Showing posts with label bhm 2022. Show all posts
Showing posts with label bhm 2022. Show all posts

Sunday, March 19, 2023

16182: Multicultural Marketing Shaped Adland—And Segregated The Industry Too.

 

Advertising Age published this perspective from Sensis Account Director Dallas Thompson in February 2022 to commemorate Black History Month. In true BHM fashion, the editorial was illustrated with royalty-free stock photography (depicted above).

 

How Multicultural Marketing Shaped The Advertising Industry

 

Recognition of African American creative visionaries is long overdue

 

By Dallas Thompson

 

As an industry, we often embrace the newest techniques and best practices with little thought about the origins of the idea. As marketing moves toward deeper cultural understanding of our target audiences, I see approaches that bear the fingerprints of multicultural agency icons: “unknown legends” who shaped not only multicultural marketing but the industry as a whole.

 

I know. I had the chance to witness it firsthand.

 

To say my path to advertising was unorthodox is an understatement. For the first decade of my adult life, I was a U.S. Army Field Artillery Officer. When I left active duty, I was unsure in which direction I wanted to go professionally. At the time, I didn’t realize how well my military training and experience had fine-tuned my management and leadership skills or how transferable those talents were to a corporate environment.

 

My path led me to a job selling Yellow Page ads, which helped me to understand advertising channels, and then to a direct mail marketing firm targeting African Americans. With that experience, I made the jump into the agency world as an account executive with Chisholm-Mingo Group, one of a handful minority-owned agencies in New York.

 

That opened the door to a career in multicultural agencies, where I was blessed to work with multicultural marketing icons up close, including Byron Lewis Sr., Carol H. Williams, Jo Muse, Herbert Kemp Jr., Samuel J. Chisholm, Pepper Miller and Charles “Chuck” E. Morrison. I also met brilliant advertising minds who were unsung outside of the multicultural world. They taught me that the value you bring as a professional marketer has nothing to do with where you work, but how you work and the intellectual rigor you bring to the discussion.

 

What multicultural marketing brings to the mainstream

 

I’ve witnessed a lot of changes to marketing in 25 years, but the role and purpose of integrated communications remains the same. All consumer-facing communication, multicultural or otherwise, is designed to get someone to think something or do something … it’s that simple.

 

With that in mind, I’m keenly aware of how the approaches created and implemented by the pioneers I learned from have become standard practice for targeted communications for forward-thinking marketers.

 

Early in my career, I often got the impression from headhunters and general market agency professionals that multicultural advertising experience was considered “less than.” However, my experience working in collaborative groups often revealed that the systematic approaches of multicultural marketers used to uncover unique insights for specific audiences practiced in these agencies provided an additional layer of understanding that was embraced by our general market partners.

 

Often, the ideas originally generated by multicultural partners became the foundational approaches used in both targeted and general market outreach. Campaigns such as KFC’s “We Do Chicken Right” by Mingo-Jones, McDonald’s “I’m Loving It” from Burrell and Budweiser’s “Whassup?” campaign from Charles Stone III (African American filmmaker) all had their origins in multicultural shops.

 

I’ve personally seen that thinking brought to life. As the media environment has become more fragmented and media consumption habits have become less defined by race, targeted marketing has evolved to an understanding of culture and lifestyle. For example, several years ago, I led the FDA Center for Tobacco Product’s “Real Cost” campaign aimed at reducing the use of smokeless tobacco among white rural males aged 12 to 17.

 

On the surface, you don’t get more mainstream than 12- to 17-year-old white males. However, the lifestyle of rural Americans is unique and represents a culture all its own. Like many ethnic audiences, there was an existing research gap that required a methodical approach of primary research to understand the attitudes and perceptions that contribute to this unique health issue.

 

We used to ask ourselves a question in my first agency job, meant to ensure we were meeting the unique needs of our target audience: “What’s Black about it?” That phrase, with some obvious changes, applies to virtually every market you’re trying to reach. I’ve since worked on general market, Hispanic, Asian, African American, LGTBQ and other targeted campaigns to unique and hard-to-reach audiences. The audiences change, but the thinking still applies.

 

The national dialog about racial equity in America and existing disparities has been elevated over the last year and a half. One of those disparities is in the relative lack of acknowledgement for what these visionaries brought to advertising. The influence and power of media and marketing in shaping society cannot be overstated. During Black History Month, a recognition of the African American pioneers who have shaped the advertising industry is appropriate and overdue.

Thursday, April 21, 2022

15797: CSI—Wunderman Thompson Health And WPP.

 

Comments left at MultiCultClassics posts prompted extending the CSI—Campaign Shittiness Investigation—of We Love You to Health, the patronizing and privileged promotion pooped out by Wunderman Thompson Health and WPP.

 

Exhibit A: The We Love You to Health campaign image is a royalty-free stock photograph. Does this mean that WPP Racial Equity Program grants show unfair favoritism to audiences—i.e., do White women divertsity promotions receive grant money while Black promotions are granted crumbs?

 

But wait, it gets worse. Although the photographer is a Black woman, she hails from South Africa, meaning the pregnant models might not be American. In short, a heat shield promoting healthcare equity for U.S. Black women features foreign talent. Hey, good thing that all Black people look alike. At least to culturally clueless White people.

 

Exhibit B: A comment left at the previous post charges WPP with shady global allocation and discriminatory distribution of the $30 million earmarked for diversity do-gooding. Is the corporate investment perpetuating systemic inequality? Seems like WPP is declaring, “We Love You to Wealth.”

 

Exhibit C: The exhibits above might also explain why Wunderman Thompson Health executives gushed over how the campaign was inspired by insights, analysis and research that are common knowledge and common sense. Anyone could have gained enlightenment by simply paying minimal attention during Black History Month 2022, where the theme was Black Health and Wellness.

 

Monday, February 28, 2022

15742: BHM 2022—Fake Black History Month Ads.

To counter the fake reverence annually displayed by major advertisers during Black History Month—as well as the overall lack of BHM advertising—MultiCultClassics presents fake BHM Ads.

 



Saturday, February 26, 2022

15740: BHM 2022—Entertainment And Content Providers.

 

 

Streaming services, networks, production companies, etc. play a similar program to salute Black History Month—for these enterprises, all BHM promotions look alike.

 





Friday, February 25, 2022

15738: BHM 2022—Procter & Gamble.

 

P&G BHM ZZZZZZ… (My Black History Is Not Beautiful)

Thursday, February 24, 2022

15736: BHM 2022—Marvel And DC.

 

Marvel and DC celebrate Black History Month in super style…

 





Wednesday, February 23, 2022

15735: BHM 2022—Nissan.

 

Nissan presents Electric Beats, a Black History Month initiative saluting the contributions that Black musicians have made to American music. Okay, except the car brand has a history of dissing the contributions of Black and minority advertising agencies…

Tuesday, February 22, 2022

15734: BHM 2022—Mickey D’s.

 

Mickey D’s Black & Positively Golden® celebrates Black History Month by saluting “The Future 22” on Instagram…? Um, this is not exactly the best way for the fast feeder to defend itself against Byron Allen’s charges of discriminatory and lackluster support for Black-owned media.

Monday, February 21, 2022

15732: BHM 2022—Verizon.

A search for “Black History Month 2022” on the Verizon website produced 4 results, as depicted above. A Google search of the same phrase resulted in content of color far less interesting than phone cases.

 

Sunday, February 20, 2022

15730: BHM 2022—U.S. Bank.

 

For Black History Month, U.S. Bank diversified its website with an all-Black experience.

Saturday, February 19, 2022

15728: BHM 2022—Shutterstock and Pocc.

 

Adweek reported on a diversity doubleheader celebrating Black History Month and the Lunar New Year: Shutterstock partnered with Pocc to offer grants totaling $6000—that’s six $1000 awards—to artists from Black, East and South-East Asian backgrounds. Um, thanks for contributing the crumbs. At least they didn’t advertise the promotion with royalty-free stock photography.

Friday, February 18, 2022

15727: BHM 2022—Coca-Cola Beverages Florida.

 

This advertiser is proud to be the 4th largest Black-owned business in the USA—and proud to Photoshop products into what looks like a royalty-free stock image.

Thursday, February 17, 2022

15725: BHM 2022—Marshall University.

Kudos to Marshall University for being among the very few Black History Month celebrators to: 1) create a message on strategy with the official theme for BHM 2022 and; 2) not resort to using royalty-free stock imagery.

Wednesday, February 16, 2022

15724: BHM 2022—USPS.

 

The USPS mails it in for Black History Month with a commemorative stamp featuring Sculptor Edmonia Lewis. Here’s the postal PR:

 

Edmonia Lewis

The 45th stamp in the Black Heritage series honors sculptor Edmonia Lewis (circa 1844-1907). As the first African American and Native American sculptor to achieve international recognition, Lewis challenged social barriers and assumptions about artists in mid-19th century America. The stamp art is a casein-on-wood portrait of Lewis, based on a photograph taken in Boston between 1864 and 1871. Art director Antonio Alcalá designed the stamp with original art by Alex Bostic.

 

Tuesday, February 15, 2022

15723: BHM 2022—Healthcare Equality Network.

During this month of celebrating Black Health and Wellness, take time to gain familiarity with Healthcare Equality Network.

Monday, February 14, 2022

15721: BHM 2022—Publish Standard Black History Month Editorial. Check.

 

Adweek published a perspective from Carta Head of Inclusion, Equity and Impact Mita Mallick titled, “BHM Is Not a ‘Check the Box’ Exercise.” In Adland, BHM doesn’t even rate ‘Check the Box’ status. Rather, it’s a task annually delegated to Chief Diversity Officers—including Heads of Inclusion, Equity and Impact, as well as other Human Heat Shields—and typically forgotten by March 1st or much sooner.

Sunday, February 13, 2022

15720: BHM 2022—Field Museum.

 

Field Museum in Chicago exhibits its BHM spirit by saluting African Americans’ contributions to science and museums.

Saturday, February 12, 2022

15719: BHM 2022—Museum Of Science + Industry.

Museum of Science + Industry Chicago built up Black Creativity: Architecture for Black History Month.