s more of a crunk connoisseur.

• Dell plans to cut more than the 8,800 employees it announced would be terminated last year. It’s not a good sign when a computer company can’t accurately compute its own workforce reductions.

• Motorola plans to cut an additional 2,600 employees, bringing its yearly termination total to over 10,000. The unofficial title for the moves: Razr Cuts.

5319: Marching On.


From The Associated Press…

Marchers to Honor King in Memphis Today

By THE ASSOCIATED PRESS

MEMPHIS, Tenn. (AP) -- Presidential candidates, civil rights leaders, labor activists and thousands of everyday citizens are coming together Friday to honor the Rev. Martin Luther King Jr. on the 40th anniversary of his death.

On the 40th anniversary of his assassination, King is to be honored as a champion of peace in the city where he died.

“Here was a man who understood nonviolence at a depth that I had never known before,” said C.T. Vivian, a former King associate.

“The whole nation flinched” when King was killed by a rifle shot on April 4, 1968, said writer Cynthia Griggs Fleming, one of the many historians, commentators and activists in town for panel discussions and lectures on King's legacy.

King advised his followers to keep working for equal rights for all citizens, “to keep on moving,” no matter what obstacles they faced, Fleming said in a talk Thursday at a Memphis church.

“Don’t be so consumed by the pain that you don’t hear the message,” she said.

Presidential candidates Hillary Clinton and John McCain were scheduled to take part in the anniversary day events that were to include a “recommitment march” through Memphis and the laying of wreaths at the site of King’s assassination. Sen. Barack Obama will be campaigning in Indiana.

King was cut down on the balcony of the Lorraine Motel while helping organize a strike by Memphis sanitation workers, then some of the poorest of the city’s working poor.

His son, Martin Luther King III, wrote in an opinion piece published in The Atlanta Journal-Constitution on Thursday that the nation is still plagued by poverty. He urged presidential candidates to vow to appoint a cabinet-level officer who would help the poor.

“We’re not doing anywhere near enough,” he said Friday during an interview with his sister, Bernice, on the “Today” show.

The National Civil Rights Museum opened in 1991 at the former motel, which now holds most of the exhibits tracing the history of America’s struggle for equal rights. The museum also encompasses the flophouse across the street from which confessed killer James Earl Ray admitted firing the fatal shot. Ray died in prison in 1998.

King was a champion of nonviolent protest for social change, and his writings and speeches still stir older followers and new ones alike, said Vivian, who helped organize lunch-counter sit-ins in Nashville in 1960 and rode on a “freedom bus” through Mississippi.

“The world still listens to Martin,” he said. “There are people who didn’t reach for him then who reach for him now. They want to know this man. What did he say? What did he think?”

Other tributes were being held around the country. In Congress, House and Senate leaders and lawmakers who once worked with the civil rights leader marked the anniversary with a tribute Thursday in the Capitol's Statuary Hall.

“Because of the leadership of this man we rose up out of fear and became willing to put our bodies on the line,” said Rep. John Lewis, D-Ga., a companion of King in the civil rights struggles of the 1960s.

In Indianapolis, Ethel Kennedy was scheduled to make brief remarks during a ceremony Friday evening at what is now Martin Luther King Jr. Park. Her late husband Robert Kennedy gave a passionate speech there the night of King’s assassination that was credited with quelling violence in the city.

In Atlanta, the Martin Luther King Jr. Historic Site was commemorating the anniversary with the opening Friday of a special exhibit chronicling the final days and hours before King's death, as well as his funeral procession through his hometown five days later.

The centerpiece of the exhibit is the wagon that was drawn by two mules as it carried King’s casket from his funeral at Ebenezer Baptist Church to Morehouse College, his alma mater.

Memphis has also been in the news lately because of the success of the Memphis Tigers, who play UCLA in the national NCAA Division I college basketball semifinal in San Antonio on Saturday. Coach John Calipari had copies of King's “I Have a Dream” speech for his players to read after practice Wednesday, along with a King biography, and the Rev. Jesse Jackson met the team for a personal history lesson.

5318: It’s A Dog.


This headline is purr-fectly awful.

5317: Keeping Up With The Joneses.


Why do the “Best Companies To Work For” often produce the worst recruitment messages?

Thursday, April 03, 2008

5316: Checking In.


Your flight has been cancelled in a MultiCultClassics Monologue…

• ATA is DOA, halting all flights while filing for bankruptcy. “Unfortunately, we were not in a position to provide our customers or others with advance notice,” said ATA. WTF.

• A Georgia judge sparked controversy for sending White lawyers out of the courtroom in order to reprimand Black defendants. “I came out and saw the defendants, and it was about 99.9 percent Afro-Americans,” said the judge, who is Black. “And at some point in time, I excused some lawyers—most of them White—and said to the young people in here, ‘What in the world are you doing with your lives?’” Not sure what the judge said to the .1 percent non-Blacks.

5315: Go West.


From AdAge.com…

Kanye West Launching Travel Website
Branding Consultant Says Global Fan Base Should Help Venture Fly

By Jean Halliday

DETROIT -- You know Kayne West the hip-hop artist. Now meet Kayne West the online travel resource.

The Grammy-award-winning performer is extending his brand with a travel website this week, KanyeTravel.com, that aims to offer quality low airfares, hotels and rental cars without service or membership fees. The site is hyperlinked to Mr. West’s fan site, kanyeuniversecity.com, and future phases call for travel packages with tickets to his concerts and concert merchandise.

Ready for takeoff
Miki Woodard, president of the rapper's company, West Brands, told Advertising Age the process has already taken nearly a year. “We did a lot of due diligence with online travel partners” before linking up with Travelocity, Ms. Woodard said. Mr. West wanted an outfit that would be in it for the long haul, which could involve writing new software, she said.

The next phase, expected within weeks, will be cross-promotional deals with marketing partners. She said negotiations are being conducted by Scotty Abrams, president of the celebrity brand-development firm Maniac Creative, Nashville and Los Angeles. Ms. Woodard declined to name the companies West Brands is in discussions with.

But Mr. Abrams’ father, Neil Abrams, president of a travel-industry consulting outfit bearing his name and also hired by Mr. West, said the marketing partners would include an automaker and wireless company.

He said other celebrities have tried travel programs, but failed because they didn’t have the resources or expertise.

Lost in the tropics
“Margaritaville” singer Jimmy Buffett kicked off such a deal in the mid-1990s with Miami Beach's Travel By Design, offering “Parrot Head” packages to warm-weather beach destinations. A spokeswoman at the travel company said they ended about eight years ago, but had no other information.

Mr. Abrams said Mr. West “has a passionate fan base in the hundreds of thousands worldwide, so this is a great marketing platform.”

Mr. West’s travel site is “a great marketing opportunity” that coincides with his upcoming U.S. tour starting April 16 in Seattle, said Ms. Woodard. “So much of travel is so connecting to touring.”

5314: Airheads Wanted.


Seeking professional air guitarists…?

5313: We Try Harder.


This ad won’t be ranked #2 on any list.

Wednesday, April 02, 2008

5312: Gayest Look Meets Looking Dumb.


A not-so-funny MultiCultClassics Monologue…

• Jay Leno made some unfunny remarks that offended folks in the gay community. While interviewing Ryan Phillippe, Leno referenced a gay character the actor once portrayed. “Can you give me, like—say that camera is your gay lover …” started Leno. “Can you give me your ‘gayest look’? Say that camera is Billy Bob—Billy Bob has just ridden in shirtless from Wyoming.” Phillippe, to his credit, refused to play along. Gay, um, Jay Leno later said, “In talking about Ryan’s first role, I realize that what I said came out wrong. I certainly didn’t mean any malice. I agree it was a dumb thing to say, and I apologize.” The apology was probably delivered with Leno’s most homophobic look.

• M&Ms is facing a lawsuit from a talent broker claiming the candy maker used characters from the old sitcom “The Addams Family” for advertising without permission. The broker claims she approached M&Ms in 2006 with the idea of using the show’s characters. But nothing apparently came of the proposal—until she spotted a commercial with the M&Ms portraying the scary family. M&Ms melt in your mouth, not in your hand. But at this point, Thing is looking to grease its palm with cash.

5311: Color TV.


From The New York Times…

Like the Candidates, TV’s Political Pundits Show Signs of Diversity

By FELICIA R. LEE

The historic and long-running presidential campaigns of Senator Barack Obama and Senator Hillary Rodham Clinton have injected issues of race and gender into politics as never before. With campaign coverage center stage on the cable channels, producers and critics are again assessing the diversity among pundits, who talk (and talk) about things like Mr. Obama’s pastor, the Hispanic vote, Iraq and the economy.

Both MSNBC and CNN this election season have given new prominence to a handful of contributing commentators from varied backgrounds and perspectives: blacks, Hispanics and women. Whether such moves signal real progress in diversifying the punditocracy or merely reflect the needs of a particular news cycle is the question, some media experts say. The most prominent positions on television remain overwhelmingly with those who are white and male, and some critics note how striking that non-inclusion can seem during this election year.

“Whatever progress has been made with contributors and commentators as of late, the cable networks have a long way to go before they look like the American people,” said Karl Frisch, the spokesman for Media Matters for America, a liberal television watchdog group. He added that white men were the hosts of all the major Sunday morning talk shows, the major prime-time cable news programs and — except for Katie Couric, a relative newcomer — the network evening news broadcasts.

But incremental gains should not be dismissed even if more change is needed, said Pamela Newkirk, an associate professor of journalism at New York University and author of “Within the Veil: Black Journalists, White Media” (New York University Press, 2000).

Black commentators under 40 at CNN, like the journalist and radio host Roland S. Martin; Amy Holmes, a conservative strategist and a former senior speechwriter for Bill Frist, Republican of Tennessee, the former Senate majority leader; and Jamal Simmons, a Democratic strategist, Obama supporter and veteran press spokesman with international experience, have been “breakout stars” this election, Professor Newkirk said.

“They bring such a fresh perspective that we are unaccustomed to hearing in the mainstream media,” she said. “Hopefully, the value of having different perspectives will be appreciated beyond this historic campaign.”

The 2008 lineup at CNN also includes Alex Castellanos, a Cuban-born Republican strategist, and Leslie Sanchez, a Mexican-American Republican strategist who has also appeared on Fox News.

[Read the full story here.]

5310: Chip Hop.


Like so many washed-up recording artists, it appears Alvin and his crew found renewed popularity through hip hop.

5309: Seeking Hard Members.


Looks like Eliot Spitzer and Max Mosley are writing headlines.

5308: Lacking Energy.


Looks like Constellation is conserving energy by making employees work in the dark.

Tuesday, April 01, 2008

5307: Gagging On April Fools’ Day.


April Fools and Assorted Idiots in a MultiCultClassics Monologue…

• Woody Allen is suing American Apparel for unauthorized use of his image in outdoor billboards and online advertising. It’s amazing how major advertisers continue to think they can get away with lifting copyrighted imagery without permission. It’s even more amazing that American Apparel might think anyone would prefer seeing Allen instead of the their standard soft-porn hotties.

• The Supreme Court supported an earlier federal appeals court ruling that said the FBI violated Rep. William Jefferson’s rights as a Congressman when searching his office two years ago. As a result, the FBI must return everything seized in the search; plus, they’re prohibited from reviewing any of documents before returning the material. Heaven forbid anyone took a peek in the past two years.

• Just screw it. 20,000 workers at a Nike plant in Taiwan walked off the job, fighting for higher wages. The workers currently average $59 per month and are seeking a 20 percent raise plus better lunches. They should also hold out for a few pairs of Air Jordans.

5306: Iffy Lube.


For a product targeting women, the copy sure looks like the work of a lecherous man. The “For The Best _____ Ever” tagline is classy. Plus, there appears to be a typo on the label—it should read, “compliments of the sea” versus “complements of the sea.” This ad doesn’t need any Carrageenan. It’s totally fucked on its own.

5305: Worthless.


Work Worth Doing. Ad Not Worth Reading.