Advertising Age Creativity reported on the latest Benetton campaign starring computer-generated models whose features were created by utilizing ethnicity data from different cities around the globe. The work allegedly promotes diversity; however, the majority of the selected cities are predominately White, resulting in models that look, well, vanilla. The responsible advertising agency—180 Amsterdam—appears to be not very diverse as well. Benetton should produce a version using the ethnicity data from 180 Amsterdam. Or any other White advertising agency, for that matter. It would result in the most shockingly provocative advertisement Benetton has ever hatched.
Benetton Uses Ethnicity Data to Create Computer-Generated ‘Models’
Brand’s Latest ‘Faces’ Represent Racial Make-Up of Different Cities
By Alexandra Jardine
For decades, Benetton has been known for using models of different skin colors, ethnicities and appearances to promote diversity with its “United Colors” campaigns. But the latest campaign doesn’t use real models; instead, the Italian fashion retailer has used computer-generated faces based on data from different cities around the world.
The campaign, appearing globally in print, out-of-home, in digital media and in-store, was created by 180 Amsterdam. It depicts a series of faces created based on the facial features and racial mix of different cities around the world; London, Paris, Tokyo, Berlin, Milan and New York. The starting point was investigating the ethnic make-up of each capital, using statistical, demographic analysis from a number of population information sources, and incorporating international data as well as city-specific census reports, in order to most accurately reflect the proportion of each city’s specific racial mix. The team then visited each city to collect portraits of people living there.
The final models’ faces were created using an algorithm that aims to ensure that the proportion of each ethnicity is reflected through features such as skin tone, the shape of the eyes and nose, hair type and color, as well as overall face shape. In the end, though, the computer-generated models almost feel pretty mainstream, compared to the more diverse images of beauty from Benetton’s past.
The work is the first by 180 Amsterdam for Benetton—the agency was appointed to handle projects in 2015. Benetton also still handles some advertising in-house.
3 comments:
I had the same concern when i first saw this campaign. Well done on writing this piece. Rather then embracing human aesthtic diversity, this campaign actually does the opposite of embracing cultural inclusiveness.
What version of London were they looking at, exactly?
http://www.creativeboom.com/photography/beautiful-strangers-photographer-documents-the-beauty-and-diversity-of-london/
They pretty obviously decided from the start that these girls were going to be light-to-lightly-toasted-skinned-max. If you look close it's the same white girl body modeling every outfit.
They could only go so dark with the end results before it would have looked strange. They darkened the New York one slightly to match the face(s), but it's all the same white skinned model underneath.
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