Sunday, January 27, 2008
5039: Works—And Offends—Every Time.
AdAge.com reported on new attempts to sell Colt 45 malt liquor to a young audience. It should be interesting to see the ultimate public responses. On the one hand, malt liquor gained notoriety when targeting low-income minorities—so expect condemnation from community activist groups. However, the true audience has always included young adults, particularly college students. Malt liquor continues to be a cheap, high-octane beverage. But this new campaign integrates comic-book style art, opening the door to accusations of deliberately appealing to under-age drinkers. The brown bag pushes the negative stereotypes associated with urban dwellers, which will undoubtedly fuel protests too. Looks like a no-win scenario for the advertiser and agency.
Challenge: Make Malt Liquor Look Good on Paper
Pabst Uses Icon From Controversial Brand’s Past to Reposition It as Edgy to New Generation of Drinkers
By Jeremy Mullman
CHICAGO -- Talk about a marketing conundrum: Revive Colt 45 malt liquor -- once seen as an exploitative product that preyed on the urban poor -- as an edgy choice for young hipsters.
But Pabst Brewing Co. is trying to do just that, with a campaign from Seattle boutique Cole & Weber. The push uses outdoor, digital and print ads to spread what it calls “The Tales of Colt 45,” graphic-novel-type strips that show young drinkers enjoying alcohol-fueled adventures. And in what might well elicit a wince from those familiar with the brand's history, all the creative appears to be drawn on brown paper bags.
“The brown bag was really the canvas these adventures write themselves on,” said Todd Grant, Cole & Weber’s executive creative director. “We’ve all had those cult adventures, and it’s fun to tell the tales.”
Of course, the image of malt liquor being carted around in brown bags isn’t universally viewed as benign and fun. Activists and a congressman in Philadelphia successfully pushed for Colt 45 wraps to be taken off a pair of city buses last year, saying the marketing of malt liquor was irresponsible given the rising crime rate there.
“Given our rising epidemic of violence, your promotion of especially dangerous malt liquor is extraordinarily counterproductive,” Rep. Bob Brady (D-Pa.) said at the time. “Through these ads, [the transportation authority] is effectively condoning malt-liquor sales.”
In its late-1980s heyday, when sales topped 2 million barrels annually, Colt 45 was hardly bashful about marketing in poor neighborhoods, where the image of actor Billy Dee Williams and the slogan “Works every time” were often ubiquitous on billboards. Colt 45 contains 6.1% alcohol, making it boozier than most beers (Budweiser, for example, is 5%).
“We really wanted it to be a brand-new thing,” Mr. Grant said. “Whatever baggage they did have … doesn’t exist anymore.”
Neither, it seems, do a lot of the brand’s consumers. Sales have fallen by more than half since the late 1980s, and most of the remaining drinkers are aging.
To appeal to younger drinkers, Cole & Weber tapped graphic novelist Jim Mahfood (author of the volume “Classic 40 Ounce: Tales From the Brown Bag” and a regular contributor to alternative newsweeklies) to create a series of scenes and stories of young adults enjoying themselves with Colt 45. Most of the creative shows 20-somethings flaunting their oversize cans in social settings such as rooftop parties and dance clubs.
The brand’s ad budget is centered on the New York, Philadelphia, Atlanta and Los Angeles markets, although it also made national print buys in magazines such as Vice, Fader and Juxtapose.
Mr. Williams is nowhere to be found (Mr. Grant said unsuccessful overtures were made to have him make a cameo in one of the strips), but his signature “Works every time” slogan does appear in most of the work, which some experts said could be problematic. “Anytime you call attention to the [alcoholic] strength of a brand, you’re taking a risk,” said Benj Steinman, editor and publisher of the newsletter Beer Marketer’s Insights. Federal regulations prohibit the use of strength as a selling point for alcoholic beverages.