Showing posts with label tiffany r. warren. Show all posts
Showing posts with label tiffany r. warren. Show all posts

Monday, May 11, 2026

17471: ADCOLOR Progresses While Adland Regresses.

 

Adweek reported ADCOLOR is celebrating its 20th anniversary while Adland is celebrating its never-ending commitment—and renewed dedication—to systemic racism.

 

Adding indifference to insult, Adweek couldn’t even bother to spell the organization’s name right—according to the website, ADCOLOR is all caps.

 

This year, ADCOLOR is revamping its program and pushing its annual awards soiree to 2027. Hard to guess if the changes are intentional or resulting from reduced White advertising agencies’ sponsorship. After all, the anti-DEIBA+ vibe impacting Adland—and corporations in general—diminishes any sense of obligation to support heat shields.

 

Additionally, the ADCOLOR website currently lists IPG/FCB as Community Group Partner. Did the Omnicom acquisition of IPG create redundancies affecting partnerships on a financial level?

 

ADCOLOR Founder Tiffany R. Warren’s mood has shifted from Pollyannaish to hopeful melancholy. Although Warren insists her dream of a more diverse creative field—especially at senior levels—has surpassed her original expectations, which indicates delusional thinking or low expectations. Probably a combination of both.

 

Regarding ADCOLOR Nation, the organization’s Vice President of Partnerships gushed, “This is a true community of people who believe in the mission in a way that they’re not just talking about it, they are acting on it.”

 

Okay, except Adland is acting too—that is, the few remaining DEIBA+ initiatives continue to be performative stunts.

 

Adcolor Marks 20 Years With a New Program for a Changed DEI Landscape

 

Year-round events, a new awards approach, and a 2027 conference are among the evolutions to this year’s program

 

By Hannah Bowler

 

As Adcolor celebrates its 20th anniversary, founder Tiffany R. Warren acknowledges there have been “setbacks” in the fight for representation across the industry. That’s why reaching its two-decade milestone is a moment worth celebrating.

 

The organization focused on diversity, equity, and inclusion (DEI) in advertising has unveiled an expanded slate of programming for 2026 that addresses the shifting landscape and evolving needs of its community. 

 

Since its launch two decades ago, Adcolor has built its community around an annual flagship conference and awards hosted in LA. Now, the organization is shifting to year-long event programming and making changes to its awards and mentorship initiatives.

 

“It can’t just be another year that we celebrate, particularly during these times when we have to remind not only our community, but the world how important and how beautiful it is to build and support a diverse community,” Warren said.

 

The activities will kick off at Adcolor’s annual networking event at Cannes Lions in June, followed by gatherings in New York in August and LA in October. The program will culminate with the Adcolor Awards and conference in LA in early 2027, pushed out from its usual early November date.

 

The format of the annual Adcolor Awards has also been updated. Instead of a traditional nomination process, winners will be selected by a jury of alumni. Warren positioned the shift as both a way to thank the community that has supported it over the past 20 years and to spotlight its own alumni. 

 

The nomination process will return in 2027. 

 

“We’re turning 20, and for a good 19 of the 20 years we have been going, going, going, and I’ve not realized how much of a milestone 20 years is,” Warren said. “We needed to take a step back and look at what we created and celebrate that in the way that it deserves.”

 

There will also be changes to the Adcolor Futures (early career) and Leaders (mid to senior-level career) programs. Instead of running within the main conference, both will have dedicated, immersive programming in LA in 2026. Applications for both are already open.

 

The goal is to create a more focused environment for mentorship, professional development, and community-building among the industry’s next generation of diverse leaders, Warren said.

 

Changing winds

 

When ADCOLOR was established in 2006, DEI conversations were “nascent,” Warren told ADWEEK. “Multiculturalism was growing, but it was still very unique, and you didn’t see it in various places within the industry. It was very much marginalized and siloed,” she said.

 

Reflecting on the current pull back on corporate DEI initiatives, Warren said the past two years have been “tough” but that her “dream” back in 2006 of a more diverse creative industry, particularly at senior level, has surpassed her expectations.

 

She said the current moment makes her “a little sad” because of the “swiftness of the change in temperature” of how people feel about “providing opportunities for underrepresented communities.” While she described her outlook as “melancholy,” she added that she has hope this moment is temporary. 

 

“I hope to look back and say that that was a moment in time and that joy returns again and support returns again,” she said.

 

For Adcolor’s part, Ana Leen, vice president of partnerships, said the community is only growing stronger. 

 

“What we’re seeing with these community groups is there is such a hunger to connect to learn from each other to support each other. The networks that the Adcolor community builds are really strong and supportive,” she said. 

 

People are also becoming more vulnerable, Leen added, pointing to individuals asking for help on LinkedIn amid layoffs and job uncertainty. “We are seeing people very willingly help out a stranger just because they’re part of this community,” she said. 

 

This sense of mutual support will sustain Adcolor through challenging periods, she said. 

 

“This is a true community of people who believe in the mission in a way that they’re not just talking about it, they are acting on it,” Leen added.

Friday, July 14, 2023

16318: You Can’t Beat The System—Or The Systemic Racism.

 

Oh look! Others noticed the exclusivity displayed in the previous post spotlighting an Adweek report on White women as account directors. The witnesses include former 4As President-CEO Nancy Hill, former Omnicom Group SVP CDO Tiffany R. Warren, and Hustle-Knocker Hadji Williams—three prominent figures who’ve consistently called out the industry’s systemic racism yet have been unable to affect it. In Adland, anti-racists are waaaaay outnumbered by pro-racists.

Friday, January 28, 2022

15697: Adweek Studies ADCOLOR® Study In Defective Ways.

 

Adweek apparently—and apparently because actually viewing the content is not worth the subscription fee—spun the ADCOLOR® study slightly differently than Ad Age. As the image above displays, “Adcolor’s Latest Study Reveals Effective Ways To Retain Diverse Talent.” Is it correct to use “Reveals” for stating common knowledge and common sense?

 

Ad Age listed the “Effective Ways” revealed by the ADCOLOR® study as urging White advertising agencies to: 1) provide mentors of color; 2) establish heat shields like ERGs and; 3) publicly publish diversity data. Um, ADCOLOR® Founder Tiffany R. Warren showed sycophantic support when her former employer—Omnicom—repeatedly refused to share EEO-1 data for years.

 

If ADCOLOR® really knew the secret formula for bringing DE&I progress to the industry, wouldn’t they have transformed Adland at least a decade ago?

 

Sorry, but the “Effective Ways” have historically proven ineffective—and ADCOLOR® continues to resemble the enterprise described by Nathan Young.

Friday, January 21, 2022

15689: ADCOLOR® Study Doesn’t Warrant Studying…

Advertising Age reported on an ADCOLOR® study showing that White advertising agencies are failing to retain employees of color—although the survey ignored the root issue of White advertising agencies failing to recruit and hire employees of color. Whatever.

 

Was it really necessary to conduct a study to expose common knowledge and common sense? Then again, a nonprofit enterprise like ADCOLOR® must justify its existence somehow.

 

ADCOLOR® Queen Bee Tiffany R. Warren declared, “We have seen a strong shift in recent years towards increasing diversity in creative industries, but there is still much work to be done as we navigate our way towards a more stable, satisfied and inclusive workforce.” The “strong shift” is actually “strong shit”—that is, bullshit. Plus, for someone who has held Chief Diversity Officer titles since at least 2005 to admit “there is still much work to be done” says it all. The truth is, not much work has been done.

 

Warren also stated, “The only way we can continue on the path towards inclusivity is by understanding the root causes that have left out diverse professionals for so long.” Um, simply reread the opening sentence of this post to discern the root. Better yet, just watch Roots.

 

Behind The Ad Industry’s Diverse Employee Retention Problem—And What Might Encourage Them To Stay

 

The findings were revealed as part of a new AdColor study that examines retention trends of diverse employees

 

By Ethan Jakob Craft

 

As the ad world continues to work to diversify its employee base, it’s struggling to retain employees due to pervasive issues ranging from ill-defined career advancement to tokenism, according to a new study from AdColor.

 

The new findings were revealed in AdColor’s “State of the Workforce Study: Retention Outlook Through a DE&I Lens,” the first installment in a three-part report series conducted by the nonprofit organization that explores why multicultural employees in the ad industry are leaving their jobs—and what might encourage them to stay.

 

Reasons include: “psychologically unsafe work environments;” an apparent lack of dedication to improving diversity issues; and the industry’s emphasis on subjective “culture fits” that often award promotions to people who feel like the right fit, rather than to those who might be more deserving on merit.

 

“We have seen a strong shift in recent years towards increasing diversity in creative industries, but there is still much work to be done as we navigate our way towards a more stable, satisfied and inclusive workforce,” said AdColor founder Tiffany R. Warren.

 

Particularly since the death of George Floyd in 2020, which was followed by hundreds of brand and agency pledges to uphold diversity goals, many marketers have acted to establish both in-house and on-screen representation, erecting new internship programs and developing other resources to encourage more diverse candidates to join the ad world.

 

However, as revealed in the report, recent strides in improving equable hiring practices haven’t necessarily translated into fostering a more inviting workplace for employees of marginalized races, genders and sexual orientations.

 

A whopping 57% of U.S. women say they’ve experienced some form of sexual harassment at work, while more than seven-in-10 Asian Americans say they’ve encountered anti-Asian hatred since the COVID-19 pandemic began almost two years ago.

 

Overall, some 38% creatives of color also report that they’ve “experienced job loss due to ethnicity,” according to Harris Poll data from 2021 cited in the report—perhaps not a surprise to some in what has historically been a fairly segregated, white-dominated industry where just three-in-10 employees identify as any sort of minority.

 

“The only way we can continue on the path towards inclusivity is by understanding the root causes that have left out diverse professionals for so long,” said Warren, an ad industry veteran who’s currently an executive VP and chief diversity and inclusion officer at Sony Music Group.

 

To remedy some of these issues, DE&I experts recommend things like providing employees access to a mentor; establishing and funding employee resource groups, or ERGs, for marginalized communities; publicly publishing your agency’s diversity data; and encouraging what the report calls a “speak-up culture.”

 

It also recommends against some practices, such as client-pleasing accountability. Some ad employees whose insights were used for this study, believe that social change movements like #MeToo or Black Lives Matter are only addressed “when there is a commercial benefit or they can be exploited” or monetized for “commercial gain,” the report said.

 

One agency employee who initially revealed their experiences as part of Digiday’s “Confessions” series is quoted in the report as recalling a senior executive who prioritized diversity-related meetings only “when a client would ask for our D&I stats,” the employee said. Key elements of workforce testimony used by AdColor, including the aforementioned quote, originated from that series.

 

The AdColor study, which surveyed over 500 ad industry professionals associated with the organization, will be followed by two additional DE&I-related reports due to be published later in 2022.

Tuesday, November 02, 2021

15592: Delayed WTF 52—Does ADCOLOR Constitute False Advertising?

 

MultiCultClassics is often occupied with real work. As a result, a handful of events occur without the expected blog commentary. This limited series—Delayed WTF—seeks to make belated amends for the absence of malice.

 

Adweek published “sponsored content” highlighting the 15th Annual ADCOLOR Awards, penned by none other than Tiffany R. Warren. Why is this pseudo-philanthropic fuck fest still associated with the advertising industry? After all, its top trophy recipients are Hollywood celebrities. Even Warren bailed out of the ad game. Granted, the inaugural ADCOLOR soiree showed its true colors by praising Magic Johnson—and the key winners since then have been more likely to serve as paid ad spokespersons versus ad trailblazers.

 

The Adweek divertorial was headlined, “15th Annual ADCOLOR Awards: Honoring the DEI Champions Who Go Above and Beyond.” Two of the usual suspects saluted included:

 

Lifetime Achievement

 

Antonio Lucio, Principal and Founder, 5S Diversity; Executive Fellow, Yale School of Management

 

After 40 years as a celebrated marketing leader, Lucio stepped down as CMO at Facebook last year to focus fully on DEI efforts within the industry. He is known for his philosophy of empathetic leadership and for calling on marketing to become “bilingual and bicultural,” building bridges between what companies want to do and where consumers are.

 

Catalyst

 

Marc Pritchard, Chief Brand Officer, Procter & Gamble

 

Pritchard doesn’t want to see your ad storyboards if they’re not reflective of the diverse audience P&G serves. And the same goes for meetings, which is why Pritchard also champions the necessity of hiring BIPOC staff and demanding the same of partners within the industry.

 

Um, if the lifetime achiever and catalytic converter are so successfully stellar, why do their White advertising agency co-conspirators confess to having failed at DE&I diversions—and continue to annually admit that there is still much work to be done? Hell, their own companies are DE&I deficient. Why are contrived and clichéd excuses for cultural cluelessness regurgitated year after year? Why routinely erect heat shields to conceal and camouflage the abysmal lack of progress? Sorry, the alleged accomplishments should be accompanied by asterisks.

 

BTW, the traditional gift for a 15th anniversary is crystal. So maybe the organization will salute Crystal Langhorne. Although they’d probably opt for Billy Crystal, as he has greater star-fucker appeal.

 

Oh, and has anyone asked Nathan Young to weigh in on matters—doesn’t he qualify as a DE&I champion who goes above and beyond?

Wednesday, December 16, 2020

15239: Omnicom Installs More Heat Shields.

Adweek reported on a diversity doubleheader at Omnicom. The White holding company appointed Emily Graham as Chief Equity and Impact Officer and SVP Diversity and Inclusion Communications to replace Tiffany R. Warren. Of course they did. Meanwhile, DDB Worldwide appointed Nikki Lamba as its first Global Head of Diversity, Equity and Inclusion. Of course they did. Gee, in all the years that the restlessly ambitious Wendy Clark obsessed over equality, DDB Worldwide didn’t have a worldwide diversity delegate? Of course they didn’t.

 

Thursday, October 15, 2020

15173: Tiffany R. Warren R Walkin’…

Advertising Age reported Omnicom Group Senior VP and Chief Diversity Officer Tiffany R. Warren is leaving the White holding company for a similar role with Sony Music Group—which might inspire clever remarks featuring musical chairs and song-and-dance references. For now, visitors will have to settle for whoop-dee-damn-doo.

 

Gee, the earlier departure of restlessly ambitious Wendy Clark—coupled with Warren’s upcoming exit—leaves Omnicom Group Chairman-CEO John Wren as one lonely Pioneer of Diversity. At least he didn’t snap at Warren for deciding to “move on in the middle of a crisis.”

 

The Ad Age report stated Warren would continue her role with ADCOLOR®—which will undoubtedly pick up another corporate sponsor whose name starts with an S and ends with a Y…

 

Tiffany R. Warren To Leave Omnicom For Sony Music

 

By Lindsay Rittenhouse

 

Omnicom Group Senior VP and Chief Diversity Officer Tiffany R. Warren is departing at the end of the month. She is set to take up the new role of executive VP and chief diversity and inclusion officer for Sony Music Group.

 

Sony said Warren will work across the company’s global recorded music, publishing and corporate divisions to expand its ongoing equity and inclusion efforts and policies. She will directly report to Sony Music Group Chairman Rob Stringer.

 

“Goodbyes are hard when you love what you are leaving, but it is time,” Warren said in a statement. “Through the innovative work of the remarkable members of the OPEN Leadership Team, Omnicom is strongly positioned to continue leading and innovating in the areas of diversity, equity and inclusion. I am confident of the progress that will be made throughout Omnicom’s networks as OPEN 2.0 continues to guide its DE&I work, including new internal initiatives, client best practices, industry collaboration and work with social justice organizations.”

 

An Omnicom spokesperson said a “search is actively underway” to name Warren’s successor.

 

Warren has served as Omnicom’s chief diversity officer since January 2009. Before that, she was VP, director of multicultural programs and community outreach for Arnold Worldwide.

 

As the leader of Omnicom’s Open Leadership Team, the holding company credited Warren with growing the group to include 25 “diversity champions” across Omnicom’s agencies and networks. She has also assisted with Omnicom-wide efforts to advance and retain diverse talent, according to the agency, which added that Open 2.0—recently created under Warren’s leadership—will continue to be implemented following her departure.

 

Omnicom Group Chairman-CEO John Wren announced the company’s “Open 2.0” action plan, “to achieve our ultimate goal: systemic equity throughout Omnicom,” in July, in tandem with the release of its staff diversity data.

 

“Over a decade ago, Tiffany joined Omnicom in a newly established role that was one of the first in our industry, and since that time, she has demonstrated an unwavering passion and dedication to diversity, equity and inclusion that has underpinned our own core values,” Wren said in a statement on her departure.

 

Warren is also the founder and president of the lauded Adcolor awards, which has long celebrated the achievements of diverse advertising professionals as well as work that promotes diversity and inclusion. She told Ad Age that her role with Adcolor remains unchanged.

 

Warren has called herself a “diversity Pollyanna,” and she’s certainly lived up to the title. She once told Ad Age that she created her first ad (for herself) at age 9 to convince more African-American women to become ballerinas, proving her mission has always been in diversity.

 

She is just the latest diversity, equity and inclusion executive to be poached, amid soaring demand for the role. Most recently, Carl Desir, the former global executive director of equity, diversity and inclusion at R/GA, also went client-side, to Netflix, to join its inclusion strategy team.

 

Contributing: I-Hsien Sherwood


Wednesday, September 09, 2020

15136: The True Reason Why Ad Industry Activism Isn’t Working…

 

Advertising Age published a long and laborious report titled, “Why Ad Industry Activism Isn’t Working.” The piece opined that diversity initiatives have been ineffective because minorities are not unified in their efforts—with Nathan Young and Tiffany R. Warren presented as symbolizing the alleged contrasting and conflicting positions. This is a stereotypical perspective rooted in ignorance and bullshit. After all, Dr. Martin Luther King, Jr. and Malcolm X had differing styles, yet each managed to ignite progress. No, the dearth of diversity in Adland is not the result of opposing Black viewpoints—rather, it comes from the successful unity of White men and White women perpetuating exclusivity and fostering systemic racism. Give credit where credit is due.

 

Why Ad Industry Activism Isn’t Working

 

Well-meaning attempts by TimesUp Advertising and 600 & Rising were hampered by competing interests, infighting and resistance to change

 

By Lindsay Rittenhouse

 

“There’s a lot of urgency in this moment,” said Nathan Young in announcing the formation of 600 & Rising, the nonprofit dedicated to dismantling systemic racism in the industry. “This is something we’ve observed in past situations, where a group has raised an issue about inequality in the ad industry, there’s a brief news cycle, agencies weather through the storm and it ends up being swept up under the rug. We’re forming to ensure that doesn’t happen.”

 

In the three months since, Young has stepped down as president and the group said it was dissolving its structure and will rebuild after a 30-day assessment period that ends September 7. People close to the matter point to missteps along the way, such as Young breaking ranks with existing diversity initiatives by tweeting a criticism of Adcolor, sparking backlash. They also say that the movement’s leaders, Young and co-founder Bennett D. Bennett became figureheads, which they argue the industry does not need anymore.

 

In a recent interview with Ad Age, Young says he also stepped down from his role as group strategy director of Minneapolis agency Periscope out of concern for his and his family’s welfare. “I had to step down from everything and I’m honestly not sure I’m going to come back to advertising,” he says.

 

But Young was certainly right about one thing: this is an all-too familiar story. The current situation surrounding 600 & Rising brings to mind another industry initiative, Times Up Advertising, which was founded to fight sexual harassment and discrimination in the industry. Like 600 & Rising’s rapid rise amid the racial injustice movement fueled by Black Lives Matter, Times Up Advertising was also formed in a reckoning period, the MeToo movement, with a few select members leading the charge. Like 600 & Rising, Time’s Up Advertising’s original leaders were thrust quickly into the spotlight, experienced a public stumble, and then stepped back.

 

Times Up, of course, is still operating, and the hope is that 600 & Rising will recover. But their mutual experience indicates there is a larger, industry-wide issue at work. Consider the commonalities: People interviewed for this story said that both groups’ original founders underestimated the complicated process for building these types of organizations. They say groups like these are rarely equipped to tackle the systemic issues they set out to fight, because they structure themselves in the same red-tape heavy model that perpetuated the system, dependent on layers of consensus and approval. And some say both causes got caught in a tug-of-war between the industry’s old and new guard, stymying progress.

 

In short, the ad industry can’t seem to get out of its own way.

 

The irony, says one diversity and inclusion chief within a holding company agency, is that the goal of both organizations was to make the ad industry a more inclusive place, but they were actually not inclusive of all points of view.

 

“This is where I believe both of these initiatives went sideways: An emotional group of people, and emotional for all the right reasons, thought they could build a better mousetrap,” says a D&I exec, who spoke on the condition of anonymity. “Well-meaning people were looking at their set of experiences and they were making judgment calls about what it would take to prevent X and Y from happening and what it would take to change a situation.” The problem, the executive says: “These leaders were limited to their set of experiences.”

 

Powerful white women

 

Time’s Up Advertising found itself in hot water not long after its March 2018 founding. When the organization held its first open community meetings across 14 cities, many advertising professionals who were not current agency employees were turned away, such as freelancers. Some of the excluded women were those forced from the industry due to the pervasive sexual harassment that the organization was founded to fight. There were also criticisms lodged against the organization for not being inclusive enough of women of color. Omnicom Director of Diversity Christena Pyle later assumed the helm of Time’s Up Advertising but stepped down last week to become chief equity officer of the Americas at Dentsu Aegis Network. Her successor has not yet been named. She declined to be interviewed for this story.

 

But, in its early days, Time’s Up Advertising’s most public-facing executives were white women, including Wieden + Kennedy Global Chief Creative Officer Colleen DeCourcy and former DDB Worldwide CEO Wendy Clark, who was recently named global CEO of Dentsu Aegis Network.

 

The most damaging blow to Time’s Up Advertising came when Clark, while leading DDB, hired former Droga5 Chief Creative Officer Ted Royer to assist on a creative pitch for Volkswagen. Royer, one of several men accused of misconduct by the anonymous Diet Madison Avenue Instagram account, left Droga5 under an internal investigation, but the nature of the probe was never disclosed.

 

After hiring Royer, Clark was forced to step down from Time’s Up Advertising, saying, “Regrettably, I fell into a traditional paradigm of business first and given the choice again I would do things differently. That was a mistake. The reckoning for past behavior is not just for survivors of sexual harassment, but for the whole industry, which needs systemic change.”

 

DeCourcy, who declined comment for this story, has also since stepped back from the spotlight.

 

The D&I executive says Time’s Up Advertising in its original form was led by “powerful white women” who decided “how we’re going” to fight sexual harassment and discrimination in the industry. And just as the Suffrage Movement of the 19th and 20th centuries left out Black women, the exec says many women of color who felt slighted by the Time’s Up Advertising movement were left asking: “What about us?”

 

She also criticized the “action plan” Time’s Up Advertising put forth in its early days, which asked women in senior leadership positions to pledge to “foster a workplace where people are challenged but still respected”; uphold that sexual harassment is “never” OK; and to challenge “old power dynamics.”

 

“I was like, ‘Oh my God, we got the most powerful women in the industry and that’s what they came up with? An HR program?’” says the D&I exec.

 

Another holding company-owned agency executive who requested anonymity notes that in moments of public reckoning, agencies and clients are desperate “to want to act fast to make up for the lack of time” but they “haven’t done the basics, the culture isn’t in place and you want your intention, in some cases so obviously [influenced] by HR and PR, to get you credit that you haven’t earned from an audience who does not know or trust you.”

 

Too many voices?

 

With 180 initial signatories, Times Up Advertising had many voices and many agendas to be heard. 600 & Rising, so named after its signatories, had more than triple that number at its original founding. Add to this the fact that most agencies already have established internal programs in place to address discrimination against people of color with well-paid D&I chief roles, longstanding industry-wide initiatives like Adcolor, and the 40-year-old 4A’s Multicultural Advertising Internship Program.

 

Bennett and Young seem to have inadvertently stepped on some well-shod toes when they penned their open letter to U.S. agencies outlining 12 actions necessary to achieve equity for people of color. The original letter quickly ballooned to 1,100 signatories as U.S. agencies and holding companies committed to the 12 actions, the first of which entailed releasing their staff diversity data.

 

The rapid positive response—as well as the significant amount of ink industry trade publications including Ad Age gave to the nonprofit and founders—gave the organization considerable clout. As the group’s notoriety grew, so did pressure to join. That didn’t sit well with some executives, part of an older guard who had dedicated their entire careers to diversity, equity and inclusion efforts in the industry, who felt the 600 & Rising’s solutions were simplistic and bordering on insulting.

 

“Releasing numbers doesn’t change anything,” says another D&I executive, whose agency nonetheless signed on to 600 & Rising. “It just makes a problem more well-known.” He cites its No. 4 call to action, asking shops to pledge to bias training for HR employees and management, as an example. “Pledge training? We’ve had training for decades,” the exec scoffs.

 

Despite their reservations, these D&I execs say they were ordered to sign on by agency leaders in a show of good faith.

 

Bennett declines comment for this story, citing the reassessment period the group is now undergoing. “We only existed as an organization for a little more than 60 days,” Young says. “Our first 60 days were about representing the people. Not the elites or the old guard, per se.”

 

He says 600 & Rising “had every intention” of working with the more established DE&I executives as the organization progressed, and notes that some of them were appointed to the advisory council and board.

 

Breaking ranks

 

On July 29, Young tweeted: “@ADCOLOR is an awards ceremony completely divorced from reality that sells the story that progress is being made on diversity in advertising and buys cover for holding companies.”

 

To some, Young’s tweet felt like a slap. “Why should the people in power, who are white people, care about us if we use our power and stage to tear each other down?” the first D&I exec says. “Especially if there is a person of color in a position of power, the job should be to support that person, not use a public platform to disparage who that person is.”

 

The reference was to Adcolor founder and president Tiffany Warren, who also serves as senior VP and chief diversity officer of Omnicom Group. Warren declines to discuss with Ad Age the situation with 600 & Rising, but stresses that Adcolor was not specifically designed as a group to promote diversity in the industry. Instead its purpose is to bring visibility to marginalized creatives who were not getting the recognition they deserved from industry awards like The Clios and Cannes Lions.

 

“We didn’t set out to say ‘I’m going to fix the diversity, equity and inclusion problem in the industry,’” Warren says. “We say very clearly that we honor people in their achievements to create a blueprint for others to follow. ... People have to recognize that there are different forms to get to the racial equity finish line. There is no one way.”

 

She adds, “It’s not conducive to not be collaborative on that front.”

 

Some believe that it wasn’t so much Young’s comment, but the way it was made that was to blame. “Why do we do this to ourselves? It’s so messy. While I do agree organizations like Adcolor could be better for a number of reasons, for example cliqueyness [sic], overall they’re working for change,” one senior VP wrote on the anonymous industry app Fishbowl. “I feel like that’s an opinion that should’ve been voiced in the community/amongst friends. We need to be a united front if we want change.”

 

Young acknowledges this criticism and, in hindsight, agrees. He says he “regrets” the public comments he made about Adcolor. “Systemic racism is an enormous problem,” he says. “It does really require us all to work together. Organizations can disagree on tactics, but we shouldn’t resort to public criticisms. There needs to be more collaboration and less competition.”

 

Getting its sea legs

 

Kai D. Wright—founder and curator of blacklist100, global consulting partner for Ogilvy and Columbia University lecturer—believes 600 & Rising’s biggest problem is that it was too tied to its leaders. He says “there are many successful models for change that are not the traditional hierarchy of top-down with one leader, which helps prevent any single leader's missteps from distracting from the mission, message and movement of the broader community of supporters.”

 

Wright points to Black Lives Matter as one such grassroots initiative. “The more voices and the bigger the coalition, the better,” he says, noting that he hopes to see that from 600 & Rising when it reemerges. “It’s incredibly important to give [600 & Rising] time to get their sea legs,” he says.

 

“You can’t fight against traditional structures by setting up the same structures,” mired in legal and administrative “bullshit.”

 

Kai Deveraux Lawson, global director of community engagement and global culture at WPP

 

Young notes that he was unintentionally thrust into the spotlight to be the voice for “thousands” of Black industry professionals and that this was not something he “was prepared to do.” He says it was never his or Bennett’s intention to become so prominent in the organization. “That was an unintended consequence,” he says, of having tough conversations “in the open and not behind closed doors.”

 

Fighting ‘traditional structures’

 

There’s also a theory that both Time’s Up Advertising and 600 & Rising became too, well, organized.

 

Kai Deveraux Lawson, global director of community engagement and global culture at WPP, declines to comment specifically on either group, but says, generally, that the challenge with marketing and advertising executives starting community initiatives is that they try to build it in the way they know how: like a company. “You can’t fight against traditional structures by setting up the same structures,” which she says get mired in legal and administrative “bullshit.”

 

“When you get into larger organizations, you have stakeholders, shareholders, members,” Deveraux Lawson says. “Now you have 1,000 people you have to legally listen to. If your activism is in the name of gender advocacy, have you spoken to all the women? Or were you busy formulating contracts? If it’s racial injustice, have you spoken to all the people who experienced racism or were you busy filing documentation so you’re fine for the next tax season?”

 

One D&I exec who signed the 600 & Rising’s “Call to Action” letter argues that there’s been too much pressure on industry organizations to effect the change, when instead the onus should be on the executives within the companies that continue to uphold discriminatory structures.

 

“We have been demanding change for decades, internally and externally,” the exec says. “Adcolor cannot change an industry, neither can 600 & Rising, nor can Time’s Up. They can shed light on [issues], but the change has to start with the people who run these companies.”

 

So why hasn’t it happened? Says this exec: “They don’t truly want change.”